The School for Heiresses [NOOK Book]

Overview

Inspired by New York Times bestselling author Sabrina Jeffries's School for Heiresses series, this delightful anthology features four young women who learn that there's nothing textbook about love. . . .

"It is better not to marry at all than to marry badly."
-- Mrs. Charlotte Harris, headmistress


At the School for Heiresses, the lessons...
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The School for Heiresses

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Overview

Inspired by New York Times bestselling author Sabrina Jeffries's School for Heiresses series, this delightful anthology features four young women who learn that there's nothing textbook about love. . . .

"It is better not to marry at all than to marry badly."
-- Mrs. Charlotte Harris, headmistress


At the School for Heiresses, the lessons go far beyond etiquette and needlepoint. In addition to teaching her students how to avoid fortune hunters, headmistress and founder Charlotte Harris proposes the radical notion that women of means need not shackle themselves to men at all -- unless they find a suitable, desirable mate. So lessons in the fine art of acquiring a loving and passionate husband are part of the curriculum at this highly unusual school. And as the holidays approach, Mrs. Harris sends her young ladies home with personally tailored lessons to work on. Will they return any closer to finding the perfect husband?

Join this dazzling roster of authors as they put their own spin on the School for Heiresses in four spirited tales of passion!
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  • Sabrina Jeffries
    Sabrina Jeffries  

Editorial Reviews

Publishers Weekly
In four new crowd-pleasing Regency novellas, students from Mrs. Harris's School for Young Ladies return home for the holidays with high hopes for entering society. Despite their careful training under the wise Mrs. Harris, each defies the rules in her own way and, in the process, gets her first taste of romance. Bestselling Jeffries, author of the series that inspired this anthology, leads with panache: her passionate tale of Eliza Crenshawe finds the young firebrand fleeing a marriage arranged by her cruel uncle, attempting to steal a horse and falling under the spell of the horse's owner, the new earl of Monteith. Rita-winner Carlyle weaves a complicated tale about Martinique, a courtesan's daughter with a mysterious past in the West Indies, whose bedchamber is mistakenly breached by the scandalous Lord St. Vrain. London presents Grace Holcomb, the daughter of a wealthy wool merchant, who inherits her domineering father's distorted values and nearly misses out on the love of a good man from Leeds. Bernard's tale of mischievous Alyssa Martin, whose odd luck lands her in a series of comical misadventures, rounds out the collection with an "all's well that ends well" finale. (Jan.) Copyright 2006 Reed Business Information.
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Product Details

  • ISBN-13: 9781416552550
  • Publisher: Pocket Books
  • Publication date: 12/26/2006
  • Series: School for Heiresses Series
  • Sold by: SIMON & SCHUSTER
  • Format: eBook
  • Pages: 416
  • Sales rank: 92,712
  • File size: 421 KB

Meet the Author

Sabrina Jeffries is the New York Times bestselling author of thirty-seven novels and nine works of short fiction (some written under the pseudonyms Deborah Martin and Deborah Nicholas). Whatever time not spent writing in a coffee-fueled haze of dreams and madness is spent traveling with her husband and adult autistic son or indulging in one of her passions—jigsaw puzzles, chocolate, and music. With more than 7 million books in print in eighteen different languages, the North Carolina author never regrets tossing aside a budding career in academics for the sheer joy of writing fun fiction, and hopes that one day a book of hers will end up saving the world. She always dreams big.

During her frequent travels through England, Liz Carlyle always packs her pearls, her dancing slippers, and her whalebone corset, confident in the belief that eventually she will receive an invitation to a ball or a rout. Alas, none has been forthcoming. While waiting, however, she has managed to learn where all the damp, dark alleys and low public houses can be found.

Liz hopes she has brought just a little of the nineteenth century alive for the reader in her popular novels, which include the trilogy of One Little Sin, Two Little Lies, and Three Little Secrets, as well as The Devil You Know, A Deal With the Devil, and The Devil to Pay. Please visit her at lizcarlyle.com, especially if you're giving a ball.

Julia London is the NYT, USA Today and Publisher's Weekly bestselling author of historical romance, contemporary romance, and women's fiction with strong romantil elements novels, including the Secrets of Hadley Green bestselling series, and the upcoming series, Homecoming Ranch. She is a four time finalist for the RITA Award of excellence in romantic fiction, and the recipient of RT Bookclub's Best Historical Novel. She lives in Austin, Texas

Renee Bernard is a freelance writer for Romantic Times Bookclub magazine. A Lady's Pleasure is her first novel. She has also written a story, "Mischief's Holiday," for the anthology The School for Heiresses, coming soon from Pocket Books. Renee lives in the Sierra Nevada Mountains in Northern California.

