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Save the Last Dance for Me: A Love Story of the Shag and the Society of Stranders
     

Save the Last Dance for Me: A Love Story of the Shag and the Society of Stranders

by Phil Sawyer, Tom Poland
 

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The shag, the official state dance of North and South Carolina, originated in the 1930s. The dance quickly spread throughout the South, where it became a legend in many beach regions. Save the Last Dance for Me is the story of the shag and the development of the Society of Stranders, an organization devoted to the dance and its culture.
In Save the Last Dance

Overview


The shag, the official state dance of North and South Carolina, originated in the 1930s. The dance quickly spread throughout the South, where it became a legend in many beach regions. Save the Last Dance for Me is the story of the shag and the development of the Society of Stranders, an organization devoted to the dance and its culture.
In Save the Last Dance for Me, Phil Sawyer and Tom Poland retell the story of the legendary dance and its iconic presence at Ocean Drive, Myrtle Beach, and other South Carolina beaches. While contributing memories of shagging on Ocean Drive, Sawyer and Poland also discuss the actual dance steps that make up the shag. With the retelling of the shag story comes the unique story of the Society of Stranders. Formed in 1980 after a Red Sea Balsam bottle containing an SOS note washed ashore as a practical joke, what resulted was increased national publicity and five thousand "stranders" flocking to Ocean Drive Beach to show their support for the shag culture. The Society of Stranders, or SOS, and the Association of Carolina Shag Clubs together now consist of more than fifteen thousand members. The shag's past, present, and future are described here with archival and contemporary photographs.
The shag has become an important part of coastal culture for thousands, particularly in North Myrtle Beach, a community that has embraced the legacy of this dance. Save the Last Dance for Me tells the story of cultural change, including the separation and integration of races, and chronicles how rhythm and blues, Motown, and beach music evolved to create a social phenomenon that is still popular today.

Editorial Reviews

Library Journal
Sawyer is the president emeritus of the Society of Stranders, an organization dedicated to the shag and the culture from which it sprang, along with freelancer writer and novelist Poland (Forbidden Island: An Island Called Sapelo). Originating on the beaches of North and South Carolina ("the strands") in the 1930s, the shag has remained popular ever since, although interest in it declined during the Swinging Sixties and the Disco Seventies. Lewis Grizzard described dancing it as "like doing the jitterbug on Valium," and a quick look at a few YouTube videos will illustrate its incredibly smooth and absolutely cool moves. The history of popular music and social change in the South are part of the story of this dance done to what is sometimes called "beach music"; the appendix contains playlists of popular shag songs past and present. The shag is so pervasive in the cultural history of the South that it was declared the official state dance of South Carolina in 1984 and the official state popular dance of North Carolina in 2005. VERDICT Anyone interested in dance or Southern culture will groove to the beat of this heartfelt narrative.—Carolyn M. Mulac, Chicago P.L.

Product Details

ISBN-13:
9781611170887
Publisher:
University of South Carolina Press
Publication date:
08/30/2012
Pages:
192
Sales rank:
1,342,562
Product dimensions:
6.00(w) x 8.90(h) x 0.60(d)

Meet the Author


Phil Sawyer earned his undergraduate and graduate degrees and his Ph.D. from the University of South Carolina. A native of Salley, South Carolina, Sawyer is a U.S. Army veteran and retired university professor. An integral part of the shag movement, Sawyer serves as president emeritus of the Society of Stranders and was honored with its Lifetime Achievement award in 2011.

Tom Poland is a native of Georgia and a University of Georgia graduate. He has published six books, three of which were collaborations with Robert C. Clark and published by the University of South Carolina Press, including Reflections of South Carolina.

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