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Overview

Truly deserving of the accolade a modern classic, Donna Tartt’s novel is a remarkable achievement—both compelling and elegant, dramatic and playful.

Under the influence of their charismatic classics professor, a group of clever, eccentric misfits at an elite New England college discover a way of thinking and living that is a world away from the humdrum existence of their contemporaries. But when they go beyond the boundaries of normal morality their lives are changed profoundly and forever, and they discover how hard it can be to truly live and how easy it is to kill.

An impressive debut novel from a new voice in fiction, The Secret History tells of a small circle of friends at an esteemed college in New England, whose studies in Classical Greek lead them to odd rituals, shocking behavior--and murder.

Editorial Reviews

Publishers Weekly
. Entertaining, evocative first novel; 12 weeks on PW 's bestseller list. (Oct.)
Library Journal
This well-written first novel attempts to be several things: a psychological suspense thriller, a satire of collegiate mores and popular culture, and a philosophical bildungsroman. Supposedly brilliant students at a posh Vermont school (Bennington in thin disguise) are involved in two murders, one supposedly accidental and one deliberate. The book's many allusions, both literary and classical (the students are all classics majors studying with a professor described as both a genius and a deity) fail to provide the deeper resonance of such works as Umberto Eco's The Name of the Rose . Ultimately, it works best as a psychological thriller. Expect prepublication hype to generate interest in this book and buy accordingly. Previewed in Prepub Alert, LJ 5/1/92.-- Charles Michaud, Turner Free Lib., Randolph, Mass.
New York Times
“Powerful . . . Enthralling . . . A ferociously well-paced entertainment.”

Product Details

  • ISBN-13: 9781400031702
  • Publisher: Knopf Doubleday Publishing Group
  • Publication date: 4/13/2004
  • Edition description: Reprint
  • Pages: 576
  • Sales rank: 82,007
  • Series: Vintage Contemporaries Series
  • Product dimensions: 5.20 (w) x 8.03 (h) x 1.00 (d)

Meet the Author

Donna Tartt
Donna Tartt

Donna Tartt was born in Greenwood, Mississippi, and educated at the University of Mississippi and Bennington College. The Secret History was her debut novel.

Biography

Donna Tartt excels at turning places of ordinary privilege into places tinged by anxiety and death. In her first novel, The Secret History, a small liberal arts college in New England becomes the playground for a dangerous, elite clique of scholars; in her next novel, The Little Friend, Mother’s Day in a small Mississippi town serves as the backdrop for the discovery of a nine-year-old boy’s hanging.

Though she has written several short stories and essays for magazines such as Harper’s and the Oxford American, little has been seen of Tartt since the publicity blitz that accompanied The Secret History’s publication in 1992. The book became a bestseller, and critics were reservedly enthusiastic.

Tartt had taken on a lot in The Secret History. It was partly a thriller, partly a critique of academe, and was densely packed with literary references from both classical Greek and contemporary literature. Some thought Tartt had bitten off more than she could chew, but she still earned praise for her sheer thematic ambition and her ability to create atmosphere and a driving pace. Ultimately, the book was enough to establish the Mississippi writer as a talent worth watching, and to inspire a handful of devotional web sites that dutifully enumerated her few-and-far-between publications.

The Tartt short stories that have since appeared in magazines show a glimpse of the talent that wowed professors at University of Mississippi – a Christmas pageant goes criminally awry, a former child star goes on what he considers a doomed visit to a hospitalized child – and her essays further reveal her skewed perspective. Finally, in 2002 and a decade after the debut that made her a sensation, Tartt published The Little Friend. The premise, a 12-year-old girl’s effort to avenge the murder of her older brother, shows that Tartt has not shied away from her exploration of the darknesses that lie underneath seemingly harmless facades.

Good To Know

Tartt's classmates at Bennington College included the writers Bret Easton Ellis and Jill Eisenstadt. It was Ellis who introduced Tartt to his agent, Amanda "Binky" Urban; and it was Urban who started a bidding war for The Secret History that scored Tartt a reported $450,000 advance.

Southern writer Willie Morris was a mentor for Tartt at University of Mississippi, where she spent her freshman year. Morris, who had read some stories of Tartt’s, introduced himself and told her, “I think you’re a genius.” He got her enrolled in a graduate writing seminar, and later encouraged her to transfer to Bennington.

