Saving CeeCee Honeycutt: A Novel

Saving CeeCee Honeycutt: A Novel

by Beth Hoffman
Saving CeeCee Honeycutt: A Novel

Saving CeeCee Honeycutt: A Novel

by Beth Hoffman


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Steel Magnolias meets The Help in Beth Hoffman’s New York Times bestselling Southern debut novel, Saving CeeCee Honeycutt

Twelve-year-old CeeCee Honeycutt is in trouble. For years, she has been the caretaker of her mother, Camille, the town’s tiara-wearing, lipstick-smeared laughingstock, a woman who is trapped in her long-ago moment of glory as the 1951 Vidalia Onion Queen of Georgia. When tragedy strikes, Tootie Caldwell, CeeCee’s long-lost great-aunt, comes to the rescue and whisks her away to Savannah. There, CeeCee is catapulted into a perfumed world of prosperity and Southern eccentricity—one that appears to be run entirely by strong, wacky women. From the exotic Miz Thelma Rae Goodpepper, who bathes in her backyard bathtub and uses garden slugs as her secret weapons; to Tootie's all-knowing housekeeper, Oletta Jones; to Violene Hobbs, who entertains a local police officer in her canary-yellow peignoir, the women of Gaston Street keep CeeCee entertained and enthralled for an entire summer.

A timeless coming of age novel set in the 1960s, Saving CeeCee Honeycutt explores the indomitable strengths of female friendship, and charts the journey of an unforgettable girl who loses one mother, but finds many others in the storybook city of Savannah. As Kristin Hannah, author of Fly Away, says, Beth Hoffman's sparkling debut is “packed full of Southern charm, strong women, wacky humor, and good old-fashioned heart."

Product Details

ISBN-13: 9780143118572
Publisher: Penguin Publishing Group
Publication date: 10/26/2010
Pages: 336
Sales rank: 108,510
Product dimensions: 5.10(w) x 7.60(h) x 0.60(d)
Age Range: 18 Years

About the Author

About The Author
Beth Hoffman was the president and co-owner of an interior design studio in Cincinnati before becoming a full-time writer. She is the author of two New York Times bestsellers: Looking for Me and her debut, Saving CeeCee Honeycutt. She lives with her husband and two cats in northern Kentucky.



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Table of Contents


Title Page

Copyright Page


































Published by the Penguin Group
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Penguin Books Ltd, Registered Offices: 80 Strand, London WC2R 0RL, England

First published in 2010 by Viking Penguin, a member of Penguin Group (USA) Inc.

Copyright © Beth Hoffman, 2010

All rights reserved

A Pamela Dorman Book/Viking

PUBLISHER’S NOTE: This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental.



Hoffman, Beth.

Saving CeeCee Honeycutt : a novel / Beth Hoffman.

p. cm.

eISBN : 978-1-101-18985-6

1. Teenage girls—Fiction. 2. Families—Mental health—Fiction. 3. Eccentrics and eccentricities—Fiction. 4. Women—Georgia—Fiction. 5. Savannah (Ga.)—Fiction. 6. Domestic fiction. I. Title.

PS3608.O4774S28 2010

813’.6—dc22 2009035348

Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise), without the prior written permission of both the copyright owner and the above publisher of this book.

The scanning, uploading, and distribution of this book via the Internet or via any other means without the permission of the publisher is illegal and punishable by law. Please purchase only authorized electronic editions and do not participate in or encourage electronic piracy of copyrightable materials. Your support of the author’s rights is appreciated.

This book is dedicated to Marlane Vaicius,
the best friend a girl could ever hope to find. Marlane, you are my Dixie.
In loving memory of my great-aunt, Mildred Williams Caldwell
of Danville, Kentucky, the remarkably generous and wise little woman
who ignited the flame that inspired this book.


Exceptional people have pressed their fingertips along the edges of this book, and I’m indebted to them all.

Grateful thanks to literary agent extraordinaire Catherine Drayton of Inkwell Management, for opening the window and hanging a star in the October sky. With heartfelt gratitude, I thank a rare jewel in the publishing world—the gracious and enormously talented Pamela Dorman—for her brilliant and inspiring editing. A warm thanks goes to Leigh Butler, Hal Fessenden, Julie Miesionczek, Nancy Sheppard, Shannon Twomey, Carolyn Coleburn, Randee Marullo, Veronica Windholz, Dennis Swaim, and Andrew Duncan for their guidance and kindness. And a big thanks to Clare Ferraro, Susan Petersen Kennedy, and everyone at Pamela Dorman Books/Viking Penguin for believing in CeeCee—and me.

A special thanks to Robin Smith for her sharp eyes, good humor, and friendship. And speaking of friends, had it not been for the support of Marlane Vaicius, Debra Kreutzer, Margaret Vincent, and Marie Behling, I’d surely be making macaroni art somewhere in Idaho.

A tender thank-you goes to my husband, Mark, a gentleman of great integrity and kindness.

Often in life there are last things to say, and I’d be remiss if I didn’t seize this opportunity to tip the brim of my hat in the direction of a man named Dan. He knows why.


