Scandal (Harlequin Blaze Series #268)
Jordan Albright loves teaching her popular course — Scandalous Women 101. Quiet, mousy Jordan never makes any waves, not even with her staid fiancé.

Until suddenly, inexplicably she travels back through time — to 1893! And lands right in the tempting arms of Chicago department-store heir Nick Tempest. Soon Jordan's creating a scandal of her own — short skirts, no corset and steamy talk about sexual liberation.

Nick can't keep his hands off the sexy, free-spirited Jordan despite her worries about returning to the future. Hey, he's willing to make history together with her. But can he really believe she's been sent to save him in the nick of time…?
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Scandal (Harlequin Blaze Series #268)
Jordan Albright loves teaching her popular course — Scandalous Women 101. Quiet, mousy Jordan never makes any waves, not even with her staid fiancé.

Until suddenly, inexplicably she travels back through time — to 1893! And lands right in the tempting arms of Chicago department-store heir Nick Tempest. Soon Jordan's creating a scandal of her own — short skirts, no corset and steamy talk about sexual liberation.

Nick can't keep his hands off the sexy, free-spirited Jordan despite her worries about returning to the future. Hey, he's willing to make history together with her. But can he really believe she's been sent to save him in the nick of time…?
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Scandal (Harlequin Blaze Series #268)

Scandal (Harlequin Blaze Series #268)

by Julie Kistler
Scandal (Harlequin Blaze Series #268)

Scandal (Harlequin Blaze Series #268)

by Julie Kistler

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Overview

Jordan Albright loves teaching her popular course — Scandalous Women 101. Quiet, mousy Jordan never makes any waves, not even with her staid fiancé.

Until suddenly, inexplicably she travels back through time — to 1893! And lands right in the tempting arms of Chicago department-store heir Nick Tempest. Soon Jordan's creating a scandal of her own — short skirts, no corset and steamy talk about sexual liberation.

Nick can't keep his hands off the sexy, free-spirited Jordan despite her worries about returning to the future. Hey, he's willing to make history together with her. But can he really believe she's been sent to save him in the nick of time…?

Product Details

ISBN-13: 9781426847486
Publisher: Harlequin
Publication date: 10/01/2009
Series: Perfect Timing , #3
Sold by: HARLEQUIN
Format: eBook
Pages: 256
Sales rank: 570,386
File size: 196 KB

About the Author


Julie Kistler is a fan of romance, comedy, old movies, Sondheim musicals, Shakespeare, Stoppard plays, cats and tall, dark, handsome men like her husband of twenty-five years.

A former attorney, Julie is known among fans of romantic comedy for her fast-paced, lighthearted romps. She is happy to report that she has now written more than thirty romantic comedies for Harlequin, including books for the Harlequin American, Love & Laughter, Duets and Temptation series.

Some of her other publishing credits include a nonfiction collaboration with her husband about high school basketball called Once There Were Giants, a chapter in Naked Came the Farmer, a round-robin mystery penned by authors from the Peoria, Illinois, area, with proceeds going to the Peoria Public Library, and a very short mystery called "Kit for Cat" in the Crafty Cat Crimes collection published by Barnes & Noble.

Julie lives in Bloomington, Illinois, with her husband, where she reviews theater for two newspapers. If Julie is not out watching local theater or basketball games, she occupies herself watching Arrested Development, House, The Daily Show, and various other shows all over the cable dial, adding to her large collection of books and DVDs, and answering her email.

You can visit Julie at her web site or write to julie@juliekistler.com.


Read an Excerpt

How to Be a Scandalous Woman, Rule 1:
Throw out the rules.

JORDAN ALBRIGHT'S OFFICE DOOR creaked open. "Professor Albright? Can I ask you something?"

Without even looking up from her laptop, Jordan said automatically, "No, Catherine the Great did not have sex with a horse. And, no, Marie Antoinette was not a 'major ho-bag," as somebody put it last week." She smiled as she glanced at the young woman hovering in the doorway. "Anything else you want to know, you'll have to come to class. And I'm not Professor Albright. Just Jordan, okay?"

But the student lingered, shifting her weight to her other platform sandal. "How did you know what I was going to ask?"

Jordan tried to be patient. "It's not hard. I'm only teaching one class this semester. Scandalous Women 101. Everybody wants to know the same thing."

"And you're sure Catherine the Great never, you know, did it with a horse?" the girl persisted.

"Yes, I'm sure." With that, Jordan turned her attention back to the display on her computer screen, trying not to be frustrated by this latest in a series of interruptions. "Thanks, Professor Albright." The student ducked into the hallway, already moving on.

