Savin' the Honky Tonk

Savin' the Honky Tonk

5.0 1
by Mark Chesnutt
     
 

There's a lot of truth to the title of Mark Chesnutt's tenth album, 2004's Savin' the Honky Tonk. Chenutt began his career as a new traditionalist country singer, indebted to Merle and George and singing straight-ahead honky tonk, but as his star rose and the decade rolled along, he moved further and further intoSee more details below

Overview

There's a lot of truth to the title of Mark Chesnutt's tenth album, 2004's Savin' the Honky Tonk. Chenutt began his career as a new traditionalist country singer, indebted to Merle and George and singing straight-ahead honky tonk, but as his star rose and the decade rolled along, he moved further and further into country-pop, culminating in his 1999 crossover hit "I Don't Want to Miss a Thing," a cover of Aerosmith's love theme to Michael Bay's absurd Armageddon. It might have been his biggest hit, peaking at 17 on the pop charts, but this wasn't a breakthrough to a new level of success. Shortly afterward, he lost not only that newfound pop, but he had a hard time cracking the country Top 40 as well. He left Decca/MCA Nashville after 2000's Lost in the Feeling, releasing a formulaic eponymous album on Columbia in 2002, yet despite a modest hit in its first single, "She Was," the album disappeared quickly and, with it, so did Chesnutt's contract with Columbia. Left without a major, Chesnutt signed with the indie Vivaton and decided to abandon the increasingly poppy, polished material that characterized his albums of the late '90s. So, he turned back to honky tonk as much to save himself as to save it, and the results are by and large pretty terrific. Singing hardcore honky tonk, Chesnutt not only sounds comfortable and relaxed, he's re-energized, both by the straight-ahead setting and the freedom to pick songs without an eye on the airwaves. There are still a couple of ballads that are slightly treacly, but in this unadorned setting, the sentiment doesn't seem so saccharine. Plus, they're primarily used as a change of pace here, since the heart of this record is in twangy, rollicking honky tonk songs. Three songs mention drinking or beer in the title, two others mention honky tonks, one tune is about "Mama's House," and a bunch of others are filled with bad behavior, heartache, and humor. While Chesnutt's band is a bunch of Nashville pros, the music is none too polished -- it's clear that they're having a good time, and it's hard for listeners not to have a good time as well. Perhaps Savin' the Honky Tonk will be just a one-off for Chesnutt, and he'll return to poppier material after this return to his roots, but hopefully not. This album proves that he's at his best when he sticks to the hard stuff.

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Product Details

Release Date:
09/21/2004
Label:
VIVATON RECORDS
UPC:
0180214000017
catalogNumber:
1

Tracks

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Album Credits

Performance Credits

Mark Chesnutt   Primary Artist,Vocals
John Wesley Ryles   Background Vocals
Larry Franklin   Fiddle
Paul Franklin   Dobro,Steel Guitar
John Jarvis   Piano
Brent Mason   Electric Guitar
Glenn Worf   Bass,Bass Guitar
John Wesley   Background Vocals
Lee Ann Womack   Background Vocals
Wes Hightower   Background Vocals
Jimmy Ritchey   Acoustic Guitar,Electric Guitar
Edward Bayers   Drums

Technical Credits

Mark Chesnutt   Composer
Vern Gosdin   Composer
Billy Joe Shaver   Composer
Shawn Camp   Composer
Hank Cochran   Composer
Red Lane   Composer
B. James Lowry   Contributor
Bob Ludwig   Mastering
Jim McBride   Composer
Ken Mellons   Composer
Neal Coty   Composer
Erik Hellerman   overdub engineer
Chuck Jones   Composer
Jerry Salley   Composer
Clarke Schleicher   Engineer
Dean Miller   Composer
Bill Tyler   Art Direction
Mark Nesler   Composer
Jason Sellers   Composer
Annie Tate   Composer
Sam Tate   Composer
Dale Dodson   Composer
Georgia Middleman   Composer
Kevin Fowler   Composer
Jimmy Ritchey   Composer,Producer,Tic Tac,Audio Production
Jimmy Melton   Composer
Tony Martin   Composer

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