The New York Times
Shadow Yearby Jeffrey Ford
Jeffrey Ford’s writing has been compared to Kafka, Dante, and Caleb Carr. In this powerful tale he turns his talents to nostalgia and youth, bringing the optimism and dark underbelly of 1960s small-town suburbia to life. THE SHADOW YEAR is a time marked by strange events for one particular Long Island sixth grader: a classmate disappears; a man in a large white car… See more details below
Jeffrey Ford’s writing has been compared to Kafka, Dante, and Caleb Carr. In this powerful tale he turns his talents to nostalgia and youth, bringing the optimism and dark underbelly of 1960s small-town suburbia to life. THE SHADOW YEAR is a time marked by strange events for one particular Long Island sixth grader: a classmate disappears; a man in a large white car appears; a peeping tom prowls the neighborhood; the school librarian goes crazy. The narrator and his older brother, Jim, keep track of these events in “Botch Town,” a neighborhood of cardboard houses and clay figures that they build in their basement.
But then the brothers realize that their younger sister, Mary, is secretly rearranging the clay figures -- changes that are soon reflected in actual events. With the help of their sister, the brothers investigate the disappearance of a neighborhood boy and make a discovery that will cast a long shadow across their lives.
The New York Times
The Washington Post
In Edgar-winner Ford's disappointing sixth novel, the narrator-a nameless boy growing up on suburban Long Island in the mid-1960s-spends what remains of his summer vacation roaming the neighborhood with his older brother, Jim. At home, money is tight, forcing their father to work three jobs while their mother drinks herself to sleep every night. A prowler may be loose on the streets, and the narrator and Jim see a menacing man in a white car lurking near their house and school. When a local boy disappears soon after school starts, the narrator and Jim are sure "Mr. White" is responsible. They turn to their younger sister, Mary, for help, after she mysteriously moves figurines in the boys' model town, reflecting events before they've occurred. The stage is set for suspense, yet Ford (The Girl in the Glass) deflates it at every opportunity with his unresolved subplots. Instead of building to a thrilling climax, the story peters out and loose ends are either forgotten or tied up too neatly. (Mar.)Copyright 2007 Reed Business Information
Strange things are happening in a small Long Island community-a child disappears, a large, white car no one recognizes is seen creeping around, there's a smell of pipe smoke at odd times, and a Peeping Tom is scaring women at night. When the narrator, an introspective sixth-grade boy who likes detective stories, and his older brother decide to track the culprit, they set up a model of their town in the basement only to discover that their younger sister is predicting future events by moving the figures around. Edgar Award-winning author Ford (Girl in the Glass ) perfectly captures life in small-town America in 1960, when the harsh realities of urban life-murder, child abduction, alcoholism, latchkey children-began affecting families like the narrator's. Spooky and hypnotic, this thoroughly enjoyable page-turner may remind some readers of Robert McCammon's Boy's Life , which evokes a similar nostalgic feel of the time period along with a corresponding mystery element to resolve. Recommended for all public libraries.-Kellie Gillespie, City of Mesa Lib., AZCopyright 2006 Reed Business Information.
- HarperCollins Publishers
- Publication date:
- Product dimensions:
- 6.00(w) x 9.00(h) x 1.01(d)
Read an Excerpt
The Shadow Year
By Jeffrey Ford William Morrow
Copyright © 2008
All right reserved.
Chapter One The Eyes
It began in the last days of August, when the leaves of the elm in the front yard had curled into crisp brown tubes and fallen away to litter the lawn. I sat at the curb that afternoon, waiting for Mister Softee to round the bend at the top of Willow Avenue, listening carefully for that mournful knell, each measured ding both a promise of ice cream and a pinprick of remorse. Taking a cast-off leaf into each hand, I made double fists. When I opened my fingers, brown crumbs fell and scattered on the road at my feet. Had I been waiting for the arrival of that strange changeling year, I might have understood the sifting debris to be symbolic of the end of something. Instead I waited for the eyes.
