The Seventh Scrollby Wilbur Smith, James Fox
These audiobooks from Macmillan UK offer abridged readings of some of the world's most popular authors. Handsomely packaged, they feature readings by eminent actors of the stage and screen, including James Fox, Martin Shaw, Tim Pigott-Smith and David Rintoul.
“Great adventure...a smashing story.” Ocala Star-Banner
“A page-turner...Few novelists can write action scenes that all but leap off the page the way Smith can...His detailed portrait of ancient Egypt is fascinating.” Anniston Star (TX)
“Throughout The Seventh Scroll, as in all Wilbur Smith novels, the plot twists and turns with constant surprises ... This old-fashioned adventure novel keeps the reader enthralled all the way to its very exciting conclusion.” The Washington Post Book World
“It's clear Smith knows his subject: his graphic depiction of lust, bloodletting, politics, and … honor is firmly grounded in rich details that evoke the period. … A consummate sequel, The Seventh Scroll perfectly complements River God, its phenomenally popular precursor. Smith excels at action sequences, getting his attractive heroes and despicable villains into and out of hugely entertaining predicaments, all the while tossing off vivid descriptions, bits of historical detail, and classic low-key British banter.” Booklist
“This well-crafted novel is full of adventure, tension, and intrigue.” Library Journal
“Intoxicating... A heady mix of exotic adventure, romance, and Egyptology. Smith is a master.” Publishers Weekly
“A desert sandstorm couldn't get the pages turning faster than Smith.” Independent On Sunday
“Full-blooded, muscle-on-bone-crunching treasure hunt ... it is non-stop action and thrill.” Daily Express
“A rousing good sequel to River God that takes the immensely entertaining form of a high-tech treasure hunt ... A master storyteller at the top of his considerable form.” Kirkus Reviews
“Life-threatening dangers loom around every turn, leaving the reader breathless ... An incredibly exciting and satisfying read.” Chattanooga Free Press
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Read an Excerpt
The dusk crept in from the desert, and shaded the dunes with purple. Like a thick velvet cloak it muted all sounds, so that the evening was tranquil and hushed.
From where they stood on the crest of the dune they looked out over the oasis and the complex of small villages that surrounded it. The buildings were white with flat roofs and the date palms stood higher than any of them except the Islamic mosque and the Coptic Christian church. These bastions of faith opposed each other across the lake.
The waters of the lake were darkling. A flight of duck slanted down on quick wings to land with a small splash of white close in against the reed banks.
The man and the woman made a disparate couple. He was tall, though slightly bowed, his silvering hair catching the last of the sunlight. She was young, in her early thirties, slim, alert and vibrant. Her hair was thick and curling, restrained now by a thong at the nape. of her neck.
"Time to go down now. Alia will be waiting." He smiled down at her fondly. She was his second wife. When his first wife died he thought that she had taken the sunlight with her. He had not expected this last period of happiness in his life. Now he had her and his work. He was a man happy and contented.
Suddenly she broke away from him, and pulled the thong from her hair. She shook it out, dense and dark, and she laughed. It was a pretty sound. Then she plunged down the steep slip-face of the dune, her long skirts billowing around her flying legs. They were shapely and brown. She kept her balance until halfway down, when gravity overwhelmed her and she tumbled.
From the top he smiled down on her indulgently. Sometimes she was still a child. At others she was a grave and dignified woman. He was not certain which he preferred, but he loved her in both moods. She rolled to a halt at the bottom of the dune and sat up, still laughing, shaking the sand out of her hair.
"Your turn!" she called up at him. He followed her down sedately, moving with the slight stiffness of advancing age, keeping his balance until he reached the bottom. He lifted her to her feet. He did not kiss her, although the temptation to do so was strong. It was not the Arab way to show public affection, even to a beloved wife.
She straightened her clothing and retied her hair before they set off towards the village. They skirted the reed beds of the oasis, crossing the rickety bridges over the irrigation canals. As they passed, the peasants returning from the fields greeted him with deep respect.
