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Overview

Antoine Rey thought he had the perfect surprise for his sister Mélanie’s birthday: a weekend by the sea at Noirmoutier Island , where the pair spent many happy childhood summers playing on the beach.  It had been too long, Antoine thought, since they’d returned to the island—over thirty years, since their mother died and the family holidays ceased.  But the island’s haunting beauty triggers more than happy memories; it reminds Mélanie of something unexpected and deeply disturbing about their last island summer.  When, on the drive home to Paris, she finally summons the courage to reveal what she knows to Antoine, her emotions overcome her and she loses control of the car.

Trapped in the wake of a family secret shrouded by taboo, Antoine must confront his past and also his troubled relationships with his own children.  How well does he really know his mother, his children, even himself?  Suddenly fragile on all fronts – as a son, a husband, a brother and a father – Antoine Rey will soon learn the shocking truth about his family and himself.

By turns thrilling and seductive, with a lingering effect that is bittersweet and redeeming, A Secret Kept is the story of a modern family and the invisible ties that hold it together.

Editorial Reviews

Publishers Weekly
Together, de Rosnay and Simon Vance guide us through a sister and brother’s traumatic search for the real cause of their mother’s death some 30 years before. Vance is a reader’s reader, and he narrates de Rosnay’s novel with nuanced tones, rhythms, cadences, and subtle modulations, intonations and pauses to etch each character indelibly in the reader’s memory. He has the rare ability to do convincing women’s voices without sounding silly, and his French is very good (though his American accents are slightly overblown). A St. Martin’s hardcover (Reviews, July 26). (Sept.)
Library Journal
Bound to become a best seller, de Rosnay's latest (after Sarah's Key) is a taut, suspenseful, elegant novel with a secret at its heart that has the power to destroy one of the most wealthy families in contemporary Paris. As it begins, Antoine Rey, our narrator, is in a hospital waiting room eager to hear whether his beloved sister, Melanie, survived the car crash that brought him there. The two were driving back to Paris after a weekend at Noirmoutier Island, a getaway planned by Antoine as a surprise for Melanie's 40th birthday. As they reprise memories of the Rey family vacations on the island, including one trip shortly before their mother died, Melanie realizes the truth of the old family mystery, revealed as bits of memory pieced together along with a bit of detective work. This startling revelation causes her to drive the car off the road, endangering her life and her brother's. By the end of the story, Antoine, Melanie, and their friends and family suffer several deaths, culminating in a vision for the future that makes life and their fleeting moments of happiness all the more precious.Verdict The reader will immediately become submerged in the world de Rosnay so beautifully creates and will turn the pages quickly; it's not hard to imagine downing this in one or two sittings. Different from the historical Sarah's Key but with as profound an effect; highly recommended and bravo!—Lisa Rohrbaugh, National Coll. Lib., Youngstown, OH

(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Kirkus Reviews

The story of an emotionally distant family as it struggles to come to grips with changing dynamics and the mysterious death of a young mother many years ago.

Like de Rosnay's bestselling Sarah's Key (2007), this novel is set in Paris, but while her earlier novel explored a national tragedy, this one tackles a personal one. Antoine Rey, son of the famous attorney, and his sister, Mélanie, are returning from a visit to the family's old summer vacation stomping grounds when Mélanie tells her brother she has remembered something important about their mother's death. She promptly steers the car into a wreck, putting herself in the hospital, unable to remember the important detail she once recalled. Antoine sits vigil by his sister's side, trying to figure out what has gone wrong with his life: His wife has left him for another man, of his three children only one seems to like him anymore, and he is tired of dating vacuous young women. His father, who comes from a well-known Parisian family, is old, paunchy and distant—a complete shadow of the man who was married to the gorgeous Clarisse. Clarisse, Antoine and Mélanie's mother, died when they were small children, supposedly succumbing to an aneurism in their apartment, but when Antoine starts questioning the version of her death they have always accepted as the truth, he stumbles upon some disturbing possibilities. In the meantime, he becomes involved in a relationship with a woman his own age who impresses him with her independence and sexuality, squares off against his eldest son and helps his daughter through a tough loss of her own. De Rosnay's writing is eloquent and beautiful, and her characterizations are both honest and dead-on—anyone with a teenager will recognize the parental angst Antoine experiences as genuine. But the plot meanders to a conclusion that seems anticlimactic at best, a letdown at worst—the secret is hardly worth the trouble it causes.

For any other writer this would be a fine novel, but de Rosnay's fans will expect more than the central character's aimless journey.

