The Sense of Paper

Overview

“Think for a moment what paper means to people. How ubiquitous it is in everyday life….A material of paradoxes, it can be used and abused in a thousand ways and still be the same under its skin. It is the embodiment of man’s achievement, yet it is as transient and as flimsy as tissue…. In its strengths and weaknesses, faults and flaws, it is intensely human….”

A lush and intoxicating blend of art history, eroticism, and suspense, Taylor Holden's The Sense of Paper is like no other debut novel you’ve ever read. An...

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Sense of Paper

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Overview

“Think for a moment what paper means to people. How ubiquitous it is in everyday life….A material of paradoxes, it can be used and abused in a thousand ways and still be the same under its skin. It is the embodiment of man’s achievement, yet it is as transient and as flimsy as tissue…. In its strengths and weaknesses, faults and flaws, it is intensely human….”

A lush and intoxicating blend of art history, eroticism, and suspense, Taylor Holden's The Sense of Paper is like no other debut novel you’ve ever read. An enthralling exploration of the role of paper in art, it is also the sumptuous story of a woman living on the dangerous edge of obsession, passion, and murder.

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Editorial Reviews

Publishers Weekly
British journalist Holden (Shell Shock) delivers a superior novel of suspense in her well-plotted fiction debut. Charlotte "Charlie" Hudson, a former reporter suffering from physical and psychological wounds incurred while covering the war in Kosovo, decides to give up on the book she's writing about Kosovo and begin one on her new passion-handmade art papers and the use thereof by the great 19th-century British painter, J.M.W. Turner. Part of this passion involves a growing romantic attraction to world-famous painter Sir Alan Matheson. Holden weaves pages of esoteric paper lore into a tale that involves Charlie's tenuous mental stability and the growing mystery surrounding the suicide death of Sir Alan's daughter, Angela. Readers who are interested in art history and artists' lives will find themselves enthralled with the depth and scope of information, while those with less intellectual tastes may find themselves guiltily skipping ahead. Holden is the pseudonym of Wendy Holden, who has covered wars for the Daily Telegraph. (Sept.) Copyright 2006 Reed Business Information.
Library Journal
With this appealing debut, journalist Wendy Holden turns to fiction, using Taylor as her first name. Her novel claims historical anchoring with a plot featuring retired war-zone journalist Charlotte (Charlie) Hudson's research of 19th-century British artist J.M.W. Turner's relation to paper. But it is really a romance between Charlie and a famous contemporary artist, Sir Alan Matheson, who shares an obsession with Turner's landscapes. Their love affair covers a lot of ground, from English cottages to Italian villas to posh London art openings, with dramatic flashbacks to Charlie's intense newspaper days in Kosovo, Iraq, and Northern Ireland and a few run-ins with Matheson's mentally disturbed ex-wife. Things do not start auspiciously; Holden's prose is peppered with clich s and clunky art history, and some of her characters' dialog seems read off cue cards. But Charlie is an intriguing figure, haunted by her harsh past and her failed marriage. When Charlie begins investigating the circumstances surrounding the death of her new lover's daughter, the story loses some of its more turgid claims to art and revels in its ability to suspend us for pages in its own thoroughly diverting obsessions. For larger fiction collections.-Prudence Peiffer, Cambridge, MA Copyright 2006 Reed Business Information.
Kirkus Reviews
Former war correspondent, scarred by Kosovo atrocities, finds healing-sexual and otherwise-through art history. London-based reporter Charlie has weathered war zones aplenty, but now faces perhaps her greatest challenge: After taking shelter in a Kosovo cellar with Albanian women, they're discovered by Serbian troops. She's managed to suppress the memories of what happened that night, with frequent hot showers and essential oils, but post-traumatic stress has ruined her marriage and shut down her emotional life. Inspired by her beloved grandfather, an artist, Charlie becomes fascinated by watercolors and the paper they're painted on, and sets out to write a biography of famed 19th-century British painter JMW Turner. Sir Alan Matheson, watercolorist to the stars and babe-magnet, offers expertise. Perhaps reflecting Holden's nonfiction roots, as a correspondent for The Daily Telegraph (under the name Wendy Holden, unrelated to the British novelist of the same name), the history and study of papermaking showcase the liveliest writing here. Predictably, Charlie succumbs to Alan's charisma, managing to overcome Kosovo flashbacks long enough for a sojourn at Alan's Italian villa, where the two become torrid lovers between calls from Alan's crazy ex-wife, Lady Sarah Matheson. Still, Charlie can't resist investigating the suicide of Alan's daughter, Angela. The pathologist reveals that Angela was pregnant when she died, and an embittered coroner claims the family suppressed Angela's suicide note and the fact that Alan had abused and impregnated her. Sarah blames Angela. Angela's boyfriend accuses Alan over Angela's grave. As the Turner book nears completion, Charlie discounts the Angela rumors,and on New Year's Eve, Alan gives Charlie a ring. Belatedly, Charlie probes postmortem DNA results. Sure enough, not only is Alan not the unborn child's father, he's not even Angela's father. But nagging questions persist. Did Alan seduce Angela? If not, why did Angela paint visions of hellish torments and have so many piercings? And what does all this have to do with watercolors and paper?Passable plot in a moderately engaging debut weighed down by leaden characters, mawkish prose and creaky exposition.
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Product Details

