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Seeing a Large Cat (Amelia Peabody Series #9)

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Overview

"Stay away from tomb Twenty-A!" says an ominous message delivered by an unseen hand. The year is 1903, the place is Cairo, and with the new century, everything is changing for Amelia Peabody - except her affinity for danger. Headed for an archaeological dig in the awesome Valley of the Kings, she hopes the desert will yield up its secrets. Instead it will produce a macabre puzzle of murder, passion, and cruel deceit. Besides the warning about the tomb - which only makes it more intriguing to Amelia and her sexy if irascible husband, Emerson -
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Seeing a Large Cat (Amelia Peabody Series #9)

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Overview

"Stay away from tomb Twenty-A!" says an ominous message delivered by an unseen hand. The year is 1903, the place is Cairo, and with the new century, everything is changing for Amelia Peabody - except her affinity for danger. Headed for an archaeological dig in the awesome Valley of the Kings, she hopes the desert will yield up its secrets. Instead it will produce a macabre puzzle of murder, passion, and cruel deceit. Besides the warning about the tomb - which only makes it more intriguing to Amelia and her sexy if irascible husband, Emerson - Amelia finds Egypt spinning with demands that join like the threads of her destiny. A request for help comes from an old friend whose husband has fallen for a spiritualist...a plea arrives from an expatriate Civil War colonel with a pretty daughter threatened by an unknown enemy...and a special headache is bestowed by her son Ramses, grown from a precocious child to a teenager, who strikes out with his cousin David and Amelia's beautiful ward Nefret toward an adventure that could turn a mother's hair white... Even though her famous premonitions are telling her that trouble lies ahead, Amelia dreams of a large cat, an Egyptian sign of good luck. And when tomb Twenty-A finally reveals its secret, Amelia will need all the luck she can garner, and her detective skills, to keep those dearest to her from death...or an equally undesirable fate.
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Editorial Reviews

Publishers Weekly - Publisher's Weekly
It's 1903, and irrepressible archeologist Amelia Peabody, returning with her extended family in their charming ninth adventure (after The Hippopotamus Pool), is in Cairo, headed for the Valley of the Kings. Her husband, Emerson, receives an anonymous note telling him to stay away from tomb Twenty A. Digging there, the group discovers the mummified body of the wife of English archeology patron Colonel Bellingham who was rumored to have disappeared five years earlier with a lover, leaving behind the Colonel and his then teenage daughter, Dolly. Close examination of the corpse reveals that the woman was murdered. Since the Colonel already believes that Dolly's life is in danger, all agree that the young woman needs protection. Unruffled, Dolly keeps trying to attach herself to Amelia's teenage son, Ramses, who is intrigued by a man who might have been the dead woman's lover and who definitely attacked him while he escorted Dolly in a Cairo public garden. Meanwhile, Ramses' former tutor asks for help with her husband, who has come under the influence of a seer and now believes that the spirit of an ancient Egyptian princess wants him to find her tomb. With characteristic aplomb, Amelia straightens everything out and finds the killer. In the process, she puts off observing that her son has grown to be a handsome young man, that his Egyptian friend, David, is a quiet potential rival and that few have overlooked the beauty and intelligence of her ward, Nefret. Peters's fans will relish this latest adventure that explores mysteries of the heart as well as murder. (July)
Library Journal
Amelia Peabody and family begin the 1903 "digging" season in Egypt with the usual anticipation. At least two pleas for help and a mysterious warning about a Valley of the Kings tomb, however, complicate life and lead to the expected dangerous adventure. Essential reading from a pro.
Kirkus Reviews
In a triumphal procession of eight previous adventures (The Hippopotamus Pool, 1996, etc.), Peters has embellished the mythos of Amelia Peabody: early 20th-century English feminist and Egyptologist, wife to uxorious colleague Emerson, adoptive aunt and mother, respectively, to polite, Anglo-Arabic David and lovely Nephret of the red-gold hair (unconventionally desert-reared) and worried mom to daring, teenaged Ramses, hero and heartthrob in the making. This time, the Cairo digging season opens with a flurry of social invitations, including a mysterious challenge to investigate site 20-A in the Valley of the Kings—a tomb that doesn't exist. Except, of course, that it does, although the body uncovered there has expired so recently that the lady's golden curls and embroidered silks are still intact. Frustrated by etiquette and red tape, Amelia still finds evidence identifying the mummy as the several-years-dead fourth wife of Colonel Bellingham, an expatriate southern gentleman with a predatory belle of a daughter who's gone through paid companions as quickly as the Colonel has gone through young wives. What follows are attempts on Miss Bellingham's life, midnight excursions by the young folks, and Amelia's efforts to help an old friend whose husband is, thanks to the manipulations of a psychic charlatan, lusting after a dead Egyptian princess.

