Selected Poems: Perennial Classics Edition

Selected Poems: Perennial Classics Edition

by Edna St. Vincent Millay
     
 

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A magnificent anthology of the finest works of Edna St. Vincent Millay, perhaps the premier American lyricist of the twentieth century.  See more details below

Overview

A magnificent anthology of the finest works of Edna St. Vincent Millay, perhaps the premier American lyricist of the twentieth century.

Product Details

ISBN-13:
9780060931681
Publisher:
HarperCollins Publishers
Publication date:
03/28/1999
Series:
Perennial Classics Series
Pages:
192
Sales rank:
660,224
Product dimensions:
5.31(w) x 8.00(h) x 0.43(d)

Read an Excerpt

Renascence


All I could see from where I stood
Was three long mountains and a wood;
I turned and looked another way,
And saw three islands in a bay.
So with my eyes I traced the line
Of the horizon, thin and fine,
Straight around till I was come
Back to where I'd started from;
And all I saw from where I stood
Was three long mountains and a wood.

Over these things I could not see:
These were the things that bounded me.
And I could touch them with my hand,
Almost, I thought, from where I stand!
And all at once things seemed so small
My breath came short, and scarce at all.
But, sure, the sky is big, I said:
Miles and miles above my head.
So here upon my back I'll lie
And look my fill into the sky.
And so I looked, and after all,
The sky was not so very tall.
The sky, I said, must somewhere stop ...
And — sure enough! — I see the top!
The sky, I thought, is not so grand;
I 'most could touch it with my hand!
And reaching up my hand to try,
I screamed, to feel it touch the sky.

I screamed, and — lo! — Infinity
Came down and settled over me;
Forced back my scream into my chest;
Bent back my arm upon my breast;
And, pressing of the Undefined
The definition on my mind,
Held up before my eyes a glass
Through which my shrinking sight did pass
Until it seemed I must behold
Immensity made manifold;
Whispered to me a word whose sound
Deafened the air for worlds around,
And brought unmuffled to my ears
The gossiping of friendly spheres,
The creaking of the tented sky,
Theticking of Eternity.

I saw and heard, and knew at last
The How and Why of all things, past,
And present, and forevermore.
The Universe, cleft to the core,
Lay open to my probing sense,
That, sickening, I would fain pluck thence
But could not, — nay! but needs must suck
At the great wound, and could not pluck
My lips away till I had drawn
All venom out. — Ah, fearful pawn:
For my omniscience paid
I toll In infinite remorse of soul.

All sin was of my sinning, all
Atoning mine, and mine the gall
Of all regret. Mine was the weight
Of every brooded wrong, the hate
That stood behind each envious thrust,
Mine every greed, mine every lust.

And all the while, for every grief,
Each suffering, I craved relief
With individual desire;
Craved all in vain!
And felt fierce fire
About a thousand people crawl;
Perished with each, — then mourned for all!

A man was starving in Capri;
He moved his eyes and looked at me;
I felt his gaze, I heard his moan,
And knew his hunger as my own.
I saw at sea a great fog bank
Between two ships that struck and sank;
A thousand screams the heavens smote;
And every scream tore through my throat.

No hurt I did not feel, no death
That was not mine; mine each last breath
That, crying, met an answering cry
From the compassion that was I.
All suffering mine, and mine its rod;
Mine, pity like the pity of God.
Ah, awful weight! Infinity
Pressed down upon the finite Me!
My anguished spirit, like a bird,

Beating against my lips I heard;
Yet lay the weight so close about
There was no room for it without.
And so beneath the weight lay
I And suffered death, but could not die.

Long had I lain thus, craving death,
When quietly the earth beneath
Gave way, and inch by inch, so great
At last had grown the crushing weight,
Into the earth I sank till I
Full six feet under ground did lie,
And sank no more, — there is no weight
Can follow here, however great.
From off my breast I felt it roll,
And as it went my tortured soul
Burst forth and fled in such a gust
That all about me swirled the dust.

Deep in the earth I rested now.
Cool is its hand upon the brow
And soft its breast beneath the head
Of one who is so gladly dead.
And all at once, and over all
The pitying rain began to fall;
I lay and heard each pattering hoof
Upon my lowly, thatched roof,
And seemed to love the sound far more
Than ever I had done before.
For rain it hath a friendly sound
To one who's six feet under ground;
And scarce the friendly voice or face,
A grave is such a quiet place.

The rain, I said, is kind to come
And speak to me in my new home.
I would I were alive again
To kiss the fingers of the rain,
To drink into my eyes the shine
Of every slanting silver line,
To catch the freshened, fragrant breeze
From drenched and dripping apple-trees.
For soon the shower will be done,
And then the broad face of the sun
Will laugh above the rain-soaked earth
Until the world with answering mirth
Shakes joyously, and each round drop
Rolls, twinkling, from its grass-blade top.
How can I bear it, buried here,
While overhead the sky grows clear
And blue again after the storm?
0, multi-coloured, multi-form,
Beloved beauty over me,
That I shall never, never see
Again! Spring-silver, autumn-gold,
That I shall never more behold!
Sleeping your myriad magic through,
Close-sepulchred away from you!
0 God, I cried, give me new birth,
And put me back upon the earth!
Upset each cloud's gigantic gourd
And let the heavy rain, down-poured
In one big torrent, set me free,
Washing my grave away from me!

I ceased; and through the breathless hush
That answered me, the far-off rush...

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Meet the Author

Edna St. Vincent Millay was born in 1892 in Rockland, Maine, the eldest of three daughters, and was encouraged by her mother to develop her talents for music and poetry. Her long poem "Renascence" won critical attention in an anthology contest in 1912 and secured for her a patron who enabled her to go to Vassar College.

After graduating in 1917 she lived in Greenwich Village in New York for a few years, acting, writing satirical pieces for journals (usually under a pseudonym), and continuing to work at her poetry. She traveled in Europe throughout 1921-22 as a "foreign correspondent" for Vanity Fair. Her collection A Few Figs from Thistles (1920) gained her a reputation for hedonistic wit and cynicism, but her other collections (including the earlier Renascence and Other Poems [1917]) are without exception more seriously passionate or reflective.

In 1923 she married Eugene Boissevain and -- after further travel -- embarked on a series of reading tours which helped to consolidate her nationwide renown. From 1925 onwards she lived at Steepletop, a farmstead in Austerlitz, New York, where her husband protected her from all responsibilities except her creative work. Often involved in feminist or political causes (including the Sacco-Vanzetti case of 1927), she turned to writing anti-fascist propaganda poetry in 1940 and further damaged a reputation already in decline. In her last years of her life she became more withdrawn and isolated, and her health, which had never been robust, became increasingly poor.

She died in 1950.

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