Overview


Described by literary critic Robert Morss Lovett as "a novelist of civilization, absorbed in the somewhat mechanical operations of civilization, absorbed in the somewhat mechanical operations of culture, preoccupied with the upper ('and inner') class," Pulitzer Prize-winning author Edith Wharton (1862-1937) also wrote superbly crafted works of short fiction. The seven stories in this excellent collection demonstrate the author's ability to create memorable tales on themes of love and marriage, divorce, the ...
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Short Stories

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Overview


Described by literary critic Robert Morss Lovett as "a novelist of civilization, absorbed in the somewhat mechanical operations of civilization, absorbed in the somewhat mechanical operations of culture, preoccupied with the upper ('and inner') class," Pulitzer Prize-winning author Edith Wharton (1862-1937) also wrote superbly crafted works of short fiction. The seven stories in this excellent collection demonstrate the author's ability to create memorable tales on themes of love and marriage, divorce, the experience of the artist, high society and its workings and other topics.
"Souls Belated," a tragedy of mores, focuses on characters overcome by the demands of convention, while "The Pelican" and "The Muse's Tragedy" both present women whose realities differ from their public personae. "Expiation" is a satiric, revealing story about the publishing industry, featuring a writer determined to increase the sales of her first novel. In "The Dilettante," a young man who prides himself on his ability to manipulate women must face ironic consequences when he introduces his fiancée to his supposed lover. "Xingu" is a witty satire on the intellectual pretensions of a group of rich women, while "The Other Two" presents a darkly humorous look at the consequences of divorce.
Gathered in this inexpensive volume, these stories provide an excellent sampling of Wharton's masterly efforts in the short story genre, a form of fiction she felt especially suited to her talents and one that enabled her to achieve a focused and intimate realism.
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Product Details

  • ISBN-13: 9780486153704
  • Publisher: Dover Publications
  • Publication date: 2/21/2012
  • Series: Dover Thrift Editions
  • Sold by: Barnes & Noble
  • Format: eBook
  • Pages: 128
  • Sales rank: 721,993
  • File size: 668 KB

Meet the Author

Edith Wharton
One of America's most important novelists, Edith Wharton was a refined, relentless chronicler of the Gilded Age and its social mores. Along with close friend Henry James, she helped define literature at the turn of the 20th century, even as she wrote classic nonfiction on travel, decorating and her own life.

Biography

Edith Newbold Jones was born January 24, 1862, into such wealth and privilege that her family inspired the phrase "keeping up with the Joneses." The youngest of three children, Edith spent her early years touring Europe with her parents and, upon the family's return to the United States, enjoyed a privileged childhood in New York and Newport, Rhode Island. Edith's creativity and talent soon became obvious: By the age of eighteen she had written a novella, (as well as witty reviews of it) and published poetry in the Atlantic Monthly.

After a failed engagement, Edith married a wealthy sportsman, Edward Wharton. Despite similar backgrounds and a shared taste for travel, the marriage was not a success. Many of Wharton's novels chronicle unhappy marriages, in which the demands of love and vocation often conflict with the expectations of society. Wharton's first major novel, The House of Mirth, published in 1905, enjoyed considerable Literary Success. Ethan Frome appeared six years later, solidifying Wharton's reputation as an important novelist. Often in the company of her close friend, Henry James, Wharton mingled with some of the most famous writers and artists of the day, including F. Scott Fitzgerald, André Gide, Sinclair Lewis, Jean Cocteau, and Jack London.

In 1913 Edith divorced Edward. She lived mostly in France for the remainder of her life. When World War I broke out, she organized hostels for refugees, worked as a fund-raiser, and wrote for American publications from battlefield frontlines. She was awarded the French Legion of Honor for her courage and distinguished work.

The Age of Innocence, a novel about New York in the 1870s, earned Wharton the Pulitzer Prize for fiction in 1921 -- the first time the award had been bestowed upon a woman. Wharton traveled throughout Europe to encourage young authors. She also continued to write, lying in her bed every morning, as she had always done, dropping each newly penned page on the floor to be collected and arranged when she was finished. Wharton suffered a stroke and died on August 11, 1937. She is buried in the American Cemetery in Versailles, France.

Author biography from the Barnes & Noble Classics edition of The Age of Innocence.

Good To Know

Upon the publication of The House of Mirth in 1905, Wharton became an instant celebrity, and the the book was an instant bestseller, with 80,000 copies ordered from Scribner's six weeks after its release.

Wharton had a great fondness for dogs, and owned several throughout her life.