Peters compensates for ordinary prose and fussy plotting with humor and nicely calibrated domestic psychology. Fans will follow her, if only to learn how Amelia copes with Ramses's love life.

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Product Details

  • ISBN-13: 9780446605571
  • Publisher: Grand Central Publishing
  • Publication date: 7/28/1998
  • Series: Amelia Peabody Series , #9
  • Format: Mass Market Paperback
  • Edition description: Reprint
  • Pages: 432
  • Sales rank: 494,418
  • Product dimensions: 4.12 (w) x 6.75 (h) x 1.25 (d)

Meet the Author

Elizabeth Peters

Elizabeth Peters was born and brought up in Illinois and earned her Ph.D. in Egyptology from the University of Chicago's famed Oriental Institute. Peters was named Grand Master at the inaugural Anthony Awards in 1986 and Grand Master by the Mystery Writers of America at the Edgar Awards in 1998. She lives in a historic farmhouse in western Maryland.

You can learn more at:
ameliapeabody.com

Biography

Neither the Great Depression nor the lack of a public library in her small hometown of Canton, Illinois, deterred Barbara Mertz (the future Elizabeth Peters) from becoming an avid reader. Yet, when her family moved to a suburb of Chicago, she was elated to discover the riches contained in the town's local library and proceeded to devour every book she could get her hands on. She began writing in high school; but by that time she had already decided to become an archaeologist.

Mertz received a scholarship to the University of Chicago, which boasted a world-famous Egyptology department. Her mother, an eminently practical soul, encouraged her daughter to become a teacher; but after taking only two education courses, Mertz knew a career in the classroom was not for her. Determined to follow her dream, she moved over to the university's Oriental Institute, and received her Ph.D. in Egyptology at the age of 23.

The post-WWII job market wasn't kind to women in general, much less to women seeking careers in archaeology. Mertz married and began a family, but never lost sight of her life's ambition. While she was raising her two children, she decided to try her hand at writing. Her first few attempts were never published, but they did land her an agent; and in 1964 she published her first book, Temples, Tombs and Hieroglyphs: A Popular History of Ancient Egypt.

Mertz authored two additional works on archaeology before foraying into fiction in 1966. The Master of Blacktower is the first of several gothic suspense novels written under the pseudonym Barbara Michaels. (In her biography, she explains that the use of pseudonyms helps readers to distinguish various types of books written by a single author.) The supernatural elements in the thrillers penned under the Michaels name have kept readers on the edge of their seats for decades.

In the 1970s, Mertz began writing under her second, more famous pseudonym, Elizabeth Peters. As Peters, she has authored books in three different series. Beginning in 1972 with The Seventh Sinner (1972), the first series features a glamorous librarian-turned-romance novelist named Jacqueline Kirby (the final Jacqueline Kirby mystery, Naked Once More, won a coveted Agatha Award in 1989). The second series, starring American art historian Vicky Bliss, debuted in 1973 with Borrower of the Night (Vicky's last outing was 2008's Laughter of Dead Kings). Then, in 1975, Peters introduced her most famous protagonist, archeologist/sleuth Amelia Peabody, in a dandy adventure entitled Crocodile on the Sandbank.

From the first, readers loved Amelia, a plucky Victorian feminist who—together with her husband, the distinguished Egyptologist Radcliffe Emerston—has gone on to solve countless mysteries in the Middle East. Peabody fans received an extra treat in 2003 with Amelia Peabody's Egypt: A Compendium to Her Journals, a nonfiction stroll through ancient Egypt that included nearly 600 photographs and illustrations, plus expert academic articles.

In addition to her three series, Mertz has written several standalone suspense novels as Elizabeth Peters. She has this to say about her successful, prolific career: "The craft of writing delights me. It is impossible to attain perfection; there is always something more to be learned—figuring out new techniques of plotting or characterization, struggling with recalcitrant sentences until I force them to approximate my meaning. And nothing is ever wasted. Everything one sees and hears, everything one learns, can be used."

