Shades of Green: Visions of Nature in the Literature of American Slavery, 1770-1860

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Shades of Green offers a creative reimagining of early and antebellum American literary culture by exploring the complex web of relationships linking racial thought to natural science and natural imagery. The book charts a dynamic shift in both polemical and imaginative literature during the century before the Civil War, as scientific, artistic, and spiritual vocabularies regarding "nature" became increasingly important for authors seeking to mobilize public opinion against slavery or to redefine racial ...
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Overview


Shades of Green offers a creative reimagining of early and antebellum American literary culture by exploring the complex web of relationships linking racial thought to natural science and natural imagery. The book charts a dynamic shift in both polemical and imaginative literature during the century before the Civil War, as scientific, artistic, and spiritual vocabularies regarding "nature" became increasingly important for authors seeking to mobilize public opinion against slavery or to redefine racial identity. Finseth argues that these vocabularies both liberated and constrained antislavery philosophy and, more broadly, that our understanding of race in early American literature must take the natural world into account. In doing this, Finseth fuses a cultural history of the period with fresh readings of such major figures as Ralph Waldo Emerson, Harriet Beecher Stowe, and Frederick Douglass.

Drawing on a range of theoretical and disciplinary perspectives, including aesthetics, anthropology, phenomenology, and ecocriticism, Shades of Green demonstrates the agility with which human thought about the natural and the racial leapt across formal epistemological, professional, and artistic boundaries. In this innovative account, the politics of race and slavery are shown to have been deeply intertwined with putatively apolitical cultural understandings of the natural world. The book will be of value to scholars in a variety of disciplines, including American studies, African American literary history, and environmental philosophy.

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Editorial Reviews

From the Publisher

"This is a rich and insightful study that makes a significant contribution to our understanding of debates on slavery and race, particularly in relation to historically shifting conceptions of 'nature' and the human."—Robert S. Levine, associate general editor of The Norton Anthology of American Literature

"Finseth's attention to the convergence of antebellum views of slavery and rising appreciation of the sociopolitical import of the natural world (what we have come nowadays to call 'ecocriticism') provides a unique and welcome new departure in the study of slavery and abolitionism."—Eric J. Sundquist, author of Empire and Slavery in American Literature, 1820–1865

"Finseth’s book remains invaluable in its quest to reveal the neglected history of African American environmental thought and the myriad ways black writers and artists made nature a site of resistance to white supremacy. For anyone interested in these topics, Shades of Green is required reading."--Eighteenth-Century Studies

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Product Details

  • ISBN-13: 9780820328652
  • Publisher: University of Georgia Press
  • Publication date: 1/1/2009
  • Pages: 360
  • Product dimensions: 6.20 (w) x 9.10 (h) x 1.30 (d)

Meet the Author


Ian Frederick Finseth is an associate professor of English at the University of North Texas. He is the editor of The American Civil War: An Anthology of Essential Writings.
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Table of Contents


Acknowledgments
Introduction: Nature, Race, Culture

1. Nature, Civilization, and the Progress of Antislavery Philosophy
Natural Science in Early Antislavery Thought
Natural Aesthetics in Early Antislavery Literature

2. Narrative, Temporality, and the International Traveler
Crèvecoeur's Natural Contract
Olaudah Equiano and the Paradox of History

3. Natural Evil and Human Development
The Problem of Theodicy
Antebellum Natural Science
The Natural Law of Free Development

4. Nations of Blood
The Separatist Impulse, from David Walker to Martin Delany
Of Men and Mollusks: Emerson's Providential Biology

5. Race in the Landscape
Pastoral, Race, and the Visual Imagination
Toward an African American Georgic
Coda: Antislavery Pictorialism

6. Revisiting, Reliving, Reforming
The Geography of the Slave Narrative
From the Garden to the Swamp: Harriet Beecher Stowe
Oxen and Sweet Potatoes: Douglass on the Land

Epilogue: Shadows of Green
Notes
Index

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