A Shadow in Summer (Long Price Quartet Series #1)

A Shadow in Summer (Long Price Quartet Series #1)

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by Daniel Abraham
     
 

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The start of an epic fantasy series by one of the field's hottest new talents

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The start of an epic fantasy series by one of the field's hottest new talents

Editorial Reviews

Publishers Weekly
Gesture and posture convey as much information as spoken words in Abraham's impressive first novel, a fantasy set in a world where poets create and bind powerful shape-shifting creatures called "andat." The Empire hangs on, literally, by a thread; the cloth industry depends on the ability of andat Seedless to magically remove seeds from cotton plants to keep commerce flowing and the barbarians in check. Seedless, who can also remove unborn children from their mother's womb, aims to drive his poet-creator, Heshai-kvo, mad with grief. A love triangle develops among a threesome-Heshai's apprentice, Maati; Itani, a laborer with a past; and the beautiful scribe Liat-as they unknowingly assist the andat in his plot to abort a wanted child. When Liat's master, Amat Kyaan, uncovers the plan, Amat must flee and live as a bookkeeper in a brothel. The complex characters all struggle to navigate a path between their duty to their Empire and to themselves. A blurb from George R.R. Martin will help alert his fans to this promising newcomer. (Mar.) Copyright 2006 Reed Business Information.
Library Journal
Fleeing the harsh school where families send noninheriting sons to save them from certain death at the hands of their sibling heir, Otah Machi changes his name and seeks to lose himself in the city. His encounters with a former student and a young woman bearing an unsanctioned child draw him into a world of conflict and a struggle for survival. Abraham's debut novel presents a fantasy world of ruling nobles, poet mystics, elemental spirits, and elegantly ritualized customs. The author's fresh approach to world-building and his emergent storytelling talent make this a good addition to most fantasy collections. Copyright 2006 Reed Business Information.
Kirkus Reviews
Captivating first novel, first of a promised four-book series. The Andat are a sort of malevolent spiritual entity that, when bound by an order of "poets," have power that can be used as a kind of magic. In the city of Saraykeht, the local Andat, under the control of the city's poet, is used to speed cotton harvests, but that, and the economic future of the city, is in jeopardy when a conspiracy involving a pregnant foreign girl goes awry, leaving her baby dead. The intricate plot unfolds from the viewpoints of a woman trade advisor-who makes it her quest to find those responsible for the dead child-and two students of the Dai-kvo poet school-one an esteemed poet, the other an outcast-and their mutual lover, all of whom are caught in the wake of the conspiracy's crime, and who will have their lives forever changed by it. Most "otherworldly" fantasy is anything but, yet here Abraham has created an evocative world and culture that seems very strange and alien, yet still somehow feels real. The plot is a bit slow-moving, but it pays off for the patient reader and should leave fans eager for the next installment. An impressive start.
George R.R. Martin

A Shadow in Summer is a thoroughly engrossing debut novel from a major new fantasist. A poignant human tale of power, heartbreak, and betrayal.
Jacqueline Carey
"One of the most elegant and engaging fantasies I've read in years, based on an intriguing, original premise."
Morgan Llywelyn

From the opening lines, A Shadow in Summer carries us into an exotic, fantastic, yet utterly convincing world. Bravo! I look forward to the next book in the series.
S. M. Stirling
"In a world of bloated fantasy clones, Abraham's voice is fresh and startlingly new."
Walter Jon Williams
"An architecturally-perfect fantasy world filled with a fascinating, highly distinctive set of characters."

From the Publisher

"A Shadow in Summer is a thoroughly engrossing debut novel from a major new fantasist. A poignant human tale of power, heartbreak, and betrayal." --George R.R. Martin

"A Shadow in Summer is one of the most elegant and engaging fantasies I've read in years, based on an intriguing, original premise. I eagerly await the remaining volumes in Daniel Abraham's the Long Price Quartet." --Jacqueline Carey

"From the opening lines, A Shadow in Summer carries us into an exotic, fantastic, yet utterly convincing world. Bravo! I look forward to the next book in the series." --Morgan Llywelyn

