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Screen Saviors studies how the self of whites is imagined in Hollywood movies—by white directors featuring white protagonists interacting with people of another color. This collaboration by a sociologist and a film critic, using the new perspective of critical _white studies,_ offers a bold and sweeping critique of almost a century's worth of American film, from Birth of Nation (1915) through Black Hawk Down (2001). Screen Saviors studies the way in which the social relations that we call _race_ are fictionalized and pictured in the movies . It argues that films are part of broader projects that lead us to ignore or deny the nature of the racial divide in which Americans live. Even as the images of racial and ethnic minorities change across the twentieth century, Hollywood keeps portraying the ideal white American self as good-looking, powerful, brave, cordial, kind, firm, and generous: a natural-born leader worthy of the loyalty of those of another color.
Chapter 1 Foreword: A Nation of Sheep Chapter 2 Learning to Be White through the Movies Chapter 3 The Divided White Self Chapter 4 The Beautiful White American: Sincere Fictions of the Savior Chapter 5 Amistad: Civilization and Its Contentments Chapter 6 Mutiny on the Bounty: Civilization and Its Discontents Chapter 7 Racism as a Project:Guess Who's Coming to Dinner Chapter 8 Scarlett and Mammy Revisited: White Women and Black Women in Hollywood Films Chapter 9 White Out: Racial Masquerade by Whites in American Film I Chapter 10 White Out: Racial Masquerade by Whites in American Film II Chapter 11 Black and White Buddies I Chapter 12 Black and White Buddies II Chapter 13 Conclusion: The Crisis of Whiteness
Posted May 8, 2003
The authors have written a highly useful, well-supported and egnagingly written book on some of America's most seminal films of the 60s,70s,80s and 90s. Film buffs will find their observations useful and enlightening. Their discussion of the 'Lethal Weapon' series is thought-provoking. Definitely worth the time.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted May 1, 2003
This exceptionally well researched and documented interdisciplinary review of film is a structural recapitulation of a history of film and race relations writ large. Anyone who loves the movies and thinks that there is 'much beneath the surface' that is never touched by news reviews will be thrilled by this work of Andrew Gordon and Hernan Vera. They give the performance of a life time in their interpretation and well- balanced examination of some of the most important issues in the modern arena in film and echoed within every day life.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.