Serendipity [NOOK Book]

Overview

Louise Shaffer brings to life three generations of Italian American women in this stunning novel of surprises, secrets, and serendipity.

A child of theatrical royalty, Carrie Manning is having a hard time getting her own act together. Thirty-seven, aimless, and having just buried a famous mother she never understood, she is desperate to uncover her family’s mysterious past ...
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Serendipity

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Overview

Louise Shaffer brings to life three generations of Italian American women in this stunning novel of surprises, secrets, and serendipity.

A child of theatrical royalty, Carrie Manning is having a hard time getting her own act together. Thirty-seven, aimless, and having just buried a famous mother she never understood, she is desperate to uncover her family’s mysterious past in the hopes that it will help her understand herself.

Carrie’s search reveals the fascinating life stories of her estranged grandmother Lu, a glamorous Broadway star whose dreams came with a price; her great grandmother Mifalda, who gave up everything to come to America as a sixteen-year-old Italian bride; and her father, Bobby, the charismatic Broadway genius who wrote some of Lu’s greatest musicals and died tragically young. At the heart of Carrie’s discoveries lies the reason for her mother’s complicated life, and a dark secret that has been buried for thirty years.


From the Trade Paperback edition.
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Editorial Reviews

Publishers Weekly

Shaffer's ho-hum latest (after Family Acts) chronicles a neurotic New Yorker's quest to learn more about her recently deceased and famous mother. Carrie Manning, the daughter of philanthropist Rose and legendary playwright Bobby Manning, uncovers some secrets about mother while cleaning out her apartment. Reluctant to contact her estranged grandmother, celebrated stage actress Lu Lawson, Carrie talks to her great-uncle Paulie, who relays the story of Carrie's great-grandmother Mifalda, an illegitimate child raised by nuns. Fearing her "bad blood" corrupted Lu, Mifalda does her best to prevent Lu from becoming a singer, but when Lu eventually has a baby out of wedlock, Mifalda raises the child as Lu pursues her Broadway career. While Shaffer conveys how Rose's constant criticism plunged Carrie into an unhappy life, Carrie comes off as ditzy and simple, and Bobby and Rose feel stock. Often heavy-handed and prone to stating the obvious ("The thing about smiling and pretending-and tongue biting-year after year is that eventually it takes its toll"), Shaffer gets in the way of a promising premise. (Apr.)

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Library Journal

Carrie is the daughter of Rose Manning, one of the most famous humanitarians in New York City. Rose, known for her beauty, wit, and heroic selflessness, left her daughter with more questions than answers when she died. Now, at 37, Carrie searches for clues about Rose's past in the hopes of understanding the rift between her mother and her larger-than-life, theatrical legend grandmother, Lu Lawson. There has always been mystery surrounding Carrie's family; Rose forbade Carrie to talk to her grandmother and to talk much about her father. Complicating these matters further, Carrie recently walked out on her fiancé only days before her wedding. Shaffer (Family Acts; The Three Miss Margarets), also a Broadway and TV actor, unfolds the story of Carrie's family, from her Italian great-grandmother's sacrifices to her mother's complicated past, with such ease it is as though one is having an engaging conversation with the characters. All the female characters, who could have been depicted in a less-skilled writer's hands as either wholly good or evil, are refreshingly multidimensional and come wonderfully to life. Highly recommended for all public libraries.
—Anastasia Diamond-Ortiz

