Secrets To Make Your Broadway Dream A Reality: AUDITIONING
Auditioning is a Craft in itself. It’s a performance, the
“big game,” and a business interview all in 1. You
usually get up really early, wait all day, pour out
your heart in a nervous 45 second performance, and
you’re often Rejected constantly over and over—and
you don’t even get paid! It truly is the ‘real job” of a
performer and therefore, you definitely want to “stack
the deck” in your favor and avoid as many mistakes
as possible. So… where can you find the best
auditions? What’s the difference between an open call
and a Broadway AEA Chorus call? What is AEA?—
and how can YOU join? What is an EPA? How do
you submit yourself for auditions even if you don’t
have representation? What is the #1 auditioning
mistake almost all aspiring Broadway performers
make repeatedly—and how can you avoid it? In
AUDITIONING, you’ll not only learn each and
every answer to these questions with extreme
insider Industry detail, you’ll also have a Huge
advantage over other performers because at the end
of the Chapter, the Top 10 list of Broadway
Auditioning Secrets is revealed. This list will walk
you step-by step to help guide you to audition at your
top performance—from the minute you walk in the
room, to the last second before you leave.
Auditioning well is a Craft, a Process, and the fastest
way to get on Broadway. The sooner you start
understanding how it all works, the better you will
Audition. And the better you audition, the closer you
will be to making your Broadway Dream a Reality.
1114182455
Secrets To Make Your Broadway Dream A Reality: AUDITIONING
Auditioning is a Craft in itself. It’s a performance, the
“big game,” and a business interview all in 1. You
usually get up really early, wait all day, pour out
your heart in a nervous 45 second performance, and
you’re often Rejected constantly over and over—and
you don’t even get paid! It truly is the ‘real job” of a
performer and therefore, you definitely want to “stack
the deck” in your favor and avoid as many mistakes
as possible. So… where can you find the best
auditions? What’s the difference between an open call
and a Broadway AEA Chorus call? What is AEA?—
and how can YOU join? What is an EPA? How do
you submit yourself for auditions even if you don’t
have representation? What is the #1 auditioning
mistake almost all aspiring Broadway performers
make repeatedly—and how can you avoid it? In
AUDITIONING, you’ll not only learn each and
every answer to these questions with extreme
insider Industry detail, you’ll also have a Huge
advantage over other performers because at the end
of the Chapter, the Top 10 list of Broadway
Auditioning Secrets is revealed. This list will walk
you step-by step to help guide you to audition at your
top performance—from the minute you walk in the
room, to the last second before you leave.
Auditioning well is a Craft, a Process, and the fastest
way to get on Broadway. The sooner you start
understanding how it all works, the better you will
Audition. And the better you audition, the closer you
will be to making your Broadway Dream a Reality.
2.99 In Stock
Secrets To Make Your Broadway Dream A Reality: AUDITIONING

Secrets To Make Your Broadway Dream A Reality: AUDITIONING

by Stephen Horst
Secrets To Make Your Broadway Dream A Reality: AUDITIONING

Secrets To Make Your Broadway Dream A Reality: AUDITIONING

by Stephen Horst

eBook

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Overview

Auditioning is a Craft in itself. It’s a performance, the
“big game,” and a business interview all in 1. You
usually get up really early, wait all day, pour out
your heart in a nervous 45 second performance, and
you’re often Rejected constantly over and over—and
you don’t even get paid! It truly is the ‘real job” of a
performer and therefore, you definitely want to “stack
the deck” in your favor and avoid as many mistakes
as possible. So… where can you find the best
auditions? What’s the difference between an open call
and a Broadway AEA Chorus call? What is AEA?—
and how can YOU join? What is an EPA? How do
you submit yourself for auditions even if you don’t
have representation? What is the #1 auditioning
mistake almost all aspiring Broadway performers
make repeatedly—and how can you avoid it? In
AUDITIONING, you’ll not only learn each and
every answer to these questions with extreme
insider Industry detail, you’ll also have a Huge
advantage over other performers because at the end
of the Chapter, the Top 10 list of Broadway
Auditioning Secrets is revealed. This list will walk
you step-by step to help guide you to audition at your
top performance—from the minute you walk in the
room, to the last second before you leave.
Auditioning well is a Craft, a Process, and the fastest
way to get on Broadway. The sooner you start
understanding how it all works, the better you will
Audition. And the better you audition, the closer you
will be to making your Broadway Dream a Reality.

Product Details

BN ID: 2940014409544
Publisher: STEPHEN HORST
Publication date: 05/10/2012
Series: Secrets To Make Your Broadway Dream A Reality , #1
Sold by: Barnes & Noble
Format: eBook
File size: 310 KB

About the Author

Stephen Horst is the sole owner of
www.TapIntoYourArtistry.com, TIYA. He is a Vocal
Technician and Trainer, Singer-
songwriter, Acting Coach, and
Broadway Career Consultant.

His TIYA Broadway clients include:
EVITA, SISTER ACT, WICKED,
WEST SIDE STORY, W
OMEN ON
THE VERGE OF A NERVOUS
BREAKDOWN,
TARZAN, SOUTH PACIFIC, THE
PHANTOM OF THE OPERA,
LES MISERABLES, and RENT.

Stephen is also a professional
performer himself, and
a proud member of SAG-AFTRA,
and AEA. He earned his Equity
card (AEA) within the first month of
moving to NYC and then made his
Broadway debut in THE PHANTOM
OF THE OPERA, six months later at
age 24. He then performed in
CHESS IN CONCERT as a featured
rock tenor soloist at the New
Amsterdam Theatre on Broadway.

Stephen also understudied and
performed Lead roles in the first AEA
National Tour of Andrew Lloyd
Webber's WHISTLE DOWN THE
WIND.

Stephen has also been cast
regionally in many, many shows
including LES MISERABLES (playing
the Lead role
Enjolras) PHANTOM (with Tony
award winner, Jarrod Emick), HAIR
(directed by SPIDER MAN's Philip William
McKinley), THE WILD PARTY
(playing the lead Burrs),
SAVING AIMEE (with Carolee
Carmello), SHE LOVES ME (playing
the lead Georg Nowack), and
especially enjoyed playing the lead
role, John in MISS SAIGON.


Stephen has also performed as a
featured actor for Ben Vereen and
soloist for Julie Andrews at Ann
Reinking’s Broadway Theatre Project.

Currently, as a singer-songwriter he
is working on his first Pop Album,
building a TIYA Community, and
focusing on modeling, TV, and Film.
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