Momma left her red satin shoes in the middle of the road. That’s what three eyewitnesses told the police. The first time I remember my mother wearing red shoes was on a snowy morning in December 1962, the year I was seven years old. I walked into the kitchen and found her sitting at the table. No lights were on, but in the thin haze of dawn that pushed through the frostbitten window, I could see red high-heeled shoes peeking out from beneath the hem of her robe. There was no breakfast waiting, and no freshly ironed school dress hanging on the basement doorknob. Momma just sat and stared out the window with empty eyes, her hands limp in her lap, her coffee cold and untouched.

I stood by her side and breathed in the sweet scent of lavender talcum powder that clung to the tufts of her robe.

“What’s the matter, Momma?”

I waited and waited. Finally she turned from the window and looked at me. Her skin was as frail as tissue, and her voice wasn’t much more than a whisper when she smoothed her hand over my cheek and said, “Cecelia Rose, I’m taking you to Georgia. I want you to see what real living is like. All the women dress so nice. And the people are kind and friendly—it’s so different from how things are here. As soon as I feel better, we’ll plan a trip—just you and me.”

“But what about Dad, will he come too?”

She squeezed her eyes closed and didn’t answer.

Momma stayed sad for the rest of the winter. Just when I thought she’d never smile again, spring came. When the lilacs bloomed in great, fluffy waves of violet, Momma went outside and cut bouquets for every room in the house. She painted her fingernails bright pink, fixed her hair, and slipped into a flowery-print dress. From room to room she dashed, pushing back curtains and throwing open the windows. She turned up the volume of the radio, took hold of my hands, and danced me through the house.

We whirled through the living room, into the dining room, and around the table. Right in the middle of a spin, Momma abruptly stopped. “Oh, my gosh,” she said, taking in a big gulp of air and pointing to the mirror by the door, “we look so much alike. When did that happen? When did you start to grow up?”

We stood side by side and gazed at our reflections. What I saw was two smiling people with the same heart-shaped face, blue eyes, and long brown hair—Momma’s pulled away from her face in a headband and mine tied back in a ponytail.

“It’s amazing,” my mother said, gathering her hair in her hand and holding it back in a ponytail like mine. “Just look at us, CeeCee. I bet when you get older, people will think we’re sisters. Won’t that be fun?” She giggled, took hold of my hands, and spun me in circles till my feet lifted off the floor.

She was so happy that after we finished dancing, she took me into town and bought all sorts of new clothes and ribbons for my hair. Momma bought herself so many pairs of new shoes that the salesman laughed and said, “Mrs. Honeycutt, I believe you have more shoes than the Bolshoi Ballet.” Neither Momma nor I knew what that meant, but the salesman sure thought he was clever. So we laughed along with him as he helped us carry our packages to the car.

After stuffing the trunk full with bags and boxes, we ran across the street to the five-and-dime, where we sat at the lunch counter and shared a cheeseburger, a bowl of French fries, and a chocolate milk shake.

That spring sure was something. I’d never seen Momma so happy. Every day was a big celebration. I’d come home from school and she’d be waiting, all dressed up with a big smile on her face. She’d grab her handbag, hurry me to her car, and off we’d go to do more shopping.

Then came the day when Dad arrived home from a three-week business trip. Momma and I were sitting at the kitchen table, she with a magazine and me with a coloring book and crayons. When my dad opened the closet door to hang up his jacket, he was all but knocked senseless when an avalanche of shoe boxes rained down on him.

“Good Christ!” he barked, turning to look at Momma. “How much money have you been spending?”

When Momma didn’t answer, I put down my crayon and smiled. “Daddy, we’ve been shopping for weeks, but everything we got was for free.”

“Free? What are you talking about?”

I nodded wisely. “Yep. All Momma had to do was show the salesman a square of plastic, and he let us have whatever we wanted.”

“What the hell?” Dad pounded across the kitchen floor, yanked Momma’s handbag from the hook by the door, and pulled the square of plastic from her wallet. “Damn it, Camille,” he said, cutting it up with a pair of scissors. “How many times do I have to tell you? This has got to stop. No more credit cards. You keep this up and you’ll put us in the poor house. You hear me?”

Momma licked her finger and turned a page of the magazine.

He leaned down and looked at her. “Have you been taking your pills?” She ignored him and turned another page. “Camille, I’m talking to you.”

The sharpness of his words wiped the shine right out of her eyes.

Dad shook his head and pulled a beer from the refrigerator. He huffed and puffed out of the kitchen, kicking shoes out of his way as he headed for the living room. I heard him dump his wide, beefy body into the recliner, muttering the way he always did whenever he was in a bad mood. Which, as far as I could tell, was pretty much always.

My father didn’t smile or laugh very much, and he had a limitless gift for making me feel about as important as a lost penny on the sidewalk. Whenever I’d show him a drawing I’d made or try to tell him about something I’d learned in school, he’d get fidgety and say, “I’m tired. We’ll talk another time.”

But another time never came.

He was a machine-tool salesman and spent much of his time in places like Michigan and Indiana. Usually he’d stay away all week and would come home only on weekends. And most times those weekends were filled with an unbearable tension that sprung loose on Saturday night.