Drawing on their college days, when Tartt would hold alcoholic "teas" in her dorm room, Ellis called his classmate "the only person I know who could drink me under the table" in a 1992 Vanity Fair article. Perhaps Tartt's stamina had something to do with her early "medicine" for the frequent illnesses caused by tonsils that were overdue for removal. Presiding as her nurse, Tartt's great-grandfather gave her regular doses of whiskey and cough syrup containing codeine. "Between the fever and the whiskey and the codeine," wrote Tartt in a Harper's essay, "I spent nearly two years of my childhood submerged in a pretty powerfully altered state of consciousness."

Signed first editions of The Secret History now run around $100.

Film rights to The Secret History were sold to director Alan Pakula; but Pakula died in 1998, and the project languished until Gwyneth Paltrow expressed interest. The film is now reportedly in production at Miramax under the actress, with Paltrow's brother Jake set to direct.

Tartt on the delay between books, to the BBC: "I can't write quickly. If I could write a book a year and maintain the same quality I'd be happy. I'd love to write a book a year but I don't think I'd have any fans.”

    1. Also Known As:
      Donna Louise Tartt (birth name)
      Donna Louise Tartt (full name)
    1. Date of Birth:
      December 23, 1963
    2. Place of Birth:
      Greenwood, Mississippi
    1. Education:
      Attended University of Mississippi; B.A., Bennington College, 1986

Reading Group Guide

1. Richard states that he ended up at Hampden College by a
"trick of fate." What do you think of this statement? Do you
believe in fate?

2. When discussing Bacchae and the Dionysiac ritual with his
students Julian states, "We don't like to admit it, but the idea
of losing control is one that fascinates controlled people such
as ourselves more than almost anything. All truly civilized
people--the ancients no less than us--have civilized themselves
through the willful repression of the old, animal self"
(p. 38). What is your opinion of this theory? Are we all atracted
to that which is forbidden? Do we all secretly wish we
could let ourselves go and act on our animal instincts? Is it true
that "beauty is terror"?

3. "I suppose there is a certain crucial interval in everyone's life
when character is fixed forever: for me, it was that first fall
term spent at Hampden" (p. 80). Did you have such a "crucial
interval" in your life? What/when was it?

4. In the idyllic beginning it is easy to see why Richard is drawn
to the group of Greek scholars. It is only after they begin to unravel
that we see the sinister side of each of the characters. Do
you think any one of the characters possesses true evil? Is there
such a thing as "true evil, " or is there something redeeming in
everyone's character?

5. In the beginning of the novel, Bunny's behavior is at times endearing
and at others maddening. What was your initial opinion
of Bunny? Does it change as the story develops?

6. At times Bunny, with his selfish behavior, seems devoidof
a conscience, yet he is the most disturbed by the murder
of the farmer. Is he more upset because he was "left out" of the
group or because he feels what happened is wrong?

7. Henry says to Richard, ". . . my life, for the most part, has
been very stale and colorless. Dead, I mean. The world has
always been an empty place to me. I was incapable of enjoying
even the simplest things. I felt dead in everything I did. . . . But
then it changed . . . The night I killed that man" (p. 463). How
does Henry's reaction compare to that of the others involved
in the murder(s)? Do you believe he feels remorse for what he
has done?

8. Discuss the significance of the scene in which Henry wipes his
muddy hand across his shirt after throwing dirt onto Bunny's
coffin at the funeral (p. 395).

9. List some of the signs that foreshadowed the dark turn of
events. Would you have seen all the signs that Richard initially
misses? Or do you believe Richard knew all along and just refused
to see the truth?

10. Would you have stuck by the group after learning their dark
secret?

11. The author states that many people didn't sympathize with
Richard. Did you find him a sympathetic character?

12. What do you make of Richard's unrequited love for Camilla?
Do you feel that she loved him in return? Or did she use his
love for her as a tool to manipulate him?

13. Do you feel the others used Richard as a pawn? If so, how?

14. What do you feel is the significance of Julian's toast "Live forever"
(p. 86)?

15. The author mentions a quote supposedly made by George Orwell
regarding Julian: "Upon meeting Julian Morrow, one has
the impression that he is a man of extraordinary sympathy and
warmth. But what you call his 'Asiatic Serenity' is, I think,
a mask for great coldness" (p. 480). What is your opinion of
Julian?