Good To Know

The pseudonym Elizabeth Peters is taken from her two children, Elizabeth and Peter. She uses three pseudonyms so readers can tell the difference between the three types of books she writes: nonfiction archaeology as Barbara Mertz, supernatural thrillers as Barbara Michaels and historical mysteries as Peters. For the record, Mertz has called the pseudonyms "a horrible nuisance."
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    1. Also Known As:
      Barbara Mertz, Barbara Michaels
    2. Hometown:
      A farm in rural Maryland
    1. Date of Birth:
      September 29, 1927
    2. Place of Birth:
      Canton, Illinois
    1. Date of Death:
      August 8, 2013

Read an Excerpt

Seeing a Large Cat


By Elizabeth Peters

Grand Central Publishing

Copyright © 2013 Elizabeth Peters
All rights reserved.
ISBN: 978-1-4555-7240-3


CHAPTER 1

Husbands do not care to be contradicted. Indeed, I do not know anyone who does.


Really," I said, "Cairo is becoming overrun with tourists these days—and many of them no better than they should be! I am sorry to see so fine a hotel as Shepheard's allowing those male persons to hang about the entrance making eyes at the lady guests. Their behavior is absolutely scandalous."

My husband removed his pipe from his mouth. "The behavior of the dragomen or that of the lady guests? After all, Amelia, this is the twentieth century, and I have often heard you disparage the rigid code of morality insisted upon by Her late Majesty."

"The century is only three years old, Emerson. I have always been a firm believer in equal rights of all kinds, but some of them are of the sort that should only be pursued in private."

We were having tea on the famous terrace of Shepheard's Hotel. The bright November sunlight was only slightly dimmed by the clouds of dust thrown up by the wheels of vehicles and the hooves of donkeys and camels passing along Shari'a Kamel. A pair of giant Montenegrin doormen uniformed in scarlet and white, with pistols thrust through their sashes, were only moderately successful in protecting approaching guests from the importunities of the sellers of fly whisks, fake scarabs, postal cards, flowers, and figs—and from the dragomen.

Independent tourists often hired one of these individuals to make their travel arrangements and supervise their servants. All of them spoke one or more European languages—after a fashion—and they took great pride in their appearance. Elegant galabeeyahs and intricately wound turbans, or becoming headcloths of the sort worn by the Beduin, gave them a romantic look that could not but appeal to foreign visitors—especially, from what I had heard, female visitors.

I watched a couple descend from their carriage and approach the stairs. They could only be English; the gentleman sported a monocle and a gold-headed cane, with which he swiped irritably at the ragged merchants crowding around him. The lady's lips were pursed and her nose was high in the air, but as she passed one of the dragomen she gave him a quick glance from under the brim of her flower-trimmed hat and nodded emphatically. He raised his fingers to his bearded lips and smiled at her. It was clear to me, if not to the lady's oblivious husband, that an assignation had been made or confirmed.

"One can hardly blame the ladies for preferring a muscular, well-set-up chap like that one to your average English husband," said Emerson, who had also observed this exchange. "That fellow has all the animation of a walking obelisk. Imagine what he is like in—"

"Emerson!" I exclaimed.

Emerson gave me a broad, unrepentant grin and a look that reminded me—if any reminder had been required—that he is not an average English husband in that or in any other way. Emerson excels in his chosen profession of Egyptology as in his role of devoted spouse. To my fond eyes he looked exactly as he had looked on that long past day when I encountered him in a tomb at Amarna—thick dark hair, blazing blue eyes, a frame as muscular and imposing as that of the dragoman—except for the beard he had eschewed at my request. Its removal had revealed Emerson's strong chin and the dimple or cleft in that chin: a feature that gives his handsome countenance additional distinction. His smile and his intense azure gaze softened me as they always do; but the subject was not one I wished him to pursue in the presence of our adopted daughter (even if I had introduced it myself).

"She has good taste, Aunt Amelia," Nefret said. "He is the best looking of the lot, don't you think?"

When I looked at her I found myself in some sympathy with the horrid Muslim custom of swathing females from head to toe in black veils. She was a remarkably beautiful girl, with red-gold hair and eyes the color of forget-me-nots. I could have dealt with the inevitable consequences of her looks if she had been a properly brought up young English girl, but she had spent the first thirteen years of her life in a remote oasis in the Nubian desert, where she had, not surprisingly, acquired some peculiar notions. We had rescued her and restored her to her inheritance, and she was dear to us as any daughter. I would not have objected to her peculiar notions quite so much if she had not expressed them so publicly!

