The Shadow of a Great Rock: A Literary Appreciation of the King James Bible

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Overview

The King James Bible stands at "the sublime summit of literature in English," sharing the honor only with Shakespeare, Harold Bloom contends in the opening pages of this illuminating literary tour. Distilling the insights acquired from a significant portion of his career as a brilliant critic and teacher, he offers readers at last the book he has been writing "all my long life," a magisterial and intimately perceptive reading of the King James Bible as a literary masterpiece.

Bloom calls it an "inexplicable wonder" that a rather undistinguished group of writers could bring forth such a magnificent work of literature, and he credits William Tyndale as their fountainhead. Reading the King James Bible alongside Tyndale's Bible, the Geneva Bible, and the original Hebrew and Greek texts, Bloom highlights how the translators and editors improved upon—or, in some cases, diminished—the earlier versions. He invites readers to hear the baroque inventiveness in such sublime books as the Song of Songs, Ecclesiastes, and Job, and alerts us to the echoes of the King James Bible in works from the Romantic period to the present day. Throughout, Bloom makes an impassioned and convincing case for reading the King James Bible as literature, free from dogma and with an appreciation of its enduring aesthetic value.

Editorial Reviews

From Barnes & Noble

Most readers peruse the King James Bible as a document of religious truths. Harold Bloom, the dean of literary critics, regards it as "the sublime summit of literature in English," worthy of comparison with Shakespeare. In this full-length work, the venerable octogenarian describes how a masterpiece emerged from the seemingly unwieldy collaboration of 47 undistinguished scholars. Comparing the 1611 translations with earlier versions, Bloom shows how the translators and editors smoothed, clarified, and enhanced key passages. A major work worthy of crossover readership; certain to be reviewed.

Booklist

“Bloom moves adroitly between the KJB and the earlier translations of Tyndale and Coverdale....Readers also benefit from illuminating comparisons with the Geneva Bible (which the KJB supplanted), with the Tanakh (or Hebrew Bible), and with the Greek New Testament, so acquiring a deep appreciation for the compelling narrative the KJB delivers....Bloom yields to the KJB’s literary splendor—and invites readers to join in his surrender.”—Booklist, starred review

Library Journal
To Bloom (Sterling Professor of the Humanities, Yale; The Anatomy of Influence: Literature as a Way of Life), only Shakespeare rivals the supreme literary merit of the King James Bible (1611). Its development by a group of more than 50 translators divided into six committees, five of which were chaired by an "undistinguished group of writers," produced an "inexplicable wonder" that Bloom analyzes in relationship not only to the Hebrew and Greek original versions, but also to various translations, especially those of William Tyndale, "the greatest English translator," of Miles Coverdale, and of the Geneva Bible (1560). Bloom writes as a literary critic and secularist deeply attracted to the linguistic beauty of the King James Bible; his literary appreciation remains mostly at the level of language; plot construction, characterization, setting, etc., are not his focus. VERDICT At times idiosyncratic but often adulated, Bloom's literary criticism needs thoughtful consideration by linguistic and literary scholars, cultural historians, and Bloom admirers, as well as by the general public. The book is a tour de force and the result of a lifetime of critical pondering by a major critic.—Carolyn M. Craft, formerly with Longwood Univ., Farmville, VA
Yvonne Zipp
This is a fascinating, intellectually nimble tour de force.
—The Washington Post

Product Details

  • ISBN-13: 9780300166835
  • Publisher: Yale University Press
  • Publication date: 9/13/2011
  • Pages: 320
  • Sales rank: 99,132
  • Product dimensions: 5.90 (w) x 8.40 (h) x 1.30 (d)

Meet the Author

Harold Bloom
Harold Bloom

Harold Bloom is Sterling Professor of the Humanities at Yale University. He lives in New Haven, CT.

Biography

"Authentic literature doesn't divide us," the scholar and literary critic Harold Bloom once said. "It addresses itself to the solitary individual or consciousness." Revered and sometimes reviled as a champion of the Western canon, Bloom insists on the importance of reading authors such as Shakespeare, Milton, and Chaucer -- not because they transmit certain approved cultural values, but because they transcend the limits of culture, and thus enlarge rather than constrict our sense of what it means to be human. As Bloom explained in an interview, "Shakespeare is the true multicultural author. He exists in all languages. He is put on the stage everywhere. Everyone feels that they are represented by him on the stage."

Bloom began his career by tackling the formidable legacy of T.S. Eliot, who had dismissed the English Romantic poets as undisciplined nature-worshippers. Bloom construed the Romantic poets' visions of immortality as rebellions against nature, and argued that an essentially Romantic imagination was still at work in the best modernist poets.

Having restored the Romantics to critical respectability, Bloom advanced a more general theory of poetry. His now-famous The Anxiety of Influence argued that any strong poem is a creative "misreading" of the poet's predecessor. The book raised, as the poet John Hollander wrote, "profound questions about... how the prior visions of other poems are, for a true poet, as powerful as his own dreams and as formative as his domestic childhood." In addition to developing this theory, Bloom wrote several books on sacred texts. In The Book of J, he suggested that some of the oldest parts of the Bible were written by a woman.

The Book of J was a bestseller, but it was the 1994 publication of The Western Canon that made the critic-scholar a household name. In it, Bloom decried what he called the "School of Resentment" and the use of political correctness as a basis for judging works of literature. His defense of the threatened canon formed, according to The New York Times, a "passionate demonstration of why some writers have triumphantly escaped the oblivion in which time buries almost all human effort."

Bloom placed Shakespeare along with Dante at the center of the Western canon, and he made another defense of Shakespeare's centrality with Shakespeare: The Invention of the Human, an illuminating study of Shakespeare's plays. How to Read and Why (2000) revisited Shakespeare and other writers in the Bloom pantheon, and described the act of reading as both a spiritual exercise and an aesthetic pleasure.

Recently, Bloom took up another controversial stance when he attacked Harry Potter in an essay for The Wall Street Journal. His 2001 book Stories and Poems for Extremely Intelligent Children of All Ages advanced an alternative to contemporary children's lit, with a collection of classic works of literature "worthy of rereading" by people of all ages.

The poet and editor David Lehman said that "while there are some critics who are known for a certain subtlety and a certain judiciousness, there are other critics... who radiate ferocious passion." Harold Bloom is a ferociously passionate reader for whom literary criticism is, as he puts it, "the art of making what is implicit in the text as finely explicit as possible."

Good To Know

Bloom earned his Ph.D. from Yale University in 1955 and was hired as a Yale faculty member that same year. In 1965, at the age of 35, he became one of the youngest scholars in Yale history to be appointed full professor in the department of English. He is now Sterling Professor of Humanities at Yale and Berg Visiting Professor of English at New York University.

Though some conservative commentators embraced Bloom's canon as a return to traditional moral values, Bloom, who once styled himself "a Truman Democrat," dismisses attempts by both left- and right-wingers to politicize literature. "To read in the service of any ideology is not, in my judgment, to read at all," he told a New York Times interviewer.

His great affinity for Shakespeare has put Bloom in the unlikely position of stage actor on occasion; he has played his "literary hero," port-loving raconteur Sir John Falstaff, in three productions.

Bloom is married to Jeanne, a retired school psychologist whom he met while a junior faculty member at Yale in the 1950s. They have two sons.

    1. Also Known As:
      Harold Irving Bloom (full name)
    2. Hometown:
      New York, New York and New Haven, Connecticut
    1. Date of Birth:
      July 11, 1930
    2. Place of Birth:
      New York, New York
    1. Education:
      B.A., Cornell University, 1951; Ph.D., Yale University, 1955

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