- Songs in Flight~Prologue: Oh Freedom. a spiritual
- Songs in Flight~In Flight. a quiet song
- Songs in Flight~Asko or Glasgow. a chaconne
- Songs in Flight~Peter. a work song
- Songs in Flight~Mud Song. a folk song
- Songs in Flight~Jack (and Paul). a field holler
- Songs in Flight~Mariah Francis. a waltz
- Songs in Flight~Matilda's Tom. an anthem
- Songs in Flight~I Go by Robert. a protest song/reprise
- Songs in Flight~Ahmaud. an elegiac lullaby
- Songs in Flight~Four Martins. a dirge
- Songs in Flight~Jubilee: Thomas Rutling (1854? - 1915). a lament/quasi reprise
- An Echo, an Ending (from Unknown)
- Time (from Three Psalmic Meditation)
- Sing, O Black Mother (from Words Like Freedom)
- I'm Sure (from Four Songs on Love)
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0735131923422
Rhiannon Giddens Primary Artist,Vocals
Karen Slack Primary Artist,Soprano (Vocal)
Shawn Okpebholo Primary Artist
Julian Velasco Saxophone
Will Liverman Baritone (Vocal)
Reginald Mobley Counter Tenor (Vocal)
Marcus Amaker Text
Tyehimba Jess Text
Beatrice Holz Text
Crystal Simone Smith Text
Tsitsi Ella Jaji Text,Liner Notes
Langston Hughes Text
Brian Porick Engineer
Shawn Okpebholo Composer,Producer,Liner Notes

Shawn E Okpebholo: Songs in Flight
by Paul Sanchez, Rhiannon Giddens, Karen Slack
Paul Sanchez

Shawn E Okpebholo: Songs in Flight
by Paul Sanchez, Rhiannon Giddens, Karen Slack
Paul Sanchez
CD
$21.99
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Overview
Shawn E. Okpebholo's Songs in Flight are exactly what the title implies; the songs in flight are not abstract images but depictions of African Americans who fled their enslavement. The texts come from a Cornell University collection of advertisements placed by slave owners trying to recapture those in flights. Okpebholo thus faces the problem of converting textual material into music in addition to handling material that, as he points out in his own note (the physical album is recommended here), had crushing emotional impact. His solutions are inventive and are unlike any other set of songs based on written prose texts. Okpebholo deploys his material in various ways. He calls for some of it to be read in speech. He features four of the advertisements boiled down into poems by Crystal Simone Smith and also uses other poems that admit layers of emotional reaction susceptible to musical setting; these add references to the slain teen Trayvon Martin and other contemporary resonances. The settings make use of an impressive variety of musical genres, many but not all from African American folk traditions; "Asko or Glasgow" is a fusion of the spiritual and the Baroque chaconne. All this is distributed among soloists that, by themselves, would be reason enough to seek this album out. Classical listeners may be less familiar with Rhiannon Giddens; she is active in folk and bluegrass, but her initial training was in opera, and one should hear her voice wherever one can. Countertenor Reginald Mobley, soprano Karen Slack, and baritone Will Liverman all have records of individual accomplishment, and there is a satisfying feeling of seeing them collaborate on a project of great power. Beyond its gripping subject matter, this is a composition of considerable sophistication. The album ends with four other songs by Okpebholo that cover more recent situations and suggest new paths for development. An impressive release from the Cedille label. ~ James Manheim
Product Details
Release Date: | 02/14/2025 |
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Label: | CEDILLE |
UPC: | 0735131923422 |
Tracks
Album Credits
Performance Credits
Paul Sanchez Primary Artist,PianoRhiannon Giddens Primary Artist,Vocals
Karen Slack Primary Artist,Soprano (Vocal)
Shawn Okpebholo Primary Artist
Julian Velasco Saxophone
Will Liverman Baritone (Vocal)
Reginald Mobley Counter Tenor (Vocal)
Technical Credits
Elliot Mandel Cover PhotoMarcus Amaker Text
Tyehimba Jess Text
Beatrice Holz Text
Crystal Simone Smith Text
Tsitsi Ella Jaji Text,Liner Notes
Langston Hughes Text
Brian Porick Engineer
Shawn Okpebholo Composer,Producer,Liner Notes
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