Shakespeare: For All Time

Overview


From the entry of Shakespeare's birth in the Stratford church register to a Norwegian production of Macbeth in which the hero was represented by a tomato, this enthralling and splendidly illustrated book tells the story of Shakespeare's life, his writings, and his afterlife.
Drawing on a lifetime's experience of studying, teaching, editing, and writing about Shakespeare, Stanley Wells combines scholarly authority with authorial flair in a book that will appeal equally to the ...
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Overview


From the entry of Shakespeare's birth in the Stratford church register to a Norwegian production of Macbeth in which the hero was represented by a tomato, this enthralling and splendidly illustrated book tells the story of Shakespeare's life, his writings, and his afterlife.
Drawing on a lifetime's experience of studying, teaching, editing, and writing about Shakespeare, Stanley Wells combines scholarly authority with authorial flair in a book that will appeal equally to the specialist and the untutored enthusiast. Chapters on Shakespeare's life in Stratford and in London offer a fresh view of the development of the writer's career and personality. At the core of the book lies a magisterial study of the writings themselves--how Shakespeare set about writing a play, his relationships with the company of actors with whom he worked, his developing mastery of the literary and rhetorical skills that he learned at the Stratford grammar school, the essentially theatrical quality of the structure and language of his plays. Subsequent chapters trace the fluctuating fortunes of his reputation and influence. Here are accounts of adaptations, productions, and individual performances in England and, increasingly, overseas; of great occasions such as the Garrick Jubilee and the tercentenary celebrations of 1864; of the spread of Shakespeare's reputation in France and Germany, Russia and America, and, more recently, the Far East; of Shakespearian discoveries and forgeries; of critical reactions, favorable and otherwise, and of scholarly activity; of paintings, music, films and other works of art inspired by the plays; of the plays' use in education and the political arena, and of the pleasure and intellectual stimulus that they have given to an increasingly international public.
Shakespeare, said Ben Jonson, was not of an age but for all time. This is a book about him for our time.
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Editorial Reviews

Library Journal
01/01/2014
Shakespeare scholar Wells creates sketches of the playwright's life by examining artifacts and documents. Chapters study the growth of his reputation from that of a popular London playwright to the most renowned author in the world. Color photographs and illustrations make this a particularly helpful resource. (LJ 1/03)
Publishers Weekly
One of the Shakespeare industry's most industrious scholars presents the bard's life and times, the composition and (competitive) editing of his works, the "afterlife" of his reputation and his characters' lives presented onstage. The volume combines the format of a well-illustrated coffee-table book with a distillation of scholarship for the average bardolater, if not necessarily the casual student and theatergoer. Although Wells's biographic summary is solid for all its speculative digressions and his literary criticism sound if conservative, this work hits its stride when it gets onstage, from the first performances on the recently unearthed Rose Theater to the modern productions on the newly reconstructed Globe. High points of this performance history include David Garrick's 18th-century Shakespeare franchise, Edmund Kean's scandalous precurtain rituals and Sarah Bernhardt's Hamlet, as well as such lows as Nahum Tate's popular alternate happy ending to King Lear and Shakespeare's literal bowdlerization by Thomas and Henrietta Bowdler. For modern productions, Wells's wide-ranging survey is often charged with his own experience as a theatergoer, such as seeing Olivier's "searing" Coriolanus. With contemporary scholarship, Wells gets entertainingly personal, whether describing his firsthand experience (idiosyncratically) editing the complete works for Oxford University Press's own Shakespeare department or tweaking rival A.L. Rowse for inaccuracy. There will naturally be dissension about Wells's opinions and selectivity-for instance, his assessment of Orson Welles's stagings and filmings or the extent of the Nazi regime's deplorable Shakespeare cult-but this copiously illustrated album admirably compresses more than four centuries of the bard and more than 50 years of Wells's devotion to him. (Feb.) Copyright 2003 Cahners Business Information.
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Product Details

  • ISBN-13: 9780195160932
  • Publisher: Oxford University Press, USA
  • Publication date: 1/28/2003
  • Pages: 480
  • Product dimensions: 10.00 (w) x 7.75 (h) x 1.38 (d)

Meet the Author

Stanley Wells is Emeritus Professor of Shakespeare Studies at the University of Birmingham. The Chairman of the Shakespeare Birthplace Trust and Vice-Chairman of the Royal Shakespeare Theatre, he is the General Editor of the Oxford Shakespeare series and the Oxford Complete Works. A world-renowned authority, he regularly appears on TV, radio, and in the press whenever Shakespeare is discussed.

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Table of Contents

List of Illustrations viii
Acknowledgements xvii
Preface xviii
1 Shakespeare and Stratford 1
2 Shakespeare in London 49
3 Shakespeare the Writer 100
4 The Growth of the Legend: 1623-1744 175
5 The Age of Garrick: Shakespeare Celebrated: 1741-1789 212
6 Regency and Romanticism: 1789-1843 248
7 Victorian Shakespeare: 1843-1904 293
8 From Victoria to Elizabeth: 1903-1952 336
9 Shakespeare Worldwide 369
Notes 405
Index 425
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