"Salaam aleikum, Doktari! Peace be with you, doctor." They honoured all men of learning, but him especially for his kindness to them and their families over the years. Many of them had worked for his father before him. It mattered little that most of them were Moslem, while he was a Christian.
When they reached the villa, Alia, the old housekeeper, greeted them with mumbles and scowls. "You are late. You are always late. Why do you not keep regular hours, like decent folk? We have a position to maintain."
"Old mother, you are always right," he teased her gently. "What would we do without you to care for us?" He sent her away, still scowling to cover her love and concern for him.
They ate the simple meal on the terrace together, dates and olives and unleavened bread and goat's milk cheese. It was dark when they finished, but the desert stars were bright as candles.
"Royan, my flower." He reached across the table and touched her hand. "It is time to begin work." He stood up from the table and led the way to his study that opened out on to the terrace.
Royan Al Simma went directly to the tall steel safe against the far wall` and tumbled the combination. The safe was out of place in this room, amongst the old books and scrolls, amongst the ancient statues and artefacts and grave goods that were the collection of his lifetime.
When the heavy steel door swung open, Royan stood back for a moment. She always felt this prickle of awe whenever she first looked upon this relic of the ages, even after an interval of only a few short hours.
"The seventh scroll," she whispered, and steeled herself to touch it. It was nearly four thousand years old, written by a genius out of time with history, a man who had been dust for all these millennia, but whom she had come to know and respect as she did her own husband. His words were eternal, and they spoke to her clearly from beyond the grave, from the fields of paradise, from the presence of the great trinity, Osiris and Isis and Horns, in whom he had believed so devoutly. As devoutly as she believed in another more recent Trinity.
She carried the scroll to the long table at which Duraid, her husband, was already at work. He looked up as she laid it on the tabletop before him, and for a moment she saw the same mystical mood in his eyes that had affected her. He always wanted the scroll there on the table, even when there was no real call for it. He had the photographs and the microfilm to work with. It was as though he needed the unseen presence of the ancient author close to him as he studied the texts.
Then he threw off the mood and was the dispassionate scientist once more. "Your eyes are better than mine, my flower," he said. "What do you make of this character?"
She leaned over his shoulder and studied the hieroglyph on the photograph of the scroll that he pointed out to her. She puzzled over the character for a moment before she took the magnifying glass from Duraid's hand and peered through it again.
"It looks as though Taita has thrown in another cryptogram of his own creation just to bedevil us." She spoke of the ancient author as though he were a dear, but sometimes exasperating, friend who still lived and breathed, and played tricks upon them.
"We'll just have to puzzle it out, then," Duraid declared with obvious relish. He loved the ancient game. It was his life's work.
The two of them laboured on into the cool of the night. This was when they did their best work. Sometimes they spoke Arabic and sometimes English; for them the two languages were as one. Less often they used French, which was their third common language. They had both received their education at universities in England and the United States, so far from this very Egypt of theirs. Royan loved the expression "This very Egypt" that Taita used so often in the scrolls.
She felt a peculiar affinity in so many ways with `this ancient Egyptian. After all, she was his direct descendant. She was a Coptic Christian, not of the Arab line that had so recently conquered Egypt, less than fourteen centuries ago. The Arabs were newcomers in this very Egypt of hers, while her own blood line ran back to the time of the pharaohs and the great pyramids.
At ten o'clock Royan made coffee for them, heating it on the charcoal stove that Alia had lit for them before she went off to her own family in the village. They drank the sweet, strong brew from thin cups that were half-filled with the heavy grounds. While they sipped, they talked as old friends.
For Royan that was their relationship, old friends. She had known Duraid ever since she had returned from England with her doctorate in archaeology and won her job with the Department of Antiquities, of which he was the director.
She had been his assistant when he had opened the tomb in the Valley of the Nobles, the tomb of Queen Lostris, the tomb that dated from about 1780 nc.
