Shadow People

Shadow People

by James Swain

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In Shadow People, national bestselling author James Swain's brilliant follow-up to Dark Magic, magician Peter Warlock has a dark secret. A psychic who peers into the future, he is able to use the information to alert the authorities to pending trouble. During a séance Peter is confronted by a group of evil spirits called shadow people, beings

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In Shadow People, national bestselling author James Swain's brilliant follow-up to Dark Magic, magician Peter Warlock has a dark secret. A psychic who peers into the future, he is able to use the information to alert the authorities to pending trouble. During a séance Peter is confronted by a group of evil spirits called shadow people, beings who have the power to kidnap a person's soul. Peter is taken to another plane, where he confronts a serial killer about to claim his next victim. It's a harrowing encounter that Peter only barely manages to survive.
The shadow people aren't done with Peter. They ransack his brownstone and terrify his girlfriend, then go after his friends. Peter realizes that the shadow people are connected to the serial killer, whom he has nicknamed Dr. Death. He also learns that Dr. Death is a member of the Order of Astrum, a group of evil psychics who murdered his parents years ago.
Peter has only a few days to help the police figure out Dr. Death's identity before the serial killer claims his next victim.

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Editorial Reviews

Publishers Weekly
Now you see it, now you don’t: Swain, a magician himself, takes the concept of a psychic conjurer pursued by dark spirits and spins it into pedestrian straw in this supernatural thriller, a sequel to 2012’s Dark Magic. Magician Peter Warlock, who was born with an internal demon that he struggles to control, lives in parallel worlds of good and evil. Amorphous “shadow people” shanghai him into the near future, where he pursues “Dr. Death,” a serial killer of women who do good deeds. Back in his own time, Peter, supported by nonpsychic girlfriend and stage assistant Liza and FBI agent Garrison, fends off his own destructive impulses, the forces of Satan, and the spells of a lustful young witch. Lame dialogue, flat characterizations, partially undigested lumps of stage magic history, and lapses in credibility (how could a tattoo artist embellish 90% of his own body?) reveal the creaky apparatus behind this ambitious but unconvincing fictional sleight-of-hand. Agent: Robin Rue, Writer’s House. (June)
Library Journal
Psychic Peter Warlock's act as a stage magician is a cover for his use of real magic. That cover is nearly blown when a dark spirit known as a "shadow person" kidnaps his assistant in the middle of a show and drags Peter into the hunt for a demon-possessed serial killer. It's a race against time that pits Peter and his friends, the Friday Night Psychics, against his old enemies, the Order of Astrum, while Peter tries to decide if he can have a long-term relationship with a woman who knows about his powers but isn't part of the supernatural world. If Peter doesn't figure out the serial killer's real agenda, though, he won't have to worry about the long-term of anything. VERDICT Swain's sequel to Dark Magic has all the hallmarks of the middle book in a trilogy. The demon-possessed serial killer is merely a pawn of higher powers, and so is Peter. It's all a test. There had better be another volume, as the book ends on a jaw-dropping cliffhanger. Still it's an enjoyable way for readers who liked the first book or who await Jim Butcher's next "Dresden Files" entry.—Marlene Harris, Seattle P.L.
Kirkus Reviews
Swain's latest thriller featuring magician and psychic Peter Warlock. Having survived the previous thriller Dark Magic (2012), Warlock would clearly prefer to stick to his magic shows, where he excels. The trouble is that shadow people from the spirit world seem determined to give him grief. Are they evil? They certainly seem so. He gets pulled through a dark mirror into a different place and time, where the devil's deputies mean him only the vilest of fates. Luckily, he has his faithful girlfriend, Liza, to try pulling him back. The plot requires suspension of disbelief, as characters die in one world and un-die in the other. Horrible things happen and then un-happen. One minute, Warlock is in his bedroom, and the next minute, he's on the other side facing Dr. Death on a lonely dirt road. And then he's back again. One minute, a man's head is severed, and the next minute, it's reattached. Though not exactly a superhero, Warlock is reminiscent of Peter Parker of Spiderman fame, with those special powers that are both his blessing and his curse and a girlfriend who tries to ground him in the here and now. This comparison is hardly a criticism, as many readers like to lose themselves in a well-crafted alternate reality. Warlock is a likable and multilayered hero, a good man who must face his dark childhood secrets and his own capacity for evil. He is lucky to have Liza, whose humanity saves him from himself more than once. But Holly, a witch, loves him too. Will she ruin his life? Swain is a master storyteller who fills his scenes with action. The book stands alone quite well, but fans will be glad to know that it carries the virtual promise of a sequel. The battle against evil never ends. A fine read for lovers of escapist fiction.

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Product Details

Blackstone Audio, Inc.
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Shadow People

By James Swain

Tom Doherty Associates

Copyright © 2013 James Swain
All rights reserved.
ISBN: 978-1-4299-4308-6


Something didn't feel right.

