Secret Sins

Secret Sins

4.5 2
by Kate Charles

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Life may not be getting any easier for curate Callie Anson, but it is definitely getting more interesting. Her relationship with policeman Marco Lombardi grows ever warmer, even though he seems to be keeping her away from his close Italian family. Then her own brother Peter, beloved and engaging as he is, gets a bit too close for comfort when he moves in with


Life may not be getting any easier for curate Callie Anson, but it is definitely getting more interesting. Her relationship with policeman Marco Lombardi grows ever warmer, even though he seems to be keeping her away from his close Italian family. Then her own brother Peter, beloved and engaging as he is, gets a bit too close for comfort when he moves in with Callie.
Professionally, things are challenging as well. Callie has become involved with the problems of a new parishioner. Morag Hamilton is worried about her granddaughter Alex—a lonely and isolated twelve-year-old with a work-obsessed father and a self-absorbed step-mother. If Morag knew how much time Alex spends on the internet, she would have even more cause for worry.
Meanwhile, Detective Inspector Neville Stewart tries to put his personal problems on hold as he deals with Rachel Norton, a pregnant young woman with a missing husband. With the birth of their first baby only a few days away, why would Trevor Norton go out jogging and not return?
Trevor's disappearance may not be what it seems. Just when Neville thinks he's solved it, someone else goes missing: young Alex Hamilton.

Editorial Reviews

From the Publisher
"Multiple characters and plot lines intertwine in this fast-paced second in a series featuring All Saints Church curate Callie Anson; her boyfriend, Mark Lombardi; and Detective Inspector Neville Stewart. A man disappears while jogging and is later found murdered, leaving a pregnant wife. A lonely, unhappy 12-year-old girl, Alex Hamilton, the granddaughter of a new parishioner, disappears while going to meet someone she has been corresponding with on the Internet. On the personal side, Mark is unsure how to introduce Callie to his close Italian family because she is not Italian. Callie must also deal with her abrasive mother and her brother, who is temporarily living with her. The professional and personal lives of the many interrelated characters are followed in the compelling story. Numerous full-bodied, well-developed charactersexcept for Alexs stepmother, who is straight out of Cinderellaadd to the appeal in this blend of police procedural and amateur-detective mystery. Fans of Julia Spencer-Fleming will appreciate the backdrop of a female member of the clergy trying to fit in a male-dominated profession." —Booklist
Publishers Weekly

St. Valentine's arrows rain over London in the engaging second installment of Charles's ecclesiastical mysteries (after 2005's Evil Intent) starring newly ordained Anglican cleric Callie Anson, who's mooning over charming cop Mark Lombardi. When not distracted by romance, Callie tends to the needs of parishioner Morag Hamilton, who, in short order, receives bad medical news and learns that her granddaughter has gone missing. The wife of Callie's boss has a bad case of empty-nest syndrome and frets about her son's serious girlfriend. Mark's police buddy Neville Stewart has, after nearly a decade, gotten back together with the love of his life, but she's sending mixed signals. Neville must also solve the murder of a successful young computer whiz, who has left behind a seemingly grief-stricken and very pregnant wife. All the characters are well drawn, and the multiple story lines make for a page-turner. (Mar.)

Copyright 2006 Reed Business Information.
Kirkus Reviews
Curate Callie Anderson finds her faith tested after being dumped by her boyfriend. The restaurateur parents of policeman Marco Lombardi (Evil Intent, 2005, etc.) just want him to marry a nice Italian girl instead of someone like Callie. Marco's shamus pal Neville Stewart is meanwhile stubbornly ignoring his own relationship problems when he's handed the case of a jogger apparently killed for his iPod. When the officer assigned to help the very pregnant widow discovers another motive for the murder, the case is solved. But Stewart's patience is tested by a child's disappearance. Callie has befriended Morag Hamilton, a widow from Scotland whose controlling son and trophy wife Jilly allow limited access to her granddaughter Alex, 12, whose biological mother has been in a home in Scotland since her mental breakdown. When bright, resourceful Alex discovers Jilly has withheld all her mother's letters, she eludes her pedophilic online boyfriend and makes her way to Scotland. Irascible Stewart asks tactful Marco to work with her demanding, well-connected father. Driving to Scotland, Morag and Callie find Marco minding Alex's father and the local police at the nursing home with a defiant Alex. Negotiations begin to let Alex reside with Morag and her soon-to-be-released mother in Scotland. A police procedural with a weak mystery, romantic overtones and sympathetic characters who draw you in and set you up for future revelations.