She had shared his disappointment when they had discovered that the tomb had been robbed in ancient times and all its treasures plundered. All that remained were the marvellous murals that covered the walls and the ceilings of the tomb.
It was Royan herself who had been working at the wall behind the plinth on which the sarcophagus had once stood, photographing the murals, when a section of the plaster had fallen away to reveal in their niche the ten alabaster jars. Each of the jars had contained a papyrus scroll. Every one of them had been written and placed there by Taita, the slave of the queen.
Since then their lives, Duraid's and her own, seemed to have revolved around those scraps of papyrus. Although there was some damage and deterioration, in the main they had survived nearly four thousand years remarkably intact.
What a fascinating story they contained, of a nation attacked by a superior enemy, arched with horse and chariot that were still alien to the Egyptians of that time. Crushed by the Hyksos hordes, the people of the Nile were forced to flee. Led by their queen, Lostris of the tomb, they followed the great river southwards almost to its source amongst the brutal mountains of the Ethiopian highlands. Here amongst those forbidding mountains, Lostris had entombed the mummified body of her husband, the Pharaoh Mamose, who had been slain in battle against the Hyksos.
Long afterwards Queen Lostris had led her people back northwards to this very Egypt. Armed now with their own horses and chariots, forged into hard warriors in the African wilderness, they had come storming back down the cataracts of the great river to challenge once more the Hyksos invader, and in the end to triumph over him and wrest the double crown of upper and lower Egypt from his grasp.
It was a story that appealed to every fibre of her being, and that had fascinated her as they had unravelled each hieroglyph that the old slave had penned on the papyrus.
It had taken them all these years, working at night here in the villa on the oasis after their daily routine work at the museum in Cairo was done, but at last the ten scrolls had been deciphered-all except the seventh scroll. This was the one that was the enigma, the one which the author had cloaked in layers of esoteric shorthand and allusions so obscure that they were unfathomable at this remove of time. Some of the symbols he used had never figured before in all the thousands of texts that they had studied in their combined working lives. It was obvious to them both that Taita had not intended that the scrolls should be read by any eyes other than those of his beloved queen. These were his last gift for her to take with her beyond the grave.
It had taken all their combined skills, all their imagination and ingenuity, but at last they were approaching the conclusion of the task. There were still many gaps in the translation and many areas where they were uncertain whether or not they had captured the true meaning, but they had laid out the bones of the manuscript in such order that they were able to discern the outline of the creature it represented.
Now Duraid sipped his coffee and shook his head as he had done so often before. "It frightens me," he said. "The responsibility. What to do with this knowledge we have gleaned. If it should fall into the wrong hands.. ." He sipped and sighed before he spoke again. "Even if we take it to the right people, will they believe this material that is nearly four thousand years old?"
"Why must we bring in others?" Royan asked with an edge of exasperation in her voice. "Why can we not do alone what has to be done?" At times like these the differences between them were most apparent. His was the caution of age, while hers was the impetuosity of youth.
"You do not understand," he said. It always annoyed her when he said that, when he treated her as the Arabs treated their women in a totally masculine world. She had known the other world where women demanded and received the right to be treated as equals. She was a creature caught between those worlds, the Western world and the Arab world.
Royan's mother was an Englishwoman who had worked at the British Embassy in Cairo in the troubled times after World War II. She had met and married Royan's father, who had been a young Egyptian officer on the staff of Colonel Nasser. It was an unlikely union and had not persisted into Royan's adolescence.
Her mother had insisted upon returning to England, to her home-town of York, for Royan's birth. She wanted her child to have British citizenship. After her parents had separated, Royan, again at her mother's insistence, had been sent back to England for her schooling, but all her holidays had been spent with her father in Cairo. Her father's career had prospered exceedingly, and in the end he had attained ministerial rank in the Mubarak government. Through her love for him she came to look upon herself as more Egyptian than English.
