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Set in Darkness (Inspector John Rebus Series #11)
     

Set in Darkness (Inspector John Rebus Series #11)

4.0 8
by Ian Rankin
 

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On the eve of the first Scottish parliament in three hundred years, Edinburgh is a city rife with political passions and expectations. Queensbury House, the home of Scotland's new rulers, falls in the middle of John Rebus' turf, keeping him busy with ceremonial tasks. That quickly changes, however, when a long-dead body is discovered in a Queensbury House

Overview

On the eve of the first Scottish parliament in three hundred years, Edinburgh is a city rife with political passions and expectations. Queensbury House, the home of Scotland's new rulers, falls in the middle of John Rebus' turf, keeping him busy with ceremonial tasks. That quickly changes, however, when a long-dead body is discovered in a Queensbury House fireplace, a homeless man throws himself off a bridge - leaving behind a suitcase full of cash - and an up-and-coming politician is found murdered. The links between the three deaths lead Rebus to a confrontation with one of Edinburgh's most notorious criminals, a man he thought he'd put in jail for life. Someone's going to make a lot of money out of Scotland's independence - and, as Inspector Rebus knows all too well, where there's big money at stake, darkness gathers.

Set in Darkness is another chilling and intelligent crime novel from master of the genre Ian Rankin.

Editorial Reviews

bn.com
Politics and murder go hand in hand when Edinburgh's Inspector John Rebus comes up against a criminal with nothing left to lose.
Publishers Weekly - Publisher's Weekly
In the 12th novel in the increasingly engaging Inspector Rebus series (Knots and Crosses; Dead Souls; etc.), Gold Dagger award-winner Rankin has woven a plot grittier and tighter than ever. When a body, long dead, is found on the site of the new Scottish Parliament and is soon followed by another, fresher kill, this time that of a leading candidate for the new governing body, Rebus is convinced of a connection between the two. Det. Siobhan Clarke witnesses a third death, the suicide of a surprisingly wealthy homeless man; the question of where his wealth came from seems related to the other deaths. Clarke, a determined young woman trying to make her way in the male world of police work, is a refreshing, complex addition to this series. Meanwhile, Big Ger Cafferty, arch foe of our hero, has been released from jail; he's terminally ill (or is he?) and apparently wants some quality time with Rebus in his final hours. By incorporating other strong characters, Rankin has saved the series from burrowing too far into the maudlin introspection associated with Rebus's drinking problem. Topical Scottish nationalism and the new Parliament, along with Rankin's consistently fascinating view of Edinburgh's seedy side, give the novel interest beyond its plot. And the plot is worthy of the series: raging and racing and teetering on the edge of falling apart, before Rankin slams the reader with a final masterful twist. (Nov.) Copyright 2000 Cahners Business Information.
Library Journal
For those planning a trip to Edinburgh anytime soon, Rankin's (Dead Souls) novel can serve as a guide--to places to avoid. D.I. John Rebus, of the drinking problem and the surly attitude, is back in a bigger and darker tale that indicts most of Scottish life from its new politics to its old-boy network. Rebus is assigned to a committee that will oversee the refurbishment of Queensberry House, the site of the new Scottish Parliament. From the start, he locks horns with Derek Linford, the inexperienced D.I., who is also the current darling of the higher-ups. From beneath the rubble on which Edinburgh rests, the skeletons start emerging. One desiccated body is found walled up in the site, the remains of violence that occurred 30 years ago. Then the corpse of a prospective member of the new Parliament turns up on the grounds. When a "tramp" who throws himself on the tracks at Waverly Station turns out to have a bank account of 400,000, Rebus wonders if all three deaths are somehow connected. Amid a very large cast, it's difficult sometimes to tell who's who and what's what or to tell the police from their adversaries without a guide. And that's the sobering point of this latest outing from one of the very best practitioners of police procedurals around today. Recommended for all public libraries. [Previewed in Prepub Alert, LJ 7/00.]--Bob Lunn, Kansas City P.L. MO Copyright 2000 Cahners Business Information.\
From the Publisher

“A beautifully written series” —New York Times Book Review

“A brilliant series” —Entertainment Weekly

“Crime fiction at its best” —Washington Post Book World

Product Details

ISBN-13:
9781429979573
Publisher:
St. Martin's Press
Publication date:
04/01/2010
Series:
Inspector John Rebus Series , #11
Sold by:
Macmillan
Format:
NOOK Book
Pages:
320
Sales rank:
71,490
File size:
580 KB

Read an Excerpt

Set in Darkness


By Ian Rankin

St. Martin's Press

Copyright © 2000 Ian Rankin
All rights reserved.
ISBN: 978-1-4299-7957-3



CHAPTER 1

DARKNESS was falling as Rebus accepted the yellow hard hat from his guide.

