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Overview

In a new and major novel, the creator of fantastic universes o vampires and witches takes us now into the world of Isaiah and Jeremiah, and the destruction of Solomon's Temple, to tell the story of Azriel, Servant of the Bones.

He is ghost, genii, demon, angel—pure spirit made visible. He pours his heart out to us as he journeys from an ancient Babylon of royal plottings and religious upheavals to Europe of the Black Death and on to the modern world. There he finds himself, amidst the towers of Manhattan, in confrontation with his own human origins and the dark forces that have sought to condemn him to a life of evil and destruction.

Editorial Reviews

Library Journal
Rice's works (e.g., Memnoch the Devil, Audio Reviews, LJ 10/1/95) have ascended to the best sellers lists, and this one is no different. As usual, her central character, a human being in the ancient world, has been made immortal by ancient magic. Yet immortality has its limits. In this case, Aziel, a Jewish boy in Babylonian exile, is sacrificed in a ceremony that houses his living spirit in gold-plated bones. He can be summoned to do his master's bidding, however. Soon, Aziel is called forth by a cult leader as the second millennium approaches. Aziel hates his evoker's aims and realizes that he has free will and powers that he has never tested. Can he save the world from destruction and spiritual bondage?...For most popular collections. James Dudley, Copiague, N.Y.
From Barnes & Noble
Departing from her Vampire and Mayfair Witches chronicles, bestselling author Anne Rice tales takes us into the Biblical world of Isaiah and Jeremiah, and the destruction of Solomon's temple, to tell the story of Azriel, Servant of the Bones. Journeying from ancient Babylon to the Europe of the Black Death and into the modern world, Azriel -- ghost, genii, demon, angel, and pure spirit made visible -- pours out his heart to us as he confronts, amidst the towers of Manhattan, his human origins and the terrible, dark forces that seek to condemn him to a life of evil and destruction.

Product Details

  • ISBN-13: 9780345389411
  • Publisher: Random House Publishing Group
  • Publication date: 10/6/1998
  • Format: Mass Market Paperback
  • Pages: 432
  • Sales rank: 187,274
  • Product dimensions: 4.15 (w) x 6.85 (h) x 0.94 (d)

Meet the Author

Anne Rice
Anne Rice

Anne Rice is the author of sixteen books. She lives in New Orleans with her husband, the poet and painter Stan Rice, and their son Christopher.

Biography

In 1976, nearly 80 years after Bram Stoker published Dracula, Anne Rice's bestselling first novel, Interview with the Vampire, reinvented the vampire myth. Rice recast the undead as a secret society of decadent aesthetes, alternately entranced by the world's beauty and haunted by spiritual despair. Set largely in the author's home city of New Orleans, the book created a fantasy underworld rich and compelling enough to sustain its writer and readers through nine sequels, known collectively as The Vampire Chronicles.

Rice wrote Interview with the Vampire, she said later, "without ever realizing I was writing about loss. I was writing about my daughter's loss [Rice's daughter died in 1972]. And I was writing about my loss of Catholic faith long before that, because I had lost my faith in the year 1960, when I first went to college."

After her first book, Rice continued to write about loss -- and about vampires, witches and demons -- for more than 25 years. She also wrote, under the pen name A.N. Roquelaure, the Beauty series, an erotic retelling of the story of Sleeping Beauty; writing as Anne Rampling, she published two other novels, Exit to Eden and Belinda.

But it is as the queen of gothic fiction that Anne Rice's fans know her best. Her fans are passionate about her, and she returns the sentiment, e-mailing tirelessly with them and occasionally posting on their blogs. She also adores communing with them in person on book tours: "They give me personal, priceless and unforgettable feedback and verification of what I have achieved for them in my books," she once explained in a Salon interview.

After Blood Canticle was released in 1993, her readers, accustomed to an output of one book a year, kept asking her what was coming next. "And I've told them, 'You may not want what I'm doing next'," she said in a Newsweek interview.