Visit her website at reneebernardauthor.com.

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Read an Excerpt


From TEN REASONS TO STAY

by Sabrina Jeffries

One

The new Earl of Monteith, Colin Hunt, had been in possession of Chaunceston Hall less than a day and already trouble was afoot.

Surrounded by unpacked boxes, Colin watched through his study window as a cloaked form darted across the lawn to slip into the stable. It was after midnight; none of the servants he'd hired in London should be about. And since the stable was filled with prime horseflesh he'd purchased at Tattersall's earlier this week . . .

Confound these English thieves to hell! Unearthing his pistol from a box, he loaded it and shoved it into the waistband of his trousers before hurrying into the hall.

Why wasn't some groom outside guarding the stable? Because this wasn't India, of course. In Colin's home country of twenty-eight years, the weather was so balmy that a syce could sleep across the stable doorway very comfortably. But here in England, no sane man slept outdoors in such weather.

Grumbling to himself about the brutal English winter, he donned his heaviest wool surtout, lit a lantern, and headed out. The gust of icy wind that greeted him made him swear vilely.

He missed the hot Poona days, the sultry Calcutta nights, where a man could lie naked in his bed and still be comfortable. A wave of homesickness swept him. He missed spicy pickles and cinnamon-scented tobacco and jackal hunts with the local jemadar and other fellows from the native infantry. . . .

Who would just as soon slip a knife in his back as breathe.

Colin sighed. He didn't miss that, the suspicions and spying, the petty grievances that erupted into violence, the ever-present threat of marauding bandits, of mutinies and rebellions. Of women cowering beneath the sword --

He shuddered. No, there was nothing left for him in India, no reason to stay where the persistent memories of his wife's slaughter at Poona could torment him. He wanted peace, and he'd hoped to find it in the sleepy English countryside.

This wasn't a promising start. It was only his first night at the Devon estate he'd inherited from his late, unlamented grandfather, and already the local rogues were robbing him. But they were in for a surprise. Half-Indian or no, he had every right to live here, and they would soon learn that he meant to hold on to what was his.

With that resolve beating in his breast, he slid open the stable door. At first he could see nothing, just his new Cleveland Bays sleeping in their stalls. But the faint acrid scent of a recently snuffed candle hung in the air, proving that the cloaked figure probably still lurked here.

He swept his lantern in a wide arc, then came back to where his pride of purchase, a chestnut Arabian, stood wide-awake. She was saddled and ready, with a cloth sack slung over the pommel.

His temper flared.

"Come out now, whoever you are!" Colin demanded, setting the lantern on a hook. "If you force me to go stall by stall to find you -- "

"No need for that, sir," said a decidedly young voice as a short figure emerged from the stall. Colin glimpsed riding boots and breeches before the fellow shrank into his voluminous cloak like a turtle into its shell. "Beg pardon, but I didn't mean to wake you. I was just seeing to the horse."

"Seeing to stealing it, you mean."

"No!" The lad's head jerked up, though the hood of his cloak still shielded his face. "I-I merely wish to borrow it. I know the owner personally, and I assure you he'd happily loan it to me if he were here."

Colin didn't know whether to laugh at the bold devil or shoot him. "That, too, is a lie."

"Honestly, sir, the owner's wife is a good friend of mine."

"That's impossible." Furious that this thief persisted in his pretense, Colin slid his hand inside his surtout to grasp his pistol. "The owner's wife is dead."

"Dead!" The lad sounded genuinely upset. "How did it happen? Did the duchess die in childbirth? I can't believe -- "

"Hold up there, lad. What duchess?"

"The duchess of Foxmoor. You said that the owner's wife -- "

"The owner of this horse, of this entire estate, is the Earl of Monteith."

"Who's lying now?" the fellow retorted. "The earl has been dead for six years or more."

If the boy knew that, then he wasn't some wandering horse thief. Which also explained why he thought that the duke owned the estate; Foxmoor had managed it for the heir. "The new Earl of Monteith is alive and well, I assure you."