"This will be the admin block, we think," the man said. His name was David Gilfillan. He worked for Historic Scotland and was coordinating the archaeological survey of Queensberry House. "The original building is late seventeenth century. Lord Hatton was its original owner. It was extended at the end of the century, after coming into the ownership of the first Duke of Queensberry. It would have been one of the grandest houses on Canongate, and only a stone's throw from Holyrood."

All around them, demolition work was taking place. Queensberry House itself would be saved, but the more recent additions either side of it were going. Workmen crouched on roofs, removing slates, tying them into bundles which were lowered by rope to waiting skips. There were enough broken slates underfoot to show that the process was imperfect. Rebus adjusted his hard hat and tried to look interested in what Gilfillan was saying.

Everyone told him that this was a sign, that he was here because the chiefs at the Big House had plans for him. But Rebus knew better. He knew his boss, Detective Chief Superintendent "Farmer" Watson, had put his name forward because he was hoping to keep Rebus out of trouble and out of his hair. It was as simple as that. And if — if — Rebus accepted without complaining and saw the assignment through, then maybe — maybe — the Farmer would receive a chastened Rebus back into the fold.

Four o'clock on a December afternoon in Edinburgh; John Rebus with his hands in his raincoat pockets, water seeping up through the leather soles of his shoes. Gilfillan was wearing green wellies. Rebus noticed that DI Derek Linford was wearing an almost identical pair. He'd probably phoned beforehand, checked with the archaeologist what the season's fashion was. Linford was Fettes fast-stream, headed for big things at Lothian and Borders Police HQ. Late twenties, practically deskbound, and glowing from a love of the job. Already there were CID officers — mostly older than him — who were saying it didn't do to get on the wrong side of Derek Linford. Maybe he'd have a long memory; maybe one day he'd be looking down on them all from Room 279 in the Big House.

The Big House: Police HQ on Fettes Avenue; 279: the Chief Constable's office.

Linford had his notebook out, pen clenched between his teeth. He was listening to the lecture. He was listening.

"Forty noblemen, seven judges, generals, doctors, bankers ..." Gilfillan was letting his tour group know how important Canongate had been at one time in the city's history. In doing so, he was pointing towards the near future. The brewery next door to Queensberry House was due for demolition the following spring. The parliament building itself would be built on the cleared site, directly across the road from Holyrood House, the Queen's Edinburgh residence. On the other side of Holyrood Road, facing Queensberry House, work was progressing on Dynamic Earth, a natural history theme park. Next to it, a new HQ for the city's daily newspaper was at present a giant monkey-puzzle of steel girders. And across the road from that, another site was being cleared in preparation for the construction of a hotel and "prestige apartment block." Rebus was standing in the midst of one of the biggest building sites in Edinburgh's history.

"You'll probably all know Queensberry House as a hospital," Gilfillan was saying. Derek Linford was nodding, but then he nodded agreement with almost everything the archaeologist said. "Where we're standing now was used for car parking." Rebus looked around at the mud-coloured lorries, each one bearing the simple word DEMOLITION. "But before it was a hospital it was used as a barracks. This area was the parade ground. We dug down and found evidence of a formal sunken garden. It was probably filled in to make the parade ground."

In what light was left, Rebus looked at Queensberry House. Its grey harled walls looked unloved. There was grass growing from its gutters. It was huge, yet he couldn't remember having seen it before, though he'd driven past it probably several hundred times in his life.

"My wife used to work here," another of the group said, "when it was a hospital." The informant was Detective Sergeant Joseph Dickie, who was based at Gayfield Square. He'd successfully contrived to miss two out of the first four meetings of the PPLC — the Policing of Parliament Liaison Committee. By some arcane law of bureaucratic semantics, the PPLC was actually a subcommittee, one of many which had been set up to advise on security matters pertaining to the Scottish Parliament. There were eight members of the PPLC, including one Scottish Office official and a shadowy figure who claimed to be from Scotland Yard, though when Rebus had phoned the Met in London, he'd been unable to trace him. Rebus's bet was that the man — Alec Carmoodie — was MI5. Carmoodie wasn't here today, and neither was Peter Brent, the sharp-faced and sharper-suited Scottish Office representative. Brent, for his sins, sat on several of the subcommittees, and had begged off today's tour with the compelling excuse that he'd been through it twice before when accompanying visiting dignitaries.