Kirkus Reviews
Shaffer, author of southern-fried charmers (Family Acts, 2007, etc.), is at her best here with a multigenerational saga set amid the bright lights of Broadway. When Rose Manning dies, all of philanthropic Manhattan shows up for her funeral. But daughter Carrie realizes the eulogies praise Rose the humanitarian, leaving Rose the human a mystery-even to Carrie. While still a baby, Carrie's family fell apart: Her father, boy-genius Broadway composer Bobby Manning, died; Rose broke all ties with her mother Lu Lawson (musical theater's biggest star); Rose relinquished their Fifth Avenue lifestyle and subsequently dedicated her life to helping the homeless. The press loved gorgeous Rose, the selfless young widow. But for Carrie, living with an altruistic mother left little room for happiness. Carrie decides to go in search of Rose's past, and starts with great-uncle Paulie, Lu's big brother, in his 80s and still living in New Haven, Conn. Paulie says the problems began with Mifalda, Carrie's great-grandmother, a young bride from Italy. And so Carrie's family saga begins, an entertaining mix of feminism-lite (women need self-fulfillment!) and a passionate rendering of theater life. Mifalda finds domestic life empty, though that doesn't prevent her from planning the same for her spirited daughter Lucia. But modern little Lu has other dreams: With a musical gift and an indulgent father, it's not long before her talents are requested at recitals and weddings. When she accidentally becomes pregnant, Mifalda agrees to look after little Rose while Lu pursues her showbiz dreams. But when Mifalda dies and Rose goes to live with the rich star Lu has become, Rose becomes embittered and disapproving.Carrie then goes to George Standish, Lu's conductor and best friend, for the next chapter of the story-the tumultuous marriage of her parents. Self-indulgent Bobby and pious Rose couldn't have made a worse match, but it's not until Carrie meets her grandmother Lu that she gets the whole sad story. Like the best Broadway musicals-revels in bigger-than-life moments and is filled with just enough sadness and truth.
From the Publisher

“Shaffer . . . unfolds the story of Carrie’s family, from her Italian great grandmother’s sacrifices to her mother’s complicated past, with such ease it is as though one is having an engaging conversation with the characters. All the female characters . . . are refreshingly multidimensional and come wonderfully to life. Highly recommended.”—Library Journal, starred review

"This was an amazing story of mothers and daughters and how each generations relationships can affect the next. A story of a woman finally finding her place in the world, and finding the happiness she so richly deserves. This is a book that you don't want to miss ~ but make sure you keep the tissues close by. You're going to need them."—Lori's Reading Corner

“[Shaffer] delivers every time with delightful, charming stories . . . guaranteed to keep you turning the pages.”—Kingston Observer Online

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Product Details

  • ISBN-13: 9780345513175
  • Publisher: Random House Publishing Group
  • Publication date: 3/24/2009
  • Sold by: Random House
  • Format: eBook
  • Sales rank: 617,632
  • File size: 3 MB

Meet the Author

Louise Shaffer
Louise Shaffer is the author of Family Acts, The Ladies of Garrison Gardens, and The Three Miss Margarets. A graduate of Yale Drama School, she has written for television, and has appeared on Broadway, in TV movies, and in daytime dramas, earning an Emmy for her work on Ryan’s Hope. Shaffer and her husband live in the Lower Hudson Valley.

www.louiseshaffer.com


From the Trade Paperback edition.

Biography

Louise Shaffer, a graduate of the Yale Drama School, has written for television and has appeared on Broadway, in TV movies, and in daytime dramas, earning an Emmy for her work on Ryan's Hope. Her debut novel, The Three Miss Margarets, was released in 2003. Shaffer and her husband live in the Lower Hudson Valley.

Author biography courtesy of Random House, Inc.

Good To Know

Some fun and fascinating outtakes from our interview with Shaffer:

"I'm a prude. That's not a good thing -- in fact, when I was younger I used to worry that it would stunt my creativity. But I'm lazy, and debauchery takes tons of energy -- if you're going to do it right. I'm proud of the fact that my husband and I have rescued and adopted thirty-seven animals since we got married – thirty-eight if you count the pig. His name was Hubie and he wasn't a cute little pot-bellied number, he was a full-fledged 750 pound hog who played football -- his rules and we didn't argue. Beyond that, the only other thing anyone needs to know about me is, I've had more dumb luck when it comes to family, friends and work than any one person deserves."

"My big break came when I landed a gig on a soap opera that went on and off the air in six months. In those days a show had to be really bad to tank that fast. The crew in the studio where we were shooting wanted a game show in there because it would have meant a lot less work for them, so they were always forgetting to do things like nail down the sets. I played one love scene while holding up the bedroom wall and when I had to do one of those endless coffee scenes in the kitchen, there was a prop guy hiding in the fridge. He hadn't moved fast enough when they yelled action. We didn't do retakes on this show because they were canceling us and trying to save money."

"My best writing inspirations always come when I'm cleaning the kitty litter. Don't ask me why. I'm serious, please don't ask me, because I don't want to think about it."

"The things I dislike most are bullies, prejudice, people who have all the answers, and CEOs who go on national television to explain why they had to cut jobs for twenty thousand workers while they just picked up a forty million dollar bonus."

