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Shield of Refuge

Shield of Refuge

5.0 2
by Carol Steward

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No on saw the kidnapping—but her.

Except…there's no evidence the crime ever happened.

Officer Garrett Matthews is assigned to keep the "eyewitness," Amber Scott, out of trouble. Like his colleagues, he doesn't believe her claim. Yet when he notices a mysterious car tailing the beautiful party planner, he starts to suspect Amber's story


No on saw the kidnapping—but her.

Except…there's no evidence the crime ever happened.

Officer Garrett Matthews is assigned to keep the "eyewitness," Amber Scott, out of trouble. Like his colleagues, he doesn't believe her claim. Yet when he notices a mysterious car tailing the beautiful party planner, he starts to suspect Amber's story is true. Soon Garrett finds himself getting dangerously close to the sweet lady who was in the wrong place at the wrong time. And protecting her becomes more than just a job—it's now a matter of life and death.

Product Details

Steeple Hill Books
Publication date:
In the Line of Fire
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202 KB

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Read an Excerpt

Amber Scott rushed into the Victorian Inn with the bottom tier of the anniversary cake. The other layers and tools were already inside and prepped for assembly. She only had a few minutes to put this cake together and get the other one to her friend's wedding shower across town.

Thanks to her assistant going home sick midafter-noon, Amber was running behind on everything. She'd had several last-minute customers looking for just the right costume for the harvest party at the senior center. Her grandmother's friends were thrilled with the changes Amber had made to Nana's bakery and with her determination to keep the business alive.

She squeezed the bag of icing, piping the finishing touches to the bottom layer, then placed the six-inch heart layer on top of the base cake and piped a reverse-scroll design to cover the seam between the two cakes. After a final inspection, Amber left the invoice with the headwaiter and rushed out to her van.

A white car with a portable police beacon on top— like those she'd seen on reruns of T.V. cop shows—had pulled up behind the parked cars. The odd thing was, the beacon wasn't lit.

In a hurry to get to her friend's wedding shower, Amber pressed the sliding-door opener on the key fob, set her decorating kit into the gap, and rearranged the boxes of supplies and favors so the shower cake wouldn't slide around and get damaged.

After a quick study of the officer's haphazard parking job, Amber determined it was parked too close for her to back out. Her breathing quickened as she thought of asking him to move a little.

She didn't like cops.

Just wait patiently until he's gone.

She grabbed the gift bag for the shower and set it on the passenger's seat and glanced at the policeman as he talked to the driver of a yellow SUV. He nodded toward his car, then grabbed the car door and yanked it open.

Amber felt a sudden chill.

The cop pulled the driver out of the vehicle. She looked young and pretty… and vulnerable.

Amber heard the woman protest, though she wasn't exactly sure what she'd said. Watching the confrontation through the tinted windows, Amber wondered if the two knew each other.

The officer looked as if he was whispering in her ear, and Amber began to believe it was true.

Suddenly he grabbed her arm and pulled her to the unmarked car and the woman struggled to get away. She was wearing athletic pants and one of those tight-fitting tops with a hood that she'd seen the volleyball players wear into the shop. The door of the yellow SUV stood wide open.

Amber's heart raced as the officer struggled to get the cuffs on the girl. She jumped into the driver's seat, closed and locked the doors, trying to avoid bringing any attention to herself.

She searched for her cell phone. Not finding it on the console, she reached for her purse, hoping she'd dropped it in there. Her eyes darted nervously from the purse to the confrontation outside.

They must know each other. If not, why wasn't she yelling? Or running? Something was wrong.

The girl freed one arm and took a swing at him. He lunged back, and the two rolled against the car as he fought to pull her other arm back into the cuffs. The struggle untucked his uniform shirt and the fabric billowed in the cold breeze. She screamed, and he snapped his hand over her mouth, pressing something into the small of her back. The handcuffed woman arched her back, then went limp. He gave her a final shove into the car, pushed her feet inside and closed the door. He hurried to the other side, stumbling at the trunk.

Amber was stunned. Was he a real officer? She tried to ward away the sick feeling in her stomach. If he was a real officer, she would be crazy to confront him. Not with her past. She had just put her problems behind her. She didn't need to dig up trouble now.

While history told her to mind her own business, the new faith she'd found in God told her this wasn't what it looked like. God, what should I do?

She quickly replayed the incident in her mind. She realized she'd never seen an officer cover someone's mouth. He was crazy to use a bare hand. His uniform looked like those on the costume racks in her shop: baggy enough to fit any build, light, flimsy fabric to go over a coat or sweatshirt. And he didn't have a gun belt or radio, or any of the official-looking things Amber remembered from when police visited the dorms.

Her heart seemed to be following her racing brain, trying to keep pace. She was breathing fast. She looked over her shoulder as the police officer pulled the bubble light into the car and sped away.

Be with that girl, God. Protect her….

After several encounters with the police in her freshman year, she really didn't like talking to the police. She had to call. But what would she say? If it was police brutality, would they even believe her, or would they accuse her of false reporting? Were the underage drinking charges, fake ID and running from the police still on her record?