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    1. Also Known As:
      Edith Newbold Jones Wharton (full name)
    1. Date of Birth:
      January 24, 1862
    2. Place of Birth:
      New York, New York
    1. Date of Death:
      August 11, 1937
    2. Place of Death:
      Saint-Brice-sous-Forêt, France

Read an Excerpt

Short Stories


By EDITH WHARTON

Dover Publications, Inc.

Copyright © 1994 Dover Publications, Inc.
All rights reserved.
ISBN: 978-0-486-15370-4



CHAPTER 1

Expiation


I

"I CAN NEVER," said Mrs. Fetherel, "hear the bell ring without a shudder."

Her unruffled aspect — she was the kind of woman whose emotions never communicate themselves to her clothes — and the conventional background of the New York drawing room, with its pervading implication of an imminent tea tray and of an atmosphere in which the social functions have become purely reflex, lent to her declaration a relief not lost on her cousin Mrs. Clinch, who, from the other side of the fireplace, agreed, with a glance at the clock, that it was the hour for bores.

"Bores!" cried Mrs. Fetherel impatiently, "If I shuddered at them, I should have a chronic ague!"

She leaned forward and laid a sparkling finger on her cousin's shabby black knee. "I mean the newspaper clippings," she whispered.

Mrs. Clinch returned a glance of intelligence. "They've begun already?"

"Not yet; but they're sure to now, at any minute, my publisher tells me."

Mrs. Fetherel's look of apprehension sat oddly on her small features, which had an air of neat symmetry somehow suggestive of being set in order every morning by the housemaid. Someone (there were rumors that it was her cousin) had once said that Paula Fetherel would have been very pretty if she hadn't looked so like a moral axiom in a copybook hand.

Mrs. Clinch received her confidence with a smile. "Well," she said, "I suppose you were prepared for the consequences of authorship?"

Mrs. Fetherel blushed brightly. "It isn't their coming," she owned — "it's their coming now."

"Now?"

"The Bishop's in town."

Mrs. Clinch leaned back and shaped her lips to a whistle which deflected in a laugh. "Well!" she said.

"You see!" Mrs. Fetherel triumphed.

"Well — weren't you prepared for the Bishop?"

"Not now — at least, I hadn't thought of his seeing the clippings."

"And why should he see them?"

"Bella — won't you understand? It's John."

"John?"

"Who has taken the most unexpected tone — one might almost say out of perversity."

"Oh, perversity —" Mrs. Clinch murmured, observing her cousin between lids wrinkled by amusement. "What tone has John taken?"

Mrs. Fetherel threw out her answer with the desperate gesture of a woman who lays bare the traces of a marital fist. "The tone of being proud of my book."

The measure of Mrs. Clinch's enjoyment overflowed in laughter.

"Oh, you may laugh," Mrs. Fetherel insisted, "but it's no joke to me. In the first place, John's liking the book is so — so — such a false note — it puts me in such a ridiculous position; and then it has set him watching for the reviews — who would ever have suspected John of knowing that books were reviewed? Why, he's actually found out about the clipping bureau, and whenever the postman rings I hear John rush out of the library to see if there are any yellow envelopes. Of course, when they do come he'll bring them into the drawing room and read them aloud to everybody who happens to be here — and the Bishop is sure to happen to be here!"

Mrs. Clinch repressed her amusement. "The picture you draw is a lurid one," she conceded, "but your modesty strikes me as abnormal, especially in an author. The chances are that some of the clippings will be rather pleasant reading. The critics are not all union men."

Mrs. Fetherel stared. "Union men?"

"Well, I mean they don't all belong to the well-known Society-for-the-Persecution-of-Rising-Authors. Some of them have even been known to defy its regulations and say a good word for a new writer."

"Oh, I dare say," said Mrs. Fetherel, with the laugh her cousin's epigram exacted. "But you don't quite see my point. I'm not at all nervous about the success of my book — my publisher tells me I have no need to be — but I am afraid of its being a succès de scandale."

"Mercy!" said Mrs. Clinch, sitting up.

The butler and footman at this moment appeared with the tea tray and when they had withdrawn, Mrs. Fetherel, bending her brightly rippled head above the kettle, continued in a murmur of avowal, "The title, even, is a kind of challenge."

"Fast and Loose," Mrs. Clinch mused. "Yes, it ought to take."

"I didn't choose it for that reason!" the author protested. "I should have preferred something quieter — less pronounced; but I was determined not to shirk the responsibility of what I had written. I want people to know beforehand exactly what kind of book they are buying."