They were in for a surprise. In 1998, Rice had returned to the Roman Catholic Church, and in 2005 she published Christ the Lord: Out of Egypt, a novel about the childhood of Jesus, narrated by himself.

"It's the most startling public turnaround since Bob Dylan's Slow Train Coming announced that he'd been born again," wrote David Gates in Newsweek.

But as Rice sees it, Christ the Lord represents the fulfillment of a longing that has been in her books, and in her soul, all along.

"This subject is in no way a departure from that of my previous works; no one who knows my work could possibly think so," she said in a Q&A on her publisher's Web site. "The whole theme of Interview with the Vampire was Louis's quest for meaning in a godless world. He searched to find the oldest existing ‘immortal' simply to ask ‘What is the meaning of what we are?' I was always compelled to seek the ‘big answers.'"

Christ the Lord received mixed reviews, but many critics were as impressed with the book's style as its ambitious subject matter. "Rice's book is a triumph of tone -- her prose lean, lyrical, vivid -- and character," noted Kirkus Reviews. Janet Maslin wrote in The New York Times Book Review: "Even in biblical times and in the Holy Land, Rice retains her obsessions with ritual and purification, with lavish detail and gaudy decor. But she writes this book in a simpler, leaner style, giving it the slow but inexorable rhythm of an incantation. The restraint and prayerful beauty of Christ the Lord is apt to surprise her usual readers and attract new ones."

Some of those usual readers, of course, are now wondering whether she will write any more vampire novels. Will the vampire Lestat ever return?

Anne's response, from her publisher's Web site: "I can't see myself doing that. My vampires were metaphors for the outsiders, the lost, the wanderers in the darkness who remembered the warmth of God's light but couldn't find it. My wish to explore that is gone now. I want to meet a much bigger challenge."

Good To Know

In our exlusive interview, Rice shared some fascinating stories with us:

"My first job was as a cafeteria waitress at a Walgreen's cafeteria over the drugstore on Canal and Baronne Street in New Orleans when I was sixteen years old. What a plunge into reality. Canal Street was then the only downtown in town. And I was in fact a boarding school student and unbeknownst to the principal, Sr. Felix, took this job on weekends. When she found out, she did not approve of a St. Joseph's Academy girl being a waitress. I was undeterred. I had discovered that I could turn time into money. I never forgot that lesson. The crashing boredom of childhood was over!"

"I was employed from then on a shocking variety of low level jobs, including grill cook at a huge downtown cafeteria in San Francisco. I had to be there at 5:00 a.m., and once while I was en route on a bus, a drunken man fell asleep against me. The conductor had to wake him up for me to get off, poor guy. I think he'd staggered out of an after hours club. I was a crack waitress, a receptionist, a claims examiner, a theatre usherette in a big Cinerama house, and must have seen It's Mad, Mad, Mad, Mad World over one hundred times while standing there with a flashlight. My last job in the straight world -- after motherhood -- was that of proofreader for a law book company. I hated it. Then my devoted husband Stan, who was already teaching and had been for some time, said, 'Stay home and write, I believe in you.' And I wrote Interview with the Vampire."

"I was a painfully slow reader. Never really read a novel for pure pleasure until I was 35. It was Ordinary People by Judith Guest. Thought it very good."

"How do I unwind? There are different levels to unwind. The primo way for me is to read history or some form of involving scholarship. A good book on an obscure subject. The recent bestseller Krakatoa by Simon Winchester was a wonderful example! That's a delicious unwind book. And there are others out there like that. The British writers seem especially good at it. But I can't get enough on how or why the Roman Empire fell. That's my idea of a good evening. To be in Florida with the deck door open to the roar of the waves, and a good book open to pages on the decline of paganism."