It wasn't the setting. Milly Adams's luxurious apartment in the Dakota on New York's fashionable Upper West Side looked as magnificent as ever. Laid out like a photo spread in a glossy home furnishings magazine, each piece of antique furniture was in its proper place, as were the exquisite wall decorations and fresh-cut flowers.

Nor was it the other guests sitting at the table with Peter Warlock. In fact, the group of psychics gathered in Milly's apartment on this particular Friday evening were the young magician's most trusted friends. It consisted of Max Romeo, a retired magician who'd trained Peter in the art of legerdemain; Lester Rowe, a puckish Scotsman who gave psychic readings out of his Lower East Side apartment, and ventured north of 14th Street only to attend Milly's weekly séances; Milly's beautiful if somewhat spoiled niece Holly, a sophomore at Columbia and an aspiring witch; and the group's newest member, a blind African-American psychic named Homer, who made his living telling fortunes beneath the arch in Washington Square Park in Greenwich Village.

Everything looked the same, yet something wasn't right. Peter could feel it in his bones. He'd been leading the Friday night séances since his teens, his ability to channel the dead far greater than that of the other psychics in the room.

The clock on the mantel struck midnight. Striking a single wooden match, the young magician lit the three white candles sitting on the dining room table. "Ready for takeoff?"

"Ready," the others replied.

They clasped hands and formed a circle. Staring into the flames, Peter began to recite the mystic words that would grant him entry to the world where the spirits resided.

In darkness, I see light: in daylight, I see night. Shadows as bright as sunshine, the blind able to see. This is the world we wish to enter.

A movement caught his eyes, and he stopped. On the far wall, a quivering black mass danced beside the portrait of Mary Glover, an infamous Salem witch from whom Milly was directly descended. Peter had never seen anything quite like it. Without warning, the mass slipped into a crack in the wall, and vanished without a trace.

"I just saw something really strange," Peter announced.

"Was it a ghost?" Holly asked, sitting to his right.

"Not like any I've ever seen."

"What was different about it?"

"It didn't have a face."

"Come on. All ghosts have faces."

"I know they do. But this one didn't."

As everyone at the table knew, every ghost had a face, as well as a voice, and sometimes a warped personality as well. "You must be imagining things," Holly teased him.

"You're right. After all, there are no such things as ghosts, are there?"

They all laughed. Ghosts and spirits were everywhere, yet people refused to acknowledge them. Instead, they convinced themselves they were imagining things, or that their eyes were playing tricks on them.

"Whatever it was, it's gone now," Peter said. "Let's resume. Is everyone ready?"

His friends nodded in unison.

"Good. Here we go."

A séance was a ritual with a strict set of rules. Peter snuffed the three candles on the table with his fingertips, then relit them using another wooden match. They again joined hands, and he repeated the mystic words that allowed him entry to the spirit world.

A jolt of electricity went straight up his spine. His world turned dark as his spirit left his physical body and transported itself to the parallel world where the spirits dwelled. He likened the experience to falling down a mine shaft, his arms and legs flailing helplessly in the air.

Finally his fall ended, and he found himself inside a basement with a low, claustrophobic ceiling with exposed beams, a rattling furnace, and a naked bulb hanging by a cord that swung eerily back and forth. It felt like the set of a teenage slasher movie, and he took a deep breath, wondering where in God's name he was.

Every Friday night, the spirits took him on a dark journey. Sometimes, they sent him into the past, while other times, he was plunged headlong into the future. No two journeys were ever the same. Tonight's had started badly, and he hoped things would improve.

The sound of a voice caught him by surprise, and he spun around. On the other side of the basement, an overweight man wearing corduroy pants and a blazer with sandy patches on the elbows stood by a worktable. He had a neatly trimmed beard and glasses, and looked like a college professor. He was also talking to himself, and had no idea that Peter was there.

Peter found the man's appearance odd. Normally, the people he encountered on the other side were downright evil and engaged in unspeakable acts. This fellow wasn't even mildly scary, and Peter wondered if the spirits had dropped him in the wrong house.

Only the spirits didn't make mistakes. He edged up next to the man, and noted the items lying on the worktable. There was a handgun, a hunting knife, a ball of twine, nickel-plated handcuffs, a black hood, and a bottle of clear liquid. Definitely not the type of stuff most college professors carried around. He picked up the bottle of clear liquid and read the label.


Looks could be deceiving. The man was either a kidnapper or a killer.

Or he was both.

That must have been why the spirits had brought him here. To stop a madman.

