| Sergio Mendes & Brasil '66 | Primary Artist |
| Sergio Mendes | Indexed Contributor, Keyboards, Vocals |
| Lani Hall | Vocals |
| Bob Matthews | Bass, Vocals |
| João Palma | Drums |
| Jose Soares | Percussion, Vocals |
| Janis Hansen | Vocals |
| Henry Mancini | Composer |
| Sergio Mendes | Arranger |
| Jorge Ben | Composer |
| Herb Alpert | Producer, Liner Notes, Audio Production |
| John Lennon | Composer |
| Paul McCartney | Composer |
| Julius Wechter | Composer |
| Teddy Randazzo | Composer |
| Baden Powell | Composer |
| Bruce Botnick | Engineer |
| Leslie Bricusse | Composer |
| Norman Gimbel | Composer |
| Antonio Carlos Jobim | Composer |
| Anthony Newley | Composer |
| Ray Gilbert | Composer |
| Bob Weinstein | Composer |
| Jayme Silva | Composer |
| Neuza Teixeira | Composer |
| João Mello | Composer |
Editorial Reviews
All Music Guide - Richard S. Ginell
After bouncing around Philips, Atlantic, and Capitol playing Brazilian jazz or searching for an ideal blend of Brazilian and American pop, Sergio Mendes struck gold on his first try at A&M (then not much more than the home of Herb Alpert & the Tijuana Brass and the Baja Marimba Band). He came up with a marvelously sleek, sexy formula: dual American female voices singing in English and Portuguese over a nifty three-man bossa nova rhythm/vocal section and Mendes' distinctly jazz-oriented piano, performing tight, infectious arrangements of carefully chosen tunes from Brazil, the U.S., and the U.K. The hit was Jorge Ben's "Mas Que Nada," given a catchy, tight ...