Momma would get all dolled up, walk into the living room, and beg him to take her out. “C’mon Carl,” she’d say, tugging at his arm, “let’s go dancing like we used to. We never have fun anymore.”

His face would turn sour and he’d say, “No, Camille. I’m not taking you anywhere until you straighten up. Now go take your pills.”

She’d cry and say she didn’t need any pills, he’d get mad, turn up the volume of the TV, and drink one beer after another, and I’d run upstairs and hide in my bedroom. Whole months would go by and I’d only hear an occasional kind word pass between them. Even less frequently I’d see them touch. Before too long even those things faded away, and my father’s presence in the house faded right along with them.

Momma seemed glad that Dad stayed away so much. One day I was sitting on the floor of her bedroom cutting out paper dolls while she sat at her vanity and put on makeup. “Who needs him anyway?” she said, leaning close to the mirror as she smoothed on bright red lipstick. “I’ll tell you something, Cecelia Rose. Northerners are exactly like their weather—cold and boring. And I swear, none of them has one iota of etiquette or propriety. Do you know that not one single person in this godforsaken town even knows I’m a pageant queen? They’re all a bunch of sticks-in-the-mud, just like your father.”

“You don’t like Daddy anymore?”

“No,” she said, turning to look at me. “I don’t.”

“He doesn’t come home very much. Where is he, Momma?”

She blotted her lips with a tissue. “That old fool? He’s not here because he’s down at the cemetery with one foot stuck in the grave. And that’s another thing. Never marry an older man. I mean it, CeeCee. If an older man ever sweeps you off your feet, just get up and run away as fast as you can.”

I set down my scissors. “How old is Daddy?”

“Fifty-seven,” she said, rubbing a smudge of rouge from her cheek. “And look what he’s done to me.” She scowled at her reflection in the mirror and shook her head. “I’m only thirty-three and I already have lines on my face. Your father is nothing but a Yankee liar. I can’t tell you how many promises he made just so I’d marry him and move up here to this god-awful excuse for a town. But all those promises amounted to nothing but a five-hundred-pound bag of dog breath.”

As I was about to ask her what that meant, a strange, icy expression moved across her face. She gazed down at her wedding picture and slowly lifted it from the vanity. With her tube of lipstick she drew a big red X over my dad’s face, then shrieked with laughter, fluffed her hair, and walked out the door.

What caused it, I didn’t know, but after that day Momma’s moods began to spike and plummet like a yo-yo. One day she’d pitch a fit and break everything she could get her hands on, and the next day she’d be as calm as a glass of water. Then, out of nowhere, she’d up and vanish. I’d panic and run down the street, calling her name while my heart hammered against my ribs. Eventually I’d find her going from door to door in the neighborhood, asking for donations for some charity nobody ever heard of. A few people felt sorry for her and would drop a coin or two into the jar she held in her hands, but most people closed the door in her face.

She became so unpredictable that I never knew what would be waiting for me when I got home from school—a plate of gooey half-baked cookies or muffled sobs leaking from beneath her closed bedroom door. I didn’t know what was wrong with her, but I did know that none of the other mothers in our town acted the way she did. They’d come into school carrying trays filled with freshly baked cupcakes, and I’d see them walking along the sidewalks with their children and sometimes a dog. The other mothers were happy and seemed like they were fun to spend time with, but Momma wasn’t fun anymore, and there were times when she acted so strange that she scared me.

Each year I watched her grasp on reality loosen as she slipped further away, but the worst part of her descent began on a breezy spring afternoon when I was nine years old.

I was headed home from school, enjoying the way the wind tickled my face, when three boys ran by. One of them skidded to a stop and poked me in the shoulder. “Hey, Honeycutt, it’s not Christmas, so how come there’s a big fruitcake in your front yard?”

He let out a cruel, sputtering laugh and disappeared around the corner. When I turned down my street and saw Momma, a rush of heat scalded my cheeks. My brunette mother had bleached her hair white and was standing in the front yard wearing a slam-on-the-brakes horror of a yellow prom dress. It was so tight the seams were puckered up in some places and split open in others, and beneath the full, gathered skirt were layers and layers of stiff white petticoats.

She didn’t look a thing like a fruitcake—no, she did not. My mother looked like a big lemon meringue pie. And if that weren’t bad enough, sparks of light burst into the air from the rhinestone tiara that sat cockeyed on her head as she blew kisses to everyone who drove by.

“I love you,” she called, waving to a carload of teenage boys in a convertible.

The driver screeched to a stop and backed up. His greasy, slicked-back hair shimmered in the sunlight. He took a drag from a stubby cigarette and flicked it into the street. “Hey, baby,” he called to Momma. “That’s some outfit. What’s going on?”

“Please vote for me,” she sang out across the lawn. “I’ll make y’all proud of this great state of Georgia.”

All of the boys laughed, and one of them said, “Georgia? What’s the matter—you lost or something? This is Willoughby, Ohio.”

Oblivious to the truth of his words, she blew him a kiss. “Now, don’t forget to vote for me.”

One of the boys in the backseat motioned to Momma. “Sure, I’ll vote for you, honey. C’mon over and sit on my lap.”