"Reader, be warned: If you open Daniel Abraham's A Shadow in Summer, he will lead you into a strange, seductive world of beatings and poets and betrayals, intrigues you do not fully understand and wars you cannot stop and places you are not sure you want to go. Intricate, elegant, and almost hypnotically told, this tale of gods held captive will hold you captive, too." --Connie Willis, Hugo Award-winning author of To Say Nothing of the Dog

"In a world of bloated fantasy clones, Abraham's voice is fresh and startlingly new; not only is his worldbuilding original, but the characters who inhabit the universe he's created are both strange and fully human" --S. M. Sterling on A Shadow in Summer

"In addition to the creation of an architecturally-perfect fantasy world filled with a fascinating, highly distinctive set of characters, Daniel Abraham has introduced into fantasy one brilliant, stunning new idea, a magic system in which the Word is made Flesh." --Walter Jon Williams on A Shadow in Summer

Connie Willis
"Intricate, elegant, and almost hypnotically told, this tale of gods held captive will hold you captive, too."

Hugo Award-winning author of To Say Nothing of the Connie Willis

Reader, be warned: If you open Daniel Abraham's A Shadow in Summer, he will lead you into a strange, seductive world of beatings and poets and betrayals, intrigues you do not fully understand and wars you cannot stop and places you are not sure you want to go. Intricate, elegant, and almost hypnotically told, this tale of gods held captive will hold you captive, too.
S. M. Sterling on A Shadow in Summer

In a world of bloated fantasy clones, Abraham's voice is fresh and startlingly new; not only is his worldbuilding original, but the characters who inhabit the universe he's created are both strange and fully human
Walter Jon Williams on A Shadow in Summer

In addition to the creation of an architecturally-perfect fantasy world filled with a fascinating, highly distinctive set of characters, Daniel Abraham has introduced into fantasy one brilliant, stunning new idea, a magic system in which the Word is made Flesh.

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Product Details

ISBN-13:
9781429910156
Publisher:
Tom Doherty Associates
Publication date:
04/01/2007
Series:
Long Price Quartet Series , #1
Sold by:
Macmillan
Format:
NOOK Book
Pages:
336
Sales rank:
59,107
File size:
1 MB

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Read an Excerpt

A Shadow in Summer

Book One of the Long Price Quartet


By Daniel Abraham, James Frenkel

Tom Doherty Associates, LLC

Copyright © 2006 Daniel Abraham
All rights reserved.
ISBN: 978-1-4299-1015-6


CHAPTER 1

As the stone towers of Machi dominated the cold cities of the north, so the seafront of Saraykeht dominated the summer cities in the south. The wharves stood out into the clear waters of the bay, ships from the other port cities of the Khaiem—Nantani, Yalakeht, Chaburi-Tan—docked there. Among them were also the low, shallow ships of the Westlands and the tall, deep sailing ships of the Galts so strung with canvas they seemed like a launderer's yard escaped to the sea. And along the seafront streets, vendors of all different cities and lands sold wares from tall, thin tables decked with brightly colored cloths and banners, each calling out to the passers-by over the cries of seagulls and the grumble of waves. A dozen languages, a hundred dialects, creoles, and pidgins danced in the hot, still air, and she knew them all.

Amat Kyaan, senior overseer for the Galtic House Wilsin, picked her way through the crowd with a cane despite the sureness of her steps. She savored the play of grammar and vocabulary crashing together like children playing sand tag. Knowing how to speak and what to say was her strength. It was the skill that had taken her from a desperate freelance scribe to here, wearing the colors of an honorable, if foreign, house and threading her way through the press of bodies and baled cotton to a meeting with her employer. There were ways from her rooms at the edge of the soft quarter to Marchat Wilsin's favorite bathhouse that wouldn't have braved the seafront. Still, whenever her mornings took her to the bathhouse, this was the way she picked. The seafront was, after all, the pride and symbol of her city.

