20th Century Story with 19th Century Panache
Rife with nineteenth century melodrama and a plot riddled by coincidence, Rafael Sabatini's SCARAMOUCHE is a tale of passion and adventure on the eve of the French Revolution. Andre-Louis Moreau, a low born young man who has studied the law and enjoys the patronage of a local nobleman, M. de Kercadiou, falls afoul of yet another highborn gentleman when this other takes it upon himself to entice Andre-Louis' best friend into a duel he cannot win. Moreau's friend, Philippe de Vilmorin, is a hotheaded idealist preaching the overthrow of the established order and his highborn antagonist, the Marquis de La Tour d'Azyr, is a man who cannot abide that. Goading the hapless Philippe into a one-sided duel which must result in his death, the Marquis ultimately refuses to respond to the angry demand of Andre-Louis that he kill him, too, leaving the young man clutching the dead body of his friend and swearing to become the voice of revolution that Philippe would have been had he lived. Aiming to make good his oath, Andre-Louis soon turns his talent for oratory into rabblerousing against the Marquis, and those of the King's officers who protect him, and is forced to become a fugitive as the established order turns against him. Fleeing the gendarmes with the aid of Aline, beautiful niece of M. de Kercadiou, Andre-Louis joins an acting troupe and begins the first significant transformation of his life. But it will not be his last as he finds his calling in playing the scandalous rogue 'Scaramouche' in the series of plays he soon devises to win fame and fortune for his little troupe. Yet trouble haunts the troupe as Andre-Louis discovers a passion for Mademoiselle Binet, the beautiful daughter of the troupe's leader, only to find his hopes thwarted when he again crosses paths with the deadly Marquis de La Tour d'Azyr. Angered at the decision of M. de Kercadiou's niece, Aline, to refuse to foreswear the attentions of the ubiquitous Marquis, who seeks to win her with his worldly wealth and gentlemanly charm, Scaramouche soon resurfaces as a political dissident once more, bringing to an end his love affair with the theater and the actress, La Binet, who first drew him to it. But Andre-Louis still has another transformation before him and, fleeing to Paris, he secures a position with a fencing master and is soon well on his way to mastery of that still vital martial art. As the Revolution gains steam, Andre-Louis, who continues to see himself as the rogue, Scaramouche, finds himself sucked back into the maelstrom of disorder and violence that the conflict in France is fast becoming. When, at last, he learns of an opportunity to square accounts with the man who slaughtered his friend, besieges Kercadiou's niece, and derailed his own planned marriage with the lovely Binet girl, he is quick to act and is soon brought face to face with d'Azyr in the Assembly of the newly formed French constitutional monarchy. But the constitutional monarchy cannot endure and little else is as it seems in the escapades of Scaramouche. If one surprise is amply telescoped there is yet another, waiting in the wings, which comes so suddenly that I was astonished I had not anticipated it. Of course, the tale is entirely derived of the magnificent coincidences, nineteenth century style, that keep the story boiling as M. Moreau, the Scaramouche, learns the secrets of his own history, one revelation at a time. If you like good old fashioned historical action tales with a French flavor and have a tolerance for the archaic conventions that enriched Sabatini's writing in the period (he wrote in the early twentieth century though his style resounds with the accouterments of the nineteenth), then I'm betting you'll like this one. I did. -- SWM
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