"But! There is another kind of unwind. The gripping fiction bestseller that takes two days. The Da Vinci Code is a good example. Every now and then I have time for that. I was smiling all the way through it. At one time in my life, I had read everything I could find on the Knights Templar (see First Way to Unwind, above), and on Opus Dei, and Holy Blood, Holy Grail, and so I was just tickled by what the author did with the material. And of course, I couldn't stop reading. Such cleverness, such a puzzle and right up to the last page."

"Interest and hobbies: well, my interests are pretty much literary, except for maintaining two pre-Civil War houses in New Orleans (both family homes, one used for Mardi Gras season entertaining), and then I do devote some attention to my doll collection, which includes a small assortment of French antique dolls -- but this part of my life is drawing to a close. I am divesting myself of possessions rather than acquiring them. I am decorating, yes, and redecorating, but cutting down on the area, and the amount of things I have to maintain. I've let go of my huge property, St. Elizabeth's Orphanage -- a monster building which used to house my doll collection and so many other things. It was the fulfillment of dreams for about 10 years for me and so many other people. Weddings, book signings, book parties, benefits, fundraisers -- all kinds of events were held there. We even hosted President Clinton there. But that chapter of my life is over. For those ten years I asked 'what if?' many times. And I found out and as the result I am a satisfied person and a happy one. But it's over."

"I guess you could call my cats a hobby. I have five of them, all Siberians and very lovable and demanding and sweet. They are keepers certainly. Other than that, I don't know that I have hobbies so much as passions, and my passions center around my writing."

"My only other diversion of late is seeing that The Witching Hour will soon be made into a television limited series -- that is, a mini-series that will extend over 10 hours. The scripts that have been written by writer-producer John Wilder are very simply wonderful -- profoundly faithful to the material and the characters. Our producer, Mark Wolper, is extraordinarily dedicated and we have the network behind us. It looks very good."

"Other news looming is that Elton John and Rob Roth are making a musical based on the Vampire Chronicles for Broadway. I've talked to Elton John several times. He's absolutely charming. I've heard the first five songs, performed by him, and they were great. Bernie Taupin wrote the lyrics, and will write the lyrics for all. The other people involved have top credits. The treatment I read was a wonder -- very true to the books, quite terrific. My conversation with Rob Roth was very exciting."

"What I've learned from both these experiences so far -- the television series and the Broadway production -- is that the passion of people makes all the difference in the world. And sometimes it is the passion of a few key people that moves a project forward. Sometimes one person alone goes to the hard work of getting everybody else together, and making the studio that owns the underlying rights respond. People who love the work, who want to make something of it, can be brought together by that one key person. That one key person has to believe that past disappointments or failed connections don't mean anything. When you have that sort of person, something can happen."

"I've also learned that the author of the books usually can't do it. Not unless she wants to stop being an author altogether and move to L.A. or N.Y. and become a producer."

    1. Also Known As:
      A. N. Roquelaure, Anne Rampling , Howard Allen O'Brien (birth name)
    2. Hometown:
      Rancho Mirage, California
    1. Date of Birth:
      October 4, 1941
    2. Place of Birth:
      Rancho Mirage, California
    1. Education:
      B.A., San Francisco State University, 1964; M.A., 1971
    2. Website:

Read an Excerpt

This is Azriel's tale as he told it to me, as he begged me to hear witness and to record his words. Call me Jonathan as he did. That was the name he chose on the night he appeared in my open door and saved my life.

Surely if he hadn't come to seek a scribe, I would have died before morning.

Let me explain that I am well known in the fields of history, archaeology, Sumerian scholarship. And Jonathan is indeed one of the names given me at birth, but you won't find it on the jackets of my books, which the students study because they must, or because they love the mysteries of ancient lore as much as I do.

Azriel knew this—the scholar, the teacher I was—when he came to me.

Jonathan was a private name for me that we agreed upon together. He had plucked it from the string of three names on the copyright pages of my books. And I had answered to it. It became my name for him during all those hours as he told his tale—a tale I would never publish under my regular professional name, knowing full well, as he did, that this story would never be accepted alongside my histories.