"The things I love are puppies, kittens, roses, Pavarottis's voice, birthday cakes, fancy dress, the glint in my mother's eye when she's just put one over on her solicitous kids, and my husband's smile when he's really happy."

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Read an Excerpt

Chapter One

NewYork City
2008
“I just put hairspray on my armpits,” Carrie said. She told herself the shrill note in her voice was not hys­teria. She was not losing it; she had merely chosen to call her ex-fiancé to tell him a funny story. He was one of her very best friends, and you shared the good stuff with your pals. “I was going for the deodorant. I kept thinking, ‘Wow, this deodorant is sticky.’ Then I looked at the can. The thing is, I don’t know why I had hairspray–I never use it. It makes my hair look like a Brillo pad.”

“Carrie? You okay?” Howie’s voice came at her over the phone. And suddenly she was going to lose it after all. How the hell do you think I am, Howie? My mother died ten days ago.

Carrie drew in a deep breath. “I’m fine,” she said.

“You sure?” Howie sounded worried–and not quite awake. What time was it, anyway? “Why are you up at four-thirty in the morning?” he added, answering the question.

“Oh God, I’m sorry. I didn’t know . . .” Explanations raced through her head. See, Howie, I’ve been waking up a little early . . . No, the truth is, Howie, I can’t sleep. I can’t eat either–nothing except potato chips. I got into them when I was hanging around the hospital . . . She stopped herself. Because she was rambling. True, it was an internal ramble, but anytime she started wandering mentally it was a sure sign that she had lost control. And dwelling on the hos­pital and her mother’s last days there was definitely a bad idea. Carrie had gotten through the funeral Mass a week ago, and the memorial service the day before, by not dwelling. Not dwelling had gotten her out of bed that morning and it had gotten her dressed–except for the hairspray/deodorant mishap–and now she was on her way to clean out her mother’s apartment. Although possibly not right at this moment. Not at four-thirty am. “Go back to sleep, Howie. I’m sorry I bothered you.”

I am fine. I am Carrie Manning. I am thirty-seven years old. And, okay, I’m a little tense this morning because my mother’s ...not alive anymore. But I’m not going to dwell on that. Not now. Now, I’m going to think about how I got through the memorial service yesterday without crying once. I was great at that service. I didn’t even tear up when they sang the Panis Angelicus.

“Carrie?” Howie’s voice on the phone brought her back to re­ality. “Honey, you’re not still freaking out about the flowers, are you?”

Okay, so I didn’t get through the memorial service quite as well as I might have.

“I didn’t freak out. I was upset.”

“However you want to say it, Carrie . . .”

“I put it in the obituary–‘No flowers’–that’s what it said. It was right there in the New York Times. I listed all of Mother’s charities so people could make donations.”

“Yes, I saw that.”

“I did it exactly the way she wanted it. The woman was once voted Humanitarian of the Year by Living Life magazine. That’s what the plaque said: Rose Manning, Humanitarian of the Year, 1986 ...”

I know, Carrie–”

“Her wishes for her own funeral should have been obeyed. And I got it right. I got it goddamned right!”

“Absolutely.”

“Everyone knows how Mother feels about flowers. Especially roses. Why would anyone send her a basket of white roses?”

“I guess there was someone who didn’t know . . .”

“After the article she wrote about Guatemalan children? The one about the five-year-old kids who pick roses and wind up with respiratory diseases and blisters full of insecticides?”

“Sweetheart, calm down.”

“You know what Mother says every time she sees those cheap roses in the delis on the street. She carries her pamphlets in her purse so she can show the owners–”

“She carried them.”

“That’s what I said.”

“No, you said she carries them. Wrong tense, Carrie.”

And suddenly it was real–in a way that it hadn’t been at the memorial service, or at the funeral Mass, or at the mausoleum. Now there was no way not to think about it. Her mother was gone. And Carrie was an orphan. The room went cold. There was a lingering scent of hairspray in the air.

“Carrie? Would you like me to come into the city and stay with you until my first appointment?”

“No. Thank you.”

“I could bring you some coffee–from the diner on the corner, all black and bitter. None of that Starbucks-wannabe stuff.”

“You’re the best ex on the planet–but I really am okay. And you need to get your sleep. You probably have a gazillion root canals today.”

“Only one.”

“Go back to sleep. You’ll need steady hands.”

And I need to get through this without dramatics.