That morning I'd left under a blue sky, walked through the woods and crossed the railroad tracks away from town, where the third rail hummed, lying in wait, like a snake, for an errant ankle. Then along the road by the factory, back behind the grocery, and up and down the streets, I searched for discarded glass bottles in every open garbage can, Dumpster, forgotten corner. I'd found three soda bottles and a half-gallon milk bottle. At the grocery store, I turned them in for the refund and walked away with a quarter.
All summer long, Mister Softee had this contest going. With each purchase of twenty-five cents or more, he gave you a card: On the front was a small portrait of the waffle-faced cream being pictured on the side of the truck. On the back was a piece of a puzzle that when joined with seven other cards made the same exact image of the beckoning soft one, but eight times bigger. I had the blue lapels and red bow tie, the sugar-cone-flesh lips parted in a pure white smile, the exposed towering brain of vanilla, cream-kissed at the top into a pointed swirl, but I didn't have the eyes.
A complete puzzle won you the Special Softee, like Coney Island in a plastic dish-four twirled Softee-loads of cream, chocolate sauce, butterscotch, marshmallow goo, nuts, party-colored sprinkles, raisins, M&M's, shredded coconut, bananas, all topped with a cherry. You couldn't purchase the Special Softee-you had to win it, or so said Mel, who through the years had come to be known simply as Softee. Occasionally Mel would try to be pleasant, but I think the paper canoe of a hat he wore every day soured him. He also wore a blue bow tie, a white shirt, and white pants. His face was long and crooked, and at times, when the orders came too fast and the kids didn't have the right change, the bottom half of his face would slowly melt-a sundae abandoned at the curb. His long ears sprouted tufts of hair as if his skull contained a hedge of it, and the lenses of his glasses had internal flaws like diamonds. In a voice that came straight from his freezer, he called my sister, Mary, and all the other girls "sweetheart."
Earlier in the season, one late afternoon, my brother, Jim, said to me, "You want to see where Softee lives?" We took our bikes. He led me way up Hammond Lane, past the shoe store and the junior high school, up beyond Our Lady of Lourdes. After a half hour of riding, he stopped in front of a small house. As I pulled up, he pointed to the place and said, "Look at that dump."
Softee's truck was parked on a barren plot at the side of the place. I remember ivy and a one-story house, no bigger than a good-size garage. Shingles showed their zebra stripes through fading white. The porch had obviously sustained a meteor shower. There were no lights on inside, and I thought this strange because twilight was mixing in behind the trees.
"Is he sitting in there in the dark?" I asked my brother.
Jim shrugged as he got back on his bike. He rode in big circles around me twice and then shot off down the street, screaming over his shoulder as loud as he could, "Softee sucks!" The ride home was through true night, and he knew that without him I would get lost, so he pedaled as hard as he could.
We had forsaken the jingle bells of Bungalow Bar and Good Humor all summer in an attempt to win Softee's contest. By the end of July, though, each of the kids on the block had at least two near-complete puzzles, but no one had the eyes. I had heard from Tim Sullivan, who lived in the development on the other side of the school field, that the kids over there got fed up one day and rushed the truck, jumped up and swung from the bar that held the rearview mirror, invaded the driver's compartment, all the while yelling, "Give us the eyes! The fuckin' eyes!" When Softee went up front to chase them, Tim's brother Bill leaped up on the sill of the window through which Softee served his customers, leaned into the inner sanctum, unlatched the freezer, and started tossing Italian ices out to the kids standing at the curb.
Softee lost his glasses in the fray, but the hat held on. He screamed, "You little bitches!" at them as they played him back and forth from the driver's area to the serving compartment. In the end, Mel got two big handfuls of cards and tossed them out onto the street. "Like flies on dog shit," said Tim. By the time they'd realized there wasn't a pair of eyes in the bunch, Softee had turned the bell off and was coasting silently around the corner.