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Poisoned Pen Press
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Callie Anson Mysteries Series
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6.50(w) x 8.50(h) x 0.71(d)

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Read an Excerpt

Secret Sins

By Kate Charles

Poisoned Pen Press

Copyright © 2007 Kate Charles
All right reserved.

ISBN: 978-1-59058-473-6

Chapter One

Callie Anson first met Morag Hamilton at a Mothers' Union meeting. Jane Stanford, the vicar's wife, was very much in charge of the Mothers' Union at All Saints' Church, Paddington, and as the lowly curate, Callie was deliberately keeping a low profile, sitting in the back row as Jane introduced the speaker. Callie's thoughts were elsewhere: certainly not on the woman who was to demonstrate how to make festive Christmas decorations out of yogurt pots and ribbon, with the assistance of scissors and a glue gun. The Mothers' Union was not an institution which held much appeal for her in any case, but she knew that Jane would take as much offence if she were not there as she would if Callie were to try to take too prominent a role in its operation. The safest option, she had long since discovered, was literally to take a back seat.

As the correct use of the glue gun was explained, Callie's attention wandered still further, to the woman sitting nearest to her in the back row. She didn't recall having seen her before, though she wasn't exactly a striking or memorable type: late middle-aged, small, compact, neatly put together, with capable-looking hands folded over a black handbag on a tartan-clad lap. Her grey hair was short and tidy, if not stylish, and her eyes were concealed behind spectacles, their frames unfashionably large. What did seem out of place to Callie in the midst of the well-groomed London ladies was the woman's complexion, her cheeks ruddy with small broken blood vessels, as if she had spent much of her life out of doors and in a less genteel and rarefied climate than the soft rains of Paddington, Bayswater and Hyde Park.

Callie spoke to her at the earliest opportunity, as soon as the speaker had finished and the applause had died away. There was a discreet rush in the direction of the tea urn, but the woman hesitated for just a moment, and Callie turned to her.

'Hello,' she said, extending her hand. 'I don't think we've met. I'm the curate, Callie Anson.'

The woman took her hand in a firm grip. 'Morag Hamilton,' she said, her strong Scottish burr as much an indicator of her origins as her un-English name. 'I'm new here.'

'It's good to meet you, Morag. And good to have you with us. Do you live in the parish?'

'Yes, that's right. Just round the corner, in fact.' Morag indicated the direction with a tilt of her head.

'Oh, we're neighbours, then,' Callie said, raising her eyes to the ceiling. 'I live in the flat upstairs.'

'Over the shop.' Morag smiled. 'That's something I know a bit about myself. My husband was the village doctor, and we lived above the surgery.'

'In Scotland?' Callie ventured.

'That's right. In the Highlands,' she amplified. 'Gartenbridge. Not far from Aviemore. Do you know it?'

Callie shook her head. 'No. I've been to Edinburgh once or twice, but that's as far as I've been in Scotland.'

Morag gave a brisk laugh. 'Edinburgh's so far south, it hardly counts as Scotland at all!'

'I understand the Highlands are very beautiful.'

'Oh, there's nothing so lovely on earth.' Morag's eyes looked over Callie's shoulder, as if focusing on something far away, and her face softened. 'You really should go, you know. Go for a week, and you'll never want to come back.'

Callie felt a prickle of curiosity. If the Highlands were so perfect, what was Morag Hamilton doing in London? Might her husband have retired and taken a fancy to city life? As she thought how to phrase the question diplomatically, she was forestalled by Jane Stanford, who was proprietorially steering the speaker towards the refreshments. 'Callie, it looks as if Mrs. Barton could use a hand with pouring the tea,' she said sharply, her brows drawn together in disapproval at the curate's failure to read her mind. 'I would help, of course, but I must look after our speaker.'

