Shakespeare Inside: The Bard Behind Bars

Shakespeare Inside: The Bard Behind Bars

Shakespeare Inside: The Bard Behind Bars

Shakespeare Inside: The Bard Behind Bars

Hardcover

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Overview

Shakespeare Inside goes behind the scenes to reveal Shakespeare at work in the most decisive institutional context of our time - in prisons. Based upon the author's experience of watching prison yard rehearsals and performances, and interviewing inmates, program directors, and wardens, Shakespeare Inside is not an objective, dispassionate account of how Shakespeare is bastardized by repressive institutions but offers a record of fiercely personal experiences. We hear ex-offender Mike Smith detail how playing Desdemona was vital to his rehabilitation; we sit in the audience of women inmates as they respond to the all-male Shakespeare Behind Bars touring production of Julius Caesar; and we listen to a chorus of unnamed voices explain how rewriting Hamlet helps them to survive solitary confinement. Shakespeare Inside probes any assumptions we might have about Shakespeare's performative function and asks what - if anything - is the proper place of Shakespeare in today's society.


Product Details

ISBN-13: 9780826486981
Publisher: Bloomsbury Academic
Publication date: 05/29/2007
Series: Shakespeare Now!
Pages: 160
Product dimensions: 5.50(w) x 8.50(h) x 0.50(d)

About the Author

Amy Scott-Douglass is an
Assistant Professor in the English department at Marymount University, outside of Washington, DC. Her scholarship on Shakespeare has appeared in Shakespeares after Shakespeare: An Encyclopedia of the Bard in Mass Media and Popular
Culture, Shakespeare the Movie Part II, The Edinburgh Companion to Shakespeare and the Arts, and Cambridge World Shakespeare
Encyclopedia.



Ewan Fernie is Chair, Professor and Fellow at The Shakespeare Institute, University of Birmingham, UK. His latest book, The Demonic: Literature and Experience, gives considerable attention to Shakespeare and Mann.

Simon Palfrey is a Fellow of Brasenose College, Oxford University. His books include Late Shakespeare: A New World of Words (Oxford, 1997); Shakespeare in Parts (Oxford, 2007), written with Tiffany Stern and awarded the Medieval and Renaissance Drama Society's David Bevington Prize for best new book; Romeo and Juliet (Short Books, 2011); and the novel Dunsinane, written with Ewan Fernie. He is the founding editor (with Fernie) of Continuum's innovative series of 'minigraphs', Shakespeare Now! His new work includes a book on possible worlds in early modern drama and philosophy, and a play inspired by Spenser's Faerie Queen. His book Doing Shakespeare was published by Arden Shakespeare in 2005, reissued 2011.

Table of Contents

Acknowledgements
Act One
Shakespeare Behind Bars: Julius Caesar at Luther Luckett Correctional Complex
Spiritual Shakespeare: Criminality and the Discourse of Conversion

Act Two
"Words Before Blows": Sammie Byron, Brutus
"Most Noble Brother, You Have Done Me Wrong": DeMond Bush, Mark Antony
"Have You Not Love Enough to Bear with Me?": Ron Brown, Cassius

Intermission: Othello: Unplugged at Luther Luckett Correctional Complex

Act Three
The Luckett Symposium on Shakespeare and Race: Titus Andronicus, Merchant of Venice, and Othello
"George Bush Doesn't Care about Black People": Agnes Wilcox's Julius Caesar at Northeast Correctional Center


Act Four
"Romans, Countrymen, Lovers!": The Shakespeare Behind Bars Tour at the Kentucky Correctional Institute for Women
"Unsex Me Here": Playing the Lady at Luckett
Rapshrew: Jean Trounstine and the Framingham Women's Prison

Act Five
A Visit with Warden Larry Chandler
Desdemona Speaks: Mike Smith on the Outside
Shakespeare in Solitary: "To Revenge or to Forgive?": Laura Bates' Hamlet and Othello at the Wabash Valley Correctional Facility

Epilogue

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