  • ISBN-13: 9780553803945
  • Publisher: Random House Publishing Group
  • Publication date: 9/26/2006
  • Pages: 384
  • Sales rank: 1,031,910
  • Product dimensions: 6.10 (w) x 9.10 (h) x 1.00 (d)

Meet the Author

Taylor Holden, as Wendy Holden, was a respected journalist for The Daily Telegraph, where she covered wars and events around the world, including Northern Ireland, the US, Eastern Europe and the Middle East. She has co-written several autobiographies of remarkable women, including Goldie Hawn's recent New York Times bestseller. She lives in Suffolk, England, with her husband and four dogs. This is her first novel.
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Read an Excerpt

1

Fragments of memory pierce her subconsciousness like shards of broken glass. Her body twitches convulsively in her sleep. Fear presses down on her chest, making it heave as she snatches for breath.

Bang. The cellar door is kicked in on its rusting hinges. A sweaty soldier lumbers toward her in the flickering torchlight. Behind him, others leer at her. His uneven teeth smirk beneath a wiry moustache as his left hand unzips his urine-stained trousers. A scream wells in her throat. Before she can utter a sound, his fat fingers, stinking of nicotine, are clamped across her mouth. His other hand drags her by her hair up the stone steps, scuffing her knees on every one.

Bang. Out in the pale moonlight, grubby hands reach for her, rending her clothing as she flails and twists away. A boot slams into her stomach, driving the air from her lungs. All she can smell is sweat, smoke, and semen. Fear gives her strength. Struggling in their grasp, she shouts: "Novinar! Zurnalista! Journalist!" Their laughter fills the spaces in her head as they manhandle her roughly toward a clearing in the woods. Throwing her facedown in the dirt, they press forward eagerly, one by one.

Bang. She is up on her feet somehow and running hard. Running for her life. Gasping for breath through torn, bleeding lips. Clawing at the red earth with broken fingernails as she slips. Heading for the road in the dark.

Bang. The truck appears from nowhere in the darkness. The roar of its horn stuns her as she whirls to face the sudden brutal glare of its headlights bearing down on her.

Bang. Inconceivable, searing pain. The sensation of flying effortlessly through the clear night sky, before landing on the ground with a sickening thud.

Oblivion.

A full fifteen minutes under the shower's stinging hot jets usually dissolved the worst of the night. She'd already endured the first phase, vomiting into the toilet bowl until only yellow bile emerged as her cheek pressed against the cold white porcelain. This morning, purging was taking a lot longer. Charlie stood gripping the showerhead, neck arched, her mouth opening and closing as she allowed the steaming rivulets to cascade down her taut body. Inside her skull, her mind thrashed beyond her control, each involuntary reflex stirring up more mire from the depths of its murky pool.

Leaning into the water, relishing its cleansing power, she fought hard to focus. Happier days. That's it. Remember what it used to be like, a long time ago. Before. She swallowed hard to prevent the rising in her throat. Angry with herself, she knew she could do it. Remember the times when being with a man felt good. Remember how it could be. How it once was, with Nick. Taking a shower together, his lips everywhere, his knowing, capable hands pulling her head back by her soapy hair. Their self-control almost lost as she dropped to her knees and sought him out with her mouth. Before. Good. That's it.

If she didn't hurry, she was going to be late. She had an important appointment and she'd already slept through the buzzing alarm. But she wasn't ready, not quite yet. Just a few minutes more and she'd be fine. Soap. Water. Heat. The scent of rosemary oil and geranium. Essential oils. Essential to her.
Soon, the stench of nicotine would be gone from the membrane in her nostrils. Soon, she'd be able to face the day.