16. Do you think that Julian feels he is somewhat responsible for
the murder of Bunny? Is that why he doesn't turn the group in
when he discovers the truth from Bunny's letter?

17. What causes Julian to flee? Is it because of disappointment in
his young protegees or in himself?

18. While the inner circle of characters (Richard, Charles, Camilla,
Henry, Francis, and the ill-fated Bunny) are the center of this
tale, those on the periphery are equally important in their own
ways (Judy Poovey, Cloke Rayburn, Marion, and so on). Discuss
the roles of these characters.

19. The rights for The Secret History were initially purchased by
director/producer/screenwriter Alan J. Paluka (All The President's
Men, The Pelican Brief
), and they are currently with
director Scott Hicks (Shine, Snow Falling on Cedars). What
are your feelings about making the novel into a movie? Who
would play the main characters if you were to cast it?

20. What is the meaning of Richard's final dream?

Customer Reviews

Average Rating 4.5
( 98 )

Rating Distribution

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(5)

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See All Sort by: Showing 1 – 20 of 98 Customer Reviews
  • Anonymous

    Posted December 31, 2002

    A Reader from Minneapolis

    Much ado about nothing. Competent writer but this book doesn't imho live up to the hype.

    4 out of 5 people found this review helpful.

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  • Posted December 8, 2008

    more from this reviewer

    A great read for those who love to explore the human psyche

    Richard Papen grew up in Plano, CA; a small silicon village in the north. An only child, he was extremely unhappy there¿his father ran a gas station, and his mother had to join the work force to make ends meet. After high school, Richard went to a small college in his hometown¿against his parents wishes¿and studied ancient Greek on his way to a pre-med curriculum.

    He excelled in Greek, not so in biology and science classes. One night during a long Thanksgiving Holiday, he finds in his room a brochure from Hampden College, Hampden, Vermont, established in 1895.

    For the hell of it he applies and is accepted after getting a huge package of financial aid.

    So he gets on a bus and arrives in Vermont.

    As he tries to pursue his Greek studies, he encountered a roadblock¿the Greek professor: Julian Morrow, who only takes a few students.

    He out of curiosity decided to find and study these particular students. Two of the boys wore glasses, curiously enough the same kind: tiny, old fashioned, with round steel rims. The larger of the two, well over six feet, was dark haired, wore English suits and carried an umbrella¿unusual for Hampden¿his name was Henry Winter. The smaller of the two, was a sloppy blond boy, rosy cheeked and gum chewing. He was Bunny Corcoran¿short for Edmund¿and he wore the same jacket everyday and had a voice that was loud and honking.

    The third boy was the most exotic of them all. Angular and elegant, precariously thin, with nervous hands and a shrewd albino face with a short fiery mop reddish hair. Francis Abernathy was his name.

    The last two turned to be twins¿they looked much alike, with heavy dark blond hair and epicene faces as clear, as cheerful and grave, as a couple of Flemish Angels. Their names were Charles and Camilla Macaulay.

    Richard, overhearing an assignment by the group in the library, is able to solve a Greek problem, so he is invited to join the group.

    As it turns out, Julian Morrow is, like Aristotle, a complete education teacher. Richard is forced to quit all his classes, except French and Julian will teach him all of his curriculum for the year.

    The book is short on plot¿as a matter of fact, the plot is given away in the two page introduction. The group kills Bunny Corcoran.

    But what it lacks in plot, is overwhelmed by character development. Donna Tartt is able to get inside these people¿s heads to a point where we feel we are there with them. We know what they do, what they think, why they drink; what they like and dislike about each one of them¿and how they interact as a group, which will explain why they did what they did.

    These are confessions, years afterwards of a young man who found at a small Vermont college the life of privilege and intellect he¿d long coveted¿and rarely has the glorious experience of youth infatuated with knowledge and with itself so achingly realized.

    Hugely ambitious and compulsive readable, this is a chronicle of deception and complicity, of Dionysian abandon, of innocence corrupted by self love and moral arrogance; and finally this is a story of guilt and responsibility.

    A great read for those who love to explore the human psyche.

    3 out of 5 people found this review helpful.