It was her father who had arranged her marriage to Duraid Al Simma. It was the last thing that he had done for her before his death. She had known he was dying at the time, and she had not found it in her heart to defy him. All her modern training made her want to resist the old-fashioned Coptic tradition of the arranged marriage, but her breeding and her family and her Church were against her. She had acquiesced.
Her marriage to Duraid had not proved as insufferable as she had dreaded it might be. It might even have been entirely comfortable and satisfying if she had never been introduced to romantic love. However, there had been her liaison with David while she was up at university.
He had swept her up in the hurly-burly, in the heady delirium, and, in the end, the heartache, when he had left her to marry a blonde English rose approved of by his parents.
She respected and liked Duraid, but sometimes in the night she still burned for the feel of a body as firm and young as her own on top of hers.
Duraid was still speaking and she had not been listening to him. She gave him her full attention once more. "I have spoken to the minister again, but I do not think he believes in me. I think that Nahoot has convinced him that I am a little mad." He smiled sadly. Nahoot (iuddabi was his ambitious and well-connected deputy. "At any rate the minister says that there are no government funds available, and that I will have to seek outside finance. So, I have been over the list of possible sponsors again, and have narrowed it down to four. There is the Getty Museum, of course, but I never like to work with a big impersonal institution. I prefer to have a single man to answer to. Decisions are always easier to reach." None of this was new to her, but she listened dutifully.
"Then there is Herr von Schiller. He has the money and the interest in the subject, but I do not know him well enough to trust him entirely." He paused, and Royan had listened to these musings so often before that she could anticipate him.
"What about the American? He is a famous collector," she forestalled him.
"Peter Walsh is a difficult man to work with. His passion to accumulate makes him unscrupulous. He frightens me a little."
"So who does that leave?" she asked.
He did not reply, for they both knew the answer to her question. Instead, he turned his attention back to the material that littered the work table.
"It looks so innocent, so mundane. An old papyrus scroll, a few photographs and notebooks, a computer printout. It is difficult to believe how dangerous these night be in the wrong hands." He sighed again. "You might almost say that they are deadly dangerous."
Then he laughed. "I am being fanciful. Perhaps it is the late hour. Shall we get back to work? We can worry about these other matters once we have worked out all the conundrums set for us by this old rogue, Taita, and completed the translation."
He picked up the top photograph from the pile in front of him. It was an extract from the central section of the scroll. "It is the worst luck that the damaged piece of papyrus falls where it does." He picked up his reading glasses and placed them on his nose before he read aloud.
" `There are many steps to ascend on the staircase to the abode of Hapd. With much hardship and endeavour we reached the second step and proceeded no further, for it was here that the prince received a divine revelation. In a dream his father, the dead god pharaoh, visited him and commanded him, "I have travelled far and 1 am grown weary. It is here that 1 will rest for all eternity. " ' " Duraid removed his glasses and looked across at Royan. " `The second step.' It is a very precise description for once. Taita is not being his usual devious self."
"Let's go back to the satellite photographs," Royan suggested and drew the glossy sheet towards her. Duraid came around the table to stand behind her.
"To me it seems most logical that the natural feature that would obstruct them in the gorge would be something like a set of rapids or a waterfall. If it were the second waterfall, that would put them here-" Royan placed her finger on a spot on the satellite photograph where the narrow snake of the river threaded itself through the dark massifs of the mountains on either hand.
At that moment she was distracted and she lifted her head. "Listen!" Her voice changed, sharpening with alarm.
"What is it?" Duraid looked up also.
"The dog," she answered.
"That damn mongrel," he agreed. "It is always making the night hideous with its yapping. I have promised myself to get rid of him."
At that moment the lights went out.
They froze with surprise in the darkness. The soft thudding of the decrepit diesel generator in its shed at the back of the palm grove had ceased. It was so much a part of the oasis night that they noticed it only when it was silent.