"The new -- " The lad broke off with a groan. "Ohh, I forgot. The duke's cousin inherited the Monteith title. But he's over in -- " He stared at Colin. "Blast."

"Exactly." Was it usual for a country boy to know so much about a duke and his family? "I am the owner. And you are trespassing."

"I-I suppose that means you won't lend me a horse."

"That's exactly what it means."

"I understand. Don't blame you a bit." The fellow turned his head toward the open door beyond Colin. "I won't keep you any longer. I'll just go -- "

"The hell you will," Colin bit out and took a step forward.

A hand suddenly appeared from beneath the fellow's cloak, bearing a rather substantial flintlock pistol. "S-stand aside," he said as he pointed the gun at Colin.

Colin's fingers tensed on his own weapon . . . until he noticed that the thief's pistol wasn't cocked, and the barrel was an ancient rusted relic. He'd lay odds that the thing hadn't been loaded in twenty years, much less fired. "An unloaded weapon won't do you much good, lad," he said dryly.

The fellow's hand shook. "How did you know it isn't loaded?"

"I didn't." Colin taunted him with a smile. "But I do now."

The lad groaned. Without warning he hurled the pistol at Colin. As the heavy weapon glanced off Colin's brow and the boy dashed past him, Colin let out a roar and lunged after him.

Catching the fellow's hood, Colin yanked him back, then slammed him against the stable wall and pinned his arms at his sides. "Now see here, you little devil -- " he began as the lad's bared head shot up and their gazes met.

The words died in Colin's throat. Because the nearby lamp flooding the thief's face revealed porcelain features and a tumbled-down length of thick, golden brown hair that were decidedly not male.

"I'll be damned," Colin murmured. "You're a woman."

And quite a woman, too, judging from the full mouth, rosy cheeks, and long silky lashes. Not to mention the ample breasts crushed against his chest. No wonder she'd worn a cloak. No one would ever mistake her for a boy without it, breeches or no.

A series of sweet-scented breaths stuttered from between her pretty lips and her lightly freckled cheeks flushed. For the first time in a long while, his blood stirred.

"Get off of me, blast you!" she cried. "You've no right -- "

"I wouldn't be talking about rights just now, if I were you," he warned, trying not to be affected by the soft, feminine body plastered to him from thigh to chest. "Last I heard, they hang horse thieves in England."

Her chin trembled. "You know perfectly well I'm no horse thief."

He did know. Despite her oaths, her speech was that of a well-bred miss. And if her tale about borrowing a horse from the duke was true, she had the connections of one, too.

But why was she out at midnight dressed as a boy? "Tell me who and what you are."

"I'd rather not."

"And I'd rather not release you, so it appears we'll be here all night," he said, deliberately pressing his body into her.

"It appears so," she said, but with less bravado.

As he gave her his fiercest glare, she began chewing on her lower lip, and the girlish gesture made him feel like a scoundrel for bullying her. With a curse, he released her arms and shoved away from the wall.

"Thank you." She pulled her hood back up to cover her hair. Warily she edged out from between him and the wall, then slid toward the door. "I'll be sure to tell Louisa of your kindness."

If the foolish wench thought he would free her simply because she'd tossed out the name of his cousin's wife, she was mistaken. "Oh, no, you don't." He whipped out his weapon. "My pistol is loaded. And you aren't going anywhere until you tell me why you were 'borrowing' my horse."

Her eyes fixed on the gun, and even in the lantern light, he could see her flinch. "You . . . you wouldn't shoot a woman."

She was right, but he didn't put the pistol away. "You never know what a foreigner might do when faced with a lying thief."

"I'm not lying! I really was borrowing it!"

"Why?"

A frustrated breath escaped her lips. "If you must know, I need to ride it to Honiton. But once I get there, I plan to pay a post boy to return it."

He snorted. "Right. You can't afford a mount of your own and don't have the wherewithal to rent one, yet you can afford a post boy."

"Oh, but I can! I can even rent the horse from you if you'll let me."

She reached into her cloak, but he waved his gun at her. "Keep your hands where I can see them. I don't need another conk on the head."

Which was beginning to throb. He gestured to the door. "Let's go. We'll continue this discussion inside."

"But I don't have time for that!" she cried. "I must reach Honiton by two!"

"I'm not lending or renting or otherwise giving you a horse, so get that idea right out of your head." He snuffed the lamp, then strode up to grab her by the arm. "Nor am I going to freeze to death while you try convincing me to do so."