She giggled and set off toward the car. Just as she reached the sidewalk, the driver hit the gas and laid rubber on the road. Clouds of smoke rolled into the air, but Momma kept right on blowing kisses.

I was so embarrassed, I thought I’d implode right there on the sidewalk. Though I knew I should grab her arm and haul her back inside the house, my shame sent me running in the opposite direction. With my books hugged to my chest, I ran full throttle until I reached the public library. I pushed through the heavy wooden door of the ladies’ restroom, hid in one of the stalls, and opened a book. I read as fast as I could, gobbling up pages until the wild thumping of my heart subsided, until the story on the pages became real and my life became nothing but a story—a story that simply wasn’t true. Couldn’t be true. I stayed in the restroom until the maintenance man came in to wash the floors and shooed me out.

Not long after that day, Momma began walking to the Goodwill store. She’d buy all sorts of old prom dresses and formal gowns, and if she happened to find any dyed-to-match shoes, well, she’d buy those too, even if they were three sizes too big.

One afternoon I was lying on my bed, reading Stuart Little, when I heard Momma’s footsteps on the stairs accompanied by the rustle of paper bags—always a surefire announcement that she had struck gold during her Goodwill shopping spree. I heard her laugh, giddy with anticipation, as she tried on the newest addition to her wardrobe. Within a few minutes she called to me, “Cecelia Rose, come in here, darlin’, and see what I found.”

I pressed my nose farther into the book and pretended not to hear, but Momma called again, and when I didn’t answer, I heard the sharp clickety-click of her high-heeled shoes coming down the hall. She threw open my bedroom door and exclaimed, “Will you just look at your momma! Isn’t she something?”

She stood in the doorway, eyes glazed wide from her Goodwill shopping hangover. Then she gathered up the skirt of a raggedy old prom dress she’d just bought for a dollar and twirled into my room like a colorful, out-of-control top.

“Oh, how I adore this shade of pink. It suits me,” she said, stopping to admire her reflection in the mirror on my closet door.

I don’t know what Momma saw in that mirror that delighted her so much, but it sure wasn’t what I saw.

She put her hands on her hips, looked over her shoulder, and waited for me to tell her how beautiful she looked. It was all I could do to reach deep inside myself and push out the words she so desperately wanted to hear. “You look nice, Momma,” I mumbled, embarrassed enough for both of us, then I lowered my eyes and went back to reading my book.

“Don’t be sad, CeeCee. One day you’ll win a beauty pageant, and then you can wear all these beautiful gowns too. I’m saving them for you, darlin’. I promise I am.” She grinned and sashayed out of my room.

Grateful that she’d finally left, I scooted off the bed and closed the door behind her.

Momma started wearing those tattered old prom dresses several days a week. The more she wore them, the more of a spectacle she became in our town. Even the nicest of our neighbors couldn’t stop themselves from standing in their front yards bug-eyed and slack-jawed whenever she’d parade down the sidewalk in a rustle of taffeta. And who could blame them? With a neighbor like Momma, who needed TV?

In school I was the skinny girl who had a crown-wearing, lipstick-smeared lunatic for a mother. Nobody talked to me unless they wanted an answer to a test question, and nobody sat with me at the lunch table—well, nobody except Oscar Wolper, who smelled like dirty socks and bore a shocking resemblance to Mr. Potato Head.

After a while I didn’t pay much attention to my classmates. It didn’t matter what they said about my mother or what kinds of faces they made. I’d just walk in, take my seat, and keep my eyes glued to the blackboard. Besides, I always knew a smile would be waiting for me every Sunday.


For as far back as my memory would take me, I had spent Sunday mornings with our elderly neighbor Mrs. Gertrude Odell. At eight o’clock I’d go down to the kitchen and watch for her porch light to go on; it was our signal that she was ready for me. The minute I’d see that light, I’d run out the door, across the yard, and up the back steps of her little brick house. Always she’d greet me with a smile, still with her thin white hair wound in itty-bitty pin curls, still wearing her nightgown and flowery snap-front robe that was frayed at the cuffs.

“Good morning, honey,” she’d say as I stepped into her kitchen. “It’s a beautiful day that just got more beautiful.”

Whether it was sunny, rainy, or even if a foot of snow had fallen overnight, to Mrs. Odell, every day was a beauty. I think she was just happy to have woken up on the top side of the earth.

Mrs. Odell lived alone. She’d had a husband once, but he died a long time ago. We helped each other a lot: she made my school lunch each morning, and I pulled weeds in her garden and helped her lift things that were heavy.

Our Sunday breakfasts were my favorite thing in the whole world. While I gathered silverware and set our places at the white enamel-top table that sat by the kitchen window, she’d shuffle across the green linoleum floor in a pair of broken-down, grandma-style shoes with mismatched laces and grill up a stack of pancakes. We’d sit down and have ourselves a feast while we listened to a church station on the radio. Mrs. Odell loved choir singing, and she’d tune in early so we wouldn’t miss it. Most times we’d catch the tail end of the day’s sermon, loudly delivered by an angry-sounding preacher. Every week it was like he was giving his listeners a big, finger-pointing reprimand.