'Yes, of course, Jane.' Callie smiled an apology at Morag Hamilton, who quirked an understanding eyebrow in Jane's direction. That endeared her to Callie, who decided on the spot that she liked the Scottish newcomer. 'I'll see you later, Mrs. Hamilton,' she promised as she made a move. 'Do come this way and have a cup of tea and a mince pie.'

'Please, call me Morag,' insisted the other woman. 'And it would be very nice to see you again.'

* * *

Rachel Norton woke gradually, and not because it was yet daylight. The only source of light was from the ensuite bathroom, glowing faintly round the top and side of the stripped pine door. These Victorian houses had many charms, but period features came with a price—and that included doors which didn't quite fit in their frames and single-glazed sash windows which admitted the chill winds of winter without putting up a great deal of fight.

Half awake, Rachel couldn't quite decide whether her sleep had been disturbed by noises from the bathroom, or by the baby's movements. Under the duvet, she ran her hands over the great mound of her belly, still not used to the shape she had assumed over the last months. Yes, the baby was kicking, all right. She shifted a bit, trying to find a more comfortable position. Most of the time now she slept on her back; anything else was just too awkward.

The cracks of light round the bathroom door morphed into a rectangle as Trevor came through, clad in his running shorts, a grey tee shirt and his expensive state-of-the-art trainers. His iPod was strapped round his upper arm in a holster.

'Morning,' Rachel murmured.

'Oh, love.' Trevor came to the side of the bed and leaned over, kissing her forehead. 'I hope I didn't wake you—I was trying to be quiet.'

'The baby was kicking.'

Trevor gave a fond chuckle and patted the duvet above the mound. 'He'll be a football player. Mark my words, Rache.'

'You're so sure it's a boy.' Rachel's protest was perfunctory and half-hearted, oft-repeated. The scans had been noncommittal on the subject, but Trevor was unfazed.

'It's got to be. A beautiful blond boy.' Trevor lifted a lock of the thick blond hair spread on Rachel's pillow and fingered it lovingly, then patted his own close-cropped fair head. 'Couldn't be anything else.'

Rachel changed the subject. 'What time is it?'

'Seven. As usual. You know I always run at seven.'

Like clockwork, she reflected. You could set your watch by Trevor's timekeeping. A run along the canal at seven—winter or summer, dark or light—, home for a shower and a quick breakfast, and at his desk by half-past eight.

Trevor was much happier these days, since he no longer had to commute into the City. His office was at the other end of the corridor, in the large bay-fronted room at the front of the house. When they'd bought the house, six months ago, Rachel had fancied that room for their bedroom, butTrevor had been adamant. 'I'll spend more time in the office than the bedroom—we both will, for that matter. Makes sense to use the biggest room. Space for all the computers and filing cabinets. And good light.' She hadn't really argued. It was a big house, and their bedroom at the back was perfectly adequate in size. And they'd taken the small bedroom next to it, knocked it through and fitted it out as an ensuite, still leaving another bedroom to use as the nursery.

They'd come a long way from the scruffy, cramped flat in Stoke Newington that they'd shared for a few years before their marriage, and where they'd started their married life a scant year ago. Trevor was an IT genius—she'd always told him so, and eventually he'd carried through with the threat he always made when his boss hacked him off. He'd told him where to put his job, and had started up on his own as an independent IT consultant. Some—many—of his old clients had followed him; it hadn't taken long for word-of-mouth to bring others, and now the business was flourishing. They'd bought the Victorian semi in Paddington—with the canal close by for the daily run—and left Stoke Newington behind forever.