"Come to class, okay?" Jordan called out after her. This time she didn't bother to correct the "professor" thing. At twenty-six she was only a few years older than some of her students, so she kind of enjoyed being called "professor" every now and again, even if she hadn't really achieved that status yet. Nope. Just a lowly grad student. A lowly grad student working desperately to get her PhD sooner rather than later.

Jordan heard footsteps patter down the wood floor of the hallway as the student departed.

Thank goodness. Now if only she could concentrate long enough to figure out a decent ending to the damn dissertation that had been plaguing her for the better part of four years.

Ending. Right. She wiggled in her wooden chair, twisted her long, dark hair into a loose knot, stared down into her laptop screen, and tried to focus. Focus.

Methodically, she scanned the outline that formed the spine of her project, which centered on one particular scandalous woman. She'd begun with her subject's childhood and family life, moved on to her education and an important trip to Europe, and then dealt with her artistic influences and the effects of wealth and privilege on her development.

She had everything in order, everything perfect, step by step, up to the point that Isabella Tempest, notorious sculp-tress and the subject of this blasted, never-ending dissertation, had vanished from the pages of history. It was what made Isabella so fascinating and yet so frustrating, all at the same time.

Jordan frowned. The story of a talented artist who'd created the work of a lifetime — a magnificent marble arch brimming with erotic nudes — and then up and disappeared should've been the perfect topic for someone involved in the study of scandalous women. It should've been a piece of cake. But how could she fully analyze Isabella's place in history without knowing what had happened to her after the big whoop-de-doo that ended her career in June of 1893?

There had to be something she'd overlooked. Jordan tried to put herself in the right frame of mind to puzzle it out. "Okay, so it's June 1893," she mused. She pulled up a picture on her laptop, a wide shot of the Columbian Exposition and World's Fair in Chicago. "The White City is open for business."

It was called the White City because of the magnificent, bright white buildings built just for the fair, all gleaming under a dazzling display of electric lights. Famous politicians, dukes and princesses, the cream of society, artists, writers and inventors, citizens from far-off lands including belly dancers, gondoliers and a tribe of alleged cannibals, as well as regular Joes off Chicago's mean streets, had all come together to see the wonders of the new age and celebrate the 200th anniversary of Columbus "discovering" America. Buffalo Bill, Susan B.Anthony, Teddy Roosevelt, Thomas Edison... Anybody who was anybody was there. With Isabella Tempest right in the middle of it, kicking up a huge scandal.

Jordan stared into space, imagining herself in the middle of the White City. It wasn't hard. It had happened practically on her doorstep, and the Midway Plaisance, the long, grassy area where the Ferris wheel and hot-air balloon and other popular attractions had sat, was still part of the University of Chicago campus.

Besides, the Chicago World's Fair had been the event of the century, so there were thousands of photographs and souvenirs of the place. Jordan had plowed her way through stacks of them since she'd started this dissertation. She'd even bought herself a coin on eBay, a commemorative half-dollar sold at the fair with Columbus's face on one side and one of his ships on the other, and she'd kept it on her desk for good luck ever since.

"I could use a little luck right now," she murmured, pushing papers aside to get to the cup where she kept it. Quickly, she found her lucky coin, held it tight and closed her eyes, picturing in her mind what it must've been like at Chicago's turn-of-the-century World's Fair.

The shining White City. Blue skies. A breeze off Lake Michigan. The world's first Ferris wheel twirling in the background. Art and treasures from around the world. And Isabella's outrageous arch.

Jordan opened her eyes. Ah, yes. The cool white marble arch, etched with figures of Greek gods and goddesses in flagrante delicto. Once displayed at the exposition, the piece had created a huge triumph and an even huger scandal. And then both of them — Isabella and her fabulous, scandalous arch — had simply vanished. Not one more word about their whereabouts, not in newspapers, magazines, books, journals, diaries... It was one thing for a woman to go missing. But how did a six-foot marble arch evaporate into thin air?

It was infuriating. And it had kept Jordan stuck for months. If only she could think of some new way to look at the facts.

"So Isabella creates the most sensual, most beautiful thing she's ever done," Jordan said out loud, spinning around in her chair to glance at the wall behind her desk, where she'd taped up pictures of all things Isabella Tempest, including a poster-sized representation of the sculpture in question. "Her masterpiece."

Even in a poor re-creation like the sketch on her wall, the arch looked fantastic. And fantastically sexy, with all those nubile, naked marble bodies wrapped around each other, and all those women in the midst of ecstasy. Jordan couldn't help getting a little flushed every time she gazed at it.

She moved closer. Yes, the arch was a stunner. No question. Her finger traced a figure of Apollo on the upper curve of the sketch, where his mighty, muscular thighs pinned Daphne against a laurel tree. In the myth, Daphne had turned into a tree to escape the god's advances, but here, carved into Isabella Tempest's risqué arch, Daphne was clearly enjoying herself, tree or no tree. Head back, mouth open, nails raking Apollo's back, she looked as if she were in mid-climax, and a pretty steamy one at that.