One Sunday while licking maple syrup off my fingers, I looked at Mrs. Odell. “Why is that preacher so upset? He always sounds real mad.”

She took a sip of tea and thought for a moment. “Well, now that you mention it, he does sound a little crabby. Maybe he’s tired of reminding people to be kind to each other.”

“Are all preachers crabby?” I said, taking a bite of my pancakes.

Mrs. Odell chuckled. “I don’t know if I’d say they’re all crabby, but I think some do have a tendency to speak a little too forceful at times.”

“Well, what I don’t understand is why people get all dressed up and drive to church so they can sit there and get scolded. Seems to me it’d be a whole lot easier for them to just stay home in their pj’s, eat pancakes, and get yelled at over the radio.”

Mrs. Odell laughed so hard she cried. But I was serious.

On my way home from school the following Friday, I heard the echo of a sharp whack-whack-whack rise above the trees. Up ahead, a man was hammering a sign into the ground in front of a local church. The sign was advertising a weekend fund-raising festival, and printed in bright red letters at the bottom were the words COME JOIN THE FUN—EVERYONE WELCOME. When I arrived home, I made up my mind that I’d go down there on Saturday morning and see for myself what all this church stuff was about.

Before leaving the house the next morning, I put on a pair of old sunglasses and tied a scarf around my head. Thanks to Momma’s antics, even the adults in our town looked at me with something that was a cross between disgust and pity, so I tried to disguise myself whenever I ventured into town.

The festival was a swarm of activity, and I sunk into the shadows of the trees to watch. My first impression was that pies seemed to help people be kind to one another a whole lot better than any mean-talking preacher. In fact, there were more smiles around the bake-sale tables than I had ever seen in one place. Even the most ornery, stern-faced men in our town turned all happy and grinned like fools as they looked over the long tables lined with homemade cookies, pies, and strudels. Even Mr. Krick, the owner of the local hardware store, who was just about as grumpy as a person could be, picked up a pie. Under the watchful eye of a little gray-haired woman who stood behind the table, he held it beneath his nose and breathed in the aroma.

“Ida Mae,” he said with a goofy grin, “you’ve created a masterpiece. This elderberry pie has been blessed by the Good Lord himself. I’ll take it.”

Ida Mae blushed and packed the pie inside a box.

“Now, don’t you worry about that broken latch on your screen door,” Mr. Krick said, suddenly jolly. “I’ll stop by tomorrow morning and get it all fixed up.” He handed Ida Mae a five-dollar bill, told her to keep the change, and disappeared into the crowd.

I made a mental note that if I ever needed help from a man I would make him a pie. I wondered if that’s why my dad didn’t come home much anymore. As far as I knew, Momma never once had baked him a pie.

Beyond the bake-sale tables stood a line of game booths, but I steered clear of those when I saw a group of kids from my school. I watched from a safe distance as they threw balls, knocked over bowling pins, and won all sorts of prizes.

Once I’d seen enough of the festival, I took a shortcut through the grass and walked by the church. The door was wide open, so I climbed the steps and peeked inside.

It was almost dark. The only light there was came from a vibrantly colored stained glass window on the farthest wall. Beyond the rows of polished wood pews sat an altar draped in a cloth of deep red, its surface filled with dozens of burning candles that glowed from inside tiny glass cups.

Careful not to make a sound, I moved down the aisle. Three women were kneeling in the front pew, each one of them wearing a lacy square of fabric on top of her head. The women rubbed long beaded necklaces through their fingers, and one of them rocked back and forth to the rhythm of something I couldn’t hear. I didn’t know what beaded necklaces had to do with praying, but I guessed it was probably some secret code reserved exclusively for women.

For several minutes I watched the scene before me, wondering if a beaded necklace had the power to help my mother. I wondered about it the whole way home.

While walking around the side of the house, I saw Dad’s car parked in the driveway. Just as I opened the back door, I heard Momma’s voice burst through the air. “No. Get out!”

“Damn it, Camille, calm down. We need to talk.”

There was a furious jumble of words, ending with the sound of breaking glass. I ran across the kitchen and hid inside the broom closet. Above me I could hear the shuffling of feet, and then Dad’s words boomed through the house. “Camille, you’ve got to stop this. Now, sit down and—”

Momma screamed, “Don’t come near me. I hate you!”

The slamming of her bedroom door shook the house, and a moment later Dad pounded down the stairs. I stood stock-still in the darkness of the closet, and when he came into the kitchen, I held my breath. When the screen door slapped shut, I pushed open the closet door and peered out the window. As I watched my father get into his car and roar away, I decided to give the praying business a try.

Later that night, while Momma was asleep on the sofa, I searched through a chest of drawers in her bedroom until I found the strand of pearls she kept tucked inside a pink satin pouch. After pulling an old doily from beneath a lamp and grabbing a Christmas candle from a box in the closet, I went into my bedroom and closed the door. I bobby-pinned the doily to my head, lit the candle, and got down on my knees by the window. Though I wasn’t sure exactly what to do, I gazed into the sky and rubbed the pearls between my fingers until they grew nice and warm.