Making up the party today were the three final members of the PPLC. DS Ellen Wylie was from C Division HQ in Torphichen Place. It didn't seem to bother her that she was the only woman on the team. She treated it like any other task, raising good points at the meetings and asking questions to which no one seemed to have any answers. DC Grant Hood was from Rebus's own station, St. Leonard's. Two of them, because St. Leonard's was the closest station to the Holyrood site, and the parliament would be part of their beat. Though Rebus worked in the same office as Hood, he didn't know him well. They'd not often shared the same shift. But Rebus did know the last member of the PPLC, DI Bobby Hogan from D Division in Leith. At the first meeting, Hogan had pulled Rebus to one side.

"What the hell are we doing here?"

"I'm serving time," Rebus had answered. "What about you?"

Hogan was scoping out the room. "Christ, man, look at them. We're Old Testament by comparison."

Smiling now at the memory, Rebus caught Hogan's eye and winked. Hogan shook his head almost imperceptibly. Rebus knew what he was thinking: waste of time. Almost everything was a waste of time for Bobby Hogan.

"If you'll follow me," Gilfillan was saying, "we can take a look indoors."


WHICH, TO Rebus's mind, really was a waste of time. The committee having been set up, things had to be found for them to do. So here they were wandering through the dank interior of Queensberry House, their way lit irregularly by unsafe-looking strip lights and the torch carried by Gilfillan. As they climbed the stairwell — nobody wanted to use the lift — Rebus found himself paired with Joe Dickie, who asked a question he'd asked before.

"Put in your exes yet?" By which he meant the claim for expenses.

"No," Rebus admitted.

"Sooner you do, sooner they'll cough up."

Dickie seemed to spend half his time at their meetings totting up figures on his pad of paper. Rebus had never seen the man write down anything as mundane as a phrase or sentence. Dickie was late thirties, big-framed with a head like an artillery shell stood on end. His black hair was cropped close to the skull and his eyes were as small and rounded as a china doll's. Rebus had tried the comparison out on Bobby Hogan, who'd commented that any doll resembling Joe Dickie would "give a bairn nightmares."

"I'm a grown-up," Hogan had continued, "and he still scares me."

Climbing the stairs, Rebus smiled again. Yes, he was glad to have Bobby Hogan around.

"When people think of archaeology," Gilfillan was saying, "they almost always see it in terms of digging down, but one of our most exciting finds here was in the attic. A new roof was built over the original one, and there are traces of what looks like a tower. We'd have to climb a ladder to get to it, but if anyone's interested ...?"

"Thank you," a voice said. Derek Linford: Rebus knew its nasal quality only too well by now.

"Creep," another voice close to Rebus whispered. It was Bobby Hogan, bringing up the rear. A head turned: Ellen Wylie. She'd heard, and now gave what looked like the hint of a smile. Rebus looked to Hogan, who shrugged, letting him know he thought Wylie was all right.

"How will Queensberry House be linked to the parliament building? Will there be covered walkways?" The questions came from Linford again. He was out in front with Gilfillan. The pair of them had rounded a corner of the stairs, so that Rebus had to strain to hear Gilfillan's hesitant reply.

"I don't know."

His tone said it all: he was an archaeologist, not an architect. He was here to investigate the site's past rather than its future. He wasn't sure himself why he was giving this tour, except that it had been asked of him. Hogan screwed up his face, letting everyone in the vicinity know his own feelings.

"When will the building be ready?" Grant Hood asked. An easy one: they'd all been briefed. Rebus saw what Hood was doing — trying to console Gilfillan by putting a question he could answer.

"Construction begins in the summer," Gilfillan obliged. "Everything should be up and running here by the autumn of 2001." They were coming out on to a landing. Around them stood open doorways, through which could be glimpsed the old hospital wards. Walls had been gouged at, flooring removed: checks on the fabric of the building. Rebus stared out of a window. Most of the workers looked to be packing up: dangerously dark now to be scrabbling over roofs. There was a summer house down there. It was due to be demolished, too. And a tree, drooping forlornly, surrounded by rubble. It had been planted by the Queen. No way it could be moved or felled until she'd given her permission. According to Gilfillan, permission had now been granted; the tree would go. Maybe formal gardens would be recreated down there, or maybe it would be a staff car park. Nobody knew. 2001 seemed a ways off. Until this site was ready, the parliament would sit in the Church of Scotland Assembly Hall near the top of The Mound. The committee had already been on two tours of the Assembly Hall and its immediate vicinity. Office buildings were being turned over to the parliament, so that the MSPs could have somewhere to work. Bobby Hogan had asked at one meeting why they couldn't just wait for the Holyrood site to be ready before, in his words, "setting up shop." Peter Brent, the civil servant, had stared at him aghast.

