Shift

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A new caliber of thriller set at the collision of ’60s counterculture and the rise of dark forces in world government. Heroes creator Tim Kring injects history with a supernatural, hallucinogenic what-if.
 
Set in the crucible of the 1960s, Shift is the story of Chandler Forrestal, a man whose life is changed forever when he is unwittingly dragged into a CIA mind-control experiment. After being given a massive dose of LSD, Chandler ...
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NY 2010 Audio Book New Audio Book This is an audio book. 11 cds, unabridged. Read by Robert Forster. In the publisher's thick plastic case with ring binder inside for cd sleeves.

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2010 Audio CD Brand new. 11 CDs. Librarian's Choice & Collector's Favorite. Brand new complete & unabridged audio book still in its original case [I will ship immediately]

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Shift: Part One of the Gate of Orpheus Trilogy

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Overview

A new caliber of thriller set at the collision of ’60s counterculture and the rise of dark forces in world government. Heroes creator Tim Kring injects history with a supernatural, hallucinogenic what-if.
 
Set in the crucible of the 1960s, Shift is the story of Chandler Forrestal, a man whose life is changed forever when he is unwittingly dragged into a CIA mind-control experiment. After being given a massive dose of LSD, Chandler de­velops a frightening array of mental powers. With his one-in-a-billion brain chemistry, Chandler’s heightened perception uncovers a plot to assassi­nate President Kennedy.
 
Propelled to prevent the conspiracy of assassi­nation and anarchy, Chandler becomes a target for deadly forces in and out of the government and is pursued across a simmering landscape peopled by rogue CIA agents, Cuban killers, Mafia madmen, and ex-Nazi scientists…all the while haunted by a beautiful woman with her own scandalous past to purge, her own score to settle. Chased across America, will Chandler be able to harness his “shift” and rewrite history?
 
Combining the nonstop style of Ludlum with the sinister, tangled conspiracies of DeLillo and Dick, and featuring cameos from Lee Harvey Oswald to Timothy Leary to J. Edgar Hoover, Shift is a thriller guaranteed to be equal parts heart-stopping and thought-provoking.
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Editorial Reviews

Library Journal - Library Journal Audio
This supernatural thriller by Heroes creator Kring and novelist Peck (Sprout) is the first entry in a new trilogy. Set in fall 963, it postulates a role for LSD in the 1963 assassination of JFK. Spies cut loose, FBI agents run amok, nuclear bombs in Cuba, acid trips, and cameos by Sam Giancana, Fidel Castro, J. Edgar Hoover, Timothy Leary, and other icons of the era provide cinematic action and atmosphere. The frequent viewpoint and scene changes distance listeners from the protagonist, whose introduction to LSD triggers his ability to read minds and project hallucinations. Academy Award winner/narrator Robert Forster's superb voice and timing lend authority to the prose but fail to rescue what is ultimately an unfocused tale. For those liking espionage and action fiction. [The Crown hc was recommended for "Heroes fans and readers who enjoy…John Twelve Hawks and Neil Gaiman," LJ 7/10.—Ed.]—Janet Martin, Southern Pines P.L., NC
Publishers Weekly
At the start of this unsuspenseful alternative history thriller from TV screenwriter and producer Kring (Heroes) and Peck (Body Surfing), 1,963 people see an apparition of an oversized flaming boy in the Dallas sky at 11:22 a.m. on December 30, 2012. These numbers correspond to the year, month, and day of President Kennedy's assassination. Flashback to Cambridge, Mass., in October 1963: an attractive woman in the pay of the CIA seduces Harvard grad student Chandler Forrestal, a nephew of Truman's defense secretary, so she can slip him some LSD. The Company believes the drug allows those who take it to access a secret part of the brain known as the Gate of Orpheus. The authors score points for originality in mixing LSD with the events and usual suspects, including the Mafia and J. Edgar Hoover, leading up to Dealey Plaza and the fatal day, but their implausible hidden history of how the world works never coheres. (Aug.)
From the Publisher
"From acid induced mind control to covert operations in Cuba, from a missing nuclear weapon to mass hallucinations, SHIFT runs a gamut that your inner conspiracy theorist will find delightful and provocative...reading SHIFT is like fighting a featherweight boxer. Always moving, constantly on its toes, it peppers you with small punches until, eventually, you succumb and it delivers the knockout. But oh, what a fight, and certainly one that is enjoyable and frenetic from start to finish...For an engaging romp through the ’60s that never were, look no further than SHIFT."--Book Page

From the Hardcover edition.

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Product Details

  • ISBN-13: 9780307750365
  • Publisher: Random House Audio Publishing Group
  • Publication date: 8/10/2010
  • Format: CD

Meet the Author

TIM KRING is an acclaimed screenwriter and tele­vision producer. He is the creator and executive producer of the hit show Heroes. Shift is his first, much-anticipated novel.
 
DALE PECK is the author of nine books, including, most recently, Body Surfing and Sprout, both novels.

From the Hardcover edition.

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Read an Excerpt

Dallas, TX

December 30, 2012

The apparition appeared at 11:22 a.m. over I-35, in the two- hundred-foot gap between the north- and southbound lanes where the interstate passed over Commerce Street. Traffic was heavy at that hour, but moving well: twelve lanes on 35, average speed sixty-six miles per hour, another six on Commerce traveling only slightly less fast. When the flaming figure appeared in the sky, the results were predictably disastrous.

According to the Texas State Highway Patrol, thirty-five vehicles collided with one another, resulting in seventy-seven injuries: cuts and bruises, whiplash, broken bones, concussions, at least three seizures. A pregnant woman went into labor, but both she and the baby—and, remarkably, everyone else involved in the pileup—survived the trauma. In addition to the injured, another 1,886 people claimed to have seen the apparition, making a grand total of 1,963, a figure later confirmed by both the Dallas Police Department and the Dallas Morning News. It was this last number that sent the story, already ricocheting around the airwaves and the Internet, into the stratosphere.