"Yes," she went on musingly, "one can understand the appeal of those fellows, so dashing and romantic in their robes and turbans—especially to proper, well-behaved ladies who have led proper, boring lives."

Emerson seldom listens to anything unconnected with Egyptology, his profession and his major passion. However, certain experiences of the past few years had taught him he had better take notice of what Nefret said.

"Romantic be damned," he grunted, taking the pipe from his mouth. "They are only interested in the money and—er—other favors given them by those fool females. You have better sense than to be interested in such people, Nefret. I trust you have not found your life proper and boring?"

"With you and Aunt Amelia?" She laughed, throwing up her arms and lifting her face to the sun in a burst of exuberance. "It has been wonderful! Excavating in Egypt every winter, learning new things, always in the company of those dearest to me—you and Aunt Amelia, Ramses and David, and the cat Bastet and—"

"Where the devil is he?" Emerson took out his watch and examined it, scowling. "He ought to have been here two hours ago."

He was referring, not to the cat Bastet, but to our son, Ramses, whom we had not seen for six months. At the end of the previous year's excavation season, I had finally yielded to the entreaties of our friend Sheikh Mohammed. "Let him come to me," the innocent old man had insisted. "I will teach him to ride and shoot and become a leader of men."

The agenda struck me as somewhat unusual, and in the case of Ramses, alarming. Ramses would reach his sixteenth birthday that summer and was, by Muslim standards, a grown man. Those standards, I hardly need say, were not mine. Raising Ramses had converted me to a belief in guardian angels; only supernatural intervention could explain how he had got to his present age without killing himself or being murdered by one of the innumerable people he had offended. In my opinion what he required was to be civilized, not encouraged to develop uncivilized skills at which he was already only too adept. As for the idea of Ramses leading others to follow in his footsteps ... My mind reeled.

However, my objections were overruled by Ramses and his father. My only consolation was that Ramses's friend David was to accompany him. I hoped that this Egyptian lad, who had been virtually adopted by Emerson's younger brother and his wife, would be able to prevent Ramses from killing himself or wrecking the camp.

The most surprising thing of all was that I rather missed the little chap. At first I enjoyed the peace and quiet, but after a while it became boring. No muffled explosions from Ramses's room, no screams from new housemaids who had happened upon one of his mummified mice, no visits from enraged neighbors complaining that Ramses had ruined their hunting by making off with the fox, no arguments with Nefret....

Two men pushed through the crowd and approached the terrace. They were both tall and broad-shouldered, but there the resemblance ended. One was a nice-looking young gentleman wearing a well-cut tweed suit and carrying a walking stick. He had obviously been in Egypt for some time, since his face was tanned to a handsome walnut brown. His companion wore robes of snowy white and a Beduin headdress that shadowed features of typical Arab form—heavy dark brows, a prominent hawklike nose, and thin lips framed by a rakish black mustache.

One of the giant guards stepped forward as if to question them. A gesture from the Arab made him step back, staring, and the two men proceeded to mount the stairs.

"Well!" I exclaimed. "I don't know what Shepheard's is coming to. They ought not let the dragomen—"

But my sentence was never completed. With a scream of delight Nefret jumped up from her chair and ran, her hat flying from her head, to throw herself at the Beduin. For a few moments the only visible part of her was her red-gold head, as his flowing sleeves wrapped round her slim body.

Emerson, close on Nefret's heels, pulled her away from the Beduin and began vigorously wringing the latter's hand. Nefret turned to the other young man. He held out his hand. Laughing, she pushed it away and hugged him as she had done Ramses.

Ramses? Little chap? Ramses had never been a normal little boy, but there had been times (usually when he was asleep) when he had appeared normal. The sleeping cherub with his mop of sable curls and his little bare feet protruding innocently from under the hem of his white nightgown had become this—this male person with a mustache! I supposed the transformation could not have occurred overnight. In fact, now that I thought about it, I recalled that he had been growing taller year by year, in the usual way. He was almost as tall as his father now, a good six feet in height. I could have dealt with that. But the mustache ...