"Isabella certainly knew how to heat things up," Jordan said with a shiver, her gaze sliding around the arch.

"Daphne and Apollo up against the tree, Psyche blindfolded with Eros behind her, Artemis on top of Orion... Whew. Each one is hotter than the last."

Isabella had carved sixteen images like that, the extremes of pleasure and passion, up front and unashamed, into the pale, creamy stone. But all that flesh and all that ecstasy had apparently put Chicago society blood pressures in overdrive. And Isabella Tempest under arrest.

It was hard to pull herself away from the erotic power of the arch, but Jordan forced herself as she mentally went through the story one more time. Methodically. Dispassionately. Like a scholar.

"So Isabella gets a coveted spot in the Women's Building at the Columbian Exposition," she said out loud, looking for something, anything, she might've missed. "The World's Fair officially opens on May 1, but Isabella and her arch aren't there. Not finished, presumably. Sometime between then and June 16, she puts her arch in the Women's Building. And then, on the sixteenth, suddenly there's an uproar when society matron Mrs. Prentice Stanhope takes Susan B. Anthony on a tour of the building and one or the other catches sight of Isabella's 'indecent' creation. Shame, horror, outcry, all that good stuff. Isabella is arrested and then she and the arch vanish, never to be heard from again."

Jordan perched on the edge of her desk, gazing at the sketch, reflecting on what a shame it was that Isabella had only had time to make one masterpiece. Genius like that should never have been stifled.

"But where did it go?" she asked with an edge of frustration, tossing the Columbian half-dollar back into its cup with a loud, disappointed clink. "Where did Isabella go?"

She reached onto her desk, picked up and put down three large binders, crammed full of notes about Isabella's life, and riffled through a stack of folders containing information she already knew. She chewed on the end of a pen. She went back through her outline.

But there was nothing. No spark of inspiration. Just like every other time she'd tried this exercise.

She'd already tried to leave it with an ambiguous "we'll never know" ending and it just didn't work. It was like admitting that she was a failure when it came to research and analysis.

"Maybe I am a failure. Maybe that is the answer," she grumbled. She wanted to scream.

Finally, giving up, Jordan dumped the whole pile of folders back onto her desk and yanked open her desk drawer. She knew what she wanted, what she needed. It was getting to be a habit. She skirted away from words like addiction and obsession. It wasn't so bad, was it? To feel better because she could look at the two small pictures?

His pictures. "Nick," she whispered, feeling a rush of relief just to look at him. "If you're going to keep driving me crazy like this, the least you can do is send me a psychic message from the Great Beyond to tell me where Isabella and the arch went. C'mon, Nick, help a girl out, will you?"

If only he could. She'd already spent far too much time examining every grain of the two existing photos of Nicholas Tempest, and she hadn't gotten any answers yet. But that didn't stop her from trying. She'd even made one of the pictures her screensaver, which meant every time she was stuck long enough for her laptop to go dark, she ended up gazing at Nick, daydreaming about him and drifting even farther away from working.

It was odd how attached to those photos she was. Nick Tempest, the man in the photos, who just happened to be Isabella's older brother, was only peripheral to her dissertation. But for some reason, Jordan kept finding herself coming back to him, somehow convinced that this man was the answer to every question she had, if only she stared at his picture long enough.

It was bizarre. It was unlike her. She'd never been one to sigh over rock stars or movie idols or sports heroes, not even when she was twelve. When her high school friends had swooned over Johnny Depp or Tom Cruise, she'd just rolled her eyes. No attraction there. Not even a flutter. How strange that Nick Tempest was her first fantasy crush, and he'd been dead for 110 years.

She'd stumbled over his photos on eBay when she went searching for background on the Tempest family and their department store. Nick was one of the founders of Tempest & Trent, a stylish store that still sat, grand and imposing, in the exact same spot on State Street it'd occupied since 1894. In fact, Tempest & Trent had always been her favorite department store, and she and her grandmother had come to look at the Christmas windows every year when she was little. Funny she'd never wondered about its founder, not until she saw those pictures on eBay.

But once she saw them, she was determined to have them at any cost. Which meant she'd paid a small fortune and then agonized by the mailbox every day, waiting for the photos to arrive.

Even though she'd scanned them into her computer to use with her dissertation, she still kept the originals in her desk, safe inside small plastic sleeves. That made it easy to take them out and look at them if she needed to, which she'd found herself doing more and more often lately.

There was just something about Nick. Something that got under her skin, inside her brain, deep inside her fantasies.

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