2

The silence lay heavy around them as he slid the key in the lock of the large, flat safe-deposit box. The stale air of the room deep within the bank vaults was filled with Alan's unique scent of varnish and linseed oil.

Far above them, the giant exhaust pipe of London belched in the summer heat. Fleets of taxis scuttled through the City like shiny black beetles, carrying their cargo home. Beneath the sizzling pavements, Charlie offered cool contrast in her lilac cotton sleeveless blouse and blue linen trousers.

Click. The key turned with surprising ease. Glancing up beneath a lock of greying hair, Alan invited her to open the box with an elegant gesture of his right hand.
His reverence was contagious. Lifting the lid and closing her eyes in anticipation, Charlie could almost believe that she was about to witness the unveiling of some ancient, mystical relic, in a time long before her own.

She could smell it before she saw it, a distinctive, crisp odour. She opened her eyes. There, partially wrapped in a waterproof covering and interleaved with acid-free tissue, lay the precious last sheets of Alan's beloved paper. Possibly the last of its kind in the world.

"So, this is it," she murmured.

"Yes." He nodded, a smile of pride curving his lips as he reached into the box to peel back the crinkly tissue.

They stared for a moment at the product of what would have amounted to several weeks of intensive labour. Crafted by hand using ancient techniques, this paper would have begun life as a dense pulp of linen matter floating in a vat of water, its mashed fibres interlocking to create its unique texture. Lifted by a fine sieve mould and slid onto damp felt, each sheet would have been draped over waxed horsehair ropes, then lifted high into shuttered lofts to air-dry. Left to cure for a month and glazed with a gelatine solution known as "size", each sheet would have been pressed and meticulously hand-polished with agate before being cut ready for use.

Two hundred years ago, only the finest artists or the wealthiest writers would have been able to afford such a prize. Those who could jealously guarded their meagre supplies. It was not just its rarity that made this paper so sought after. It was highly temperamental, absorbing and giving off moisture even after production. It had to be stored in a place that was not too hot or too cold, too damp or too dry, no more than twenty-five sheets at a time. Contact with certain woods or metals corrupted it.
Alan had originally kept much of his precious cache in specially crafted wooden map chests in his studio but, after a fire, he'd transferred what remained to the safety of the buttressed bowels of his bank. Inspired by its beauty, he considered this paper his talisman. Because of the chemicals used in modern manufacture, nothing like it would ever be produced again. And he believed that it had shaped him into the world-famous artist he had become.

Lifting the top sheet, he whispered, "You'll never understand how unique this is, until you see me working it."

Trembling a little, Charlie watched in silence as his hands peeled off the single sheet, its fragile edges crumbling slightly at his touch. Lifting it up to the light, he exposed the legendary watermark giving its origin, purpose, and manufacture, and the visible grid marks of the mould on its pitted surface.

"It was paper much like this, crafted in the same mill, which the great Turner used as the foundation for some of his finest watercolours," he told her. "He depended on its whiteness and its rich, warm tones to let his colours shine through. Like me, he believed there was nothing to compare. And when I've used up this, my final hoard, it will be time."

"Time for what?" Charlie asked.

"Death, of course," Alan replied, a sad smile twisting the corner of his mouth.

Traveling back along the Embankment in a taxi, Charlie felt suffocated by the stifling heat. The air seemed to be crackling with electricity and her hair felt hot and heavy on her neck. News bulletins from Iraq blared relentlessly from the cabdriver's radio, and she felt unable to catch her breath. Winding down the window, she sucked in oxygen greedily.

An unexpected text message, its sudden chirping breaking into her concentration, felt like a lifeline thrown out to the choppy waters of her mind. But the moment she replied, she felt, as she so often did, cross with herself for grabbing at it so eagerly.
By the time Charlie arrived home, she needed a drink. An ache thumped inside her head and her throat felt scratchy. Something about that final hour with Alan in the airless vault had unbalanced her carefully maintained equilibrium.

Closing her front door against the chaos of the city, she stood for a moment and savoured the cool tranquillity of her hallway, like a novice leaving the vulgar world behind her for the hush of the convent. Ignoring the junk mail on the doormat, she slipped off her sandals and padded softly across the floor of her apartment to throw wide the French windows to a small stone terrace.

Reaching for a glass, she wandered into the kitchen and opened the refrigerator door. All the shelves held were four bottles of wine, three of sparkling mineral water, and an unopened packet of Columbian coffee. Her fingers hovered between a pale Muscadet or an oaky Australian Chardonnay. She chose the Muscadet.