Just call, before it's too late, she told herself. She found her phone, dialed 911 and pressed the send button before she chickened out again.

I can't let this happen. I can stop him from hurting her.

She backed out of the diagonal parking space trying to juggle her phone and shift gears, hoping she could find the car and help the woman. She glanced around. Not seeing it, she pressed the speaker phone.

"911 operator, what's your emergency?"

"I'm outside the Victorian Inn just off the University Campus. I just saw a police officer push a woman into an unmarked car. Only I don't think he's really an officer."

The woman didn't respond, and Amber wondered if they'd been disconnected. "Did you hear me?"

"Yes, I'm sending an officer to check it out," the woman said, slightly rattled. "Are you okay?"

"I'm fine. I don't think he saw me."

Her mind was playing games with her. Like the e-mail she'd received this afternoon with the geometric designs. The designs had been spinning like a pinwheel in a tornado, which was supposedly a sign of intense stress. The design hadn't been moving at all.

She had blown off the psychological analysis of the e-mail as nothing more than an optical illusion.

Now here she was witnessing a crime and calling the cops. Seeing a police officer pushing a woman into an unmarked car just wasn't right. The police were going to think she'd lost her mind. Right now, she would agree.

She started to hang up, then thought again about the girl.

Of course she was right to call the police. She'd already missed her chance to stop the assault. Maybe it wasn't too late….

"What is your current location?" The operator pulled Amber's attention back to the bizarre events that she'd just witnessed.

"I'm at—" she had to rethink her delivery instructions "—The Victorian Inn is on University and… Elm. I delivered a cake there," she started to explain before realizing that wasn't important. "The crime happened there, now the car is a few blocks ahead of me. He turned on Maple." She pressed on the gas. "When I came out… of the inn, I mean… I heard a man ordering a young woman to get out of her car. They struggled, and then she just went limp and he stuffed her into the backseat and took off."

"Your name?"

"Amber…" Her past mistakes haunted her. It was too late to back away now. She took off after the car. "Did you hear what I said?"

"Yes, Amber, I'm sending officers to talk to you."

"He's turned again. He's heading north on… just a minute, here comes a street sign."

"He's moving?" the operator squeaked, forcing calm to her voice. "Are you following him?"

"Yes, I told you, he drove away, with the girl…" Amber said, struggling with whether to speed up and catch them, or keep her distance. If she caught up to them, what then?

"Amber, did you get a license number before he took off?"

She pressed the gas. "Other than it was from here in Colorado, no, but I could catch up to him. Are you saying he really wasn't an officer?"

"We're still trying to determine that. I've dispatched any available units. Give me your current location, then pull to the side of the road and stop."

"He just turned left on… Cherry Pit Avenue."

Amber had already entered the intersection. She slowed down to make the turn. "Where'd he go?"

She glanced right and left searching for him. Sirens warbled from all directions. They'd probably scared him. Where could he have disappeared to in a residential area like this? She searched for open garages or alleys where he could have hidden.

The sirens were getting louder. She looked up just in time to see a silver vehicle cross in front of her. She slammed on the brakes and straightened her arms, pressing her hands into the steering wheel as she heard the crunch and scrape of her van hitting the back fender.

The SUV spun in slow motion, police lights flashing, sirens screeching. Then the silver vehicle tipped up on two wheels, flipped over to its roof and twirled like a top.

Amber screamed as her van fishtailed before coming to a stop at the opposite curb. "Oh, no…. I hit him! Oh, no. Oh, no. Oh, please let him be okay. Let him be okay, please. Help! 911, send help, fast!"

The woman who had hit him jumped out of her van and ran toward his police cruiser. He smelled fumes, turned and saw gasoline flowing toward him.

Hanging upside down from the seatbelt, Garrett Matthews looked out the window to see a woman's legs in black tights and black suede fashion boots. She kicked the shards of glass aside with her boots, then dropped to the ground, a black-and-turquoise patterned dress floating over her knees.

"You've got to get out. There's gas gushing out all over," she said frantically.

He glanced at her, disoriented, then pressed the button on the mike. "Dispatch, Officer four-six-three involved in two-car rollover accident at intersection of—" he glanced around "—where are we?" he said to the woman.

"Just get out of there!" she yelled. "I'm still on with 911, they're sending help." She took a deep breath and coughed from the fumes. "Come on, we need to get you out."

He turned the key to off and removed it, handing it to the woman for safekeeping. She looked at it oddly, furrowing her brows.

What was he thinking?

Tugging on the seat belt strapping him upside down, Garrett struggled with the buckle to release. "It's jammed." He reached for the glove box, hoping to find an emergency kit. It was out of his reach. His knife was in his belt, securely trapped under the seat belt. "I need something sharp."

"Just a minute." She ran to the van and returned with a ten-inch serrated knife. The woman was gorgeous. She dropped to her knees and reached inside, directing the knife to the gray strap stretched across his chest.

His eyes opened wide and suddenly the fog lifted from his mind. "Aren't you in enough trouble without threatening an officer? Give me that."

"What?" She backed away. "I'm trying to save your life. I don't mean to panic you, but gas is spilling— the car may blow up."