Trusting that my paralysis would be taken for dignified reticence, I remained in my chair. Emerson had so forgot his usual British reserve as to put an arm round his son's shoulders in order to lead him to me. Ramses's naturally swarthy complexion had been darkened by sun and wind to a shade even browner than that of his young Egyptian friend, and his countenance was as unexpressive as it always was. He bent over me and gave me a dutiful kiss on the cheek.

"Good afternoon, Mother. You are looking well."

"I can't say the same for you," I replied. "That mustache—"

"Not now, Peabody," Emerson interrupted. "Good Gad, this is supposed to be a celebration. The important thing is that they are both back, safe and sound."

"And cursed late," said Nefret, settling herself in the chair David held for her. One of the waiters handed her her hat; she clapped it carelessly onto her head and went on, "Did you miss the early train?"

"No, not at all," David replied. His English was now almost as pure as my own; only when he was excited did a trace of his native Arabic creep in. "The Professor and Aunt Amelia may be getting complaints from some of the passengers, though; the tribe gave us a proper send-off, galloping alongside the train shooting off their rifles. The other people in our compartment fell cowering to the floor and one lady went into hysterics."

Nefret's eyes shone with laughter. "I wish I could have been there. It is so damned—excuse me, Aunt Amelia—it is so unfair! If I had been a boy I could have gone with you. I suppose I wouldn't have enjoyed spending six months as a Beduin female, though."

"You would not have found it as confining as you may think," David said. "I was surprised at how much freedom the women of the tribe are allowed; in their own camp they do not veil themselves, and they express their opinions with a candor that Aunt Amelia would approve. Though she might not approve of the way in which young unmarried girls express their interest in—" He broke off abruptly, with a sheepish glance at Ramses. The latter's countenance was as imperturbable as ever, but it was not difficult to deduce that he had signaled David—perhaps by kicking him under the table—to refrain from finishing the sentence.

"Well, well," said Emerson. "So why were you so late?"

"We stopped at Meyer and Company, on the Muski," Ramses explained. "David wanted a new suit."

David smiled self-consciously. "Honestly, Aunt Amelia, neither of us has a respectable garment left to our names. I didn't want to embarrass you by appearing improperly dressed."

"Hmph," I said, looking at my son, who looked blandly back at me.

"As if any of us would care!" Nefret exclaimed. "To keep us waiting, fidgeting and worrying for hours, over something so silly!"

"Were you?" Ramses asked.

"Fidgeting and worrying? Not I! It was the Professor and Aunt Amelia...." But her scowl metamorphosed into a dazzling smile; with the graceful, impulsive friendliness that was so integral a part of her nature she held out her hands, one to each lad. "If you must know, I have missed you desperately. And now I see I will have to play chaperone; you are both grown so tall and handsome all the little girls will be making eyes at you."

Ramses, who had enclosed her hand in his, dropped it as if it had become red-hot. "Little girls?"

How often, dear Reader, is a small, seemingly insignificant incident the start of a train of events that builds inexorably to a tragic climax! If Ramses had not chosen to appear in that dashing costume; if Nefret's impulsive welcome had not drawn all eyes to them; if Ramses had not raised his voice in indignant baritone outcry ... The consequences would draw us into one of the most baffling and bizarre criminal cases we had ever investigated.

On the other hand, it is possible that the same thing would have happened anyhow.

Ramses got himself under control and Nefret wisely refrained from further provocation. She and Ramses were really the best of chums—when they were not squabbling like spoiled infants—and a request from her soothed his temper.

"Can you persuade M. Maspero to let me examine some of the mummies in the museum?" she demanded. "He has been putting me off for days. One would think I had proposed something illegal or shocking."

"He probably was shocked," said David, smiling. "You can't blame him, Nefret; he thinks of ladies as delicate and squeamish."

"I will blame him if I like. He lets Aunt Amelia do anything she wants."

"He's used to her," said Ramses. "We will go there together, you and I and David. He can't resist all three of us. What particular mummies have you in mind?"

"Most particularly, the one we found in Tetisheri's tomb three years ago."

"Good heavens," David said, appearing a trifle shocked himself. "I can see why Maspero ... Er, that is, you must admit, Nefret, it was a particularly disgusting mummy. Unwrapped, unnamed, bound hand and foot—"

"Buried alive," Nefret finished. She planted both elbows on the table and leaned forward. A lock of gold-red hair had escaped from her upswept coiffure and curled distractingly across her temple; her cheeks were flushed with excitement and her blue eyes shone. An observer might have supposed she was discussing fashions or flirtations. "Or so we assumed. I want to have another look. You see, while you were gadding about in the desert, I was improving my education. I took a course in anatomy last summer."