“Hello. My name is Cecelia Rose Honeycutt, and I live at 831 Tulipwood Avenue. The preacher on the radio said if we opened our hearts and asked, we’d be saved. He said it was that simple. So I’m asking, will you please save Momma? Something’s wrong with her mind and it’s getting worse every day. And while you’re at it, will you save me too? There’s nothing wrong with my mind, but I sure could use some help down here. I’ll do anything you say. Thank you. Amen.”

What People are Saying About This

Kim Edwards

"CeeCee Honeycutt is a sweet, perceptive girl with a troubled family, and this story of the summer that transforms her life is rich with hard truths and charm. This book unfolds like a lush southern garden, blooming with vivid characters, beauty, and surprises."--(Kim Edwards, bestselling author of The Memory Keeper's Daughter)

Mary Kay Andrews

"A tender and touching debut. Charming, disarming, sweet as the scent of magnolias on a Southern summer night, SAVING CEECEE HONEYCUTT is a true delight."--(Mary Kay Andrews, bestselling author of The Fixer-Upper)

Kristin Hannah

"SAVING CEECEE HONEYCUTT is an absolutely delightful debut novel packed full of Southern charm, strong women, wacky humor, and good old-fashioned heart. From the moment you first step into young CeeCee's unique world, you'll never want to leave."--(Kristin Hannah, bestselling author of True Colors and Winter Garden)

Luanne Rice

"Reading SAVING CEECEE HONEYCUTT, I barely stopped laughing, even as my heart broke and broke again for CeeCee. She goes through the wringer with Southern grace, but you never forget all she's lost, and you never lose sight of her courage and deep resources. Beth Hoffman has written her heart out in this novel that will clearly be the first of many."--(Luanne Rice, bestselling author of The Geometry of Sisters and The Deep Blue Sea for Beginners)

From the Publisher

“Anyone in need of a southern-girl-power fix will find [Saving CeeCee Honeycutt] engaging. And it offers an invaluable reminder: Even when things look bleak, a few good friends can turn your life around.”

“A peach of a novel.”
Ladies Home Journal

“CeeCee Honeycutt is a sweet, perceptive girl with a troubled family, and this story of the summer that transforms her life is rich with hard truths and charm. This book unfolds like a lush southern garden, blooming with vivid characters, beauty, and surprises.”
Kim Edwards, bestselling author of The Memory Keeper’s Daughter

“An absolutely delightful debut novel packed full of Southern charm, strong women, wacky humor, and good old-fashioned heart.  From the moment you first step into young CeeCee’s unique world, you'll never want to leave.”
Kristin Hannah, bestselling author of Fly Away

“Reading Saving CeeCee Honeycutt, I barely stopped laughing, even as my heart broke and broke again for CeeCee.  She goes through the wringer with Southern grace, but you never forget all she’s lost, and you never lose sight of her courage and deep resources.  Beth Hoffman has written her heart out in this novel that will clearly be the first of many.”
Luanne Rice, bestselling author of The Lemon Orchard and Little Night

“A tender and touching debut. Charming, disarming, sweet as the scent of magnolias on a Southern summer night, Saving CeeCee Honeycutt is a true delight.”
Mary Kay Andrews, bestselling author of Ladies' Night

Reading Group Guide

And just as I drifted off to sleep, I heard her words float in with the breeze, “It’s how we survive the hurts in life that brings us strength and gives us our beauty.”

Twelve-year-old CeeCee Honeycutt knows about hurts all too well. She lives in a home where shocking events and misery are daily occurrences. CeeCee’s mother, Camille, is lost in a psychotic fantasy world where she’s still a young beauty queen in search of the parade to fame. With a father who purposefully spends very little time at home, it falls to CeeCee to take on the exhausting role of caregiver for her mother, who has become the laughingstock of the entire town.

Then one day Camille is struck and killed by an ice cream truck. What will CeeCee do? Who will take care of her? Certainly not her father, whom she blames for allowing the situation to spin so wildly out of control. Her only friend, an elderly neighbor, is in no position to help. So where is CeeCee to go? The answer arrives when a vintage automobile roars into the driveway. The driver is Tootie Caldwell, a great-aunt from Savannah, who CeeCee’s never even heard of. Upon entering the house, Tootie instantly senses that something is terribly wrong. She volunteers to take CeeCee back to Georgia, and CeeCee’s father eagerly agrees. As unthinkable as the relinquishment of his daughter seems, it just might prove to be the greatest gift he could give her. With nothing but a few meager possessions, CeeCee climbs into her aunt’s car. As they head south, CeeCee observes:

I had no idea where we were, and to be honest, I don’t think Aunt Tootie did, either. All I knew was that I was flying through the night in a fancy car with a woman who showed up out of nowhere and offered to take me, messed-up life and all, to a place called Savannah.

The beautiful world Aunt Tootie has created in Savannah leaves CeeCee wonderstruck, as does Tootie’s coterie of eccentric friends—including Oletta, the housekeeper famous for her wise reflections on life and her gooey-sweet homemade cinnamon rolls, and Miz Thelma Rae Goodpepper, the stunning nextdoor neighbor with a taste for the exotic. A summer filled with adventure ensues, and the lessons learned from these fascinating and diverse women help CeeCee take her first timid steps toward becoming a normal little girl.