"The car's not going to blow up," he insisted. "May I borrow your knife?" She hesitated, then handed it to him. He took the handle, and with a sawing motion he cut through the mesh strap and fell to the ground, landing on his head. "Why are you carrying a knife around in your car?"

"I'm a cake decorator. It's in my delivery kit. Come on, you have to get out."

He twisted his wide shoulders, shoving the objects that had scattered across the roof out of the way while reaching for the window opening. He looked up to her huge blue eyes as he tried to find something to push against. "I don't suppose this door will open, will it? When I pull on the latch, you pull on the door."

The woman found a place with no glass and tugged as he pushed. "I don't think so. Do you want me to try the other side?"

"No, I'll get out somehow."

"Let me get the glass out of the way so you don't cut yourself." She kicked at the tiny pellets of glass with her boot.

"Don't bother," he growled, then, realizing she was right—he just needed to get out. If they had to pull glass from his back, so be it. The fumes were making him sick. He waved her aside and used his legs to push himself out the narrow window, all the time trying to ignore the Marilyn Monroe look-alike waiting for him.

"Come on!" She tapped her boot, holding the billowy skirt of her dress against her legs as he pulled his ticket can from the cruiser and collected a few more belongings. She pulled on his arm as he stumbled to his feet and picked up his ticket can. "Are you okay? Maybe you should sit down."

With a healthy tan and shimmering brownish-blond tendrils of hair softening the dramatic high cheekbones and narrow nose, she was gorgeous. How could he be angry with that look of concern in her brilliant blue eyes?

He shrugged, sending a pain down his arm. He needed to ignore the niggling reminder that he should have slowed down at each intersection. Much as he wanted to blame her, and her alone, he couldn't. He needed to get on with his job. He looked around, assessing the situation, then started to radio in their location.

Meet the Author

Carol Steward never dreamed of becoming a writer. In fact, her career exploration choices in seventh grade were airline stewardess and forester. Well, she's far from either, but she's tried just about everything in between, whether in real life or in her books. She met her future husband in seventh-grade math class. He is five years older and was dating someone else at the time, but Dave was from that day on the one man to whom she compared all other suitors. So when their paths crossed in youth group at their church several years later, her dream of true love came to life.

From there came love, then marriage, and then the babies in the baby carriage. His geology career took them to Carol's home state of Wyoming for a short stay, then to North Dakota to ride out the oil boom of the early 80's, then back home to Northern Colorado where Carol convinced him to pursue his true love, teaching. Back to school he went while she spent the next twenty years in family child care. Raising over a hundred and fifteen children, changing diapers and singing childish ditties for two decades may seem slightly insane to many, but Carol felt blessed to do what she loved for as long as possible--be a mother. Everyone knows what teenagers think about being mothered, so the distraction of preschoolers in the house worked wonders for everyone. Now that her own children are grown and flying the nest, she has filled the house with dogs, cats and writing books, and working at the University of Northern Colorado helping young adults reach for their own dreams.

As if raising a family wasn't enough, she and her family spent years delivering newspapers in the middle of the night, which is far more entertaining than anyone in their right mind can imagine! They're proof that anything can be fun if you choose the right attitude. Again, most people thought not only Carol had lost her mind, but so had her husband. (Some insist he has, he's now a principal of a middle school.) Carol used that time listening to conference workshop tapes and plotting future novels. The opening scene in her second book was inspired from an experience on their route, where Carol came face-to-face with a car burglar, and thanks to her intervention, the police were able to arrest him for breaking into ten cars. Carol's law enforcement instincts are inherited from her father, who was a sheriff all of her growing years, so research for police books comes naturally.

Creativity has always been Carol's gift. Whether it be needlework, sewing or writing, there isn't much she hasn't dabbled in. When God called her to write, she moved from president to newsletter editor of the child-care association and even retired from her lucrative cake-decorating business to devote herself to His calling. Quietly, in the back of her mind, though, He weaved the plot of her first novel, There Comes a Season, the story of a child-care provider who must find God's plan for her life after her young husband passes away. After losing revisions made to that book not once, or twice, but three times during the process of learning to use a computer, Carol's persistence and patience paid off. The editor called April 15, 1997 and launched Carol's writing career.

Selling a book is much like riding a roller-coaster--every step of the process, every sale brings that exhilarating high. During the less exciting times, she's busy gathering ideas and refilling her cup. Carol's second book, Her Kind of Hero, contains a lot of information gathered while delivering newspapers, and was a finalist in the Holt Medallion Contest. While writing her series of the MacIntyre Brides, Carol lost her father, father-in-law and grandmother, but welcomed a daughter-in-law to the family. The same month as her son's wedding, Carol was involved in an auto accident, (sure to be a scene in a future book) and nearly lost her mother.

Throughout all of the different seasons, God has continued to teach Carol to turn to Him. She has also learned to simplify her life and appreciate her many blessings--His gift of creativity, sharing her love for God with readers and setting an example of what God can do when we say, "Yes, God, take me, shape me, use me." To find out more about Carol's slightly crazy life and her books, visit her web site at www.carolsteward.com.

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