A Short Course in Photography: An Introduction to Photographic Technique / Edition 7 available in Paperback
A Short Course in Photography: An Introduction to Photographic Technique / Edition 7
- ISBN-10:
- 0136031870
- ISBN-13:
- 9780136031871
- Pub. Date:
- 03/12/2008
- Publisher:
- Prentice Hall
- ISBN-10:
- 0136031870
- ISBN-13:
- 9780136031871
- Pub. Date:
- 03/12/2008
- Publisher:
- Prentice Hall
A Short Course in Photography: An Introduction to Photographic Technique / Edition 7
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Overview
This easy-to-use text introduces photography students to the fundamentals of photography and suggests ways in which they might create photographs that have meaning. With a special focus on black and white photography, the book also explores digital techniques and web photography resources, equipment, cameras and camera accessories, the exposure and development of film, and the making and finishing of prints. All aspects of the process are explained and illustrated clearly in two-page spreads, each of which addresses a self-contained topic.
Product Details
ISBN-13: | 9780136031871 |
---|---|
Publisher: | Prentice Hall |
Publication date: | 03/12/2008 |
Series: | MyPhotographyKit Series |
Edition description: | Older Edition |
Pages: | 224 |
Product dimensions: | 8.27(w) x 10.88(h) x 0.44(d) |
Read an Excerpt
PREFACE:
Preface
If you don't know anything about photography and would like to learn, or if you want to make better pictures than ones you make now, A Short Course in Photography will help you. It presents in depth the basic techniques for black-and-white photography:
- How to get a good exposure
- How to adjust the focus, shutter speed, and aperture (the size of the lens opening) to produce the results you want
- How to develop film and make prints
Most of today's cameras incorporate automatic features, but that doesn't mean that they automatically produce the results you want. A Short Course in Photography devotes special attention to:
- Automatic focus and automatic exposurewhat they do and, particularly, how to override them when it is better to adjust the camera manually
Some of the book's highlights include:
- Getting Started. If you are brand new to photography, this section will walk you through the first steps of selecting and loading film, focusing sharply, adjusting the exposure, and making your first pictures. See pages 4-9.
- Digital Imaging. In one sense, digital imaging is just another tool, but it is also an immensely powerful technique that is changing photography and that will empower those who know how to use it. See pages 152-155.
- Projects. These projects are designed to help you develop your technical and expressive skills. See, for example, page 128 or 171.
- Making Better Prints. Additional information about how to fine tune your prints by burning in and dodging (darkening orlightening selected areas), and by cropping the edges to concentrate attention on the portion of the scene you want. See pages 114-117.
- Types of lenses, types of film, lighting, filters
Photography is a subjective and personal undertaking. A Short Course in Photography emphasizes your choices in picture making:
- How to look at a scene in terms of the way the camera can record it
- How to select the shutter speed, point of view, or other elements that can make the difference between an ordinary snapshot and an exciting photograph
- Chapter 9, Seeing Like a Camera, explores your choices in selecting and adjusting the image, and covers how to photograph subjects such as people and landscapes
New to this edition are:
- Photography on the Internet. How to find manufacturer's data, photographs, and other useful information on the World Wide Web
- More information on Health and Safety precautions in the darkroom
- Technical updates throughout
- Many new photographs and illustrations
This book is designed to make learning photography as easy as possible:
- Every two facing pages completes a single topic
- Detailed step-by-step instructions clarify each stage of extended procedures such as negative development and printing
- Boldfaced headings make subtopics easy to spot
- Numerous photographs and drawings illustrate each topic
Acknowledgments
Many people gave generously of their time and effort in the production of this book. Feedback from numerous instructors was a major help in confirming the basic direction of the book and in determining the new elements in this edition. At Prentice Hall, Kimberly Chastain and Bud Therien provided editorial support. Joe Scordato supervised the production of the book from manuscript to printer. Nancy Wells redesigned the book and helped make it even more user friendly. If, as you read the book or use it in your class, you have suggestions to make, please send them to Photography Editor, Prentice Hall, 1 Lake Street, Upper Saddle River, NJ 07458. They will be sincerely welcomed.
Jim Stone
Barbara London
Table of Contents
Chapter 1 Camera
Getting Started Camera and film
Loading film into the camera
Focusing and setting the exposure
Exposure readout
Exposing the film
What will you photograph?
