BN.com Gift Guide

The Scene of Harlem Cabaret: Race, Sexuality, Performance

Hardcover (Print)
Used and New from Other Sellers
Used and New from Other Sellers
from $58.36
Usually ships in 1-2 business days
(Save 10%)
Other sellers (Hardcover)
  • All (6) from $58.36   
  • New (4) from $59.66   
  • Used (2) from $58.36   

Overview

Harlem’s nightclubs in the 1920s and ’30s were a crucible for testing society’s racial and sexual limits. Normally tacit divisions were there made spectacularly public in the vibrant, but often fraught, relationship between performer and audience. The cabaret scene, Shane Vogel contends, also played a key role in the Harlem Renaissance by offering an alternative to the politics of sexual respectability and racial uplift that sought to dictate the proper subject matter for black arts and letters. Individually and collectively, luminaries such as Duke Ellington, Lena Horne, Langston Hughes, Claude McKay, Wallace Thurman, and Ethel Waters expanded the possibilities of blackness and sexuality in America, resulting in a queer nightlife that flourished in music, in print, and on stage.

Deftly combining performance theory, literary criticism, historical research, and biographical study, The Scene of Harlem Cabaret brings this rich moment in history to life, while exploring the role of nightlife performance as a definitive touchstone for understanding the racial and sexual politics of the early twentieth century.

Read More Show Less

Editorial Reviews

Choice

"Vogel provides an overview of cabaret in the U.S. and its relation to other stage modes; looks at representations of the Harlem cabaret scene (visual, literary, musical); and offers a compelling discussion of 'closing time' as a liminal, queer space that appealed to artists."
Jennifer DeVere Brody

“Evocative, elegant, and engrossing are words that characterize this lively study that resurrects the lush, smoke-filled atmosphere of Harlem cabarets. Reading the contested space of the cabaret as material to compose and perform alternative narratives of race and sex, this study makes visceral the queer intimacies of cabaret’s everynight life and analyzes the lives of performers from Lena Horne, Bricktop, and Ethel Waters, poetic works by Claude McKay and Langston Hughes, and embodied movements of audiences. Scholars in performance studies, history, literary modernism, and queer theory have much to learn from this excellent book.”
Joseph Roach

“In The Scene of Harlem Cabaret, Shane Vogel combines performance studies and literary studies with deftness, acuity, and prescience, looking boldly to the future of the field. His illuminating thesis about the generative experiences produced by these jook-joint, honky-tonk, sin-cellar, concert-saloon night spots—small enough for ‘public intimacy,’ large enough for social ‘breathing space’ and ‘wiggle room’—reimagines the works of the ‘Cabaret School’ in a new light, proving not that life is a cabaret, but that cabaret was a life for some the greatest American artists of the twentieth century—vital, risky, and transformative.”
Fred Moten

“At the turn of the last century, W. E. B. Du Bois took up what he called ‘the problem of amusement’ with prescience as well as reticence. That problem is now taken up again by Shane Vogel with the kind of rigorous critical imagination that would disturb and, finally, gratify Du Bois, forcing him literally and figuratively to attend (to) scenes he might otherwise strenuously have avoided. Vogel illuminates and amplifies in too many ways to count the singular cultural politics of the scene of Harlem cabaret. Happily, he gives us occasion once again to consider how the terrible ruses and potential reconstruction of democracy in America are marked, on the one hand, and initialized, on the other, in our ludic underground.”
Quill - Eugene Hayworth

"Both queer and literary theorists will find much to admire in this study. . . . Vogel has constructed his thesis on solid evidence and scholarly research. Those general readers who are slowed down by some of the theoretical terminology are encouraged to persevere, for the book provides valuable, candid insights into an important era of American cultural history."
Modernism/modernity
“Vogel’s best passages are brimming with arresting ideas and brilliant observations. He has mined some very recondite archives to illuminate the conditions of the cabaret’s alterity and resistance. Few scholars have trawled through the voluminous but elusive material of the cabaret, largely because few scholars have Vogel’s knack for making poignant sense of what occurs in late-night enclaves. This is groundbreaking work, telling a rarely told tale both compassionately and powerfully.”
American Quarterly - Tavia Nyong'o

"An artful intersection of literary and performance studies, The Scene of Harlem Cabaret combines rich readings of the so-called Cabaret School of Harlem Renaissance writers with an innovative study of the cabaret itself. . . . Vogel 'reads' the cabaret both as an object of literary imagination and as a social text, a method that affords him new approaches to the evanescent evidences of the queer, black, and underground."
Quill

"Both queer and literary theorists will find much to admire in this study. . . . Vogel has constructed his thesis on solid evidence and scholarly research. Those general readers who are slowed down by some of the theoretical terminology are encouraged to persevere, for the book provides valuable, candid insights into an important era of American cultural history."

