Science Fiction Audiences: Watching Doctor Who and Star Trek

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Overview

Science Fiction Audiences examines the astounding popularity of two television "institutions" - the series Doctor Who and Star Trek. Both of these programmes have survived cancellation and acquired an following that continues to grow. The book is based on over ten years of research including interviews with fans and followers of the series. In that period, though the fans may have changed, and ways of studying them as "audiences" may have also changed, the programmes have endured intact, with Star Trek for example now in its fourth television incarnation.
John Tulloch and Henry Jenkins dive into the rich fan culture surrounding the two series, exploring issues such as queer identity, fan meanings, teenage love of science fiction, and genre expectations. They encompass the perspectives of a vast population of fans and followers throughout Britain, Australia and the US, who will continue the debates contained in the book, along with those who will examine the historically changing range of audience theory it presents. and continue to attract a huge community of fans and followers. Doctor Who has appeared in nine different guises and Star Trek is now approaching its fourth television incarnation.Science Fiction Audiences examines the continuing popularity of two television 'institutions' of our time through their fans and followers.
Through dialogue with fans and followers of Star Trek and Dr Who in the US, Britain and Australia, John Tulloch and Henry Jenkins ask what it is about the two series that elicits such strong and active responses from their audiences. Is it their particular intervention into the SF genre? Their expression of peculiarly 'American' and 'British' national cultures. Their ideologies and visions of the future, or their conceptions of science and technology?
Science Fiction Audiences responds to a rich fan culture which encompasses debates about fan aesthetics, teenage attitudes to science fiction, queers and Star Trek, and ideology and pleasure in Doctor Who. It is a book written both for fans of the two series, who will be able to continue their debates in its pages, and for students of media and cultural studies, offering a historical overview of audience theory in a fascinating synthesis of text, context and audience study.

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Product Details

  • ISBN-13: 9780415061407
  • Publisher: Taylor & Francis
  • Publication date: 4/28/1995
  • Series: Popular Fictions Series
  • Pages: 308
  • Product dimensions: 6.46 (w) x 9.44 (h) x 1.10 (d)

Table of Contents

About the cover
Series editors' preface
Acknowledgements
Introduction
1 Beyond the Star Trek phenomenon: reconceptualizing the science fiction audience 3
2 Positioning the SF audience: Star Trek, Doctor Who and the texts of science fiction 25
3 The changing audiences of science fiction 50
4 'Throwing a little bit of poison into future generations': Doctor Who audiences and ideology 67
5 'It's meant to be fantasy': teenage audiences and genre 86
6 'But why is Doctor Who so attractive?: negotiating ideology and pleasure 108
7 'But he's a Time Lord! He's a Time Lord!': reading formations, followers and fans 125
8 'We're only a speck in the ocean': the fans as powerless elite 144
9 'Infinite diversity in infinite combinations': genre and authorship in Star Trek 175
10 'At other times, like females': gender and Star Trek fan fiction 196
11 'How many Starfleet officers does it take to change a lighbulb?': Star Trek at MIT 213
12 'Out of the closet and into the universe': queers and Star Trek 237
Notes 266
Index 287
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