She paused in the square at the mouth of the Nantan—the wide, gray-bricked street that marked the western edge of the warehouse quarter. The ancient bronze statue of Shian Sho, the last great emperor, stood looking out across the sea, as if in memory of his lost empire—rags and wastelands for eight generations now, except for the cities of the Khaiem where the unrest had never reached. Below him, young men labored, shirtless in the heat, hauling carts piled high with white, oily bales. Some laughed, some shouted, some worked with a dreadful seriousness. Some were free men taking advantage of the seasonal work. Others were indentured to houses or individual merchants. A few were slaves. And all of them were beautiful—even the fat and the awkward. Youth made them beautiful. The working of muscles under skin was more subtle and enticing than the finest robes of the Khaiem, maybe because it wasn't considered. How many of them, she wondered, would guess that their sex was on display to an old woman who only seemed to be resting for a moment on the way to a business meeting?

All of them, probably. Vain, lovely creatures. She sighed, lifted her cane, and moved on.

The sun had risen perhaps half the width of one hand when she reached her destination. The bathhouses were inland, clustered near the banks of the Qiit and the aqueducts. Marchat Wilsin preferred one of the smaller. Amat had been there often enough that the guards knew her by sight and took awkward poses of welcome as she entered. She often suspected Wilsin- cha of choosing this particular place because it let him forget his own inadequacies of language. She sketched a pose of welcome and passed inside.

Working for a foreign house had never been simple, and translating contracts and agreements was the least of it. The Galts were a clever people, aggressive and successful in war. They held lands as wide and fertile as the Empire had at its height; they could command the respect and fear of other nations. But the assumptions they made—that agreements could be enforced by blades, that threat of invasion or blockade might underscore a negotiation—failed in the cities of the Khaiem. They might send their troops to Eddensea or their ships to Bakta, but when called upon for subtlety, they floundered. Galt might conquer the rest of the world if it chose; it would still bow before the andat. Marchat Wilsin had lived long enough in Saraykeht to have accepted the bruise on his people's arrogance. Indulging his eccentricities, such as doing business in a bathhouse, was a small price.

The air inside was cooler, and ornate woodworked screens blocked the windows while still letting the occasional cedar-scented breeze through. Voices echoed off the hard floors and walls. Somewhere in the public rooms, a man was singing, the tones of his voice ringing like a bell. Amat went to the women's chamber, shrugged out of her robe and pulled off her sandals. The cool air felt good against her bare skin. She took a drink of chilled water from the large granite basin, and—naked as anyone else—walked through the public baths, filled with men and women shouting and splashing one another, to the private rooms at the back. To Marchat Wilsin's corner room, farthest from the sounds of voices and laughter.

"It's too hot in this pisshole of a city," Wilsin-cha growled as she entered the room. He lay half-submerged in the pool, the water lapping at his white, wooly chest. He had been a thinner man when she had first met him. His hair and beard had been dark. "It's like someone holding a hot towel over your face."

"Only in the summer," Amat said and she laid her cane beside the water and carefully slipped in. The ripples rocked the floating lacquer tray with its bowls of tea, but didn't spill it. "If it was any further north, you'd spend all winter complaining about how cold it was."

"It'd be a change of pace, at least."

He lifted a pink and wrinkled hand from the water and pushed the tray over toward her. The tea was fresh and seasoned with mint. The water was cool. Amat lay back against the tiled lip of the pool.

"So what's the news?" Marchat asked, bringing their morning ritual to a close.

Amat made her report. Things were going fairly well. The shipment of raw cotton from Eddensea was in and being unloaded. The contracts with the weavers were nearly complete, though there were some ambiguities of translation from Galtic into the Khaiate that still troubled her. And worse, the harvest of the northern fields was late.

"Will they be here in time to go in front of the andat?"

Amat took another sip of tea before answering.

"No."

Marchat cursed under his breath. "Eddensea can ship us a season's bales, but we can't get our own plants picked?"

"Apparently not."

"How short does it leave us?"

"Our space will be nine-tenths full."

Marchat scowled and stared at the air, seeing imagined numbers, reading the emptiness like a book. After a moment, he sighed.

"Is there any chance of speaking with the Khai on it? Renegotiating our terms?"

"None," Amat said.

Marchat made an impatient noise in the back of his throat.

"This is why I hate dealing with you people. In Eymond or Bakta, there'd be room to talk at least."