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  • Anonymous

    Posted October 12, 2004

    Standout Fiction

    THE SECRET HISTORY is that rarity published in recent years, a mainstream novel that deals with murder but not the usual ho-hum mystery formula. I was drawn into Richard Papen's slide into the small clique of classics students majoring in Greek, improbably taking no other courses but French in a small Vermont private college. Never fitting in other settings, Richard seems a perfect fit here, though his blue-collar background contrasts to the wealthy background of the other five. The coin is fluency in Greek, and the group considers themselves set apart by their intellectual superiority. Though one member is far from an intellectual, and his position becomes increasingly precarious after a mysterious killing of a local farmer prods him to blackmail and snipe at the others he is sure killed the man. Richard is the observer, who becomes an accessory to murder, under the spell of the group's leader, who is determined to conceal their crimes at all costs. Mesmerized by the leader's rationalization that the first killing was an accident--or was it?-- Richard goes along with the plan for a second murder, drifting with the others from the first in a haze of constant heavy drinking combined with drugs taken as a matter of course. While college students --at least some of them--certainly did drugs in the Eighties and probably still do, every character major or minor in the book is stoned and recklessly drunk on top of that. No one dies of this, a miracle; and such bright students in the Greek major seem to be drunk or on their way much of the time--not terribly intellectual, though bright people often drink to excess at times. Not even Richard can work up actual horror at news of the first killing, or resistance to the plan to cover up by killing the second victim, chiefly because said victim's needling gets more and more annoying. Yet this reader, usually repelled by conscienceless characters, was unable to put the book down, wanting to know if they will get away with it, wanting to know what Richard--who hasn't actually committed either murder--will do in the end or if he will end up in prison for his complicity in abetting and concealing the crimes. The alarmingly plausible leader's essential evil is slowly and skillfully revealed by the author, who turned out a literate and vivid work of prose in THE SECRET HISTORY. The end had one small flaw, hard to understand the leader's action in the climax. It didn't seem in character. But the book was haunting and involving, and I'll look for more of Donna Tartt's work.

    2 out of 2 people found this review helpful.

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  • Anonymous

    Posted May 7, 2001

    An Outstanding Literary Work

    What makes 'The Secret History' such a compelling book is its daring to examine the consequences of the arrogance of intellectual superiority, something I struggled with in my youth, something which I sometimes find myself struggling with today. Those of us who were products of accelerated academic programs, who fell under the auspicious acronmym AP (for Advanced Placement) often felt removed from our peers and masked our underlying feelings of inferiority as erudite superiority. It is a defence mechanism many of us used when young,and sometimes continue to use as a means we tell ourselves of making us feel better about who we are. The students in TSH, even the sympathetic narrator Richard Papen, exemplify these ideas and the impulses these feelings cause them to act out are shown as having the direst of moral consequences to which they as a group and individually must answer for. The pleasures of intellectual stimulation coupled with the psychological underpinings of the deed done and how it is played out give TSH its literary resonance. In addition the book provides a builti in mystery of its own--namely the literary future, or if there is to be one, of its author, Donna Tartt. Upon a first reading nearly ten years ago, I embraced TSH and Donna Tartt as a voice I wanted to hear more of--a voice which has been noticeably and mysteriously silent, which has only served to build up the legend, and rumors of an impending second novel sometime next year. This remains to be seen but TSH continues to remain a book I turn to time and again for its exploration of moral arrogance and the destruction such attitudes can incur.

    2 out of 2 people found this review helpful.

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  • Posted April 25, 2012

    more from this reviewer

    What a disappointment

    This book had such buzz, frankly I thought it was just awful.
    Not one character did I like, the story was dull, the writing was stifling.

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  • Posted February 25, 2012

    One of the best novels that I have ever shared!

    When in college my dear friend, Amy, moved home to California. We all know that long-distance never works. So, we came up with the plan of a "book club"... granted it was only the two of us, but we beat Oprah to the idea Anyhow, Ms. Tartt's novels cast a bewitching spell upon the reader... I swear, I did not think that my hand could turn so many pages in an evening. Looking forward to your next book; please keep them coming! BTW I have read the latest and greatest I was able to find. You have a true passion for the written word and your words create vivid images in my mind. Thank you, Joel W Carson

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  • Posted December 29, 2011

    For those who want to root for the heroine but hope they get hit in the end!