Within minutes, the cork had popped satisfyingly from the neck of the bottle and her glass was filled. Sipping its fresh, clean contents, she waited for the alcohol to soften the edges of her day as she wandered out onto the terrace. Inhaling the warm scent of the late summer roses that overran its raised brick borders, she could hear the hum of bees, deep within their velvety petals, collecting the last of the season's pollen. Looking down, she watched as one small furry insect, drunk on nectar, made his way unsteadily across the paving stones towards her bare feet. Only at the very last minute did it turn away.

Back inside, she glanced at the answering machine blinking on a side table, then reached instead for the stereo. She adjusted the volume until a familiar cello suite filled the air. Closing her eyes, she allowed the melancholy music to carry her, drifting back and forth. For several minutes, she stood like that, wrapped up in her secret self. When the movement ended, her eyelids fluttered open as if she'd just awakened from a long sleep.

Behind her, a mahogany bookcase dominated the room. Its shelves held the familiar companions she'd collected over the years, books on everything from fiction to food, fine art to military history. Garnered from secondhand shops, their battered covers were testament to the frequency with which they'd been read long before she'd bought them. Charlie knew and loved every one. She would often run her fingers across their backs, feeling the worn leather or cloth spines in turn. Sometimes she'd open them and flick through their pages absentmindedly, enjoying a word here or snippet of sentence there, relishing either a story she knew well, or the delicious anticipation of something yet to be enjoyed.
The mere touch of her hand on the paper of an unread book could excite her.

Hidden amongst her collection was Road to Rajak: A Day in the Life of Kosovo by Charlotte Hudson; a book which had taken her a year to write, one year further away from what had gone before. It had been described by one reviewer as "a moving and intensely humane portrait of one of Europe's most heinous and inhumane conflicts." Its widespread critical acclaim now felt as fragile to her as the cobweb that traced a silvery line along its back.

Pulling her mind back to the present, Charlie sank into the sofa's enveloping softness and pressed the button on her answering machine.

"Hi, it's Nick," said a voice she knew almost as well as her own. "Just checking in. Sorry I haven't been in touch for a few weeks, but work's been manic. I'd love to catch up if you're free this evening. I'll try your mobile, but if I don't get through, give me a ring before you open your second bottle, okay?"

Charlie arched an eyebrow and pressed her cool glass against the warm skin of her throat.

"Hello, Charlotte," said the next voice. "Your father and I were wondering if you might be able to squeeze in a visit to us this weekend. You haven't been for nearly three weeks now and you know how much he looks forward to seeing you. Anyway, let me know, dear. Bye."

The final voice was Nick's. "Hi. Ignore my earlier call. You just replied to my text message. Thanks for the invite. Takeout sounds great. I'll pick it up on my way over. Hope Chinese is okay. See you about eight."

Charlie glanced up at the old wooden clock her grandfather had left her and realised she didn't have much time. Gulping her wine, she hurried to the bathroom, scrubbing her face and hands vigorously with a nailbrush and a fresh bar of lemon soap. From the rows of hangers in her wardrobe, on which her clothes hung in precise colour sequence, she selected a plain white shirt and black linen trousers.

Methodically, she brushed out her thick brown hair before twisting it into a smooth French plait at the back of her neck. Examining her face, almost devoid of makeup, she smeared some balm across her lips. Pulling a tissue from the pretty pink papier-mache box on her dressing table, she pressed her mouth carefully over its neatly folded edge.

By the time the doorbell rang a few minutes later, she was ready to face her husband.

3

It wasn't Nick's fault. He'd only come because she'd invited him. The trouble was Charlie couldn't now remember why she'd suggested it in the first place.

Taking a deep breath and smoothing the creases in her trousers with the palms of her hands, she fixed a smile of welcome onto her face and opened the door. In sharp contrast to her freshness, Nick was decidedly sticky in his grey suit trousers and duck-egg-blue shirt, tie loose, jacket thrown casually over his shoulder. A six o'clock shadow made the skin above his chin look sallow. His fine blond hair was its usual unruly self, defiantly creeping over his collar, but his eyes, exactly the same colour as the shirt, smiled readily, and she relaxed a little.

As usual, he lingered a few seconds longer than necessary as he bent to kiss her cheek. She detected stale sweat, the grime of a London newspaper office and, recoiling slightly, an undertone of cigarette smoke.

"Come on in." Charlie stepped aside as he entered her hallway carrying a briefcase and two brown paper bags bulging with food. "Excuse the mess."