"Because you'd have soldiers sitting outside the wall," Amat said, dryly.

"Exactly. And then they'd find room to talk. See if one of the other houses is overstocked," he said.

"Chadhami is. But Tiyan and Yaanani are in competition for a contract with a Western lord. If one could move more swiftly than the other, it might seal the issue. We could charge them for the earlier session with the andat, and then take part of their space later when our crop comes in."

Marchat considered this. They negotiated the house's strategy for some time. Which little alliance to make, and how it could most profitably be broken later, should the need arise.

Amat knew more than she said, of course. That was her job—to hold everything about the company clear in her mind, present her employer with what he needed to know, and deal herself with the things beneath his notice. The center of it all, of course, was the cotton trade. The complex web of relationships—weavers and dyers and sailmakers; shipping companies, farming houses, alum miners—that made Saraykeht one of the richest cities in the world. And, as with all the cities of the Khaiem, free from threat of war, unlike Galt and Eddensea and Bakta; the Westlands and the Eastern Islands. They were protected by their poets and the powers they wielded, and that protection allowed conferences like this one, allowed them to play the deadly serious game of trade and barter.

Once their decisions had been made and the details agreed upon, Amat arranged a time to bring the proposals by the compound. Doing business from a bathhouse was an affectation Wilsin-cha could only take so far, and dripping water on freshly-inked contracts was where she drew the line. She knew he understood that. As she rose, prepared to face the remainder of her day, he held up a hand to stop her.

"There's one other thing," he said. She lowered herself back into the water. "I need a bodyguard this evening just before the half candle. Nothing serious, just someone to help keep the dogs off."

Amat tilted her head. His voice was calm, its tone normal, but he wasn't meeting her eyes. She held up her hands in a pose of query.

"I have a meeting," he said, "in one of the low towns."

"Company business?" Amat asked, keeping her voice neutral.

He nodded.

"I see," she said. Then, after a moment, "I'll be at the compound at the half candle, then."

"No. Amat, I need some house thug to swat off animals and make bandits think twice. What's a woman with a cane going to do for me?"

"I'll bring a bodyguard with me."

"Just send him to me," Wilsin said with a final air. "I'll take care of it from there."

"As you see fit. And when did the company begin conducting trade without me?"

Marchat Wilsin grimaced and shook his head, muttering something to himself too low for her to catch. When he sighed, it sent a ripple that spilled some of the tea.

"It's a sensitive issue, Amat. That's all. It's something I'm taking care of myself. I'll give you all the details when I can, but ..."

"But?"

"It's difficult. There are some details of the trade that ... I'm going to have to keep quiet about."

"Why?"

"It's the sad trade," he said. "The girl's well enough along in the pregnancy that she's showing. And there are some facets to getting rid of the baby that I need to address discreetly."

Amat felt herself bristle, but kept her tone calm as she spoke.

"Ah. I see. Well, then. If you feel you can't trust my discretion, I suppose you'd best not talk to me of it at all. Perhaps I might recommend someone else to take my position."

He slapped the water impatiently. Amat crossed her arms. It was a bluff in the sense that they both knew the house would struggle badly without her, and that she would be worse off without her position in it—it wasn't a threat meant seriously. But she was the overseer of the house, and Amat didn't like being kept outside her own business. Marchat's pale face flushed red, but whether with annoyance or shame, she wasn't sure.

"Don't break my stones over this one, Amat. I don't like it any better than you do, but I can't play this one any differently than I am. There is a trade. I'll see to it. I'll petition the Khai Saraykeht for use of his andat. I'll see the girl's taken care of before and after, and I'll see that everyone who needs paying gets paid. I was in business before you signed on, you know. And I am your employer. You could assume I know what I'm doing."

"I was just going to say the same thing, pointed the other way. You've consulted me on your affairs for twenty years. If I haven't done something to earn your mistrust—"

"You haven't."

"Then why shut me out of this when you never have before?"

"If I could tell you that, I wouldn't have to shut you out of it," Marchat said. "Just take it that it's not my choice."

"Your uncle asked that I be left out? Or is it the client?"

"I need a bodyguard. At the half-candle."