So I am Jonathan; I am the scribe; I tell the tale as Azriel told it. It doesn't really matter to him what name I use with you. It only mattered that one person wrote down what he had to say. The book of Azriel was dictated to Jonathan.

First Chapter

Servant of the Bones: Chapter One

This is Azriel's tale as he told it to me, as he begged me to bear witness and to record his words. Call me Jonathan as he did. That was the name he chose on the night he appeared in my open door and saved my life.

Surely if he hadn't come to seek a scribe, I would have died before morning.


Let me explain that I am well known in the fields of history, archaeology, Sumerian scholarship. And Jonathan is indeed one of the names given me at birth, but you won't find it on the jackets of my books, which the students study because they must, or because they love the mysteries of ancient lore as much as I do.


Azriel knew this--the scholar, the teacher I was--when he came to me.

Jonathan was a private name for me that we agreed upon together. He had plucked it from the string of three names on the copyright pages of my books. And I had answered to it. It became my name for him during all those hours as he told his tale--a tale I would never publish under my regular professorial name, knowing full well, as he did, that this story would never be accepted alongside my histories.

So I am Jonathan; I am the scribe; I tell the tale as Azriel told it. It doesn't really matter to him what name I use with you. It only mattered that one person wrote down what he had to say. The Book of Azriel was dictated to Jonathan.

He did know who I was; he knew all my works, and had painstakingly read them before ever coming. He knew my academic reputation, and something in my style and outlook had caught his fancy. Perhaps he approved that I had reached the venerable age of sixty-five, and still wrote and worked night and day like a young man, with no intentions of retiring ever from the school where I taught, though I had now and then to get completely away from it.

So it was no haphazard choice that made him climb the steep forested mountains, in the snow, on foot, carrying only a curled newsmagazine in his hand, his tall form protected by a thick mass of curly black hair that grew long below his shoulders--a true protective mantle for a man's head and neck--and one of those double-tiered and flaring winter coats that only the tall of stature and the romantic of heart can wear with aplomb or the requisite charming indifference.

By the light of the fire, he appeared at once a kind young man, with huge black eyes and thick prominent brows, a small thick nose, and a large cherub's mouth, his hair dappled with snow, the wind blowing his coat wildly about him as it tore through the house, sending my precious papers swirling in all directions.

Now and then this coat became too large for him. His appearance completely changed to match that of the man on the cover of the magazine he'd brought with him.

It was that miracle I saw early on, before I knew who he was, or that I was going to live, that the fever had broken.

Understand I am not insane or even eccentric by nature, and have never been self-destructive. I didn't go to the mountains to die. It had seemed a fine idea to seek out the absolute solitude of my northern house, unconnected to the world by phone, fax, television, or electricity. I had a book to complete which had taken me some ten years, and it was in this self-imposed exile that I meant to finish it.

So it was no haphazard choice that made him climb the steep forested mountains, in the snow, on foot, carrying only a curled newsmagazine in his hand, his tall form protected by a thick mass of curly black hair that grew long below his shoulders--a true protective mantle for a man's head and neck--and one of those double-tiered and flaring winter coats that only the tall of stature and the romantic of heart can wear with aplomb or the requisite charming indifference.

By the light of the fire, he appeared at once a kind young man, with huge black eyes and thick prominent brows, a small thick nose, and a large cherub's mouth, his hair dappled with snow, the wind blowing his coat wildly about him as it tore through the house, sending my precious papers swirling in all directions.

Now and then this coat became too large for him. His appearance completely changed to match that of the man on the cover of the magazine he'd brought with him.

It was that miracle I saw early on, before I knew who he was, or that I was going to live, that the fever had broken.

Understand I am not insane or even eccentric by nature, and have never been self-destructive. I didn't go to the mountains to die. It had seemed a fine idea to seek out the absolute solitude of my northern house, unconnected to the world by phone, fax, television, or electricity. I had a book to complete which had taken me some ten years, and it was in this self-imposed exile that I meant to finish it.