    Sex, Murder, and Mystery, rich spoiled college kids take life for granted and ends up screwing it all up. Everyone has had that loathing at some point when you just wish that reality will slap someone in the face that really deserved it. Well here's your chance! Donna Tartt shows us the lives of Henry, Francis, Richard, Charles, Camilla, and Bunny and with such finesse describes the life in a Vermont college for these spoiled snobs. But wait...the characters tend to come to life thanks to Tartt's writing and we really hope that things work out for them in the end, but part of us just wants to drop an anvil on their heads! The descriptions that Tartt provides are incredible to say the least and the period of winter helplessness that Richard experiences chills you to the bone. "This was, I should say, about the third week in January. The thermometer was droping; my life, which before had been only solitary and miserable, became unbearable. Every day, in a daze, I walked to and from work, sometimes during weather that was ten or twenty below, sometimes during storms so heavy that all I could see was white, and the only way I made it home at all was by keeping close to the guard rail on the side if the road. Once home, I wrapped myself in my dirty blankets and fell on the floor like a dead man. All my moments were not consumed with efforts to escape the cold were absorbed with morbid Poe-like fancies. One night, in a dream, I saw my own corpse, hair stiff with ice and eyes wide open." I actually had to dress warmer while reading his experience in a cold dark apartment. Throughout the book you know Richard will witness some shocking discovery of what is really happening, and thanks to Tartt again this isn't just dropped on us suddenly. She rather slowly reveals each secret such subtleness that it builds to the climax in a way that you feel for these characters even though they are such selfish snobs. This is one of my favorite reads this year and will reside on my shelf for years to come.

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  • Anonymous

    Posted December 8, 2011

    Quite literally one of my favorite novels ever

    I read it 3 years ago and im back looking it up hoping to find some clues to another, similar book. I have found some people seem to not like it and that baffles me. Great mystery, suspense. I was genuinely sad it was finished when it was over.

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  • Anonymous

    Posted November 9, 2011

    Awesome!

    Donna Tartt is a very gifted story teller. This book will amuse you, shock you, stimey you, and anger you. A real page turner. I highly reccommend it.

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  • Anonymous

    Posted September 25, 2011

    Mediocre---don't recommend

    I really wanted to like this book. It started off with good potential but about a quarter of the way through, I wanted to stop reading. The plot was so static and only made me feel frustrated.

    0 out of 1 people found this review helpful.

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  • Posted May 2, 2011

    An Homage To The Tension Between Beauty and Reality

    If I were ever to write a novel, I would want it to make the impact on the reader that 'The Secret History' did on me. From the first sentence, the book captured me and would not let go. On the surface it is the unconventional story of a murder, starting first with the murder, then unravelling more about why the murder was committed and what happens to the killers rather than who or how. It is psychological drama at its best. But that's just the surface. 'The Secret History' is actually about the tension between the beauty of the literary ideal and the reality it is trying to convey. There are numerous descriptions rain, snow, darkness, light all providing context to the motives of the six students who populate the story. I took more notes from this book than I have on any since I read 'Bleak House'. One particularly compelling passage was on when the narrator, Richard, lies on his bed ruminating as if he had committed suicide, the description of which included both bleary sunshine and wet pavement covered in night crawlers. (p489) Even the central event of the story, the murder of Bunny, which takes place on page 1, rivets the reader to the contrast between the horrible act and the beauty used to describe it. As one character in the novel says, "it is an aching for the picturesque". "The Secret History" is a picture no one will soon forget. It is a book I will read again. (As a side note. the story takes place in a small college in Vermont (clearly Bennington College), and the narrator comes from a middle class family in California, in the 80's. The contrasts described by Richard closely paralleled by personal experience of leaving San Diego in 1986 to go to college in Middlebury VT. For that reason alone, the book was worth reading.)

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  • Anonymous

    Posted March 7, 2011

    Less profound than I had hoped.

    Just finished this book, one of several that I found based on a search for philosophical or intellectual thrillers. Given the book's title, its setting of classics students at a rural liberal arts college and the plot of the students' involvement and reaction to their serious crimes, I was hoping for a weighty story to enlighten morally, academically, or psychologically. Well, I was very disappointed. Although the book is original and interesting from beginning to end, it lacked any significant development of the characters or moral insight. Promising tidbits of greek philosophy early in the story, while necessary for the subsequent events, were not supplemented throughout the book as I had hoped. The students have an honestly profound mystical/philosophical experience early in the book, but all it portends is a descent into mundane immorality. With the learned professor Julian relegated to a minor role in the story, I feel as though a great opportunity for an enlightenment tale was lost. I love crime stories, psychological thrillers, and novels about the development of young adults. This novel fills those categories just OK, and it could have been so much more!

