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| Turbonegro | Primary Artist |
| Benmont Tench | Piano |
| Matt Sweeney | Guitar |
| Andrew W.K. | Piano |
| Nate Newton | Background Vocals |
| Rune Rebellion | Guitar, Group Member |
| The Dukes of Nothing | Vocals, Group Member |
| Euroboy | Guitar, Group Member |
| Happy-Tom | Bass, Group Member |
| Tommy Manboy | Drums, Group Member |
| Thomas Seltzer | Composer |
| Matt Sweeney | Producer |
| Knut Schreiner | Composer |
| Martin Kvamme | Art Direction |
| Gus Oberg | Engineer |
| Tony Sylvester | Composer |
| Oliveri | Composer |
| Tommy Akerholt | Composer |
| Ted Jenen | Mastering |
Editorial Reviews
All Music Guide - Gregory Heaney
On their ninth album, Sexual Harassment, self-described deathpunks Turbonegro show that even without frontman Hank Von Helvete, they're still one of the rawest, rowdiest punk bands working today. New singer Tony Sylvester (aka The Duke of Nothing) makes his debut on the album, and his gruff, no-nonsense vocals evoke the five-pack-a-day voice of the great one himself, Lemmy. While Turbonegro have always had an edge to them, Sylvester's vocals allow the band to move away from Von Helvete's glam-influenced sleaze and toward something that feels harder and more dangerous. This stylistic change is demonstrated right out of the gate on "I Got a Knife," a threateningly loving ...