"Because Scotland needs a parliament now."

"Funny, we've done without for three hundred years ..."

Brent had been about to object, but Rebus had butted in. "Bobby, at least they're not trying to rush the job."

Hogan had smiled, knowing he was talking about the newly opened Museum of Scotland. The Queen had come north for the official opening of the unfinished building. They'd had to hide the scaffolding and paint tins till she'd gone.

Gilfillan was standing beside a retractable ladder, pointing upwards towards a hatch in the ceiling.

"The original roof is just up there," he said. Derek Linford already had both feet on the ladder's bottom rung. "You don't need to go all the way," Gilfillan continued as Linford climbed. "If I shine the torch up ..."

But Linford had disappeared into the roof space.

"Lock the hatch and let's make a run for it," Bobby Hogan said, smiling so they'd assume he was joking.

Ellen Wylie hunched her shoulders. "There's a real ... atmosphere in here, isn't there?"

"My wife saw a ghost," Joe Dickie said. "Lots of people who worked here did. A woman, she was crying. Used to sit on the end of one of the beds."

"Maybe she was a patient who died here," Grant Hood offered.

Gilfillan turned towards them. "I've heard that story, too. She was the mother of one of the servants. Her son was working here the night the Act of Union was signed. Poor chap got himself murdered."

Linford called down that he thought he could see where the steps to the tower had been, but nobody was listening.

"Murdered?" Ellen Wylie said.

Gilfillan nodded. His torch threw weird shadows across the walls, illuminating the slow movements of cobwebs. Linford was trying to read some graffiti on the wall.

"There's a year written here ... 1870, I think."

"You know Queensberry was the architect of the Act of Union?" Gilfillan was saying. He could see that he had an audience now, for the first time since the tour had begun in the brewery car park next door. "Back in 1707. This," he scratched a shoe over the bare floorboards, "is where Great Britain was invented. And the night of the signing, one of the young servants was working in the kitchen. The Duke of Queensberry was Secretary of State. It was his job to lead the negotiations. But he had a son, James Douglas, Earl of Drumlanrig. The story goes, James was off his head ..."

"What happened?"

Gilfillan looked up through the open hatch. "All right up there?" he called.

"Fine. Anyone else want to take a look?"

They ignored him. Ellen Wylie repeated her question.

"He ran the servant through with a sword," Gilfillan said, "then roasted him in one of the kitchen fireplaces. James was sitting munching away when he was found."

"Dear God," Ellen Wylie said.

"You believe this?" Bobby Hogan slid his hands into his pockets.

Gilfillan shrugged. "It's a matter of record."

A blast of cold air seemed to rush at them from the roof space. Then a rubber-soled wellington appeared on the ladder, and Derek Linford began his slow, dusty descent. At the bottom, he removed the pen from between his teeth.

"Interesting up there," he said. "You really should try it. Could be your first and last chance."

"Why's that then?" Bobby Hogan asked.

"I very much doubt we'll be letting tourists in here, Bobby," Linford said. "Imagine what that would do for security."

Hogan stepped forward so swiftly that Linford flinched. But all Hogan did was lift a cobweb from the young man's shoulder.

"Can't have you heading back to the Big House in less than showroom condition, can we, son?" Hogan said. Linford ignored him, probably feeling that he could well afford to ignore relics like Bobby Hogan, just as Hogan knew he had nothing to fear from Linford: he'd be heading for retirement long before the younger man gained any position of real power and prominence.

"I can't see it as the powerhouse of government," Ellen Wylie said, examining the water stains on the walls, the flaking plaster. "Wouldn't they have been better off knocking it down and starting again?"

"It's a listed building," Gilfillan censured her. Wylie just shrugged. Rebus knew that nevertheless she had accomplished her objective, by deflecting attention away from Linford and Hogan. Gilfillan was off again, delving into the history of the area: the series of wells which had been found beneath the brewery; the slaughterhouse which used to stand nearby. As they headed back down the stairs, Hogan held back, tapping his watch, then cupping a hand to his mouth. Rebus nodded: good idea. A drink afterwards. Jenny Ha's was a short stroll away, or there was the Holyrood Tavern on the way back to St. Leonard's. As if mind-reading, Gilfillan began talking about the Younger's Brewery.

"Covered twenty-seven acres at one time, produced a quarter of all the beer in Scotland. Mind you, there's been an abbey at Holyrood since early in the twelfth century. Chances are they weren't just drinking well-water."