I had a theory, though, that day at summer's end when I sat at the curb, waiting. It was my hope that Softee had been holding out on us until the close of the season, and then, in the final days before school started and he quit his route till spring, some kid was going to have bestowed upon him a pair of eyes. I had faith like I never had at church that something special was going to happen that day to me. It did, but it had nothing to do with ice cream. I sat there at the curb, waiting, until the sun started to go down and my mother called me in for dinner. Softee never came again, but as it turned out, we all got the eyes.
Excerpted from The Shadow Year by Jeffrey Ford Copyright © 2008 by Jeffrey Ford . Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
What People are saying about this
and post it to your social network
Most Helpful Customer Reviews
See all customer reviews >
In a small town on Long Island in the sixties, a family is going through some tough times. Jim, his brother and their sister watched their father work himself to death doing three jobs and their mother drink her self into a stupor. They escaped to the basement where Jim and his brother built ¿Butch Town¿ a cardboard representation of their neighborhood populated with action figures and match box cars.---------------- Their sis Mary who is in class X in school because they are not sure if she is very bright or simpleminded changes things in ¿Butch Town¿ and those things she alters come true. She removes the figure of a boy and the next day people discover he is missing nobody finds him. A neighbor Mr. Baritzar is found in snow with his neck broken by a snow plow Mary took his figure off the board earlier. The boys believe a stranger ¿Mr. White¿ is behind the disappearances and Mary traces him on Butch town. A former resident now eighteen years old returns to deal with Mr. White and he is willing to help the three siblings.------------- This interesting fiction is an amalgamation of mysticism, imagination and mystery. The twelve-year old narrator keeps a chronicle of the goings on in the town for the year and since the story is told in his first person, readers get into the heart of an adolescent young boy. The atmosphere is gothic in which reality and the supernatural meet to form a book well worth reading.------- Harriet Klausner
This book is well written and just draws you in, it's like he's reliving a memory not telling a story. So deatailed the characters leap off the page, the story is interesting and takes you deeper and deeper. I would not call this a thriller but more of a progressive mystery. I just downloaded another one of his books, a fan for life!
This was an intense novel. It really and truly was, and it is elegantly written and well-done. Our narrator is a nameless sixth grader, the middle of three children in a family struggling to get by. This is very much the year he comes of age, where he awakens to the world. Its a story of families and siblings. Its a story where our narrator sees that the world loses it's soft edges and where a boy discovers that safety is an illusion and that everything has teeth. That is WHY its so intense, because it is all too real how the narrator discovers child molestation, death, sex, and the myths that childhood is grounded in. Though your own experiences may not be as intense or similar, we all remember when we started to figure out that our parents can't protect from us everything, that sometimes parents need protecting, and that the world isn't safe. It captures the fears and doubts of that age perfectly. Its set in the lush background of the sixties, in a land without pop culture permeating everything. And in this world where horrors are not quite yet real, it is totally believable when the author weasels in hints of the supernatural. It makes the book more unsettling and increases the intensity. I didn't feel the need to question the paranormal elements, and our narrator feels much the same, because magic is easier to believe when you're young. The writing is strong, very visual. There are only a few stutters, the biggest flaw being the author's assumption that you can totally remember the names of characters mentioned fleetingly one hundred pages ago (especially since so many names sound alike almost everyone's last name starts with an 'H'!). But this is a small flaw, and the only one that really niggled at me. Still, you may need to build your own 'Botch Town' to keep track of who's who! I didn't expect to like this book, the first few pages were a little difficult for me. But I found myself engrossed and unable to put it down halfway through - it was so easy to slip into this world and accept it unquestioningly. I recommend it very strongly for those that like books like 'The Lovely Bones' and who enjoy straight fiction. It may not be as life-altering as that work, but it has a similar feel to it, and it is really thoroughly enjoyable.
Along the flatlands is a large, flower filled prairie. Mainly splashes of purple and yellow, with some blue and red, this is a fun place to go to, as it is very lively.