Hustling her out of the stables, he led her across the well-clipped lawn dotted with topiaries. "I suppose you know your way, since you're such a grand friend of Louisa's."

"Well . . . um . . . I've never actually been to Chaunceston Hall." She gazed ahead to the battlemented turrets and parapets of the manor house that dated back to the Middle Ages. "It looks positively gothic, doesn't it?"

"If that's the word for a moldering old pile with drafty halls and monstrous pieces of ancient furniture, then yes." He shot her a quizzical glance. "And if you weren't familiar with the place, why did you come here?"

"I overheard the servant talking about preparations for a hunting party's arrival next week, so I knew -- "

"There'd be horses," he clipped out. "That were easy to steal."

"Obviously not that easy," she grumbled.

He choked back a laugh. She certainly behaved like Louisa's friends, those young ladies who'd flitted in and out of his cousin's town house in London during the month Colin had lived there after arriving in England. And his little captive had servants: more evidence she wasn't the sort of female to steal a horse. Unless --

"Why are you running away from home?"

Her head swung around, her eyes full of panic. "How did you know I was run -- " She broke off with a groan. "That trick of yours grows more tiresome every time you use it."

"So you might as well tell me everything. I'll get it out of you eventually."

"It has nothing to do with you!"

"It does if you're trying to entangle me in your scheme."

"You're the one insisting on an entanglement. Just let me leave, and I'll walk to Honiton."

"The hell you will. I'm not letting some fool of a young woman out on the road alone to be raped or killed."

The harsh words made her tense. "Fine. Then be a gentleman and drive me there in that cabriolet I saw beside the stable."

"Not a chance." He hurried her up the front steps. "Not until I know what you're up to." He led her into the house, releasing a grateful breath to be out of the infernal cold. "Hand me your cloak and gloves," he ordered as he shut the door.

She blinked at him. "Why?"

"You'd be an idiot to run off without them in this weather, and I'm not taking the chance that you'll knock me over the head while my back is turned."

With a roll of her eyes, she peeled off her gloves, then untied her cloak. When she drew it off, the sight of what lay beneath struck the breath from him.

He'd guessed her to be a girl of about sixteen. He'd guessed wrong. God help him, that was a woman's body half-bursting out of the ridiculously tight male apparel she'd apparently "borrowed" from a man much thinner than she.

It was impossible not to stare at the fetching picture she made in a waistcoat half-unbuttoned to make room for her plump breasts and a pair of breeches too snug for her hips. Her unfortunate choice of a tailcoat made matters worse, too, since the nipped-in waist only accentuated her curves.

So did the shimmering cascade of thick hair that fell to her waist unfettered, although a few lingering hairpins twinkled in the candlelight.

This time it wasn't just his blood that stirred.

Confound her. Why had she come along now? In the first years after his wife's death, he'd felt nothing but grief and anger. But in recent months, especially since he'd arrived in England where his memories didn't plague him so, his desire for feminine company -- in and out of his bed -- had begun to return.

So the last thing he needed was a reckless runaway firing his blood. She was too much like Rashmi, his late wife. When he married again, it would be to a steady, quiet female who wanted peace as much as he. Maybe even some settled widow who wouldn't be bothered by his mixed blood. Certainly not an impudent wench with more curves than sense.

"What's wrong?" she asked, coloring beneath his intense scrutiny.

"You thought you could pass for a man in that costume?"

"Well . . . no. I'm too plump in . . . er . . . certain places for that."

Plump? Luscious, more like.

"But that's what the cloak's for. And even without it, from a distance -- "

" -- you'd look like a cherry ripe for the picking," he snapped. "Just how old are you, anyway?"

"Nineteen." She cast him a mutinous glance. "Old enough to go where I want and do as I please."

She had a point. In India, she would already be married. And her lucky husband would already be happily initiating his blushing bride into the pleasures of the bed, unveiling those creamy breasts and that dimpled belly, winding himself in the luscious silk of her dark honey hair as he buried his flesh inside --

He swore under his breath. What was he thinking? She was trouble. The chit was probably running off to elope with some equally clod-pated idiot. Although if that were so, why hadn't the idiot come to fetch her?

Whatever her reasons, no young female with her attractions and rash tendency to land in trouble should be roaming the English countryside at midnight.