But who was he? Where did he live? And what did he do for a living? Peter needed that one clue that would help him tip off the police. It didn't have to be much. Once he had it, the spirits would whisk him back to Milly's place, the séance would end, and the Friday night psychics would go about the task of figuring out their killer's identity. Once they did, an anonymous call would be made to Special Agent Garrison, his friend with the FBI, and the wheels would be set in motion for the killer to be brought to justice.

He looked around the basement for a meaningful clue, but came up empty. Then he had an idea. He'd memorize their killer's features, and pass them on to Garrison, who would find the man in one of the FBI's endless databases.

Peter studied the killer from head to toe. He needed to give him a name; it would make him easier to remember. Dr. Death seemed appropriate. Dr. Death it was.

Dr. Death consulted his watch and made a face. "Look at the time," he muttered, and began to place the items on the table into the various pockets of his blazer. Before putting the gun away, he checked the chamber. All six bullets were there. Dr. Death slipped the weapon into his jacket with a little smile. "Uh-oh," he said aloud. "What's this?" He pulled a pearl necklace from the same pocket, and shook his head in displeasure.

"We're getting sloppy," he scolded himself.

A dresser stood beside the worktable. Dr. Death pulled open the top drawer. It contained a woman's skirt, neatly folded, and matching blouse. Lying on the blouse was a pair of gold hoop earrings, a gold necklace, and a gold lamé purse.

"Not Mary," he said.

Dr. Death shut the drawer, and pulled open the one beneath it. Another wardrobe consisting of a pair of faded blue jeans, neatly folded, a navy sweater, gold stud earrings, a diamond necklace, and a pocketbook.

"Not Joan."

The third drawer contained another set of women's clothes, meticulously kept, along with jewelry and a small handbag.

"Not Kelly."

The fourth drawer contained similar items as the first three.

"Not Diane."

And so did the fifth.

"Not Christine."

Opening the bottom drawer, he said, "Ah, yes, these were Edie's. Such a charming girl," and laid the strand of pearls atop a pink blouse before shutting the drawer.

Peter had watched enough TV cop shows to know what he was seeing. He'd been brought to the lair of a serial killer, and the dresser was his trophy collection of his victims' personal belongings. But who were the victims? And who was Dr. Death? The spirits were mean that way; they told him next to nothing, and forced him to figure out the rest.

Dr. Death went up a creaky flight of stairs like he had bad knees. Peter followed him to the first floor, and entered a kitchen with a yellow linoleum floor and ancient appliances. The light was better here. He was as plain as a loaf of white bread. His only distinguishing feature were his eyes. They were black and utterly soulless. Dr. Death again consulted his watch. "Look at the time. I'd better hurry, or Rachael will think I've stood her up."

Was Rachael his next victim? If the items on the worktable were any indication, she was. Peter looked around the kitchen for a piece of mail, or something that might have Dr. Death's name, or his address. Lying on the counter was an upside-down copy of the New York Times. A label on the cover said it was the Westchester County edition, an affluent suburb north of the city. Dr. Death went out the front door, whistling under his breath.

Peter was right on his heels. A black four-door Volvo sedan sat in the drive. A full moon cast an eerie patina off the car's windshield. Volvos were practical cars, and it only confirmed Peter's suspicion that Dr. Death was indeed a doctor. Dr. Death got behind the wheel, and fired up the engine. It took several starts before coming to life.

Peter moved to the back of the vehicle, hoping to catch the license plate. To his surprise, the Volvo took off in reverse, nearly hitting him as it raced past. The vehicle braked a few yards behind him with a rubbery squeal, the headlights catching him within their twin beams. The driver's window lowered, and Dr. Death stuck his head out.

"Thought I didn't know you were there, didn't you?" he shouted.

Peter froze. Normally when he journeyed to the other side, he was invisible to everyone he came in contact with. For Dr. Death to have seen him meant only one thing — he was in league with the Devil.

"Say something, before I run you down!" Dr. Death shouted.

"Nice to meet you," Peter said lamely.

"Very funny. Who sent you?"

"The spirits. Who do you think?"

"You're not the first one they've sent. They've been after me for some time. I suppose they'd like me to stop killing their little darlings."

"What happened to the others?"

"I got rid of them, just as I'm going to get rid of you."

"What about the women?"

"What women?"

"Mary, Joan, Kelly, Diane, Christine, and Edie."

"How clever. You memorized their names."

"Will you tell me why you killed them?"

"Let's just say I enjoy spreading misery, one bad deed at a time."

"The spirits will stop you eventually. You must know that."

"They haven't so far. Do you communicate with the spirits?"

Peter said that he did.

"Tell them I said hello. You're going to be joining them very soon."

The Volvo lurched forward. Peter could just as easily perish here as in the real world, and he feinted to his left, before bolting to his right. The Volvo passed with inches to spare.

"Asshole," he yelled.

A thick hedge ran parallel to the drive. Peter leapt through it, the branches tearing at his face and hands. A steep hill awaited him on the other side. His momentum carried him forward, and he went helter-skelter down the side.