Using a digital camera
Types of Cameras
Basic Camera Controls
More about Camera Controls
Inside a singlelens reflex camera
Shutter Speed Affects light and motion
Aperture Affects light and depth of field
Shutter Speed and Aperture Blur vs. depth of field
Getting the Most from Your Camera and Lens
Chapter 2 Lens
Lens Focal Length The basic difference between lenses
Normal Focal Length The most like human vision
Long Focal Length Telephoto lenses
Short Focal Length Wide-angle lenses
Zoom, Macro, and Fisheye Lenses
Focus and Depth of Field
Automatic Focus
Depth of Field Controlling sharpness in a photograph
More about Depth of Field How to preview it
Perspective How a photograph shows depth
Lens Attachments Making close-ups
Using filters
Polarization and other effects
Chapter 3 Film
Selecting and Using Film
Film Speed and Grain The two go together
Special-Purpose Films Infrared and chromogenic
Color in Film and Digital
Color Films
Chapter 4 Exposure
Normal Exposure, Underexposure, and Overexposure
Exposure Meters What different types do
How to calculate and adjust an exposure manually
Overriding an Automatic Exposure Camera
Making an Exposure of an Average Scene
Exposing Scenes That are Lighter or Darker than Average
Backlighting
Exposing Scenes with High Contrast
Low Light and Reciprocity
Exposures in Hard-to-Meter Situations
Chapter 5 Developing the Negative
Processing Film Equipment and chemicals you’ll need
Mixing and Handling Chemicals
Processing Film Step by Step Setting out materials needed
Preparing the film
Development
Stop bath and fixer
Washing and drying
Summary of Film Processing
How Chemicals Affect Film
Evaluating Your Negatives
Push Processing
Chapter 6 Printing
Printing Equipment and materials you’ll need
Making a Contact Print Step by Step
Processing a Print Step by Step Development
Stop bath and fixer
Washing and drying
Summary of Print Processing
Making an Enlarged Print Step by Step Setting up the enlarger
Exposing a test print
Exposing a final print
Evaluating Your Print for Density and Contrast
More about Contrast How to control it in a print
Local Controls Burning in and dodging
Cropping
Spotting
Mounting a Print
Equipment and materials you’ll need
Dry Mounting a Print Step by Step
Bleed Mounting/Overmatting
Chapter 7 Lighting
Qualities of Light From direct to diffused
Existing Light Use what’s available
The Main Light The strongest source of light
Fill Light To lighten shadows
Simple Portrait Lighting
Using Artificial Light Photolamp or flash
More about Flash How to position it
Using Flash
Chapter 8 Digital Photography
Equipment and Materials You’ll Need
Pixels Make the Picture
Digital Color Modes, gamuts, spaces, and profiles
Channels
Using Histograms and the Info Palette
Setting up a Workflow Stay organized
Workflow programs: Aperture and lightroom
Importing an Image
Scanning
Getting Started Editing an Image
Adjusting an Image Levels
Curves
Adjusting Part of an Image Selections
More Techniques Layers
Filters
Retouching
Sharpening
Compositing
Making a Digital Image Step by Step
Soft Proofing
Printing
Storage, Archiving, Retrieval
Ethics and Digital Imaging
Chapter 9 Seeing Like a Camera
What’s in the Picture The edges or frame
The background
Depth of Field Which parts are sharp
Time and Motion in a Photograph
Depth in a Picture Three dimensions become two
Chaos becomes order
Photographing for Meaning
Portraits Informal: Finding them
Formal: Setting them up
Photographing the Landscape
Photographing the Cityscape
Photographing Inside
Responding to Photographs
How to Learn More
Troubleshooting
Glossary
Photo Credits
Bibliography
Index
Preface
If you don't know anything about photography and would like to learn, or if you want to make better pictures than the ones you make now, A Short Course in Photography will help you. It presents in depth the basic techniques for black-and-white photography:
- How to get a good exposure
- How to adjust the focus, shutter speed, and aperture (the size of the lens opening) to produce the results you want
- How to develop film and make prints
Most of today's cameras incorporate automatic features, but that doesn't mean that they automatically produce the results you want. A Short Course in Photography devotes special attention to:
- Automatic focus and automatic exposurewhat they do and, particularly, how to override them when it is better to adjust the camera manually
Some of the book's highlights include:
- Getting Started. If you are brand new to photography, this section will walk you through the first steps of selecting and loading film, focusing sharply, adjusting the exposure, and making your first pictures. See pages 4-9.
- Digital Imaging. In one sense, digital imaging is just another tool, but it is also an immensely powerful technique that is changing photography and that will empower those who know how to use it. See pages 152-157.
- Projects. These projects are designed to help you develop your technical and expressive skills. See, for example, page 128 or 173.
- Making Better Prints. Additional information about how to fine tune your prints by burning in and dodging (darkening or lightening selected areas), and by cropping the edges to concentrateattention on the portion of the scene you want. See pages 114-117.
- Types of lenses, types of film, lighting, filters
Photography is a subjective and personal undertaking. A Short Course in Photography emphasizes your choices in picture making:
- How to look at a scene in terms of the way the camera can record it
- How to select the shutter speed, point of view, or other elements that can make the difference between an ordinary snapshot and an exciting photograph
- Chapter 9, Seeing Like a Camera, explores your choices in selecting and adjusting the image, and covers how to photograph subjects such as people and landscapes
New to this edition are
- Using a Digital Camera. How to make photographs digitally from start to finish
- Up-to-date information on Health and Safety precautions in the darkroom
- Technical updates throughout
- Many new photographs and illustrations
This book is designed to make learning photography as easy as possible:
- Every two facing pages completes a single topic
- Detailed step-by-step instructions clarify each stage of extended procedures such as negative development and printing
- Boldfaced headings make subtopics easy to spot
- Numerous photographs and drawings illustrate each topic
Acknowledgments
Many people gave generously of their time and effort in the production of this book. Feedback from numerous instructors was a major help in confirming the basic direction of the book and in determining the new elements in this edition. At Prentice Hall, Kimberly Chastain and Bud Therien provided editorial support. Joe Scordato supervised the production of the book from manuscript to printer. Nancy Wells redesigned the book and helped make it even more user friendly.
Jim Stone
Barbara London