The house is mine, and was then, as always, well stocked, with plenty of bottled water for drinking, and oil and kerosene for its lamps, candles by the crate, and electric batteries of every conceivable size for the small tape recorder I use and the laptop computers on which I work, and an enormous shed of dried oak for the fires I would need throughout my stay there.

I had the few medical necessaries a man can carry in a metal box. I had the simple food I eat and can cook by fire: rice, hominy, cans upon cans of saltless chicken broth, and also a few barrels of apples which should have lasted me the winter. A sack or two of yams I'd also brought, discovering I could wrap these in foil and roast them in my coal-and-oak fire.

I liked the bright orange color of yams. And please be assured, I was not proud of this diet, or seeking to write a magazine article on it. I'm simply tired of rich food; tired of crowded fashionable New York restaurants and glittering party buffets, and even the often wonderful meals offered me weekly by colleagues at their own tables. I am merely trying to explain. I wanted fuel for the body and the mind.

I brought what I needed so that I might write in peace. There was nothing that peculiar about all this.

The place was already lined in books, its old barn wood walls fully insulated and then shelved to the ceiling. There was a duplicate here of every important text I ever consulted at home, and the few books of poetry I read over and over for ecstasy.

My spare computers, all small and very powerful beyond any understanding I ever hope to acquire of hard drives, bytes, megabytes of memory, or 486 chips, had been delivered earlier, along with a ludicrous supply of diskettes on which to "back up" or copy my work.

Truth is, I worked mostly by hand, on yellow legal pads. I had cartons of pens, the very fine-point kind, with black ink.

Everything was perfect.

And I should add here that the world I had left behind seemed just a little more mad than usual.

The news was full of a lurid murder trial on the West Coast having to do with a famous athlete accused of slitting his wife's throat, an entertainment par excellence that had galvanized the talk shows, the news shows, and even that vapid, naive, and childlike connection to the world that calls itself E! Entertainment.

In Oklahoma City, a Federal office building had been blown sky high--and not by alien terrorists, it was believed, but by our own Americans, members of the militia movement they were called, who had decided in much the same manner of the hippies of years before that our government was a dangerous enemy. Whereas the hippies and the protesters of the Vietnam War had merely lain on railroad tracks and sung in ranks, these new crewcut militants--filled with fantasies of impending doom--killed our own people. By the hundreds.

Then there were the battles abroad, which had become regular circuses. Not a day went by when one was not reminded of atrocities committed among the Bosnians and the Serbs in the Balkans--a region that had been at war for one reason or another for centuries. I had lost track of who was Moslem, Christian, Russian ally, or friend. The city of Sarajevo had been a familiar word to television-watching Americans for years now. In the streets of Sarajevo people died daily, including men they called United Nations peace keepers.

In African countries, people starved as the result of civil strife and famine. It was a nightly sight as common as a beer commercial to see on television fresh footage of starving African babies, bellies swollen, faces covered with flies.

Jews and Arabs fought in the streets of Jerusalem. Bombs went off; protesters were shot at by armies; and terrorists destroyed innocent people to strengthen their demands.

In the Ukraine, remnants of a fallen Soviet Union made war on mountain folk who had never given in to any foreign power. People died in the snow and cold for reasons that were nearly impossible to explain.

In sum there were dozens of places raging with suffering in which to fight, to die, to film, as the parliaments of the world tried in vain to find answers without bullets. The decade was a feast of wars.

Then there was the death of Esther Belkin, followed by the scandal of the Temple of the Mind. Caches of assault weapons had been found in the Temple's outposts from New Jersey to Libya. Explosives and poisonous gases had been stockpiled in its hospitals. The great mentor of this popular international church--Gregory Belkin--was insane.

Before Gregory Belkin, there had been other madmen with great dreams perhaps but smaller resources. Jim Jones and his People's Temple committing mass suicide in the jungles of Guyana; David Koresh, who believed himself the Christ, perishing by gun and fire in a Waco, Texas, compound.