"Get me out of here," he begged the spirits.

Nothing happened. Normally, the spirits responded quickly when he needed help. He came to a hard stop at the bottom. The Volvo was racing down the hill with Dr. Death leaning out the window, aiming his pistol. He squeezed off a round, and the bullet kicked up dust at Peter's feet.

He ran for his life. Other houses lined the hill, their light casting a muted glow into the night. He'd been having a pretty decent day until now. It wasn't the first time the spirits had pulled the rug out from under him. They were rotten that way, and he sometimes wondered if they were truly his friends.

Another shot rang out. This time, he was not so lucky, and he grabbed his wounded thigh and hobbled over to the side of the road.

There was nowhere to hide. Was this the end? He'd always imagined himself old and gray when the time came. Never had he thought he'd be twenty-five and in the prime of his life.

The Volvo braked, and Dr. Death climbed out. A warped smile distorted his face.

"Get on your knees."

Peter fell to his knees. He needed to buy some time. Perhaps Dr. Death would give him a final cigarette, or let him have a last meal.

Fat chance.

"Want to say something before I shoot you?" Dr. Death asked.

"Tell me why you killed those women," Peter said.

"Why do you care?"

"I just do. Think of it as a dying request."

"How touching. Very well, I'll tell you why. I kill those who push back at the darkness. As a psychic, I'm sure you understand what that means."

Peter certainly did. The war of good versus evil was fought on many levels. Dr. Death wasn't just killing innocent women. His victims were involved in good deeds, which made them the enemies of Satan. That was what he meant by pushing back at the darkness.

The gun's warm barrel pressed against the side of his head. A jolt of electricity ran up his spine as he was pulled back to the other side.

Hurry, he thought.

Then the shot rang out.



How many times had Holly said his name like that? More than he could remember. Friends since childhood, she'd always been yelling his name.

Peter came back to the real world in a hurry, and found himself lying on the dining room floor in Milly's apartment, his overturned chair beside him. He lifted his head to glance at his leg. No bullet wound. That part of his trip had not come back with him. So much for small favors.

Max and Milly knelt beside him. They'd taken turns raising him after his parents had died. Most people were lucky if they had one set of parents. He'd been blessed to have two.

"How long have I been under?" he asked.

"Just a few minutes," Max replied.

"Are you all right?" Milly wanted to know.

"Yes, I think so."

"Tell us what happened," Holly said, hovering behind them.

Peter pulled himself up to a sitting position and took a deep breath. The memory was starting to fade, no different from the way a dream faded upon awakening. "I was taken to see one of Satan's disciples. I need to write down what I saw before I forget."

"Holly, please get some paper and a pen from my study," Milly said.

Her niece hurried from the room. Peter got to his feet, righted his chair, and parked himself in it. Max pulled a handkerchief from his pocket, and draped it over his palm. Whisking it away, he produced a tall glass of water, which he handed to his student.

"Drink this. It will make you feel better."

Peter sipped the water. Max had fooled him, and he would stay up late into the night wondering where the glass had been hidden, and how Max had produced it without spilling a single drop. Max's repertoire was endless, his knowledge of all things magical unsurpassed.

"I found a new evil," Peter told his teacher. "I encountered a man who looked like a frumpy college professor, but in reality is a serial killer who's targeting innocent women."

"That describes most serial killers," Max replied. "I read in a book that most serial killers target prostitutes and runaways because they want victims no one will miss."

"These victims are missed. They were actively involved in doing good in the world, and they pushed back at the darkness," Peter said.

"Then he shouldn't be too difficult for the authorities to track down. I'd say you've hooked a live one."

"Or perhaps he hooked you," Homer said, his cane tapping the floor.

For a blind man, Homer had an uncanny way of seeing things. Peter had been hooked, and knew he was lucky to have escaped with his life. Holly returned with a pad and pen, and pulled up a chair. "You talk, and I'll write," she said.

Peter described his encounter with Dr. Death with Holly transcribing. Tomorrow, he would contact the FBI, and pass along the information in the hopes they'd be able to track down the serial killer. Peter's name would be kept out of it, along with the rest of the Friday night psychics. That was the deal he'd struck with Garrison after he'd helped the FBI stop a madman from releasing a canister of deadly nerve gas in Times Square. So far, the arrangement had worked pretty well.

When he was done, Holly read aloud what she'd written. It was exactly as he remembered it. Now it was his job to try and stop Dr. Death from carrying out his grim task. So far, he'd been successful in preventing many bad things from happening, but deep down, he knew that every streak came to an end. Even the best struck out sometimes.


Excerpted from Shadow People by James Swain. Copyright © 2013 James Swain. Excerpted by permission of Tom Doherty Associates.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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