Through a landing window, Rebus could see that outside night had fallen prematurely. Scotland in winter: it was dark when you came to work, and dark when you went home again. Well, they'd had their little outing, gleaned nothing from it, and would now be released back to their various stations until the next meeting. It felt like a penance because Rebus's boss had planned it as such. Farmer Watson was on a committee himself: Strategies for Policing in the New Scotland. Everyone called it SPINS. Committee upon committee ... it felt to Rebus as if they were building a paper tower, enough "Policy Agendas," "Reports" and "Occasional Papers" to completely fill Queensberry House. And the more they talked, the more that got written, the further away from reality they seemed to move. Queensberry House was unreal to him, the idea of a parliament itself the dream of some mad god: "But Edinburgh is a mad god's dream/Fitful and dark ..." He'd found the words at the opening to a book about the city. They were from a poem by Hugh MacDiarmid. The book itself had been part of his recent education, trying to understand this home of his.

He took off his hard hat, rubbed his fingers through his hair, wondering just how much protection the yellow plastic would give against a projectile falling several storeys. Gilfillan asked him to put the hat back on until they were back at the site office.

"You might not get into trouble," the archaeologist said, "but I would."


(Continues...)

Excerpted from Set in Darkness by Ian Rankin. Copyright © 2000 Ian Rankin. Excerpted by permission of St. Martin's Press.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Meet the Author

Ian Rankin is the worldwide #1 bestselling writer of the Inspector Rebus books, including Knots and Crosses,Hide and Seek, Let It Bleed, Black and Blue, Resurrection Men, A Question of Blood, The Falls and Exit Music. He is also the author of The Complaints and Doors Open. He has won an Edgar Award, a Gold Dagger for fiction, a Diamond Dagger for career excellence, and the Chandler-Fulbright Award. He has been elected a Hawthornden Fellow, and received the Order of the British Empire (OBE) for his contributions to literature. He graduated from the University of Edinburgh in 1982. He lives in Edinburgh, Scotland, with his wife and their two sons.
Ian Rankin is the worldwide #1 bestselling writer of the Inspector Rebus books, including Knots and Crosses, Hide and Seek, Let It Bleed, Black and Blue, Set in Darkness, Resurrection Men, A Question of Blood, The Falls and Exit Music. He is also the author of The Complaints and Doors Open.  He has won an Edgar Award, a Gold Dagger for fiction, a Diamond Dagger for career excellence, and the Chandler-Fulbright Award. He has been elected a Hawthornden Fellow, and received the Order of the British Empire (OBE) for his contributions to literature. He graduated from the University of Edinburgh in 1982. He lives in Edinburgh, Scotland, with his wife and their two sons. 

Brief Biography

Hometown:
Edinburgh, London and France
Date of Birth:
April 28, 1960
Place of Birth:
Cardenden, Scotland
Education:
Edinburgh University
Website:
http://www.ianrankin.net

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Set in Darkness (Inspector John Rebus Series #11) 4.1 out of 5 based on 0 ratings. 9 reviews.
KenCady More than 1 year ago
Having long been a Rebus fan, I had not read this one. It's as good as the others, but I did feel like I might need to join AA by the time it was over. Way too much whiskey for my tastes.
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harstan More than 1 year ago
In Queensbury House in Edinburgh, the Highlanders are pulling out their tartan colors, as the first Scottish parliament in about three centuries is to convene. To the chagrin of law enforcement officials everywhere, especially the more ambitious, the locale is right in the middle of Detective John Rebus' zone making him the liaison.

However, all is not well. As the restoration project continues on Queensbury House, the remains of a body are found as a fireplace is reopened. Not long afterward, an apparent suicide occurs near the site of the first person. Finally, a third corpse of a politician lies murdered in the outside gardens. On the surface the three dead people seem to not have a connecting thread except the locale. However, Rebus concludes tremendous profits can be made if you are on the right side of the new Scottish political power, but who would murder to fix the odds in their favor.

The John Rebus Scottish police procedurals are some of the best detective novels of the past decade. The latest tale, SET IN DARKNESS, brings to life insight into the Scottish parliament and a flavor for modern day Edinburgh. The murder mystery is intelligent and entertaining, and the characters, especially Rebus, retain that feeling of genuineness while dealing with power-struggles, and intrigue. The roles of several reoccurring secondary players fade into the backdrop this time around. Rebus retains his freshness inside an exciting police procedural.

Harriet Klausner

Guest More than 1 year ago
It never really got exciting at all. the most exciting parts were guy getting beaten up but that didn't last long or have a food decrption. i was only able to finish it because it was that or school work and i read only to get to good part which none came. I at some ponit just picked school work sadly.