A Japanese religious leader had just recently been accused of killing innocent people on the country's public subways.

A church with the lovely name of the Temple Solaire had not so long ago staged a mass suicide coordinated at three different locations in Switzerland and Canada.

A popular talk show host gave directions to his listeners as to how they might assassinate the President of the United States.

A fatal virus had only recently broken out with stunning fury in an African country, then died away, leaving all thinking individuals with a renewed interest in the age-old obsession: that the end of the world might be at hand. Apparently there were more than three kinds of this virus, and numerous others equally as deadly lurking in the rain forests of the world.

A hundred other surreal stories made up each day's news, and each day's inevitable civilized conversation.

So I ran from this, as much as anything else. I ran for the solitude, the whiteness of snow, the brutal indifference of towering trees and tiny winter stars.


It was my own jeep which had brought me up through "the leather stocking woods," as it is sometimes still called, in honor of James Fenimore Cooper, to barricade myself for the winter. There was a phone in the jeep by which one could, with perseverance if possible, reach the outside world. I was for tearing it out, but the truth is I'm not very handy and I couldn't get the thing loose without damaging my car.

So you see, I am not a fool, just a scholar. I had a plan. I was prepared for the heavy snow to come, and the winds to whistle in the single metal chimney above the round central hearth. The smell of my books, the oak fire, the snow itself whirling down at times in tiny specks into the flames, these things I love and need now and then. And many a winter before this house had given me exactly what I asked of it.

The night began like any other. The fever took me completely by surprise, and I remember building up the fire in the round pit of a fireplace very high because I did not want to have to tend it. When I drank all the water nearest the bed, I don't know. I couldn't have been fully conscious then. I know that I went to the door, that I myself unbolted it, and then could not get it closed; this much I do recall. I must have been trying to reach the jeep.

Bolting the door was simply impossible. I lay for a long time in the snow itself before I crawled back inside, and away from the mouth of the winter, or so it seemed.

I remember these things because I remember knowing then that I was very much in danger. The long journey back to the bed, the long journey back to the warmth of the fire, utterly exhausted me. Beneath the heap of wool blankets and quilts, I hid from the whirlwind that entered my house. And I knew that if I didn't clear my head, if I didn't recover somehow, the winter would just come inside soon and put to sleep forever the fire, and take me too.

Lying on my back, the quilts up to my chin, I sweated and shivered. I watched the flakes of snow fly beneath the sloping beams of the roof. I watched the raging pyramid of logs as it blazed. I smelled the burnt pot when the soup boiled dry. I saw the snow covering my desk.

I made a plan to rise, then fell asleep. I dreamed those fretful stupid dreams that fever makes, then woke with a start, sat up, fell back, dreamed again. The candles were gone out, but the fire still burned, and snow now filled the room, blanketing my desk, my chair, perhaps the bed itself. I licked snow from my lips once, that I do recall, and it tasted good, and now and then I licked the melted snow I could gather with my hand. My thirst was hellish. Better to dream than to feel it.

It must have been midnight when Azriel came.

Did he choose his hour with a sense of drama? Quite to the contrary. A long way off, walking through snow and wind, he had seen the fire high on the mountain above, sparks flying from the chimney and a light that blinkered through the open door. He had hurried towards these beacons.

Mine was the only house on the land and he knew it. He had learnt that from the casual tactful remarks of those who had told him officially and gently that I could not be reached in the months to come, that I had gone into hiding.

I saw him the very moment he stood in the door. I saw the sheen of his mass of black curling hair and fire in both his eyes. I saw the strength and swiftness with which he closed and locked the door and came directly towards me.

I believe I said, "I'm going to die."

"No, you won't, Jonathan," he answered. He brought the bottle of water at once and lifted my head. I drank and I drank and my fever drank, and I blessed him.

"It's only kindness, Jonathan," he said with simplicity.