Nick wandered through to the bright kitchen and placed their supper on the spotless work surface. Everything around him appeared hard and white and gleaming. Reaching for plates so shiny he could see his own reflection in them he called over his shoulder, "What mess? You need a tetanus shot before you can eat in my kitchen."

As he lifted his arms, she noticed two circles of sweat staining his shirt and a button missing from his right cuff. He pulled out some chopsticks (for Charlie) and a knife and fork (for him).

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Reading Group Guide

1. Why do you think this novel is entitled The Sense of Paper? What meaning do you think the word "sense" has in this title? Is it an apt title? A great title? What role does "sense" play in the novel?

2. Each section starts with a technical term for different forms of paper. Is each term a metaphor for what happens in the section of the story that follows?

3. Charlie quit her job as a journalist and became estranged from her husband. Why is Charlie running so desperately from her past?

4. Discuss your reaction to how Charlie handles various situations throughout the book, such as meeting Sarah Matheson and learning Angela’s history. Do you think she's troubled? Snoopy? Would you handle similar situations in the same way Charlie did?

5. Charlie and Carrie shared so much together, but took very different paths. Still, Carrie always came to Charlie as a friend and as a sister. Who do you think is the stronger of the two? What do you think of their friendship dynamic?

6. Charlie was once a tough journalist—tracking down the facts in countries torn apart by violence. Why is Charlie so reliant on Alan for her current book project?

7. Charlie and Alan are both unstable and have a lot of secrets. What do you think of their relationship? Are they good for each other or not? Are they addicted to each other for the wrong reasons?

8. Is there a common link to be found with the women in Alan’s life? Charlie, Sarah, Lori, Angela, Susie Ball? What are these women hiding?

9. Why is Charlie so intrigued by Angela? What feelings and similarities were unraveled during this search?

10. Why did Charlie choose to write a book on paper? How did Turner inspire her interests? What parallels can be drawn from Turner's life to the lives of the characters in the novel?

11. What did you learn about the history of paper? What lengths did people go to make paper? To get the "right" paper?

12. In this novel, paper plays a big role. Could paper be considered another character? Major or minor? How does it move the story along?

13. Could paper be seen as a metaphor? For what?

14. It is so easy for people to take paper for granted. While reading this novel, did you become more aware of paper—its many physical qualities as well as its many uses? Its beauty as an object in and of itself? How?

15. Do you think Charlie will ever begin to heal? To grow?

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Sort by: Showing all of 2 Customer Reviews
  • Posted December 9, 2008

    more from this reviewer

    excellent modern day love story

    War correspondent Charlotte ¿Charlie¿ Hudson may be home in England, but remains haunted by how close she came to dying while on assignment. Unable to focus on journalism and needing a distraction from her nightmares Charlie wrote about her haunting experience, Road to Rajak: A Day in the Life of Kosovo, but that failed to cleanse her mind. She turned to her husband Nick, but that proved dismal. Thinking of doing a book on the great early nineteenth century English romantic landscape artist JMW Turner, Charlie, on a whim to contain her internal demons, visits artist supply store L. Cornelissen & Sons. There she becomes fascinated with all the different types of paper on sale, mumbling out loud which paper JMW Turner would choose. Another customer responds saying none of these. He is highly regarded artist and Turner expert Alan Matheson. They talk over coffee as she thinks this is happenstance that they have met. As he encourages her paper chase, they begin to fall in love, but he has as many troubles as she does especially from live and dead females that lead to Charlie¿s need to know the truth. --- THE SENSE OF PAPER is an excellent modern day love story with a deep look at paper choices somewhat available today but especially during the nineteenth century and its importance to Turner. The mystery of the death of Matheson¿s daughter adds depth to understanding his ghosts and motives. Yet the core of this exquisite novel is the heroine who seeks something to affirm her reason for living she may have found this as she begins to comprehend THE SENSE OF PAPER (read the novel to comprehend the subtly of the title) during her research with Alan at her side encouraging her. --- Harriet Klausner

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  • Anonymous

    Posted October 7, 2006

    Remarkable first novel

    Booklist said of this novel that it was 'lusciously textured' and 'full of emotional nuance as accurately and delicately rendered as Turner's clouds'. I couldn't agree more. Not only is it the compelling story of a woman's journey from near insanity after her wartime experiences, but it offers a page-turning insight into how paper - especially watercolour paper - is made and how important it was to the artist JMW Turner. This remarkable first novel by an established non-fiction author has something for everybody. I can't wait to see what she comes up with next!

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