That was what her mother had called it when Carrie was a kid and her mother thought she was getting too worked up about something. “You’re being dramatic, dear,” Rose would say. “Are you sure you’re not trying to draw attention to yourself? That’s ego, Carrie, and you must never indulge in ego. The nuns tried to teach me that when I was your age, and I wish I had listened. Just remember, you and I are just ordinary people.”

That had been a lie. Carrie’s mother hadn’t had an ordinary bone in her body. If you looked up “not ordinary” in the dictionary you’d find a picture of Rose Manning. And she never had to try to draw attention to herself–it came to her automatically. For years it was her looks that did it. When she was young, Rose Manning’s beauty was almost unnerving. Carrie closed her eyes and pictured her mother: the tall, slender body made for fashion–although by the time Carrie knew her, Rose was no longer wearing couture– the huge, green almond-shaped eyes, the high, sculpted cheek­bones, and the creamy skin. Rose’s thick red-gold hair was always piled in a shiny mass at the back of her head, her mouth was delicate but somehow still full, and her nose was aquiline perfection. When you put the whole package together you got a mix of ethe­real and elegant that stopped conversations. And the magic had lasted for decades. When Rose died she was sixty-four, and until her last year when the cancer finally took over, she could still silence a room just by entering it.

But Carrie’s mother had always been more than just a breath­takingly pretty face. She had possessed an internal power her daughter could never define or understand. Wearing one of her interchangeable skirt-and-blouse ensembles–she never spent time on wardrobe–and exhausted from a night spent volunteering at her homeless shelter, Rose could glide into a board meeting packed with Wall Street sharks and dominate. Carrie opened her eyes.

“Is it pretty out there in Katonah?” she asked Howie. She and Howie were both city people, but after Carrie had canceled the wedding, he’d relocated to the suburbs, saying he’d needed to move on. Carrie couldn’t imagine anyone voluntarily not living in Manhattan, but since he was her friend–thank you, God, because she wasn’t quite sure she could handle it if he weren’t–she tried to be supportive. “I bet it’s pretty out there,” she repeated.
“It’s hard to tell; it’s still a little dark outside.”

“Was it pretty last night before you went to bed?”

“I guess,” Howie said. “There’s a big bush on my front yard that was there when I bought the place, and it’s starting to get all these yellow flowers on it. The guy across the street says it’s a forsythia.”

“I’m glad you’re happy, Howie.” And she was. Truly. Even though it ached a little to think that he could be happy without her. But that was only natural–right? The real point, the thing to focus on here, was that he was still her friend, that he had understood that she backed out of marrying him for his own good, because emotionally speaking she was a disaster on two feet and she didn’t want to inflict the train wreck that was her life on him. Howie, bless him forever, had understood the backing-out thing for the act of love that it was. “I mean that–about me being happy you’re happy, Howie,” she added.

“Thanks.” He paused for a second, then chose his words care­fully, “Listen . . . sweetheart, why don’t you hold off on clearing out your mother’s apartment for a few weeks? Give yourself a break.”

Because if I don’t do it right now, I’ll never be able to.

“I’m cool. Really.”

“Of course you are!” he said, way too heartily. “I know that!”

“Thanks. Night, Howie . . . well . . . good morning.” She started to hang up, but his voice stopped her.

“Carrie?” he said. “You did get it right, yesterday. You got the memorial service right.”

“Thank you,” she said as she put down the phone. But Howie was wrong. Carrie’s eyes shifted over to the doorway, where the basket of white roses sat on the floor.

“Would you like these?” the priest had asked her after the service was over. What she should have done was to tell him, vehemently, to toss the basket into the garbage. But the flowers were lovely, a soft off-white with just a touch of pinkish blush at the heart. In the days since Rose had died, there had been many speeches given about her. Her memorial service had been packed with people who had admired and respected her. But, per her instructions, there had not been one personal touch, not one moment in which anyone acknowledged that Rose Manning had been more than an icon, that she’d also been a widow, a daughter, and a mother. No one had thought to say good-bye with something extravagant and beautiful–except the clueless sender of the white roses.

“Yes, I want them,” Carrie had said to the priest, and she had taken the basket out of his hands and brought the roses home.

I failed you, Mother. I’m sorry.