With lots of love and laughter and some good old-fashioned fun (sometimes at the expense of a local busybody and her curiously missing brassiere), CeeCee begins to heal. Just when her life opens like the promise of a brand-new day, a visit to a peach farm unleashes locked-away memories, and the truth of her mother’s final hours sends CeeCee spiraling into a crisis. But Aunt Tootie and Oletta know all about pain and unresolved grief, and with their loving guidance, CeeCee begins sorting through the events of her childhood. Little by little she discovers a few good memories of her mother hiding in the ruins. Those memories help CeeCee come to terms with her past, and finally she’s free to begin a new life where she can bloom.



Beth Hoffman was the president and co-owner of a major interior design studio in Cincinnati, Ohio. She sold her portion of the business to pursue writing full time. She lives in a quaint historic district in northern Kentucky, with her husband and three very smart cats. This is her first novel.



Q. In another writer’s hands, the depiction of Camille’s mental illness might come across as humorous or even callous. But you portray her illness with respect. How did you keep that balance? Was that aspect of the book difficult to write?

As ill as Camille was, I saw her as a woman who still possessed threads of a likable personality. Beneath her wild escapades and psychotic interludes was a young woman with a wounded soul. Honoring Camille’s fragile humanness allowed me to write about her with empathy and respect. Was Camille a difficult character to write about? Surprisingly, no. From the moment she first entered my imagination, there was an undeniable humor in her pain, and, conversely, there was heartbreaking sadness in her fleeting moments of joy. I took those diametrically opposed elements to the edge by creating the sense of bittersweet release in Camille’s death.

Q. Do you, like CeeCee, have an appetite for reading? What are some of your favorite books and authors? Are there books you read again and again?

Yes, words are to me what a steak is to a hungry dog. I cannot go to sleep at night without reading for at least an hour. My taste is eclectic, but I’m most drawn to character-driven fiction. I have too many favorite authors to list, but a few of them are Pat Conroy, Carol Shields, Kim Edwards, Bailey White, Arturo Pérez-Reverte, and Amy Tan.

The books I’ve read more than once are The Prince of Tides, Mama Makes Up Her Mind, Roxanna Slade, Cider with Rosie, Illusions, and The Hundred Secret Senses. I suspect I’ll read The Help by Kathryn Stockett again, too.

Q. As we get to Savannah, the setting of your book springs to vivid life. Why did you choose to set your book in the South? Why did you choose to set it in the late 1960s?

The characters actually chose the era of my story. They lived in a time when life was simpler—there were no computers or cell phones and certainly no reality TV shows! Not only did I want my book to have believably eccentric characters, but I wanted it to have multicultural characters, too. And where other than the American South could a little Northern girl so profoundly connect with an African American housekeeper?

My admiration for Southern architecture and gardens, combined with my background in interior design, made the setting of Savannah a natural choice. Most important, without the beauty and graciousness of Aunt Tootie’s world, CeeCee’s story could have run the risk of becoming somber. It’s the contrast of light to dark, joy to sorrow, and humor to sadness that gives the story its balance.

Q. Aunt Tootie is very active in preserving historic Savannah houses, even saving them from demolition. Why did you choose to make this a major part of her character? Is this subject near and dear to you?

Aunt Tootie is a woman in her midsixties who sparkles with joie de vivre—it was imperative that she never come across as a lamenting widow. She needed to possess an inner fire—a cause that was for the betterment of the community and the city that she so dearly loved. By making her an active member of the Historic Savannah Foundation, it gave me the opportunity to weave details of beautiful old homes into the story. Plus it was important for CeeCee to experience her aunt’s zest and to recognize that there are more important things in life than wallowing in past injustices and self-pity.

Like Tootie, I’ve always loved old homes—especially those Southern beauties built from 1780 to 1910. When I enter a grand old home, I get the chills just thinking about all the mysteries and family histories that took place within those thickly plastered walls. Many years ago I read the story of how seven women banded together and founded the Historic Savannah Foundation. I joined their spirit of historic preservation, purchased a big old Southern home, and rehabbed it top to bottom. I’m also a member of several historic preservation organizations, including the Historic Savannah Foundation, the Historic Charleston Foundation, the Kentucky Historical Society, and the National Trust for Historic Preservation. As I began writing about Tootie’s life in Savannah, it seemed fitting that she would be an active member of such an important foundation.

Q. How did the idea for Saving CeeCee Honeycutt come about? How long did it take you to write it?

From the day I typed chapter one to the day I completed my query letter to literary agents, it was almost exactly four years—more than three years to write the book and a solid nine months of editing.

The core of my novel was inspired by the summer I visited my great-aunt Mildred in Danville, Kentucky, when I was a little girl. Her home was a gorgeous old Greek Revival, and when I first saw it, I literally gasped—I had just entered a world I never knew existed. I was awed by the lush gardens and the genteel lifestyle. But what struck me most were the lovely manners that Southerners possessed. People on the street would nod and say, “How-de-do,” and, “Isn’t this a lovely day?” whenever they’d pass by. It was so different from how people behaved in my Northern hometown.