Their eyes adjusted to the faint starlight that came in through the terrace doors. Duraid crossed the room and took the oil lamp down from the shelf beside the door where it waited for just such a contingency. He lit it, and looked across at Royan with an expression of comical resignation.
"I will have to go down-"
"Duraid," she interrupted him, "the dog!"
He listened for a moment, and his expression changed to mild concern. The dog was silent out there in the night.
"I am sure it is nothing to be alarmed about." He went to the door, and for no good reason she suddenly called after him.
"Duraid, be careful!" He shrugged dismissively and stepped out on to the terrace.
She thought for an instant that it was the shadow of the vine over the trellis moving in the night breeze off the desert, but the night was still. Then she realized that it was a human figure crossing the flagstones silently and swiftly, coming in behind Duraid as he skirted the fishpond in the centre of the paved terrace.
"Duraid!" She screamed a warning and he spun round, lifting the lamp high.
"Who are you?" he shouted. "What do you want here?"
The intruder closed with him silently. The traditional full-length dishdasha robe swirled around his legs, and the white ghutrah headcloth covered his head. In the light of the lamp Duraid saw that he had drawn the comer of the headcloth over his face to mask his features.
The intruder's back was turned towards her so Royan did not see the knife in his right hand, but she could not mistake the upward stabbing motion that he aimed at Duraid's stomach. Duraid grunted with pain and doubled a at the blow and his attacker drew the blade free anal stabbed again, but this time Duraid dropped the lamp and seized the knife arm.
The flame of the fallen oil lamp was guttering and flar- ing. The two men struggled in the gloom, but Royan saw a dark stain spreading over her husband's white shirt front.
"Run!" he bellowed at her. "Go! Fetch help! I cannot hold him!" The Duraid she knew was a gentle person, a soft man of books and learning. She could see that he was outmatched by his assailant.
"Go! Please! Save yourself, my flower!" She could hear by his tone that he was weakening, but he still clung des- perately to his attacker's knife arm.
She had been paralysed with shock and indecision these few fatal seconds, but now she broke free of the spell and ran to the door. Spurred by her terror and her need to bring help to Duraid she crossed the terrace, swift as a cat, and he held the intruder from blocking her way.
This time she saw the knife in his hand, a long silvery flash in the starlight, and it goaded her to fresh effort. The cotton tore in his grip and she was free, but not quickly enough to escape the blade. She felt the sting of it across her upper arm, and she kicked out at him with all the strength of panic and her hard young body behind it. She felt her foot slam into the softness of his lower body with a shock that jarred her knee and ankle, and her attacker cried out and fell to his knees.
Then she was away and running through the palm grove. At first she ran without purpose or direction. She ran simply to get as far from them as her flying legs would carry her. Then gradually she brought her panic under control. She glanced back, but saw nobody following her. As she reached the edge of the lake she slowed her run to conserve her strength, and she became aware of the warm trickle of her own blood down her arm and then dripping from her fingertips.
She stopped and rested her back against the rough bole of one of the palms while she tore a strip of cloth from her ripped blouse and hurriedly bound up her arm. She was shaking so much from shock and exertion that even her uninjured hand was fumbling and clumsy. She knotted the crude bandage with her teeth and left hand, and the bleeding slowed.
She was uncertain of which way to run, and then she saw the dim lamplight in the window of Alia's shack across the nearest irrigation canal. She pushed herself away from the palm trunk and started towards it. She had covered less than a hundred paces when a voice called from the grove behind her, speaking in Arabic, "Yusuf, has the woman come your way?"
Immediately an electric torch flashed from the darkness ahead of her and another voice called back, "No, I have not seen her."
Another few seconds and Royan would have run full into him. She crouched down and looked around her desperately. There was another torch coming through the grove behind her, following the path she had taken. It must be the man she had kicked, but she could tell by the motion of the torch beam that he had recovered and was moving swiftly and easily again.
