Shadows of the Gunmen: Violence and Culture in Modern Ireland
The first interdisciplinary study of violence and the modern Irish experience, Shadows of the Gunmen contributes to both Irish studies and the broader examination of violence in the modern world. Providing both examples of and an introduction to recent scholarship that addresses the representations of violence, Shadows of the Gunmen probes the connections between political/historical violence and aesthetic representations thereof.



Scholars have long understood the key roles played by violence in the making of modern Ireland. In recent years, studies on violence have become increasingly creative and sophisticated, as scholars have used new analytical lenses to confront the real challenges faced in "writing violence." Much of the best work in this new literature examines the complex relationships between violence and its representation. Shadows of the Gunmen provides a coherent introduction to the latest scholarship. With essays from historians, film scholars, literary critics, and philosophers, Shadows of the Gunmen is both relevant to the particular Irish experience and the broader contemporary world. Violence may not speak, but violence is represented and these depictions are continually interrogated and/or contested in public and private arenas across Ireland and abroad. This volume of essays will explore and probe the connection between political/historical violence and aesthetic representations of such violence. The first interdisciplinary study of violence and the modern Irish experience, Shadows of the Gunmen is a major contribution to both Irish studies and the broader examination of violence in the modern world.
1111470636
Shadows of the Gunmen: Violence and Culture in Modern Ireland
The first interdisciplinary study of violence and the modern Irish experience, Shadows of the Gunmen contributes to both Irish studies and the broader examination of violence in the modern world. Providing both examples of and an introduction to recent scholarship that addresses the representations of violence, Shadows of the Gunmen probes the connections between political/historical violence and aesthetic representations thereof.



Scholars have long understood the key roles played by violence in the making of modern Ireland. In recent years, studies on violence have become increasingly creative and sophisticated, as scholars have used new analytical lenses to confront the real challenges faced in "writing violence." Much of the best work in this new literature examines the complex relationships between violence and its representation. Shadows of the Gunmen provides a coherent introduction to the latest scholarship. With essays from historians, film scholars, literary critics, and philosophers, Shadows of the Gunmen is both relevant to the particular Irish experience and the broader contemporary world. Violence may not speak, but violence is represented and these depictions are continually interrogated and/or contested in public and private arenas across Ireland and abroad. This volume of essays will explore and probe the connection between political/historical violence and aesthetic representations of such violence. The first interdisciplinary study of violence and the modern Irish experience, Shadows of the Gunmen is a major contribution to both Irish studies and the broader examination of violence in the modern world.
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Shadows of the Gunmen: Violence and Culture in Modern Ireland

Shadows of the Gunmen: Violence and Culture in Modern Ireland

by Danine Farquharson (Editor)
Shadows of the Gunmen: Violence and Culture in Modern Ireland

Shadows of the Gunmen: Violence and Culture in Modern Ireland

by Danine Farquharson (Editor)

Hardcover

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Overview

The first interdisciplinary study of violence and the modern Irish experience, Shadows of the Gunmen contributes to both Irish studies and the broader examination of violence in the modern world. Providing both examples of and an introduction to recent scholarship that addresses the representations of violence, Shadows of the Gunmen probes the connections between political/historical violence and aesthetic representations thereof.



Scholars have long understood the key roles played by violence in the making of modern Ireland. In recent years, studies on violence have become increasingly creative and sophisticated, as scholars have used new analytical lenses to confront the real challenges faced in "writing violence." Much of the best work in this new literature examines the complex relationships between violence and its representation. Shadows of the Gunmen provides a coherent introduction to the latest scholarship. With essays from historians, film scholars, literary critics, and philosophers, Shadows of the Gunmen is both relevant to the particular Irish experience and the broader contemporary world. Violence may not speak, but violence is represented and these depictions are continually interrogated and/or contested in public and private arenas across Ireland and abroad. This volume of essays will explore and probe the connection between political/historical violence and aesthetic representations of such violence. The first interdisciplinary study of violence and the modern Irish experience, Shadows of the Gunmen is a major contribution to both Irish studies and the broader examination of violence in the modern world.

Product Details

ISBN-13: 9781859184240
Publisher: Cork University Press
Publication date: 03/31/2008
Pages: 236
Product dimensions: 6.13(w) x 9.25(h) x 0.99(d)

About the Author

Danine Farquharson is Assistant Professor of English Literature, Memorial University of Newfoundland.

Sean Farrell is Associate Professor of History, Northern Illinois University.

Table of Contents

Acknowledgements; Introduction—Danine Farquharson and Sean Farrell; On the Necessity of Violence in the Irish Revolution—Peter Hart; Sean O’Casey and the Dialectics of Violence—Bernice Schrank; Sexing the Rising—Men, Sex, Violence and Easter 1916—Danine Farquharson; Dash and Daring: Imperial Violence and Irish Ambiguity—Timothy G. McMahon; Writing and Orange Dolly’s Brae—Sean Farrell; Symbolic and Hyperreal Violence in the “Irish Troubles” Movie—Brian McIlroy; Undoing the Fanaticism of Meaning: Neil Jordan’s Angel—Keith Hopper; Ciaran Carson: The New Urban Poetics—Elmer Kennedy-Andrews; Memory, History, Story: Between Poetics and Ethics—Richard Kearney; Notes on Contributors; Notes and References; Bibliography; Index.
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