Product Details

  • ISBN-13: 9780312553494
  • Publisher: St. Martin's Press
  • Publication date: 9/13/2011
  • Pages: 352
  • Sales rank: 11,324
  • Product dimensions: 5.40 (w) x 8.20 (h) x 1.00 (d)

Meet the Author

TATIANA DE ROSNAY is the author of ten novels, including the New York Times bestselling novel Sarah’s Key, an international sensation with over 4 million copies sold in thirty-eight countries worldwide that has now been made into a major motion picture. A Secret Kept debuted on the New York Times bestseller list and has sold over 550,000 copies in twenty countries. Together with Dan Brown and Stieg Larsson, Tatiana was named one of the top three fiction writers in Europe in 2010. She lives with her husband and two children in Paris, where she is at work on her next novel. Visit her online at www.tatianaderosnay.com.

Read an Excerpt

A SECRET KEPT (Chapter One)

I am shown into a small, drab room, told to sit down and wait. Six empty brown plastic chairs face each other on tired linoleum. In a corner, a fake green plant, shiny leaves coated with dust. I do as I am told. I sit down. My thighs tremble. My palms feel clammy, my throat parched. My head throbs. I think, I should call our father now, I should call him before it gets too late. But my hand makes no effort to grab the phone in the pocket of my jeans. Call our father and tell him what? Tell him how?

The lighting is harsh, glaring strips of neon barring the ceiling. The walls are yellowish and cracked. I sit there, numb. Helpless. Lost. I long for a cigarette. I wonder if I am going to retch, bring up the bitter coffee and stale brioche I had a couple of hours ago.

I can still hear the screech of the wheels, feel the sudden lurch of the car as it veered sharply to the right, careening into the railing. And her scream. I can still hear her scream.

How many people have waited here? I think. How many people have sat where I am sitting now and waited for news of their loved ones? I cannot help imagining what these jaundiced walls have seen. What they know. What they remember. Tears, shouts, or relief. Hope, pain, or joy.

The minutes click by. I watch the round face of a grimy clock above the door. There is nothing else for me to do but wait.

After half an hour or so, a nurse comes in. She has a long, horsey face, skinny white arms.

"Monsieur Rey?"

"Yes," I say, my heart in my mouth.

"You need to fill out these papers. With her details."

She hands me a couple of sheets and a pen.

"Is she all right?" I mumble.

My voice seems thin and strained.

She flickers watery, lashless eyes over me.

"The doctor will tell you. The doctor will come."

She leaves. She has a sad, flat ass.

I spread the sheets of paper over my knees with trembling fingers.

Name, birth date and place, marital status, address, social security number, health insurance number. My hand still shakes as I print out "Mélanie Rey, born August 15, 1967, at Boulogne-Billancourt, single, 49 rue de la Roquette, Paris 75011."

I have no idea what my sister's social security number is. Or her health insurance number for that matter. All that stuff must be in her bag. Where is her bag? I can't remember anything about her bag. Just the way her body slumped forward when they hauled her out of the car. The way her limp arms hung down to the ground from the stretcher. And there I was, not a hair out of place, not a bruise on my skin, and I had been sitting right next to her. I flinch. I keep thinking I am going to wake up.

The nurse comes back with a glass of water. I gulp it down. It has a metallic, stale taste. I thank her. I tell her I don't have Mélanie's social security number. She nods, takes the sheets, and leaves.

The minutes inch by. The room is silent. It is a small hospital. A small town, I guess. In the suburbs of Nantes. I'm not quite sure where. I stink. No air-conditioning. I can smell the sweat trickling under my armpits, gathering around my groin. The sweaty, meaty smell of despair and panic. My head still throbs. I try breathing calmly. I manage to do this for a couple of minutes. Then the helpless, awful feeling takes over and swamps me.

Paris is more than three hours away. I wonder again if I should call my father. I tell myself I need to wait. I don't even know what the doctor has to say. I glance down at my watch. Ten thirty. Where would our father be now? I wonder. At some dinner party? Or watching cable TV in his study, with Régine in the next room, on the phone, painting her nails?

I decide to wait a little longer. I am tempted to call my ex-wife. Astrid's name is still the first one that pops up in times of stress or despair. But the thought of her with Serge, in Malakoff, in our old house, in our old bed, with him invariably answering the phone, even her mobile, for Christ's sake—"Oh, hi, Antoine, what's up, man?"—is just too much. So I don't call Astrid, although I long to.

