Introduction In the Beginning Shakespeare under the Tsars Shakespeare and National Revivals After the Bolshevik Revolution Behind the Iron Curtain Post-Communist Shakespeare Notes A Select Bibliogrpahy Index of Persons, Places, and Plays
Shakespeare and Eastern Europeby Zden&ek St%ri'Abrni'A
Pub. Date: 03/28/2000
Publisher: Oxford University Press, USA
Oxford Shakespeare Topics provides students, teachers, and interested readers with short books on important aspects of Shakespeare criticism and scholarship. Each book is written by an authority in its field, and combines accessible style with original discussion of its subject. Notes and a critical guide to further reading equip the interested reader with the
Oxford Shakespeare Topics provides students, teachers, and interested readers with short books on important aspects of Shakespeare criticism and scholarship. Each book is written by an authority in its field, and combines accessible style with original discussion of its subject. Notes and a critical guide to further reading equip the interested reader with the means to broaden research.
This is the first full account of Shakespeare's impact on the whole of Eastern and East Central Europe up to the present day. Starting with the tours of the English Comedians on the Continent during Shakespeare's lifetime and shortly after his death, it traces their routes as far as Poland (Gdánsk, Warsaw) and the core of the Habsburg Empire (Prague, Vienna, Graz). Later chapters explore the profound Shakespearean influence on Russian drama, literature, and criticism since the 18th centuryTsarina Catherine II's Russian adaptations of Merry Wives and Timon, Tolstoy's attack on King Lear, Stanislavsky's interpretation of Hamlet and Othelloand Shakespeare's major role in the national revivals in Poland, the Czech lands, Slovakia, Hungary, Romania, Slovenia, Croatia, Serbia, and Bulgaria. Chapters on Shakespeare after the Bolshevik revolution and behind the Iron Curtain deal with the appropriation of his plays for political interpretations but also with the ways his humanism became an increasingly inspiring voice of dissent from Stalinist totalitarianism.
This book evaluates the Shakespearean achievements of the film-maker Grigori Kozintsev, the poet and translator Boris Pasternak, the composers Sergei Prokofiev and Dmitry Shostakovich, and the stage designer Josef Svoboda as well as the more controversial contributions of the critic Jan Kott and the playwright and director Bertold Brecht.
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