Carrie stumbled through the obstacle course that was her bedroom. When she’d finally left her mother’s apartment in her late twenties, she’d been determined to create a cozy space for herself, and she’d splurged on several large, cushy pieces of furniture. Unfortunately, she had not measured the size of the rooms in her small home. The monster bed ate up almost all of the floor space in her bedroom, so opening the bottom drawer of the bureau was impossible unless she was squatting in the closet. For bedding, Carrie had purchased eight white pillows and a white down-filled comforter. She’d been going for Sensuous Luxury; her best friend, Zoe, said she’d achieved Marshmallow Blob.

In the living room were more puffy oversize chairs, ottomans, and a sofa. Someone had told Carrie that putting a mirror on the wall above the sofa would make the room look bigger, and she had dutifully done so. The bottom of the mirror frame jutted out from the wall, so when guests sat on the couch they had to slouch or risk losing a piece of scalp.

Carrie carefully threaded her way to the bathroom. She looked at herself in the tiny mirror. She was not the beauty her mother had been, but that was not something she obsessed about. As Zoe once said, who the hell was as beautiful as Rose? Even in a time when any woman with enough cash could buy the nose and boobs of her dreams, Rose had been in a class by herself. On the other hand, Zoe had continued kindly, Carrie wasn’t exactly a disaster. At five-four, she was cute rather than regal, but she was endowed with fairly impressive cleavage, and her legs were truly fine. Her nose might have been a little too long, her dark brown eyes were probably too deep set, and her curly hair–also dark brown–was always a mess by three in the afternoon. But her smile was fabulous. When she unleashed it. “Which you don’t do often enough,” Zoe had said, wrapping up her assessment. “You can’t get away with your mom’s ice princess act. And it wouldn’t hurt if you used a little makeup.”

Carrie searched around in her medicine chest and finally un­earthed some seldom used blush and mascara. She found her lip gloss in her purse, managed to stall another minute or two with it, then went into her kitchen and dawdled over her breakfast quotient of sour-cream-and-onion-flavored chips. But it still wasn’t six o’clock yet. For some reason she didn’t want to go to her mother’s apartment before six o’clock. On the other hand, staying in her own apartment was out of the question. There was only one person Carrie knew–except for poor Howie–who’d be awake at this hour. Carrie put on her coat and headed out the door.

Zoe was already up and working when Carrie rang her buzzer. Carrie knew this because when Zoe answered the door she was wearing her work clothes–flannel pajamas with red roses on them and an apron liberally smeared with chocolate–and her blond hair was bundled up under a net. Since Zoe was six feet tall and skinny, the look was distinctive. She stood in her doorway peeling off a pair of surgical gloves and eyeing Carrie with the look of sympathy and concern that everyone had been giving her for the last year.

“Hey, Carrie. Are you–”

“New rule,” Carrie broke in hastily. “Don’t ask me how I am, okay?” Zoe started to speak, then thought better of it. “And we’re not talking about memorial services, or funerals.” Or mothers.

Zoe nodded. “Can I ask why you’re here?”

“Not really.”

“Okay. Come into the kitchen.”

Actually, Zoe’s entire apartment was a kitchen. She’d stashed a cot in one corner of it, and there was a closet where she kept her wardrobe, but the rest of her small studio had been gutted and fitted out with two industrial-size refrigerators, a restaurant stove, a large table at which two people could work comfortably, and several huge storage bins full of sugar and cocoa. Stacked against one wall were shipping supplies, rolls of gold tissue paper, and cases of hand-painted candy boxes. Zoe was a candy maker who sold herb-flavored chocolate truffles to the hippest gourmet groceries and restaurants in Manhattan. Since five that morning she’d been tak­ing baking sheets covered with little frozen balls of the chocolate­and-cream mixture known as ganache out of the fridge and dipping them into melted bittersweet chocolate–the best Belgium had to offer–before dusting them with cocoa. The ganache had been infused with a variety of flavors such as lavender and rosewater, and in the case of one client–a Mexican restaurant–hot chili peppers.