I stay in the small, stuffy room and try once more to remain calm. Try to stop the panic rising within me. I think of my kids. Arno in all his teenage glory and rebellion. Margaux, a creature of mystery at fourteen. Lucas, still a baby at eleven, compared with the other two and their raging hormones. I simply cannot imagine myself telling them, "Your aunt is dead. Mélanie is dead. My sister is dead." The words make no sense. I push them away.

Another hour creeps by. I sit there, my head in my hands. I try to sort out the mess building up in my mind. I start thinking about the deadlines I need to keep. Tomorrow is Monday, and after this long weekend, there are many urgent things to be done—that unpleasant Rabagny and his god-awful day-care center I should not have taken on; Florence, that hopeless assistant I know I have to fire. But how can I possibly think of this? I realize, appalled at myself. How can I think of my job now, at this precise moment when Mélanie is somewhere between life and death? I say to myself with a sinking heart, Why Mélanie? Why her? Why not me? This trip had been my idea. My present for her birthday. That fortieth birthday she was so upset about.

A woman of my age comes in at last. A green operating blouse and one of those funny little paper hats surgeons wear. Shrewd hazel eyes, short chestnut hair touched with silver. She smiles. My heart leaps. I rush to my feet.

"That was a close call, Monsieur Rey," she says.

I notice small brown stains on the front of her uniform. I wonder with dread whether those stains are Mélanie's blood.

"Your sister is going to be all right."

To my horror, my face crumples up, tears spill out. My nose runs. I am acutely embarrassed to be crying in front of this woman, but I can't prevent it.

"It's okay," the doctor says. She grips my arm. She has small, square hands. She pushes me back down into the chair, sits beside me. I bawl the way I used to when I was a kid, deep sobs that come from the gut.

"She was driving, right?"

I nod, try to tidy up my damp nostrils with the back of my hand.

"We know she wasn't drinking. We checked that. Can you tell me what happened?"

I manage to repeat what I told the police and the ambulance people earlier on. That my sister wanted to drive the rest of the way home. That she was a reliable driver. That I had never been nervous with her at the wheel.

"Did she black out?" asks the doctor. The name on her badge reads: DR. BÉNÉDICTE BESSON.

"No, she didn't."

And then it comes back to me. Something I had not told the ambulance people, because I only remember it just now.

I look down at the doctor's small, tanned face. My own face is still twitching with the crying. I catch my breath.

"My sister was in the middle of telling me something. . . . She turned to me. And then it happened. The car drove off the highway. It happened so fast."

The doctor urges me on.

"What was she telling you?"

Mélanie's eyes. Her hands clasping the wheel. Antoine, there's something I need to say. I've kept it back all day. Last night, at the hotel, I remembered something. Something about . . . Her eyes, troubled, worried. And then the car driving off the road.

A SECRET KEPT Copyright © 2009, 2010 by Tatiana de Rosnay

First Chapter

A Secret Kept


By Tatiana de Rosnay

St. Martin's Press

Copyright © 2010 Tatiana de Rosnay
All right reserved.