I dozed as he built up the fire again, wiped away the snow, and I have a very distinct and wondrous memory of him gathering my papers from everywhere, with great care, and kneeling by the fire to lay them out so that they might dry and some of the writing might be saved after all.

"This is your work, your precious work," he said to me when he saw that I was watching him.

He had taken off the big double-mantled coat. He was in shirt sleeves which meant we were safe. I smelled the soup cooking again, the bubbling chicken broth. He brought the soup to me in an earthen bowl--the sort of rustic things I chose for this place--and he said drink the soup, and I did.

Indeed, it was by water and broth that he brought me slowly back. Never once did I have the presence of mind to mention the few medications in the white box of first-aid supplies. He bathed my face with cold water.

He bathed all of me slowly and patiently, turning me gently, and rolling under me the new fresh clean sheets. "The broth," he said, "the broth, no, you must." And the water. The water he gave me perpetually.

Was there enough for him, he had asked. I had almost laughed.

"Of course, my friend, dear God, take anything you want."

And he drank the water down in greedy gulps, saying it was all he needed now, that once again the Stairway to Heaven had disappeared and left him stranded.

"My name is Azriel," he said, sitting by the bed. "They called me the Servant of the Bones."

Customer Reviews

Average Rating 4
( 76 )

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See All Sort by: Showing 1 – 20 of 76 Customer Reviews
  • Posted January 26, 2010

    Read a novel? Me?

    I wasn't really a "reader" when I read this book. And although it was not the book to catapult me into what I've come to know as a beloved escape, it did a hell of a job with my confidence in reading. I saw it in the airport, and rather than buying a heavy metal magazine, I saw the skull on the cover and thought, "what the hell?". HIYOOO!!!!

    Imagine being a 17-year old guitar wielding teenager and reading a book that blew your mind, but you can't talk to your friends about it because they wouldn't be caught dead reading ANYTHING! It will always be apart of my library because it was a catalyst for something in my life that is sacred, and that everyone should try to find joy in. Reading. Thanks Anne!

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted January 5, 2009

    Servant of the Bones

    I am an avid reader and a fan of all of Anne's work with the exception of few. This piece deserves much praise and accolades as her intricate descriptions and dialouge bring the reader into its embrace! I have re-read this work numerous times and have always been intrigued by how well this book was put together. An excellent read for those whom steer clear of the Vampire stories.

    I give this an A++.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted July 25, 2006

    Unforgettable Read

    I bought this book hot off the presses!! It has been 10 years since I first read this golden gem, and still I can't get the words, characters, nor the story out of my mind. Very few books/authors have that kind of power for me. I have added Ms. Rice to my rapidly growing list of author Koontz, Patterson, Quick, Brown,Roberts,Kellerman. Great Job!!

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted June 10, 2004

    Falling Fast

    I fell fast for Anne Rice's vampires and I almost swore off all other books. But I found that her talent was slipping, her books became too wordy. But then I read this one and I simply ADORED it. It was magical and entranceing as well as filled with things to spellbind you and keep your attention. I read it two times in a row and recomended it to a now devoted fan.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted November 1, 2002

    Normally an Anne Rice fan...

    This book just is just not up to par with the rest of Anne Rice. It's not the worst book out there, but it couls stand to be much better. I would not recommend this to a first time Anne Rice reader. I would only recommend this to dedicated fans.

    1 out of 1 people found this review helpful.

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  • Posted September 20, 2011

    more from this reviewer

    Very Highly Recommended

    A wonerful, captivating, heart-warming story from beginning to end.

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  • Anonymous

    Posted November 30, 2011

    Buy this book, it's so worth it!

    I was crying while reading this. Heart breakingly good.

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  • Posted September 13, 2010

    more from this reviewer

    A difficult read.

    A difficult read. It didn't hold my attention very well. Not what I expected from Anne Rice.