Rachel, too, had quit her job—as a bookkeeper in the same City firm where Trevor had worked, and where they had met. Trevor had insisted that she could do his books instead. After all, with the business growing like it was, he needed a good bookkeeper. She didn't miss the commute, she admitted to herself, but she did miss her co-workers, her mates. She'd been working there since she left school, and those people were almost like family to her. The congenial coffee breaks, the confidences shared over sandwiches at lunchtimes, the drinks at the corner pub after work: those things were undervalued at the time, barely thought of when she'd agreed to pack in the job. Now, when she no longer had them, she valued them fiercely with a nostalgia she'd never expected in herself.

And now, with the baby on the way, Trevor didn't want her to work at all. 'We don't need the money,' he said often. 'You can be a stay-at-home mum.'

'But your books ...'

'I can hire a bookkeeper,' Trevor had stated grandly. 'I'll advertise.'

The baby kicked her again, even more violently than before. Rachel flinched and rubbed her stomach.

'I'm off, then.' Trevor leaned over and kissed her lightly on the lips. 'See you in a bit. There's no rush for you to get up, love. Take your time.'

'Have fun,' she called after him.

'Running isn't supposed to be fun,' Trevor reminded her as he slipped his iPod earphones into his ears and pushed the play button. With a wave over his shoulder he disappeared down the corridor, already breaking into a trot.

Rachel waited until she heard the front door close, then struggled into a sitting position and reached under the bed for her laptop. Propping it up awkwardly on her bump, she opened it, logged into the wireless network, and checked her e-mail.

* * *

Neville Stewart had scarcely seen his friend Mark Lombardi for weeks. They'd run across each other occasionally at the police station, once or twice sharing a meal in the canteen, but it seemed as if the old days of bachelor evenings together at the pub had come to an end.

There had been no row; they hadn't changed their pattern by design. It just happened that the station's two most confirmed bachelors had developed relationships at the same time, and things had changed.

Today, though, Neville was feeling restless, missing the old camaraderie he and Mark had shared.

There was an underlying reason for his restlessness, one he didn't want to think about too closely.


He was sick of the status quo, tired of the way things seemed to have stalled out. Going nowhere: that was their relationship. Why was she so stubborn?

They had met up again a couple of months ago, nine years after a brief but intense affair which had scarred them both. The magic, Neville realised at once, was still there. Triona affected him as no other woman had ever done, before or since.

He had invited her out to dinner; she had accepted.

He had gone to pick her up at her flat—her posh flat in a warehouse conversion overlooking the river.

They'd never made it to dinner. They hadn't made it any further than her bedroom.

Turning over the papers on his desk without really looking at them, Neville recalled that night with a complex mixture of burning longing, self-pity, and anger.

It had been as good as ever. Better. Triona had matured, was now a grown woman who knew what she wanted and knew how to give pleasure, without losing any of her raw animal energy. He knew her so well, recalled every detail of her body, yet she was a stranger to him, a source of unexpected delight.

That night had been the best, most memorable one of Neville's life. He hadn't wanted it to end. He'd assumed, naturally enough, that it would be just the first of many such nights to come.

In the morning, lying with Triona in his arms, her head pillowed on his chest, he'd looked round her bedroom. 'It's a great flat,' he said, playing with a curled strand of her long black hair. When he'd first known Triona, her hair had been shorter, wild and curly with a life all its own. Now she'd grown it out, wearing it in a neat and elegant knot by day. That night, though, he'd freed it from its constraints; it had sprung back into its curly ways, untamed and uncivilized. 'Do you own it? I don't suppose you'll want to move back to my scruffy old place. It would make more sense for me to move in here.'

Triona twisted round to stare at him, her dark blue eyes abruptly losing their drowsy look. 'What on earth are you talking about?'

'My flat. It's the same old place in Shepherd's Bush. No nicer than it used to be, and not very convenient for your job in the City. This will be a bit of a commute for me, but ...'

He tailed off at the look on her face. 'Don't be daft, Neville.' Triona sat up and wrapped the duvet round her. 'Neither one of us is moving anywhere.'

'But ...' He reached for her; she jerked away.

'It happened,' she said crisply. 'It just happened. Okay? And I enjoyed it. I won't pretend that I didn't. But it was a one-off. Don't make the mistake of thinking that we're back together. Not in any sense of the word.'