ISBN: 9780312593315

I am shown into a small, drab room, told to sit down and wait. Six empty brown plastic chairs face each other on tired linoleum. In a corner, a fake green plant, shiny leaves coated with dust. I do as I am told. I sit down. My thighs tremble. My palms feel clammy, my throat parched. My head throbs. I think, I should call our father now, I should call him before it gets too late. But my hand makes no effort to grab the phone in the pocket of my jeans. Call our father and tell him what? Tell him how?
The lighting is harsh, glaring strips of neon barring the ceiling. The walls are yellowish and cracked. I sit there, numb. Helpless. Lost. I long for a cigarette. I wonder if I am going to retch, bring up the bitter coffee and stale brioche I had a couple of hours ago.
I can still hear the screech of the wheels, feel the sudden lurch of the car as it veered sharply to the right, careening into the railing. And her scream. I can still hear her scream.
How many people have waited here? I think. How many people have sat where I am sitting now and waited for news of their loved ones? I cannot help imagining what these jaundiced walls have seen. What they know. What they remember. Tears, shouts, or relief. Hope, pain, or joy.
The minutes click by. I watch the round face of a grimy clock above the door. There is nothing else for me to do but wait.
After half an hour or so, a nurse comes in. She has a long, horsey face, skinny white arms.
“Monsieur Rey?”
“Yes,” I say, my heart in my mouth.
“You need to fill out these papers. With her details.”
She hands me a couple of sheets and a pen.
“Is she all right?” I mumble.
My voice seems thin and strained.
She flickers watery, lashless eyes over me.
“The doctor will tell you. The doctor will come.”
She leaves. She has a sad, flat ass.
I spread the sheets of paper over my knees with trembling fingers.
Name, birth date and place, marital status, address, social security number, health insurance number. My hand still shakes as I print out “Mélanie Rey, born August 15, 1967, at Boulogne-Billancourt, single, 49 rue de la Roquette, Paris 75011.”
I have no idea what my sister’s social security number is. Or her health insurance number for that matter. All that stuff must be in her bag. Where is her bag? I can’t remember anything about her bag. Just the way her body slumped forward when they hauled her out of the car. The way her limp arms hung down to the ground from the stretcher. And there I was, not a hair out of place, not a bruise on my skin, and I had been sitting right next to her. I flinch. I keep thinking I am going to wake up.
The nurse comes back with a glass of water. I gulp it down. It has a metallic, stale taste. I thank her. I tell her I don’t have Mélanie’s social security number. She nods, takes the sheets, and leaves.
The minutes inch by. The room is silent. It is a small hospital. A small town, I guess. In the suburbs of Nantes. I’m not quite sure where. I stink. No air-conditioning. I can smell the sweat trickling under my armpits, gathering around my groin. The sweaty, meaty smell of despair and panic. My head still throbs. I try breathing calmly. I manage to do this for a couple of minutes. Then the helpless, awful feeling takes over and swamps me.
Paris is more than three hours away. I wonder again if I should call my father. I tell myself I need to wait. I don’t even know what the doctor has to say. I glance down at my watch. Ten thirty. Where would our father be now? I wonder. At some dinner party? Or watching cable TV in his study, with Régine in the next room, on the phone, painting her nails?
I decide to wait a little longer. I am tempted to call my ex-wife. Astrid’s name is still the first one that pops up in times of stress or despair. But the thought of her with Serge, in Malakoff, in our old house, in our old bed, with him invariably answering the phone, even her mobile, for Christ’s sake—“Oh, hi, Antoine, what’s up, man?”—is just too much. So I don’t call Astrid, although I long to.
I stay in the small, stuffy room and try once more to remain calm. Try to stop the panic rising within me. I think of my kids. Arno in all his teenage glory and rebellion. Margaux, a creature of mystery at fourteen. Lucas, still a baby at eleven, compared with the other two and their raging hormones. I simply cannot imagine myself telling them, “Your aunt is dead. Mélanie is dead. My sister is dead.” The words make no sense. I push them away.
Another hour creeps by. I sit there, my head in my hands. I try to sort out the mess building up in my mind. I start thinking about the deadlines I need to keep. Tomorrow is Monday, and after this long weekend, there are many urgent things to be done—that unpleasant Rabagny and his god-awful day-care center I should not have taken on; Florence, that hopeless assistant I know I have to fire. But how can I possibly think of this? I realize, appalled at myself. How can I think of my job now, at this precise moment when Mélanie is somewhere between life and death? I say to myself with a sinking heart, Why Mélanie? Why her? Why not me? This trip had been my idea. My present for her birthday. That fortieth birthday she was so upset about.
A woman of my age comes in at last. A green operating blouse and one of those funny little paper hats surgeons wear. Shrewd hazel eyes, short chestnut hair touched with silver. She smiles. My heart leaps. I rush to my feet.
“That was a close call, Monsieur Rey,” she says.
I notice small brown stains on the front of her uniform. I wonder with dread whether those stains are Mélanie’s blood.
“Your sister is going to be all right.”
To my horror, my face crumples up, tears spill out. My nose runs. I am acutely embarrassed to be crying in front of this woman, but I can’t prevent it.
“It’s okay,” the doctor says. She grips my arm. She has small, square hands. She pushes me back down into the chair, sits beside me. I bawl the way I used to when I was a kid, deep sobs that come from the gut.
“She was driving, right?”
I nod, try to tidy up my damp nostrils with the back of my hand.
“We know she wasn’t drinking. We checked that. Can you tell me what happened?”
I manage to repeat what I told the police and the ambulance people earlier on. That my sister wanted to drive the rest of the way home. That she was a reliable driver. That I had never been nervous with her at the wheel.
“Did she black out?” asks the doctor. The name on her badge reads: dr. BÉNÉDICTE BESSON.
“No, she didn’t.”
And then it comes back to me. Something I had not told the ambulance people, because I only remember it just now.
I look down at the doctor’s small, tanned face. My own face is still twitching with the crying. I catch my breath.
“My sister was in the middle of telling me something. … She turned to me. And then it happened. The car drove off the highway. It happened so fast.”
The doctor urges me on.
“What was she telling you?”
Mélanie’s eyes. Her hands clasping the wheel. Antoine, there’s something I need to say. I’ve kept it back all day. Last night, at the hotel, I remembered something. Something about … Her eyes, troubled, worried. And then the car driving off the road.
Excerpted from A Secret Kept by Tatiana de Rosnay.
Copyright © 2010 by Tatiana de Rosnay.
Published in September 2010 by St. Martin’s Press.
All rights reserved. This work is protected under copyright laws and reproduction is strictly prohibited. Permission to reproduce the material in any manner or medium must be secured from the Publisher.


