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This collection reclaims a vast body of long-neglected Latin texts from the Middle Ages and the Renaissance and examines how they represent the feminine and the female body. The authors explore the ideological values explicitly encoded by the ...
This collection reclaims a vast body of long-neglected Latin texts from the Middle Ages and the Renaissance and examines how they represent the feminine and the female body. The authors explore the ideological values explicitly encoded by the feminine in these texts, other, less articulated values implied by the feminine, and the role of the classical tradition in communicating those values. The examination of women both as subjects and as rhetorical constructions in Medieval and Renaissance Latin literature sheds light on the larger dialogue about feminism occurring throughout the humanities. In addition, the inclusion of a new body of texts and the rescue of others from their present isolation will expand the reach of classical and humanist scholarship.
Traditional studies of Latin literature end around the beginning of the fifth century C.E. despite the fact that Latin continued to be the dominant literary and intellectual language until at least the latter half of the sixteenth century. Thus most classicists ignore over one thousand years of the Latin literary tradition. Few non-classicists read Latin comfortably and fewer still have a detailed understanding of the history of classical Latin literature. This collection supplies tools to examine more completely the construction and application of gender in both Latin and vernacular texts of the Middle Ages and the Renaissance.
|By Woman's Tears Redeemed: Female Lament in St. Augustine's Confessions and the Correspondence of Abelard and Heloise||15|
|Hrotswitha Writes Herself: Clamor Validus Gandeshemensis||41|
|Gender and Negotiating Discourse: Mediated Autobiography and Female Mystics of Medieval Italy||71|
|The Saint of the Womanly Body: Raimon de Cornet's Fourteenth-Century Male Poetics||91|
|Petrarch's Sophonisba: Seduction, Sacrifice, and Patriarchal Politics||111|
|Laurel as the Sign of Sin: Laura's Textual Body in Petrarch's Secretum||139|
|Woman, Space, and Renaissance Discourse||165|
|In Praise of Woman's Superiority: Heinrich Cornelius Agrippa's De nobilitate (1529)||189|
|The Artificial Whore: George Buchanan's Apologia pro Lena||207|
|"She Never Recovered Her Senses": Roxana and Dramatic Representations of Women at Oxbridge in the Elizabethan Age||223|
|Latin and Greek Poetry by Five Renaissance Italian Women Humanists||247|