Carrie knew all of this because for two years she too had stum­bled out of bed at the crack of dawn to dip and dust truffles. That was when she had been Zoe’s partner in the business–a business they had started together and worked on happily, until one day Carrie felt the walls start to close in. She’d begged Zoe to please understand that she still loved her but there had to be more meaning to life than candy. Zoe had argued that they were on the verge of landing their first big account with a chain of trendy Manhattan grocery stores, which they had both busted their buns for, and Carrie would be ripping herself off if she sold out. Carrie couldn’t explain why she had to dump the business which had been her idea in the first place. She just knew if she had to wrap one more truf­fle in one more piece of gold tissue she was going to start throw­ing pots of chocolate around Zoe’s apartment. She’d left the business, and six weeks later, Zoe, as sole owner, had landed the coveted account. Now Zoe could afford to hire people to help with the wrapping, although she was still doing the dipping and the dusting herself. And soon she’d be reclaiming her living space because she’d be renting a professional kitchen in Brooklyn.

As Zoe swirled the first of the truffles in the coating, the hot chocolate released a whisper of a scent from the frozen ganache. Carrie sniffed the air. “Basil?” she asked.

Intent on her candy, Zoe didn’t look up. “It’s still the most popular flavor,” she said. “Bean and Brown can’t keep it in stock.” She placed the coated truffles on a piece of parchment paper and pre­pared to start rolling them in the cocoa.

“Hang on,” Carrie said. She opened the cabinet under the sink where the hairnets and gloves were kept, and suited up. “It’ll go faster if we work together.”

Zoe threw her a funny look, but mercifully she didn’t say anything. They worked side by side in silence, falling into the familiar rhythm they’d established over so many mornings, until five cookie sheets covered with finished truffles were back in the fridge. “You still have the feel for it,” Zoe said as they stripped off their rubber gloves. “You know how many people I’ve hired and fired over the last four months because they didn’t have the touch?” She hesitated, then said, “You know . . . if you wanted to, Carrie ...you could buy back in.”

There were a lot of people who would have been pissed about the way Carrie had split right before their big contract came through. But Zoe had known Carrie since they were in grammar school and she understood Carrie’s problem with follow-through. She’d watched Carrie start and abandon a dog walking service, a vintage clothing store–this was with another, less understanding partner–and a brief, horrific career as a personal assistant. Now Zoe eased herself onto one of the stools that flanked the work­table. “I’m serious,” she said. “Would you like to come back?”

For a moment it sounded wonderful. For the last year, most of Carrie’s time, to say nothing of her available brain space, had been spent caring for her mother. Rose’s doctors had admitted early on that there wasn’t anything they could do for her, and faced with that reality, Carrie had set out to make sure her mother’s death was a “good” one–even though she wasn’t sure she believed there was such a thing. Rose had stayed in her own apartment for as long as the medical professionals would allow it, because that was what she had wanted. Only her last two weeks were spent in the hospital. The ordeal had been so absorbing that once it was over, Carrie had found herself with endless hours she couldn’t fill. And she’d never felt so lost in her life. If she went back into partnership with Zoe, she’d have work, and a place to go every day, and ...And after two weeks she knew she’d be begging to get out again.

Something ragged and painful started growing in Carrie’s chest. “The business is big now. It would be too expensive for me to get back in,” she said.

“You’d pay what I did when I bought you out.”

The ragged something moved up into her throat. “You’re being too nice to me,” Carrie mumbled. And she wanted Zoe to please, please stop. Because she couldn’t take nice right now. Nasty she could handle, but nice was going to make her lose it.

“Why the hell would you want to work with me again?” she demanded belligerently. “I’ve messed up everything I’ve ever tried. I washed out of college; I didn’t make it through six months of culinary school.”

“But you came up with a great recipe for basil truffles–”

“I’ve had God knows how many jobs and I’ve quit every one of them. This candy thing is the third business I’ve tried and dumped. I couldn’t even hang in with Howie and he’s got to be the sweetest man in the world. I am a complete and total screwup, and . . .” she stopped herself. “And why aren’t you all over me right now?”

“Why would I do that?”

“I’m whining and wallowing. Why aren’t you busting me for having a pity party? That’s what girlfriends do–we bust each other. Why aren’t you telling me that I made those choices and I need to take responsibility and grow up, like you always do?”

“Old rule,” Zoe said softly. “A girlfriend doesn’t bust a friend whose mother has just died.”

So Carrie finally lost it. She cried loudly for a long time. After she finally finished, Zoe pointed out that was probably the reason why she’d come over. “And you had mommy issues even before Rose died,” she added.

“Not anymore,” Carrie said.

“They’re probably worse now that she’s gone. You never got it all cleared up with her, and you need to do that. You know?”