Continues...

Excerpted from A Secret Kept by Tatiana de Rosnay Copyright © 2010 by Tatiana de Rosnay. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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See All Sort by: Showing 1 – 20 of 261 Customer Reviews
  • Posted September 22, 2010

    Although the cover is similar in look to Sarah's Key, De Rosnay's prior book, it is entirely different, but just as engaging.

    First, I would like to remark about the cover of the book. There is a woman walking down a street. The stark contrast of her wide, flaring coat against the narrow cobble-stoned road, is beautiful and evokes memories of the child in the red coat against a black and white background in Schindler's List. That picture of that child, with all of its implications about the nightmare to come, in that story, remained indelibly in my mind's eye and made me wonder if there wasn't some hidden sadness, locked deep within the pages of this book, as well. My suspicions were correct. One of the main characters of the book makes only a brief appearance in the early chapters. For the remainder of the book, it is her absence and the circumstances surrounding it, that is the main theme of the novel.
    For his sister Clarisse's 40th birthday, Antonio takes her on a trip to their childhood vacation spot. His family enjoyed several summers there until their mother died suddenly and, for them, mysteriously. The resort town sparks a memory in his sister's mind, which is so strong and so difficult to deal with that she drives off the road and is seriously injured. The remainder of the book is really about Tonio and Melanie's search to find out more about their mother, her past and her death. There are no pictures of her and they know little about her. Their father shut down after her death. Shortly after, he remarried and their mom's memory was basically erased.
    During the course of the story we meet many characters, Tonio's family and his children, friends, relatives and colleagues. There are many characters and there was a point where I was confused about the identity of some of them but eventually, they all fell into place and lent themselves well to this very original and creative tale. The characters are interesting in and of themselves. The scenes and locales are described very well by the author and it is easy to be absorbed into the events of the moment, with the images clearly pictured in one's mind.
    The story is a tale of loss, love and learning. The characters have to explore themselves and come to terms with their own shortcomings and strengths. It is about learning how to deal with life's unexpected tragedies and difficult moments. It is about dealing with and accepting death and the circumstances surrounding it. It is also about growing up, becoming independent and learning to accept responsibility. It is about attitude and attitude adjustment. I think on a larger scale, it is a story about the trials of life and how we choose to live it.
    The book touches all of our senses and emotions but is neither too tense or too laid back. It strikes the right chord and so it is engrossing and easy to read. It is a mystery, a love story and a tale of secrets and their effects on the lives of others.

    15 out of 17 people found this review helpful.

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  • Posted October 4, 2010

    Not worth it

    I kept waiting for something exciting to happen but everything was predictable. I knew early on what the secret was. I am glad I read Sarah's Key first or I probably wouldn't have bothered after this book. I just got through it hoping it would get better and more interesting.

    6 out of 10 people found this review helpful.

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  • Posted March 21, 2011

    SECRET....BUT WHO CARES???

    A Secret Kept was an entertaining book to read.After reading De Rosnay's first book , Sarah's Key, which was so well written and such a good story, this one left me kind of disappointed. In A Secret Kept, De Rosney wrote the story from a man's point of view. Sometimes this just did not ring true, knowing the book was written by a woman. There were times this man was just too sensitive in certain situations. Maybe this reviewer is too jaded. As for the big secret.... it was not that big of a secret. This will not keep me from reading her third book. I like the way she writes... takes one down the streets of Paris with each book. It is worth the time to read, just don't expect another story like Sarah's Key.

    5 out of 5 people found this review helpful.

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  • Anonymous

    Posted October 9, 2011

    An inch deep and a mile wide

    I can say nothing to recommend it. Boring right up to the end.

    4 out of 6 people found this review helpful.