She was blocked on two sides, so she turned back along the edge of the lake. The road lay that way. She might be able to meet a late vehicle travelling on it. She lost her footing on the rough ground and went down, bruising and scraping her knees, but she jumped up again and hurried on. The second time she stumbled, her out-thrust left hand landed on a round, smooth stone the size of an orange.
driven by worry for Duraid. She knew he was badly wounded, for she had seen the direction and force of the knife thrust. She had to find help for him. Behind her the two men with torches were sweeping the grove and she could not keep her lead ahead of them. They were gaining on her-she could hear them calling to each other.
She reached the road at last, and with a small whimper of relief climbed out of the drainage ditch on to the pale gravel surface. Her legs were shaking under her so that they could hardly carry her weight, but she turned in the direction of the village.
She had not reached the first bend before she saw a set of headlights coming slowly towards her, flickering through the palm trees. She broke into a run down the centre of the road.
"Help me!" she screamed in Arabic. "Please help me!"
The car came through the bend and before the headlights dazzled her she saw that it was a small, dark-coloured Fiat. She stood in the centre of the road waving her arms to halt the driver, lit by the headlights as though she were on a theatre stage.
The Fiat stopped in front of her, and she ran round to the driver's door and tugged at the handle. "Please, you must help me-"
The door was opened from within, and then was thrown back with such force that she staggered off-balance. The driver leapt out into the roadway and caught her by the wrist of the injured arm. He dragged her to the Fiat and pulled open the back door.
"Yusuf! Bacheet!" he shouted into the dark grove. "I have her." And she heard the answering cries and saw the torches turn in their direction. The driver was forcing her head down and trying to push her into the back seat, but she realized then that she still had the stone in her good hand. She turned slightly and braced herself, and then swung her fist with the stone still clenched in it against the side of his head. It caught him squarely on the temple. Without another sound he dropped to the gravel surface and lay motionless.
Royan dropped the stone and pelted away down the road, but she found that she was running straight down the path of the headlights, and they lit her every movement. The two men in the grove shouted again and came up on to the gravel roadway behind her, almost shoulder to shoulder.
Glancing back, she saw them gaining on her swiftly, and she realized that her only chance was to get off the road and back into the darkness. She turned and plunged down the bank. Immediately she found herself waist-deep in the waters of the lake.
In the darkness and the confusion she had become disorientated. She had not realized that she had reached the point where the road skirted the embankment at the water's edge. She knew that she did not have time to climb back on to the road, and she knew also that there were thick clumps of papyrus and reeds ahead of her, that might give her shelter.
She waded out until the bottom sloped away steeply under her feet, and she found herself forced to swim. She broke into an awkward breast-stroke, hampered by her skirts and her injured arm. However, her slow and stealthy movements created almost no disturbance on the surface, and before the men on the road had reached the point where she had descended the bank, she reached a dense stand of reeds.
She eased her way into the thick of them and let herself sink. Before the water covered her nostrils she felt her toes touch the soft ooze of the lake bottom. She stood there quietly, with just the top of her head above the surface and her face turned away from the bank. She knew her dark hair would not reflect the light of a probing torch.
Though the water covered her ears, she could make out the excited voices of the men on the road. They had turned their torches down towards the water and were shining them into the reeds, searching for her. For a moment one of the beams played full on her head, and she drew a deep breath ready to submerge, but the beam moved on and she realized that they had not picked her out.
The fact that she had not been seen even in the direct torchlight emboldened her to raise her head slightly until one ear was clear and she could make out their voices.
They were speaking Arabic, and she recognized the voice of the one named Bacheet. He appeared to be the leader, for he was giving the orders.
"Go in there, Yusuf, and bring the whore out."
She heard Yusuf slipping and sliding down the bank and the splash as he hit the water.
"Further out," Bacheet ordered him. "In those reeds there, where I am shining the torch."
"It is too deep. You know well I cannot swim. It will be over my head."