Carrie did know. But she didn’t want to start sobbing again. “Unfortunately it’s going to be hard to have a nice long talk.”

“You need closure, Carrie.”

“You really should stop Tivo-ing Dr. Phil. And for your information, I’m getting closure. I’m going to the apartment today to clean it out.”

“Alone? Don’t do that.”

“Why does everyone keep saying that? I can handle it.” Zoe looked at her. “I’m okay. Okay?”

After a second, Zoe nodded and pulled another tray of basil truffles out of the freezer. They dipped and dusted until it was nine o’clock and there was no way Carrie could tell herself that it was too early to go to Rose’s apartment.

“Can I ask one question about the memorial service?” Zoe said as she walked Carrie to the elevator.

“Can I stop you?” Carrie braced herself for another Dr. Phil moment.

“Did you invite your grandmother?”

The question was a little worse than Carrie had expected. “I couldn’t,” she said after a moment. “Mother wouldn’t have wanted it.”

“Do you think your grandmother would have come anyway?”

“Why?”

“I thought I saw someone in the back ...she looked a little like some of the pictures I’ve seen ...from the end of your grandmother’s career.”

“The way I understand it, if she had shown up we would have known it. At the very least there would have been an entire brass section.”

“That sounds a little hostile.”

“It’s just a fact. Everyone says no one could milk an entrance like Lu Lawson.”

From the Trade Paperback edition.

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Reading Group Guide

1. How has Carrie’s past affected her decisions and ability to choose a life path? Which characteristics does Carrie share with Rose, and how are they different from each other?

2. Shaffer is known for creating well-developed, convincing female characters. Which of these women did you most identify with? Sympathize with? Disagree with?

3. Carrie’s best friend, Zoe, states that Carrie has “mommy issues.” Why do you think mother-daughter relationships are often so complicated? How do you feel about the way Rose raised her daughter?

4. Why does Rose hold back so much family history from her daughter? How does Carrie’s eventual discovery of what happened affect how she perceives her mother?

5. Rose is a complicated, dualistic character with a love-hate relationship with wealth and fame; she is constantly telling Carrie to be wary of one’s ego. What, in your opinion, made Rose shun her lifestyle after Bobbie’s death? Do you think her choices made her happy?

6. What do you make of Rose’s multiple copies of the same dress? What was her reasoning behind this?

7. How does Mifalda change over the course of the novel? How do you think she came to her decision regarding Lu and her new baby, and could you imagine doing the same thing in her position?

8. How do you feel about Lu’s picking career over family? What other sacrifices do the women in Serendipity make in their lives? What betrayals do they make?

9. What attracts Rose so deeply to Bobbie Manning? How would you characterize their relationship, and in which ways does it change over time? Why does she go to such great lengths for him? On a similar note, what attracts Carrie to Howie?

10. How does Shaffer use ice skating as a symbol, for both Mifalda and Rose?

11. Carrie asks herself “Why do I always feel like I’m settling for an empty basket when I want one that’s full? Why can’t I let myself be happy?” What do you think the answers to these questions are, and how do you envision her future at the end of the book?

12. “Mama, Lu, and Rose,” Carrie’s uncle Paulie states, “standing in a line. Three young girls, handing down all the good and bad from one generation to the next. They couldn’t get away from each other.” What did each woman pass down to her daughter? What role does family legacy play in this novel, and is it portrayed positively or negatively?

13. One of this novel’s themes is that women can’t do it all—career, family, love—successfully. Today, many women seem to be revisiting this idea. Do women have to choose their priorities? What about men?

14. If you were casting the movie Serendipity, whom would you pick for actors?

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Customer Reviews

Average Rating 4.5
( 19 )
Rating Distribution

5 Star

(10)

4 Star

(6)

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2 Star

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Sort by: Showing all of 19 Customer Reviews
  • Posted January 13, 2013

    I liked this book. It was slow in the beginning but it wrapped

    I liked this book. It was slow in the beginning but it wrapped up nicely in the end. I like the story because it was told from several points of view.

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  • Posted October 26, 2009

    Great!

    So much going on! I couldn't put this down. This is my 2nd LS book and it wont be my last.