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  • Anonymous

    Posted April 24, 2010

    Petered out

    Great start to the story, going back in time Anne has the reader completely captured and enthralled. Once she starts telling the story in modern time, things just peter out. She over uses his husband's poetry, been doing that way too much in her later writing.

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  • Posted January 2, 2010

    more from this reviewer

    I Also Recommend:

    Servant of the Bones, a novel

    Coming soon.

    0 out of 1 people found this review helpful.

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  • Anonymous

    Posted January 30, 2004

    Great Story

    This is the only Anne Rice book I have read, but it falls into my top 5 favorite books. It is a great story and a must read.

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  • Anonymous

    Posted August 1, 2003

    Simply the best by the best

    It is an awesome book. It is so deep and lifting. Its not something you can just read and not think about. Once you start to read this book it will fallow you everywhere. I could not put it down and would reccomend that anybody read it!

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  • Anonymous

    Posted December 31, 2002

    Sean doesn't know what he's talking about!

    This book is FANTASTIC and beyond anything Anne Rice has EVER written! I LOVED IT!!!!! I'd reccomend it to ANYONE who loves Anne Rice or is just beginning to read her! It's insperational and magical!

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  • Anonymous

    Posted November 18, 2002

    azriel is a human, beyond powers

    how could i forget this book, this was the first one that i read from anne rice, and soon many others, azriel was my inspiration, he brought me to places where dreams may come true, that theres beauty in death, that theres life in the after death, that theres hope for the oppressed and there will always be a reward for every good deeds that we do and thus those who are unjust will be punished, i salute you ms rice!!!!!!!!!!!

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  • Anonymous

    Posted October 25, 2002

    Simply Outstanding

    One of the best books I have ever read. Rice has done it again. Both captivating and taking me on a thrill ride that kept me holding on till the very end. WOW!!!

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  • Anonymous

    Posted July 26, 2002

    Best book I've EVER read!

    and I read so much, that's really saying something. For me this was history, magic, and sort of a mystery before it was all over. This book really made me want to look into the history of those ancient times I read about at the begining. I greatly appriciate a book that makes me curious about historical facts. Anyway it was the best book I've EVER read!

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  • Anonymous

    Posted November 6, 2001

    Poo-co-Poo -co [too slow]

    The book was interesting the first 100-pages, but it left. It skipped a beat somewhere. I like the way she shifts history about, and knows a lot in many ancient area;but then, it is part of her unique style. Gettng into Egyptian mummified things was also interesting. But not real scary,or matter-of-fact things she has used in other books, was not there,and it was far from scary. Not sure if I would call it horror either. More facination, and unreal. Read the Last Trumpet and the Woodbridge Demon for scary stuff. Lasher is much better.

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  • Anonymous

    Posted October 10, 2000

    GREAT BOOK THIS BOOK MADE ME WANT TO READ MORE FROM ANNE RICE

    I LOVE THIS BOOK!!!!!!!! I couldnt put it down this was my first anne rice book. SHE IS AN INCREDIBLE WRITTER.Currently im on the 2nd book of the vampire cronicles you have to read INTERVIEW WITH THE VAMPIRE the movie doesn't give the book justice.

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  • Anonymous

    Posted June 9, 2000

    Excellent Book

    Was a very good book, but sort of lagged toward the end.

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  • Anonymous

    Posted June 1, 2000

    Good for a one-read, lacks stamina for re-read

    *I very much enjoyed The Servant of the Bones the first time I read it. The dreamy quality of Azriel's death - the inevitableness of it - was very effective. *The present-day story wasn't quite as memorable, but a good read all the same. Unfortunately, though, on subsequent re-reads I was not able to recapture the emotions that were evoked the first time around. *This the first time I have experienced this kind of problem with an Anne Rice book. I have most of the Vampire books, all of the Mayfair Witches books, Violin, and The Mummy, as well as Servant. And I have enjoyed all of them over and over and over. *Go ahead and read it - it IS good. But then pass it on to a friend

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See All Sort by: Showing 1 – 20 of 76 Customer Reviews

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