Seeing Is Forgetting the Name of the Thing One Sees: Expanded Edition / Edition 1

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hardcover Berkeley. 2009. University of California Press. 1st Printing Of This Expanded Edition. Very Good In Dustjacket. 310 pages. hardcover. 9780520256088. keywords: Art Los ... Angeles California America. inventory # 36925. FROM THE PUBLISHER-When this book first appeared in 1982, it introduced readers to Robert Irwin, the Los Angeles artist ?who one day got hooked on his own curiosity and decided to live it. ' Now expanded to include six additional chapters and twenty-four pages of color plates, SEEING IS FORGETTING THE NAME OF THE THING ONE SEES chronicles three decades of conversation between Lawrence Weschler and light and space master Irwin. It surveys many of Irwin's site-conditioned projects?in particular the Central Gardens at the Getty Museum (the subject of an epic battle with the site's principal architect, Richard Meier) and the design that transformed an abandoned Hudson Valley factory into Dia's new Beacon campus?enhancing what many had already considered the best book ever on an artist. Read more Show Less

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Overview

When this book first appeared in 1982, it introduced readers to Robert Irwin, the Los Angeles artist "who one day got hooked on his own curiosity and decided to live it." Now expanded to include six additional chapters and twenty-four pages of color plates, Seeing Is Forgetting the Name of the Thing One Sees chronicles three decades of conversation between Lawrence Weschler and light and space master Irwin. It surveys many of Irwin's site-conditioned projects—in particular the Central Gardens at the Getty Museum (the subject of an epic battle with the site's principal architect, Richard Meier) and the design that transformed an abandoned Hudson Valley factory into Dia's new Beacon campus—enhancing what many had already considered the best book ever on an artist.

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Editorial Reviews

San Diego Union-Tribune - Robert L. Pincus
“A magnetic (now expanded) biography.”
Frieze - Eugenia Bell
“Seeing is Forgetting may not be just the best biography of an artist out there but also one of the best books on contemporary art-making.”
From the Publisher
"A magnetic (now expanded) biography."—San Diego Union-Tribune

"Seeing is Forgetting may not be just the best biography of an artist out there but also one of the best books on contemporary art-making."—Frieze

The Barnes & Noble Review
The first incarnation of this book was published a quarter century ago, its happily engrossing pages detailing conversations between the artist Robert Irwin and the tireless cultural sleuth Lawrence Weschler. Tracking the evolution of Irwin's artistic inspirations along a desultory path -- through high school memories of southwest Los Angeles (replete with cars and drive-ins and dance contests), early work as an abstract expressionist, the careful stripping down of his art to lines, dots, discs, and light, and a chapter on Irwin's income-sustaining trips to the racetrack -- Weschler opens all kinds of doors in the reader's understanding of not only creativity but also of the fundamental elements of perception. This richly expanded edition of the original book (it's half again as long, with two dozen color plates) adds subsequent conversations between author and artist, treating Irwin's work in conceiving and constructing the Central Garden of the Getty Musuem and in the shaping of the Hudson Valley site of Dia's Beacon campus, among other projects. In sum, it presents 30 years of an ongoing dialogue that never loses its easygoing edges of intellect and wonder. A companion volume, True to Life: Twenty-Five Years of Conversations with David Hockney, collects Weschler's equally enlightening pieces on artistic investigations of a very different stripe. Each book is filled with the seductive magic of watching private curiosity taking palpable shape before our eyes. --James Mustich
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Product Details

  • ISBN-13: 9780520256088
  • Publisher: University of California Press
  • Publication date: 2/2/2009
  • Edition description: Expanded
  • Edition number: 1
  • Pages: 336
  • Product dimensions: 6.00 (w) x 8.00 (h) x 1.13 (d)

Meet the Author

Lawrence Weschler's many books include Mr. Wilson's Cabinet of Wonder, Vermeer in Bosnia, and Everything That Rises: A Book of Convergences, which won the 2007 National Book Critics Circle Award for Criticism.

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Table of Contents

A Note on the Illustrations
A Further Note on the Drifting Present in the Narrative That Follows
Seeing is Forgetting the Name of the Thing One Sees (1982)

Introduction

Lifesource
1. High School (1943-1946)
2. Childhood (1928-1943)
3. Army, Schooling, Europe, and Early Work (1946-1957)

The Narrows (Part 1)
4. Ferus (Los Angeles/ New York)
5. The Early Ferus Years

From Abstract Expressionism through the Early Lines (1957-1962)
6. The Late Ferus Years: The Late Lines (1962-1964)

The Narrows (Part 2)
7. The Dots (1964-1967)
8. The Discs (1967-1969)
9. Post-disc Experiments and Columns (1968-1970)

Delta
Prelude
10. Teaching
11. Art and Science (1968-1970)
12. Playing the Horses
13. The Room at the Museum of Modern Art (1970)

Debouchement
Oceanic
14. The Desert
15. Being Available in Response
16. Some Situations (1970-1976)
17. Reading and Writing
18. The Whitney Retrospective Down to Point Zero (1977)
19. Since the Whitney: Return to the World (1977-1981)

Present All Around
20. Seeing Isn't Doing (1985)
21. Play It as It Lays and Keep it in Play
The Irwin Retrospective at MOCA in Los Angeles(1993)
22. When Fountainheads Collide: Robert Irwin at Richard Meier's Getty (1997)
23. Heaven: Irwin and Meyerowitz at the Dia (2000)
24. Irwin in his Seventies (2007-2008)

Afterword: On Robert Irwin and David Hockney
Acknowledgements
Bibliographic notes

Index

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