Sentimental Collaborations: Mourning and Middle-Class Identity in Nineteenth-Century America

Overview

During the 1992 Democratic Convention and again while delivering Harvard University’s commencement address two years later, Vice President Al Gore shared with his audience a story that showed the effect of sentiment in his life. In telling how an accident involving his son had provided him with a revelation concerning the compassion of others, Gore effectively reconstructed himself as a typical, middle-class American for whom sympathy can lead to salvation. This contemporary reiteration of mid-nineteenth-century ...

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Sentimental Collaborations: Mourning and Middle-Class Identity in Nineteenth-Century America

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Overview

During the 1992 Democratic Convention and again while delivering Harvard University’s commencement address two years later, Vice President Al Gore shared with his audience a story that showed the effect of sentiment in his life. In telling how an accident involving his son had provided him with a revelation concerning the compassion of others, Gore effectively reconstructed himself as a typical, middle-class American for whom sympathy can lead to salvation. This contemporary reiteration of mid-nineteenth-century American sentimental discourse proves to be a fruitful point of departure for Mary Louise Kete’s argument that sentimentality has been an important and recurring form of cultural narrative that has helped to shape middle-class American life.
Many scholars have written about the sentimental novel as a primarily female genre and have stressed its negative ideological aspects. Kete finds that in fact many men—from writers to politicians—participated in nineteenth-century sentimental culture. Importantly, she also recovers the utopian dimension of the phenomenon, arguing that literary sentimentality, specifically in the form of poetry, is the written trace of a broad cultural discourse that Kete calls “sentimental collaboration”—an exchange of sympathy in the form of gifts that establishes common cultural or intellectual ground. Kete reads the work of Ralph Waldo Emerson, Henry Wadsworth Longfellow, Mark Twain, Harriet Beecher Stowe, and Lydia Huntley Sigourney with an eye toward the deployment of sentimentality for the creation of Americanism, as well as for political and abolitionist ends. Finally, she locates the origins of sentimental collaboration in the activities of ordinary people who participated in mourning rituals—writing poetry, condolence letters, or epitaphs—to ease their personal grief.
Sentimental Collaborations significantly advances prevailing scholarship on Romanticism, antebellum culture, and the formation of the American middle class. It will be of interest to scholars of American studies, American literature, cultural studies, and women’s studies.

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Editorial Reviews

From the Publisher
“Such is the reach of Kete’s scholarship that it succeeds in illuminating both the private experience of grief in American families and the public constitution of a national middle-class culture. It does so through a sophisticated reconceptualization of the forms and functions of sentimentalism in poetry and fiction.”—Robert Gross, College of William and Mary

“This book is an original and compelling study of a highly significant but largely neglected tradition of American poetry. More than that, it is a brilliant revaluation of the central role of sentimentality (in fiction as well as poetry) in the construction of nineteenth-century American middle-class culture. The result is a major work in the field of American Studies that has sweeping and important implications for the related fields of feminist and gender studies, and for cultural studies generally.”—Sacvan Bercovitch, Harvard University

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Product Details

  • ISBN-13: 9780822324713
  • Publisher: Duke University Press
  • Publication date: 6/28/2000
  • Series: New Americanists Series
  • Pages: 304
  • Product dimensions: 6.02 (w) x 9.27 (h) x 0.87 (d)

Meet the Author

Mary Louise Kete is Assistant Professor of English and American Literature at the University of Vermont.

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Table of Contents

Preface
Introduction: The Forgotten Language of Sentimentality 1
Pt. 1 The "Language Which May Never Be Forgot" 11
1 Harriet Gould's Book: Description and Provenance 19
2 "We Shore These Fragments against Our Ruin" 31
Pt. 2 Sentimental Collaborations: Mourning and the American self 51
3 "And Sister Sing the Song I Love": Circulation of the Self and Other within the Stasis of Lyric 59
4 The Circulation of the Dead and the Making of the Self in the Novel 83
Pt. 3 The Competition of Sentimental Nationalisms: Lydia Sigourney and Henry Wadsworth Longfellow 103
5 The Competition of Sentimental Nationalisms 115
6 The Other American Poets 133
Pt. 4 Mourning Sentimentality in Reconstruction-Era America: Mark Twain's Nostalgic Realism 145
7 Invoking the Bonds of Affection: Tom Sawyer and America's Morning 159
8 Mourning America's Morning: The Adventures of Huckleberry Finn 166
Epilogue: Converting Loss to Profit: Collaborations of Sentiment and Speculation 181
App. 1 Harriet Gould's Book 187
App. 2 Addenda to Harriet Gould's Book 213
Notes 225
Selected Bibliography 259
Index 275
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