The Ship Of Ishtarby Abraham Merritt
A fantasy tale of adventure. Abraham Merrit was an American writer known for his speculative fiction. His work has had a clear influence on the movies of the mid-1900's. See more details below
A fantasy tale of adventure. Abraham Merrit was an American writer known for his speculative fiction. His work has had a clear influence on the movies of the mid-1900's.
- Benediction Books
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- 6.00(w) x 9.00(h) x 0.53(d)
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I really enjoyed this book, and loved the myriad details that obviously spawned now classical elements of the fantasy genre. It took about a third of the book before I couldn't put it down, the shifting of the protagonist from the real world to that of the ship far too frequent for the adventure to grip me. But when it did, I was hooked, and finished the book in a single sitting from that point on. My only real criticism of The Ship of Ishtar is that it is built around an antiquated misogyny that was unrelentingly distracting from what would otherwise be an exciting adventure. I recognize that the book was written over eighty years ago, but I was nevertheless pulled repeatedly out of the story by the overwhelming portrayal of the few female characters as vengeful-but ultimately submissive-objects to be possessed by the male characters. Merritt may have been a master at weaving descriptive prose and an intricate setting of eclectic real-world myths and his own imaginings, but he was far from enlightened when it comes to gender. That said, I thoroughly enjoyed the Virgil Finaly illustrations this edition includes, bare breasts and all, so take the above for what it is. In all, I recommend The Ship of Ishtar and had a great time reading it, despite the problematic elements it contains, which are less the fault of Merritt than they are the time in which he wrote.
A. Merritt, a major influence in the history of Fantasy & Science Fiction writing, has been all but forgotten today. Upon reading this book, you will wonder why.His deep development of character and his unmatched power to create alternate realities is well evidenced in this tale of power and freedom spanning two dimensions. It is a narrative of one man's leap across millenia- from the era of Merritt's writting (1920's-30's)to a time and place not unlike the ancient realms of Egypt or Babylonia. Merritt's highly colorful language and prose style, slightly reminiscent of Haggard or Borroughs, heighten the sense of authenticity - that we are being presented a 'factual' account of fantastic adventures.