12/30.

11:22.

1963.

The time, date, and year that the thirty-fifth president of the United States had been assassinated, less than a quarter mile due east of the sighting.

It was possible—possible, though infinitesimally improbable—that this sequence was just a coincidence. Why hadn’t the figure appeared at 12:30 p.m. on November 22, skeptics were soon enough arguing on chat shows and blogs, the actual date and time of the assassination? What was harder for them to dismiss was the fact that every single witness, all 1,963 of them, reported seeing exactly the same thing. This wasn’t a fuzzy image of a crucified Jesus on a piece of toast or the shadowy outline of the Virgin Mary in an MRI. In fact, none of the twenty-six traffic and surveillance cameras with a view of the area recorded anything besides the accident itself. Nevertheless, each and every witness reported seeing—

“A boy,” Michael Campbell, twenty-nine, told one reporter.

“A flaming boy,” Antonio Gonzales, fifty-six, told the paramedic bandaging the gouge over his left eye.

“A boy made of fire,” Lisa Wallace, thirty-four, told the person who answered the 800 number of her insurance carrier.

“He looked right at me.”

“It was like he was looking for someone.”

“But it wasn’t me.”

There was a palpable sense of disappointment as witness after witness made this last admission, as if they’d somehow failed a test. But then their spirits perked up when they reported that they’d felt the boy coming, as if the privilege of witnessing his appearance was a blessing on the order of those bestowed on the sainted receivers of visions at Guadalupe, Lourdes, Fátima. One after another, witnesses reported the sensation of a tremor in the roadway that came up through their cars and was absorbed by fingers and toes and bottoms—the kind of vibration, Mindy Pysanky, a California native, described as “like the start of an earthquake.” Hands tightened their grips on steering wheels or door handles, eyes scanned mirrors and windshields for the cause of the disturbance, which appeared—no matter where people were, whether they approached the area from north or south or east or west—directly in their line of vision, facing them. Looking them straight in the eye, and then looking away.

“I saw him as clearly as I see your face,” said Yu Wen, fourteen.

“His eyes were wide open,” said Jenny McDonald, twenty-eight.

“His mouth was open too,” said Billy Ray Baxter, seventy-nine.

“A perfect O,” said Charlotte Wolfe, thirty-six, adding: “It was the saddest face I ever saw in my life.”

“Not just sad,” Halle Wolfe, Charlotte’s daughter, eleven, clarified. “Lonely.”

The boy blazed in the air “for three or four seconds,” a figure that caused almost as much furor as the previous numbers, as lone gunman supporters lined up against conspiracy theorists over whether the apparition was some kind of otherworldly endorsement of the Warren Commission’s findings or those of the House Select Committee on Assassinations. No matter which side you were on, however, it was hard to say what the flaming boy could have had to do with a crime whose forty-ninth anniversary had gone largely unremarked-upon a month earlier. Not one of the witnesses said he reminded them of the dead president or his (presumed) assassin. In fact, almost everyone expressed disinterest in the unnerving string of numbers when it was relayed to them, let alone the proximity of the sighting to Dealey Plaza, the Texas School Book Depository, the grassy knoll.

One thousand, nine hundred sixty-three witnesses. All of them seeing the same thing: a seraphic figure ten feet tall, arms and legs trailing off in ropes of fire, a corona of flame rising from his head. The empty shadows of his eyes scanned the crowd while a silent cry leaked with the smoke from his open mouth. Sixty-two percent of witnesses used the word “angel” to describe the appearance, 27 percent used the word “demon,” the remaining 11 percent used both. But only one man said that he looked like Orpheus.

“From the myth,” Lemuel Haynes, a businessman “from the East Coast,” told Shana Wright, on-air correspondent for the Dallas-Fort Worth NBC affiliate. “You know, turning around, looking for Eurydice, only to see her dragged back down to hell?”

Wright, who later described Haynes as “elderly, but still fit, with a large build, dark hair, and mixed complexion,” said that the witness told her he’d just landed at Love Field and was on his way to a meeting.

“What a lucky coincidence,” Wright recalled telling him, “that it should show up at the same time you did,” to which Haynes replied:

“Luck had nothing to do with it.”

According to Wright, she then asked Haynes if he thought the apparition had anything to do with the Kennedy assassination. Haynes looked over Wright’s shoulder for a long time—at the Texas School Book Depository, she later realized, which was just visible through the famous Triple Underpass—before turning back to her.

“It has everything to do with it,” he said, “and nothing at all,” and then his driver, “a middle-aged Asian man with a wiry build,” knocked her cameraman unconscious and took the memory chip from his camera.

By the time Homeland Security arrived at the scene, they were gone.

From the Hardcover edition.

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Customer Reviews

Average Rating 3.5
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Sort by: Showing all of 4 Customer Reviews
  • Posted July 15, 2010

    more from this reviewer

    Great Concept But Hard To Follow

    I love the premise for this story. Set in the 1960s, the plot revolves around LSD and mind control experiments, along the lines of MK-Ultra experiments done by the CIA. The writing is great, as far as the author's phrasing and technique. However, for me, the story is all over the place. At times, I felt like I was the one on acid! I was a third of the way into the book before the characters even began to link together enough so that the story made sense. There were too many characters jumping around in too many places. I had to work to follow the plot line and that made it impossible for me to get lost in the story.

    ** I received a review copy from the publisher through NetGalley.com. **

    1 out of 1 people found this review helpful.

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    Posted October 7, 2010

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    Posted January 6, 2012

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    Posted November 7, 2010

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