The last time a woman had convinced him to let her travel without his protection, she'd ended up dead. He wasn't about to let that happen twice.

"Old enough or not, you shouldn't be on the road alone." He held up his free hand. "So give me the cloak and the gloves."

Rebellion flared in her face. Taking him by surprise, she tossed the gloves at him. As he lunged to catch them, she deftly swung the cloak to cover his head and pistol, then took off.

He swore, momentarily blinded, but managed to fight free of her cloak just as she sped past him toward the door. "Oh no, you don't," he growled as he reached out and snagged her about the waist, then jerked her up against him.

When her furious gaze swung to him, he added, "Nice try, my dear. But it would take a better 'man' than you to best me."

"Very . . . funny," she gasped as she struggled against him. "Let me . . . go!"

"You're plucky -- I'll give you that."

Also incredibly foolish. And it was time he made her aware just how foolish. "But my patience is at an end." He stuffed his pistol inside his waistband, then caught her by the throat. "You have one minute to tell me your name, where you live, and why you're running away."

Although she stopped struggling, her hazel eyes narrowed to slits. "Or what? You'll throttle me?"

"Tempting as that sounds, no." He slid his thumb down to brush her top shirt button. "I'll simply remove the rest of your clothes piece by piece until you do."

Copyright © 2006 by Deborah Gonzales

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Table of Contents


Contents

Ten Reasons to Stay

Sabrina Jeffries

After Midnight

Liz Carlyle

The Merchant's Gift

Julia London

Mischief's Holiday

Renee Bernard

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Customer Reviews

Average Rating 4
( 24 )
Rating Distribution

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See All Sort by: Showing 1 – 20 of 24 Customer Reviews
  • Anonymous

    Posted August 11, 2011

    Okay

    I read this before I read the entire series and if I had just based my opinion off of this book I would never have read the entire series. Sabrina Jeffries story was good but I didn't like the others at all. I ended up not even getting through the entire book and I don't even own it anymore because it was that bad. If it just had the story by Sabrina Jeffries in it, it would be worth buying but otherwise I would just try to borrow it from the library if you really want to read it.

    1 out of 1 people found this review helpful.

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  • Posted February 16, 2010

    more from this reviewer

    Boo

    I've said it many times but I don't like these books full of "mini stories". Not my thing...they always feel rushed and lame. This one wasn't any better. I was very disappointed in Renee Bernard...she is usually really good....

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  • Posted December 9, 2008

    more from this reviewer

    four terrific Regency romance novellas

    ¿Ten Reasons to Stay¿ by Sabrina Jeffries. Students are leaving Mrs. Harris's School for Young Ladies to go home for the Yuletide holidays. However, not all want to go home as Eliza Crenshawe knows awaiting her there is her odious Uncle Silas who plans to wed her to Minyard, a sot like he is. Eliza tries to steal a horse from Earl Colin Hunt, used to the balmy weather of his native India, but he catches her. --- ¿After Midnight¿ by Liz Carlyle. Out of guilt, her uncle Lord Rothewell sent Martinique, a courtesan's daughter, from her West Indies home to attend Mrs. Harris¿ school. However, the female hellion knows no one wants her in England or the Caribbean, but goes to the Rothewell home for the holidays. Rakish guest Lord St. Vrain mistakenly enters her room, but instead of screaming, she welcomes the rogue. --- ¿The Merchant¿s Gift¿ by Julia London. In Leeds, Grace Holcomb, the daughter of a wealthy wool merchant, has high expectations to marry amongst the bluest of the bluebloods. However, to her chagrin she is attracted to a non titled nobody Barrett Adlaine when she has Lord Middleton in her greedy grasp. --- ¿Mischief¿s Holiday¿ by Renee Bernard. No matter how hard she tries to stay out of mischief, Alyssa Martin always ends up in trouble. She vows to end these escapades because she feels if she fails to do so, logical businessman Leland Yates will only notice her as a pest not his loving wife. --- The Mrs. Harris¿ novels (see NEVER SEDUCE A SCOUNDREL) are always fun to read and this four novella anthology affirms that belief, as each entry is a terrific Regency romance starring likable lead characters. --- Harriet Klausner

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  • Anonymous

    Posted January 4, 2007

    Way to graphic!

    Please, will someone tell me what has happened to Regency novels? I have always loved reading them, until recently. In the past year they have become WAY to explicit and I actually threw this one out after reading the first two stories.

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