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  • Posted July 15, 2009

    I HIGHLY RECOMMEND THIS BOOK

    Louise Shaffer's book captivated me from page 1. It is an exceptionally well-written saga of the mysteries of three generations of mothers and daughters. The story starts following the death of a famous New York humanitarian. Her aimless daughter is left to seek the answers to the many unanswered questions about their secretive family. As the tale brilliantly moves back and forth in the lives of these multi-generational women, the family's complex history is slowly revealed. I absolutely loved this book, with its very charming characters. I could easily relate to their desire to find the right direction to guide their lives and their resulting place in the world. A wonderful, wonderful story for all!

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  • Posted June 15, 2009

    I Also Recommend:

    Loved the Book- I had looked forward to reading another book by Louise Shaffer after reading "The Three Miss Margarets", "The Ladies of Garrison Gardens" & "Family Acts"

    "Serendipity" was another great book by Louise Shaffer. She really is able to write books that keep you wanting to read them right straight through, without putting them down. I just loved "The Three Miss Margarets" which had been a gift and then I bought the "Ladies of Garrison Gardens" and looked forward to when "Family Acts" was published! I hope Louise continues to write. She has a way of intertwining characters and lives so you have to pay attention as you go along to keep them straight. I look forward to the next book and I will keep on buying them as long as she keeps writing them. I have suggested her books to many of my friends...Louise is able to show just how complex peoples lives can be and how many facets there can be to one individual! Her books are an enjoyable break from the hectic busy lives that many of us lead and I can't wait for the next one!

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  • Posted April 7, 2009

    The Secrets of Her Success

    Louise Shaffer obviously learned more than her lines, working on all those soap operas. She also learned the power of a great secret (or ten) to keep a reader hooked all the way till the very end. "Serendipity" reveals one secret after another until she's done. More than great shocks and plot-movers, those secrets also reveal something about the characters in the novel, giving us a deeper insight, and occasionally changing our whole perspective on who we think they are. These secrets elevate what could have been stereotypes (like the Broadway legend who places career before family) into flesh-and-blood characters, whom we love in spite of their faults. Without giving away any of the book's secrets, which should elicit at least a "Wow!" or two, let's just say that Shaffer learned how to save the best for last.

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  • Posted March 12, 2009

    more from this reviewer

    Fantastic

    Coming from "Broadway Royalty" Carrie struggles to find herself and her place in the world after the death of her mother. Her angst stems from the fact that while she lived with her mother most of her life, she never really "knew" her, what motivated her. After her death, Carrie decides it's time to figure out what led her mother to be the woman she was and what caused her mother Rose and Grandmother Lu to stop speaking to one another. Moving between the present tense and the early years of Lu's life (and her relationship with her own mother), Carrie begins to understand the women in her family and what made them into who they became. This was an amazing story of mothers and daughters and how each generations relationships can affect the next. A story of a woman finally finding her place in the world, and finding the happiness she so richly deserves. This is a book that you don't want to miss ~ but make sure you keep the tissues close by. You're going to need them. A++++++

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  • Posted March 7, 2009

    more from this reviewer

    This is an interesting family drama

    In New York, Rose Manning is a legendary philanthropist. How highly regarded is made quite clear to her daughter Carrie when Rose dies. A who's who of causes arrives at her funeral to praise Rose. Carrie cannot help but notice not one of the accolades mentions Rose the friend or for that matter her late husband (and Carrie's dad) brilliant Broadway composer Bobby Manning whose death changed the family dynamics; all the eulogies target Rose's philanthropic activity. Even in death, her mom has left Carrie bitter, unwanted, and feeling like a failure unable to reach the humanitarian bar set by her cold to her, but warm to strangers mom..

    While cleaning out Rose's apartment, Carrie finds some strange secrets about her mom that she never shared with her. She would like to follow up with her maternal grandma but is somewhat estranged with the renowned stage actress Lu Lawson; the split occurred when she was a little girl and her daddy died. Instead she goes to New Haven to see Lu's older brother octogenarian great-Uncle Paulie. He tells her the truth about Rose, Lu and Lu's mom Mifalda; and how illegitimacy that seems to run through the generations. She follows that with a close friend of her parents and finally her maternal grandma.

    This is an interesting family drama that looks at four generations of women with each having issues leaving estrangements between them. The story line is carried nicely by Carrie though at times she seems too naive for someone with her pedigree. Still fans will enjoy her sleuthing as she begins to go past the caricature of the happy altruist widow image to piece together the full puzzle of who her mom really was and what shaped her.

    Harriet Klausner

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