The Shakespeare Thefts: In Search of the First Folios

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Overview

Published in 1623, the 750 copies of the first edition of William Shakespeare’s collected works, known as the First Folio, has been sought after relentlessly by kings, earls, and bibliophiles. In his effort to track down the extant 232 copies renowned Shakespeare scholar Eric Rasmussen and his team of First Folio hunters embarked on an incredible adventure around the world. This fast-paced narrative takes us from the court rooms of England to high-security vaults in the rare book rooms of Japan, encountering thieves, reclusive librarians, and eccentric billionaires along the way, all lusting for one of the world’s most valuable books. This fascinating account explores how manuscript ...

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Overview

Published in 1623, the 750 copies of the first edition of William Shakespeare’s collected works, known as the First Folio, has been sought after relentlessly by kings, earls, and bibliophiles. In his effort to track down the extant 232 copies renowned Shakespeare scholar Eric Rasmussen and his team of First Folio hunters embarked on an incredible adventure around the world. This fast-paced narrative takes us from the court rooms of England to high-security vaults in the rare book rooms of Japan, encountering thieves, reclusive librarians, and eccentric billionaires along the way, all lusting for one of the world’s most valuable books. This fascinating account explores how manuscript hunters identify a book's past through distinguishing marks: a bullet hole, desecrated pages, and splashes of red that resemble blood; and how a book’s location and condition can reveal its story. Part literary detective story, part Shakespearean lore, The Shakespeare Thefts is a rare glimpse between the covers of one of the most coveted books in the world.

Editorial Reviews

Library Journal
Part literary history and part detective story, this is an engaging book about the known surviving copies of the 1623 First Folio, which published 36 of Shakespeare's plays. Of the 232 recorded surviving copies, the majority are in public institutions rather than private hands. Rasmussen (English, Univ. of Nevada; coeditor, RSC Complete Works of William Shakespeare) and his team of researchers were part of the global quest to catalog every extant copy. Rasmussen uses a lively, nonacademic style and engrossing anecdotes to tell us about one of history's most fascinating books. The original price of the First Folio was about £1, when the average worker made about £4 a year, and the price has climbed exponentially since then; in 2002, Paul Getty paid $7 million for a copy. Meisei University in Japan now owns a dozen folios, essentially as financial security. VERDICT Rasmussen is to be congratulated for an entertaining and informative book. Recommended for readers interested in literary and bibliographic history, Shakespeare, eccentric book collectors, and book theft. Serious students and specialists will prefer the formal study of the team's work, Anthony James West's The Shakespeare First Folio: The History of the Book (two volumes so far).—Susan L. Peters, Univ. of Texas, Galveston
Kirkus Reviews

A Shakespeare authority recounts his attempts to identify and document all extant copies of Shakespeare's First Folio of 1623.

Rasmussen (English/Univ. of Nevada) begins by reminding us of the rarity of the First Folio (232 known copies), of its immense cultural significance (without it, half the plays of the Bard would no longer exist—including The TempestandTwelfth Night) and of its physical aspects (its size, its £1 cost in 1623). The author then devotes some chapters to stories about the provenance of various copies—especially those with complicated, even violent histories. These chapters, distributed throughout, are interrupted occasionally with other segments—e.g., Rasmussen's discovery in 2005 of a painting he believed/hoped was a portrait of Shakespeare (it wasn't) and his story about an employee of Isaac Jaggard, printer of the First Folio, who left a hair stuck to the wet ink in one copy. The author also provides a terrific appendix, which readers should not skip, that tells how Elizabethans printed books and how the First Folio came to be. We learn, too, how Rasmussen assembled his team of Folio specialists and inspectors and how they created their massive census of the extant copies. He grieves about an inaccessible copy in the hands of a Japanese multimillionaire, and he tells how he once—during a bomb scare—walked out of a library with one of only two known copies of the 1603Hamlet. The author also tells numerous tales of thefts and attempted thefts. Sometimes, Rasmussen affects a patronizing, just-plain-folks diction, and probably employs more exclamation points than in all of his scholarly writing combined!

Indiana Jones, sans bullwhip, pursues the Bard.

Product Details

  • ISBN-13: 9780230341678
  • Publisher: Palgrave Macmillan
  • Publication date: 10/30/2012
  • Pages: 240
  • Product dimensions: 5.50 (w) x 8.25 (h) x 0.62 (d)

Meet the Author

Eric Rasmussen is department chair and professor of English at the University of Nevada. He is co-editor of the RSC Complete Works of William Shakespeare, the Norton Anthology of English Renaissance Drama, and of the works of Christopher Marlowe in the Oxford World's Classics series as well as individual plays in the Arden Shakespeare series, the Revels Plays series, and the Malone Society series. Since 1997, he has written the annual review of editions and textual studies for Shakespeare Survey. He lives in Reno, Nevada.


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