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  • Posted February 20, 2011

    more from this reviewer

    Read It As If Puzo Had Written It...

    The preponderance of the negative criticism of Donna's _The Secret History_ has been based on the argument that the novel's scholarly tone is not sustained by the level of actual scholarship it contains. But if we allow ourselves a bit of creative postmodernism in our reading of the story, and pretend that _The Secret History_ was not hailed as an instant literary classic when it came out, but rather disregarded as a paperback crime thriller, the experience is different. The perception that since Donna herself attended an elite liberal arts college on which the novel's Hampden is based should not enforce any necessity that the author have equaled her creations in study habits or achievement. What Donna has done, as no one ever has before, is point out the real recapitulation of pagan sacrificial beliefs in the social lives of American young people, those beliefs with which the characters in the book should be well acquainted and for which in the end the Hampden classicists open the creaking gate of return.

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  • Posted August 30, 2010

    Lengthy yet worth it

    This book was interesting to me. It was kind of long, (even though my hardcover was only 524 pages compared to the 576 page one), but it read pretty quickly. The events piled up and I felt like I was living life along with narrator, Richard Papen. The writing style makes you feel as if you are one of the characters, along with Richard and his fellow Greek-class peers, experiencing daily life and going through all of the twists and turns that the plot takes. Although lengthy, the plot never really runs into a lull, and you are for the most part kept interested in what the odd characters will do next. The fictional individuals are almost lifelike, and represent a sort of disturbed youth that one can become captivated in, seeing how seemingly normal lives can abruptly change with one simple accident. The novel is filled with drama, and continual suspense. I recommend this book for book clubs, boring days where you have nothing to do, or even for summer reading (which was my assignment).

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  • Anonymous

    Posted May 6, 2010

    Boring

    I found this book to be very boring. I did read it all only because I always finish books knowing that if I don't I will wonder what happened.

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  • Anonymous

    Posted March 12, 2010

    I Also Recommend:

    The secret of The Secret History?--It's a really good read!

    This book is an original blend of the themes of mystery, suspense, mythology, and coming of age. I purchased The Secret History from a Barnes and Noble bookstore several years ago. I remember reading through it rather quickly and enjoying it. Recently, this book popped up as a requirement in a course I'm taking for a Master's degree in English. Not only was I excited because I already had the text, but I was also excited to re-read this book because I remembered that it was good. The plot is original and keeps the reader interested. I also love the New England College setting. The characters are believable and complex.Tartt does a good job of making the reader wonder what will happen next--just when you think you've got it all figured out, she throws another plot related curveball into the mix.This would be an excellent text for a book club. I teach and threrefore enjoy books centered around academia, thus this book is a good fit. I highly recommend this book.

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  • Posted September 12, 2009

    more from this reviewer

    Sophisticated, smart, and suspenseful

    This complex novel is slow-moving at times, but it is very rewarding. If you like this book, check out Carol Goodman's Lake of Dead Languages. Follow me on twitter!

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  • Anonymous

    Posted August 2, 2009

    great read. I was drawn in right from the beginning even though you kind of know what is going to happen, you want to know all the details.

    I loved the book! I was drawn to all the characters and felt like I knew them or that I wanted to spend time getting to know them better. I was definately a little chilled by the story, but in a good way. Not usually the type of book I read but so glad I did! A hard book to put down!

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  • Posted April 11, 2009

    more from this reviewer

    I Also Recommend:

    Slow at first...

    This book was really hard to get into, but this is also one of the few times I have been glad I stuck it out and read the book. The story is about a group of college kids that are in an exclusive Greek class. They all become very close until something happens that pulls them all apart. If you can get past the first 50 pages, your golden...

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  • Posted December 29, 2008

    I Also Recommend:

    I really Think this is a Relevent Book...

    I would like all 16-90 yr old avid readers to especially read this book for great insight, into the minds of a few different generations. Edgy,but mystical....It truly can be appreciated by all readers looking for a very creative,smart book....

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