The world my aunt created was magic—extraordinary antiques were used and enjoyed instead of protected, her Scottish terriers chased freely across spectacular Oriental rugs, and laughter was the song at the supper table. Her home was a place of beauty and joy. She was a true Southern lady. She not only possessed charm and grace, but she was also an accomplished, highly educated woman who gave freely of herself to her family, friends, and community. And, oh, was she ever witty! Each night of my visit I’d lie in bed and dream that I lived with my great-aunt. And though that dream never materialized, it inspired the writing of Saving CeeCee Honeycutt.

Q. Are any of the characters based on people you’ve known?

Aunt Tootie is based to an extent on my great-aunt Mildred, but all the other characters are products of my imagination combined with snippets of people I’ve known or observed throughout my life.

Q. What do you think the heart of this book is? What’s the one thing you want people to take away from reading it?

What I’m most touched by is how everyone who reads CeeCee’s story comes away with a different feeling. Though I didn’t realize it at the time of writing my novel, there seems to be something universal in the story that appeals to a wide audience from varied cultures—from Italy to Israel to France and beyond. I believe the heart of the book is threefold: It’s about the capacity for forgiveness, being awake to the magic in everyday life, and embracing a childlike spirit whether you’re twelve or ninety-two.

Q. What’s your writing process? Is there a particular place you like to go or a time of day when you find yourself best able to write? Do you have any words of advice for aspiring novelists?

I have a library/writing studio in my home. It’s a wonderful room, with a fireplace, bookshelves, and lots of natural light. I’m very disciplined—I write six days a week. When the muse is with me, I’ll write from morning late into the night.

Do I have words of advice for aspiring novelists? Yes. Read! Gobble up the written word until you’re stuffed. Observe the subtleties in the world around you. Write from your heart, and always remain open to possibilities. How your story wants to evolve might be quite different from what you originally intended. Imagination is the life force of a writer. Don’t get in its way, but don’t let it take you from the sublime to the ridiculous, either.

When you’ve typed “The End” and think you’ve got a bona fide novel in your hands, I can guarantee that you don’t. Not yet. So don’t lay rubber on the road to get your masterpiece to the post office. Instead, take a week off, then go back with fresh eyes and edit your entire manuscript with a ruthless hand. I highly recommend editing a manuscript no fewer than four times. When you finally believe you’ve created something special, it’s time to write a killer query letter—and I mean killer! If you can’t make the hairs on a literary agent’s arms stand up with your one-page query, then she/he will never read your sample pages. “You never get a second chance to make a first impression.” Nowhere is that old adage truer than in the publishing business.

Q. What are you working on now?

I’m delighted to say that more eccentric characters are demanding that I hear their stories. This is the process I love—when out of nowhere an idea for a story begins to take form, followed by the distinct voices of the characters. My next work will certainly be a Southern novel, and I believe the primary setting will be in Charleston, South Carolina.


  • CeeCee tries to escape from the harsh reality of her life by turning to books. When did your own love of reading develop? Did a particular person or event inspire it? What were some books you loved as a child?
  • Camille’s illness left CeeCee filled with shame and despair. Do you think if she had told Mrs. Odell more of what went on inside the house that the elderly woman could have done something? If so, what? Were there any incidents in your youth that brought you shame or that you were afraid to discuss with an adult?
  • This book highlights comparisons between the North and South. What do you think accounts for the differences—perceived or otherwise—between people who live on either side of the Mason-Dixon Line?
  • As the story unfolds, a remarkable relationship develops between Oletta and CeeCee—Oletta becomes the stable and wise mother CeeCee never had, and CeeCee fills the place in Oletta’s heart left vacant by the untimely death of her daughter. Has anyone ever unexpectedly arrived in your life and filled a void? Have you ever filled a void in someone else?
  • After the attack at the beach, Oletta tells CeeCee she must “reclaim her power” to overcome her fears. What are some times in your life when you had to stand up to reclaim your own power? How did you go about it?
  • Forgiveness is an underlying theme in CeeCee’s story. By eventually forgiving her parents, she frees herself to begin a new life. What people have you forgiven, and how hard was it to do? What were the rewards?
  • Aunt Tootie and all her friends make an art out of making people feel welcome. How do the various women welcome CeeCee into their ranks? What about their welcome for Mrs. Odell? What are some particular times when you’ve received a warm welcome? What about the opposite?
  • The incident at the peach farm followed by the days CeeCee spends in recovery mark a poignant turning point in her life. Has there ever been a time when you faced your own turning point? Was there anyone who helped you? What gifts were waiting for you at the end of your journey?
  • When Aunt Tootie tells CeeCee that she’s “a very popular lady,” it has a profound effect on her. What are some other times in the book when CeeCee takes an adult’s words to heart—good and bad? What are some particularly memorable things that were said to you as a child—positive or negative?
  • At several key moments in the story, CeeCee finds that her Life Book is being revised. Are there any other words or terms for “Life Book” that you’ve heard? What are some moments in your life when you knew an indelible memory was being made? When was the last time you recall thinking, “I’ll remember this forever”?
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