Eventually she relented, just a tiny bit. 'If you want me back,' she said, 'you'll have to prove it. You'll have to woo me. No more shagging. We'll forget all the water under the bridge, and pretend we've only just met for the first time.'

'But we shagged the day after we met,' Neville pointed out. 'You moved in a few days later.'

A smile tugged at the corner of her mouth. 'Perhaps we're not the world's best example,' she admitted. 'But this time it will be different, Neville. If you want a relationship, it has to be on my terms. And my terms are simple. In a word, courtship.'

She'd meant it, too. And he'd been bending over backwards to do it her way. Dinner dates, flowers, the whole bit.

And after weeks of this game, Neville was sick of it. Sick of the artificiality, sick of the frustration. They were going nowhere.

Last night he'd confronted her about it. After dinner—admittedly a nice, romantic evening—he'd pressed her to take things a step further. 'Let me stay the night,' he'd begged. 'Don't you think we've waited long enough?'

Triona had been firm, though. 'No way, Neville. You just don't get it, do you?'

He'd asked her the question which for him summed everything up. 'Do you want to be with me or not?'

She'd lowered her eyes, turned her head away. 'That's not really the point.'

It seemed to Neville that it was exactly the point. He wanted to be with her. With her—in her bed, in her arms. God, how he wanted it. But he was tired of playing games. Enough was enough.

Tonight, he decided, he wouldn't be available. And maybe not tomorrow night either. Let her stew.

He picked up his phone and rang Mark Lombardi.

* * *

Jane Stanford had always put great stock in Christmas, busy time that it was for her husband Brian, and tried to make it special for her family.

On a vicar's stipend there had never been a great deal of spare cash for splashing out on the trimmings, so Jane had to plan carefully, putting aside small sums of money through the year and using her creativity to make that money go as far as possible. Fresh trees were increasingly expensive; some years ago she'd obtained a very good quality artificial one at a church jumble sale, and had fashioned some decorations for it herself. She'd knit a set of crib figures out of bits of left-over wool, and the wreath for the front door of the vicarage was trimmed with a recycled bow from an ancient flower arrangement and some pine cones she'd found in the park. On Stir-up Sunday she'd made her own Christmas pudding, and the Christmas cake, laced with brandy from a generous parishioner, had been maturing in the larder for even longer than that.


Excerpted from Secret Sins by Kate Charles Copyright © 2007 by Kate Charles. Excerpted by permission of Poisoned Pen Press. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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Meet the Author

Kate Charles, a past Chairman of the Crime Writersa Association and the Barbara Pym Society, is a midwest native who has lived in England for more than twenty years. Her involvement in the Church of England has provided both backdrop and inspiration for her novels.

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Secret Sins 5 out of 5 based on 0 ratings. 1 reviews.
harstan More than 1 year ago
In London recently ordained Anglican cleric Callie Anson is happy with her relationship with police officer Marco ¿Mark¿ Lombardi though he seems to avoid having her meet his Italian family. Callie tries to provide solace to new parishioner Morag Hamilton, who is worried about her beloved preadolescent granddaughter Alex who never goes outside unless she has to her father Alex is to busy with work and her stepmother Jilly is too busy with her own needs to care that Alex lives on the Internet. While Callie worries about Morag and Alex, Detective Inspector Neville Stewart investigates a missing jogger, computer guru Trevor Norton whose wife is about to give birth. Though he hopes the runner is found okay, Neville fears the worst while welcoming the respite from his personal problems of a maybe romance with the woman he has always loved who dumped him a decade ago. Now Neville has a second vanishing to investigate that twelve years old Alex whose grandmother reported her missing. --- The key to this exciting London investigative tale is the extended cast are fully developed three dimensional people who make the several plots merge into a terrific one sitting thriller. Alex is the link that ties the multitude of plots into one superior story line. Readers will want to obtain Kate Charles¿ fine character driven tale SECRET SINS and the previous novel with much of the same lead players EVIL INTENT. --- Harriet Klausner