"At the London School of Medicine for Women?" Ramses asked interestedly.

"Where else?" Nefret's blue eyes flashed. "It is the only institution in our enlightened nation where a mere female may receive medical training."

"But is that still strictly true?" Ramses persisted. "I was under the impression that Edinburgh, Glasgow, and even the University of London—"

"Confound you, Ramses, you are always destroying my fiery rhetoric with your pedantic insistence on detail!"

"I apologize," Ramses said meekly. "Your point—the unfair discrimination against females in all fields of higher education—is unaltered by the few exceptions I have mentioned, and the difficulties of actually qualifying to practice medicine are almost as great, I believe, as they were fifty years ago. I admire you, Nefret, for persisting under such adverse conditions. Let me assure you I am one hundred percent on your side and that of the other ladies."

She laughed at him and squeezed his hand. "I know you are, Ramses, dear. I was only teasing. Dr. Aldrich-Blake herself allowed me to attend her lectures! She feels I have an aptitude ..."

Pleased to see them in amicable accord, I was following the conversation so intently I was unaware of the young lady's approach until she spoke—not to any of us but to her companion. It was impossible to avoid hearing her; they had stopped next to our table and her voice was piercingly shrill.

"I told you to leave me alone!"
(Continues...)


Excerpted from Seeing a Large Cat by Elizabeth Peters. Copyright © 2013 Elizabeth Peters. Excerpted by permission of Grand Central Publishing.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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Table of Contents

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Customer Reviews

Average Rating 4
( 58 )
Rating Distribution

5 Star

(29)

4 Star

(19)

3 Star

(6)

2 Star

(2)

1 Star

(2)

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See All Sort by: Showing 1 – 20 of 58 Customer Reviews
  • Anonymous

    Posted August 23, 2012

    A pleasure to read. If you like the Egyptian local this mystery

    A pleasure to read. If you like the Egyptian local this mystery is for
    you.

    1 out of 1 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Posted May 20, 2010

    First exposure to this author

    This is the first book by Elizabeth Peters that I have ever read. I have to say that I have found a new author to enjoy. Now I just have to go back and read the eight previous books. I love a good mystery and the exotic location was certainly part of the fun. This story takes place in 1903 Eygpt and centers on a family of egyptologists. Amelia Peabody, as the matriarch, is as fussy sometimes as she is unorthodox, which makes her so much fun to read about. Trouble seems to find her, much to her dismay, at every turn. A murderer is on the loose and sending cryptic messages, which forces this family into action. A twisty turny who-dun-it, with a likable cast of characters.

    1 out of 1 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted July 5, 2008

    A reviewer

    This was the last Amelia Peabody novel I needed to read to have read all in the series (these were not read in order), and this is, by far, one of my favorites. I couldn't put it down.

    1 out of 1 people found this review helpful.

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  • Posted September 26, 2014

    Wonderful Story, Terrific Contribution to the Series

    In Seeing a Large Cat, characters who have evolved over the prior eight books in the series become even more richly defined and more intriguingly interrelated.

    Read this book, and the prior books in the series for the entertaining relationship of an iron-willed heroine, her bombastic husband and their web of family and friends who find themselves at historical and cultural crossroads in Egypt and England. It is the early 1900s, and Egyptian archeology is at its heights.

    By this, book 9, the next generation are just coming into their own, with their unique angles on Egyptology, life in Egypt and adventures. It is a rich reward for readers who have followed them through childhood in the earlier books.

    All in all, an amusing read for compelling characters, interesting situations, light adventure and cultural/historical context.

    Was this review helpful? Yes  No   Report this review
  • Posted July 12, 2013

    WHAT'S HAPPENING??????

    WHAT'S HAPPENING???
    NO MORE NOOKS?? NO MORE NOOKBOOKS???
    LET US KNOW!!!!

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  • Anonymous

    Posted December 25, 2010

    No text was provided for this review.

  • Anonymous

    Posted November 23, 2013

    No text was provided for this review.

  • Anonymous

    Posted August 14, 2010

    No text was provided for this review.

  • Anonymous

    Posted December 11, 2012

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