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  • Posted October 9, 2010

    more from this reviewer

    Interesting reading--walk back in history

    I read this book and was very entertained by the story line and the lesson in recent history. The story kept my interest and educated me at the same time. I thoroughly enjoyed this book.

    3 out of 5 people found this review helpful.

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  • Posted September 16, 2010

    more from this reviewer

    I Also Recommend:

    Entertaining!!

    This was a good book, but not a Sarah's Key. Just like Key it shifts from past to present as a family grapples with a family secret. This is entertaining and De Rosnay keeps you hooked.

    3 out of 5 people found this review helpful.

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  • Posted January 31, 2012

    Disappointing

    This is a very slow moving book. None of the characters are appealing. I liked Sara's Key. Everyone in my book club agreed this was a disappointment.

    2 out of 2 people found this review helpful.

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  • Anonymous

    Posted August 18, 2011

    Check it out

    Couldn't wait to see how it ended. Must read

    2 out of 2 people found this review helpful.

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  • Posted July 1, 2011

    more from this reviewer

    great writing however...

    the story line was predictable...and...dragged-out. The ending had no really excitement or "conclusion"; NOT really a disappointment but this story should have been better. Sarah's Key was/is incredibly-written. What happened...?

    2 out of 2 people found this review helpful.

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  • Anonymous

    Posted March 1, 2012

    A really good read.

    This is a really good book, totally different from Sarah's Key, which I also loved. Some authors books become very predictable after you read a couple' but Tatiana deRosnay's books are totally different from each other. In this book you can't wait to find out what happened to this family, and that's all I'm saying, I don't want to give anything away. Read it you will love it.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted February 27, 2012

    Very good

    Thoroughly enjoyed.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted February 27, 2012

    Highly Recommended !

    I Really enjoyed this book as I did with Sarah's Key. Once again there are family secrets that come to light and affect each character differently. There are some unexpected twists that may surprise you. Enjoy!

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted February 19, 2012

    Outstanding

    Very well written

    1 out of 1 people found this review helpful.

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  • Posted January 31, 2012

    more from this reviewer

    Probably One of My Least Favorite Reads

    I wanted to like this book, I really did. I think Tatiana de Rosnay is a fabulously talented writer but this book left so much to be desired. First of all, there was the really weird relationship between Antoine and his sister. OK, perhaps there wasn’t a “relationship” per se, but he admired his sister’s body in ways that made me more than just a little bit uncomfortable.

    And speaking of Antoine, I thought he was too whiny. About everything. I wanted to grab him by the collar, shake him and tell him to man up! I know parents feel guilt over divorcing and they have a hard time reprimanding their children, but allowing them to become juvenile delinquents is not the answer.

    Also, without giving away the family secret, I think a homicide would have been a far better choice…

    The one positive in this story had to be Angèle. She warrants her own story. I like the way she talked about death and how we have to come to grips with the death of loved ones and the fact that we won’t always have answer to the “whys” of life.

    1 out of 2 people found this review helpful.

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  • Posted January 7, 2012

    Highly Recommend

    A bit slow in the beginning; however, if you can get through the first 100 pages or so, the book becomes addictive and you can't put it down.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted December 29, 2011

    Sarah's Key--it isn't

    I was excited to see de Rosnay offer a new book because I was thoroughly engaged by (on a variety of levels) her prvious book, Sarah's Key. I am disappointed by A Secret Kept. The characters seem flat, with a whiney protagonist that is often irritating. The slow pace makes the plot seem tedious with little to keep me engaged save for the occasional flashbacks. I enjoy books set in France so this is a positive, but even the quirky French culture is virtually ignored here. In short, I was disappointed but urge readers to make the time for Sarah's Key.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted December 24, 2011

    Great book

    This book is really good. Although i woild not recommened for children under the age of14.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted December 23, 2011

    Disappointing

    This book is nowhere near as engaging as Sarah's key. It is not worth the time necessary to slog through it.

    1 out of 1 people found this review helpful.

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  • Posted October 4, 2011

    Not so good

    I was highly disappointed. There was too much babble & whinning for me. I found myself skipping pages. Hoping to get to a good/exciting part, which never came. I will not recommend this book to my friends. Loved Sarah's Key!

    1 out of 1 people found this review helpful.

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  • Posted August 21, 2011

    Our book club is reading it

    I thought it was well written, but I didn't really care that much about the characters. At the end of the book, I wondered what the point was. Dysfunctional families may be interesting to some, but I've been there, done that.

    1 out of 1 people found this review helpful.

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See All Sort by: Showing 1 – 20 of 261 Customer Reviews

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