Amat took a complex pose of agreement that also held a nuance of annoyance. He wouldn't catch the second meaning. Talking over his level was something she did when he'd upset her. She rose, and he scooped the lacquer tray closer and poured himself more tea.

"The client. Can you tell me who she is?" Amat asked.

"No. Thank you, Amat," Wilsin said.

In the women's chamber again, she dried herself and dressed. The street, when she stepped into it, seemed louder, more annoying, than when she went in. She turned toward the House Wilsin compound, to the north and uphill. She had to pause at a waterseller's stall, buy herself a drink, and rest in the shade to collect her thoughts. The sad trade—using the andat to end a pregnancy—wasn't the sort of business House Wilsin had undertaken before now, though other houses had acted as brokers in some instances. She wondered why the change in policy, and why the secrecy, and why Marchat Wilsin would have told her to arrange for the bodyguard if he hadn't wanted her, on some level, to find answers.


Maati held a pose of greeting, his heart in his throat. The pale- skinned man walked slowly around him, black eyes taking in every nuance of his stance. Maati's hands didn't tremble; he had trained for years, first at the school and then with the Dai-kvo. His body knew how to hide anxiety.

The man in poet's robes stopped, an expression half approval, half amusement on his face. Elegant fingers took a pose of greeting that was neither the warmest nor the least formal. With the reply made, Maati let his hands fall to his sides and stood. His first real thought, now that the shock of his teacher's sudden appearance was fading, was that he hadn't expected Heshai-kvo to be so young, or so beautiful.

"What is your name, boy?" the man asked. His voice was cool and hard.

"Maati Vaupathi," Maati said, crisply. "Once the tenth son of Nicha Vaupathi, and now the youngest of the poets."

"Ah. A westerner. It's still in your accent."

The teacher sat in the window seat, his arms folded, still openly considering Maati. The rooms, which had seemed sumptuous during the long worrisome days of Maati's waiting, seemed suddenly squalid with the black-haired man in them. A tin setting for a perfect gem. The soft cotton draperies that flowed from the ceiling, shifting in the hot breeze of late afternoon, seemed dirty beside the poet's skin. The man smiled, his expression not entirely kind. Maati took a pose of obeisance appropriate to a student before his teacher.

"I have come, Heshai-kvo, by the order of the Dai-kvo to learn from you, if you will have me as your pupil."

"Oh, stop that. Bowing and posing like we were dancers. Sit there. On the bed. I have some questions for you."

Maati did as he was told, tucking his legs beneath him in the formal way a student did in a lecture before the Dai-kvo. The man seemed to be amused by this, but said nothing about it.

"So. Maati. You came here ... what? Six days ago?"

"Seven, Heshai-kvo."

"Seven. And yet no one came to meet you. No one came to collect you or show you the poet's house. It's a long time for a master to ignore his student, don't you think?"

It was exactly what Maati had thought, several times, but he didn't admit that now. Instead he took a pose accepting a lesson.

"I thought so at first. But as time passed, I saw that it was a kind of test, Heshai-kvo."

A tiny smile ghosted across the perfect lips, and Maati felt a rush of pleasure that he had guessed right. His new teacher motioned him to continue, and Maati sat up a degree straighter.

"I thought at first that it might be a test of my patience. To see whether I could be trusted not to hurry things when it wasn't my place. But later I decided that the real test was how I spent my time. Being patient and idle wouldn't teach me anything, and the Khai has the largest library in the summer cities."

"You spent your time in the library?"

Maati took a pose of confirmation, unsure what to make of the teacher's tone.

"These are the palaces of the Khai Saraykeht, Maati-kya," he said with sudden familiarity as he gestured out the window at the grounds, the palaces, the long flow of streets and red tile roofs that sprawled to the sea. "There are scores of utkhaiem and courtiers. I don't think a night passes here without a play being performed, or singers, or dancing. And you spent all your time with the scrolls?"


(Continues...)

Excerpted from A Shadow in Summer by Daniel Abraham, James Frenkel. Copyright © 2006 Daniel Abraham. Excerpted by permission of Tom Doherty Associates, LLC.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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