— Eugene Hayworth

Choice
"Vogel provides an overview of cabaret in the U.S. and its relation to other stage modes; looks at representations of the Harlem cabaret scene (visual, literary, musical); and offers a compelling discussion of ''closing time'' as a liminal, queer space that appealed to artists."--Choice
Quill
Both queer and literary theorists will find much to admire in this study. . . . Vogel has constructed his thesis on solid evidence and scholarly research. Those general readers who are slowed down by some of the theoretical terminology are encouraged to persevere, for the book provides valuable, candid insights into an important era of American cultural history.

— Eugene Hayworth

Modernism & Modernity
Vogel’s best passages are brimming with arresting ideas and brilliant observations. He has mined some very recondite archives to illuminate the conditions of the cabaret’s alterity and resistance. Few scholars have trawled through the voluminous but elusive material of the cabaret, largely because few scholars have Vogel’s knack for making poignant sense of what occurs in late-night enclaves. This is groundbreaking work, telling a rarely told tale both compassionately and powerfully.
American Quarterly
An artful intersection of literary and performance studies, The Scene of Harlem Cabaret combines rich readings of the so-called Cabaret School of Harlem Renaissance writers with an innovative study of the cabaret itself. . . . Vogel 'reads' the cabaret both as an object of literary imagination and as a social text, a method that affords him new approaches to the evanescent evidences of the queer, black, and underground.

— Tavia Nyong'o

Read More Show Less

Product Details

  • ISBN-13: 9780226862514
  • Publisher: University of Chicago Press
  • Publication date: 4/1/2009
  • Pages: 264
  • Product dimensions: 6.20 (w) x 9.10 (h) x 0.80 (d)

Meet the Author

Shane Vogel is assistant professor of English at Indiana University.

Read More Show Less

Table of Contents

Acknowledgments
List of Illustrations

Introduction: Against Uplift: Performance, Literature, and the Queer Harlem Renaissance
Chapter 1: American Cabaret Performance and the Production of Intimacy
Chapter 2: The Scene Of Harlem Cabaret: 1926 and After
Chapter 3: Closing Time: Langston Hughes and the Queer Poetics of Harlem Nightlife
Chapter 4: Re-reading Du Bois Reading McKay: Uplift Sociology and the Problem of Amusement
Chapter 5: Lena Horne’s Impersona
Afterword: Irrealizing the Queer Harlem Renaissance

Notes
Bibliography
Index

Read More Show Less

Customer Reviews

Be the first to write a review
( 0 )
Rating Distribution

5 Star

(0)

4 Star

(0)

3 Star

(0)

2 Star

(0)

1 Star

(0)

Your Rating:

Your Name: Create a Pen Name or

Barnes & Noble.com Review Rules

Our reader reviews allow you to share your comments on titles you liked, or didn't, with others. By submitting an online review, you are representing to Barnes & Noble.com that all information contained in your review is original and accurate in all respects, and that the submission of such content by you and the posting of such content by Barnes & Noble.com does not and will not violate the rights of any third party. Please follow the rules below to help ensure that your review can be posted.

Reviews by Our Customers Under the Age of 13

We highly value and respect everyone's opinion concerning the titles we offer. However, we cannot allow persons under the age of 13 to have accounts at BN.com or to post customer reviews. Please see our Terms of Use for more details.

What to exclude from your review:

Please do not write about reviews, commentary, or information posted on the product page. If you see any errors in the information on the product page, please send us an email.

Reviews should not contain any of the following:

  • - HTML tags, profanity, obscenities, vulgarities, or comments that defame anyone
  • - Time-sensitive information such as tour dates, signings, lectures, etc.
  • - Single-word reviews. Other people will read your review to discover why you liked or didn't like the title. Be descriptive.
  • - Comments focusing on the author or that may ruin the ending for others
  • - Phone numbers, addresses, URLs
  • - Pricing and availability information or alternative ordering information
  • - Advertisements or commercial solicitation

Reminder:

  • - By submitting a review, you grant to Barnes & Noble.com and its sublicensees the royalty-free, perpetual, irrevocable right and license to use the review in accordance with the Barnes & Noble.com Terms of Use.
  • - Barnes & Noble.com reserves the right not to post any review -- particularly those that do not follow the terms and conditions of these Rules. Barnes & Noble.com also reserves the right to remove any review at any time without notice.
  • - See Terms of Use for other conditions and disclaimers.
Search for Products You'd Like to Recommend

Recommend other products that relate to your review. Just search for them below and share!

Create a Pen Name

Your Pen Name is your unique identity on BN.com. It will appear on the reviews you write and other website activities. Your Pen Name cannot be edited, changed or deleted once submitted.

 
Your Pen Name can be any combination of alphanumeric characters (plus - and _), and must be at least two characters long.

Continue Anonymously

    If you find inappropriate content, please report it to Barnes & Noble
    Why is this product inappropriate?
    Comments (optional)