"There! Right in front of you. In those reeds. I can see her head." Bacheet encouraged him, and Royan dreaded that they had spotted her. She sank down as far as she could below the surface.
Yusuf splashed around heavily, moving towards where she cowered in the reeds, when suddenly there was a thunderous commotion that startled even Yusuf, so that he shouted aloud, "Djinns! God protect me!" as the flock of roosting duck exploded from the water and launched into the dark sky on noisy wings.
Yusuf started back to the bank and not any of Bacheet's threats could persuade him to continue the hunt.
"The woman is not as important as the scroll," he protested, as he climbed back on to the roadway. "Without the scroll there will be no money. We always know where to find her later."
Turning her head slightly, Royan saw the torches move back down the road towards the parked Fiat whose headlights still burned. She heard the doors of the car slam, and then the engine revved and pulled away towards the villa.
She was too shaken and terrified to make any attempt to leave her hiding place. She feared that they had left one of their number on the road to wait for her to show herself. She stood on tiptoe with the water lapping her lips, shivering more with shock than with cold, determined to wait for the safety of the sunrise before she moved.
It was only much later when she saw the glow of the fire lighting the sky, and the flames flickering through the trunks of the palm trees, that she forgot her own safety and dragged herself back to the bank.
She knelt in the mud at the water's edge, shuddering and shaking and gasping, weak with loss of blood and shock and the reaction from fear, and peered at the flames through the veil of her wet hair and the lake water that streamed into her eyes.
"The villa!" she whispered. "Duraid! Oh please God, no! No!"
She pushed herself to her feet and began to stagger towards her burning home.
Meet the Author
Wilbur Smith is the bestselling author of many novels, each meticulously researched on his numerous expeditions worldwide. His bestselling Courtney series includes Assegai, The Sound of Thunder, Birds of Prey, Monsoon, and Blue Horizon. His other books include Those in Peril, River God, Warlock, and The Sunbird. His books are now translated into twenty-six languages and have sold over 120 million copies. Smith was born to a British family in Northern Rhodesia, now Zambia, in Central Africa, and attended Rhodes University in South Africa. He has homes in Cape Town, London, Switzerland and Malta.
Most Helpful Customer Reviews
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This is a sequel to River God, even though it is set in modern time. Smith cleverly uses the characters and plot from River God and moves them into a suspenseful and fast-moving novel that leave you wanting more at the end. His vivid description of action sequences allows the reader to easily visualize the scene and characters, just as if you were watching it on the 'big screen'. Wilbur Smith is one of the great action writers of today and this novel proves it.
I read this one first, because I found it by accident. Serendipity I think they call it. Little did I know the greatness I was about to find in this book and the authors other books!
Mixes action-adventure, mystery, and history with a touch of Indiana Jones. Smith's best effort!
I read this book after I read River God. That's the way you should read it or else it will be confusing. This story pulls you in with bright colors, names, and emotions. If you are an ancient Egypt lover as I am, you will feel a part of the story.
Seventh Scroll was simply outstanding. A truly fun read. Definite page-turner/can't-put-it-down. I took it everywhere with me in case I found a moment to get back to it. As in Birds of Prey and Monsoon, Smith provides outstanding edge-of-your-seat chase scenes that have you running along with the characters! Although it's not necessary to have read River God first, I think knowing the story of Taita & Lostris makes Seventh Scroll all that more enthralling. If you're an Indiana Jones fan or a fan of the recent 'Mummy' movies, this is a definite read for you!
I like ancient egypt. And I like to hear about fake stories. This one was a little confusing but I enjoyed it.
In our Books That Should Be Movies category, The Seventh Scoll is top contender. The hero seems to jet out of a movie,he is a handsome Indian Jones style hero. He jokes, he knows history, he gets the girl. The basic read of the book lends itself better to a two hour movie, cutting out major sections of stagnation in the middle. But like a movie, you enjoy yourself. No big moral lessons, or deep thoughts, but a good time to be had by all.