"Well," said Mrs. Clinch, "that's a degree of conscientiousness that I've never met with before. So few books fulfill the promise of their titles that experienced readers never expect the fare to come up to the menu."

"Fast and Loose will be no disappointment on that score," her cousin significantly returned. "I've handled the subject without gloves. I've called a spade a spade."

"You simply make my mouth water! And to think I haven't been able to read it yet because every spare minute of my time has been given to correcting the proofs of 'How the Birds Keep Christmas'! There's an instance of the hardships of an author's life!"

Mrs. Fetherel's eye clouded. "Don't joke, Bella, please. I suppose to experienced authors there's always something absurd in the nervousness of a new writer, but in my case so much is at stake; I've put so much of myself into this book and I'm so afraid of being misunderstood ... of being, as it were, in advance of my time ... like poor Flaubert.... I know you'll think me ridiculous ... and if only my own reputation were at stake, I should never give it a thought ... but the idea of dragging John's name through the mire...."

Mrs. Clinch, who had risen and gathered her cloak about her, stood surveying from her genial height her cousin's agitated countenance.

"Why did you use John's name, then?"

"That's another of my difficulties! I had to. There would have been no merit in publishing such a book under an assumed name; it would have been an act of moral cowardice. Fast and Loose is not an ordinary novel. A writer who dares to show up the hollowness of social conventions must have the courage of her convictions and be willing to accept the consequences of defying society. Can you imagine Ibsen or Tolstoi writing under a false name?" Mrs. Fetherel lifted a tragic eye to her cousin. "You don't know, Bella, how often I've envied you since I began to write. I used to wonder sometimes — you won't mind my saying so? — why, with all your cleverness, you hadn't taken up some more exciting subject than natural history; but I see now how wise you were. Whatever happens, you will never be denounced by the press!"

"Is that what you're afraid of?" asked Mrs. Clinch, as she grasped the bulging umbrella which rested against her chair. "My dear, if I had ever had the good luck to be denounced by the press, my brougham would be waiting at the door for me at this very moment, and I shouldn't have had to ruin this umbrella by using it in the rain. Why, you innocent, if I'd ever felt the slightest aptitude for showing up social conventions, do you suppose I should waste my time writing 'Nests Ajar' and 'How to Smell the Flowers'? There's a fairly steady demand for pseudo-science and colloquial ornithology, but it's nothing, simply nothing, to the ravenous call for attacks on social institutions — especially by those inside the institutions!"

There was often, to her cousin, a lack of taste in Mrs. Clinch's pleasantries, and on this occasion they seemed more than usually irrelevant.

"Fast and Loose was not written with the idea of a large sale."

Mrs. Clinch was unperturbed. "Perhaps that's just as well," she returned, with a philosophic shrug. "The surprise will be all the pleasanter, I mean. For of course it's going to sell tremendously; especially if you can get the press to denounce it."

"Bella, how can you? I sometimes think you say such things expressly to tease me; and yet I should think you of all women would understand my purpose in writing such a book. It has always seemed to me that the message I had to deliver was not for myself alone, but for all the other women in the world who have felt the hollowness of our social shams, the ignominy of bowing down to the idols of the market, but have lacked either the courage or the power to proclaim their independence; and I have fancied, Bella dear, that, however severely society might punish me for revealing its weaknesses, I could count on the sympathy of those who, like you" — Mrs. Fetherel's voice sank — "have passed through the deep waters."

Mrs. Clinch gave herself a kind of canine shake, as though to free her ample shoulders from any drop of the element she was supposed to have traversed.

"Oh, call them muddy rather than deep," she returned; "and you'll find, my dear, that women who've had any wading to do are rather shy of stirring up mud. It sticks — especially on white clothes."

Mrs. Fetherel lifted an undaunted brow. "I'm not afraid," she proclaimed; and at the same instant she dropped her teaspoon with a clatter and shrank back into her seat. "There's the bell," she exclaimed, "and I know it's the Bishop!"

It was in fact the Bishop of Ossining, who, impressively announced by Mrs. Fetherel's butler, now made an entry that may best be described as not inadequate to the expectations the announcement raised. The Bishop always entered a room well; but, when unannounced, or preceded by a low church butler who gave him his surname, his appearance lacked the impressiveness conferred on it by the due specification of his diocesan dignity. The Bishop was very fond of his niece, Mrs. Fetherel, and one of the traits he most valued in her was the possession of a butler who knew how to announce a bishop.

Mrs. Clinch was also his niece; but, aside from the fact that she possessed no butler at all, she had laid herself open to her uncle's criticism by writing insignificant little books which had a way of going into five or ten editions, while the fruits of his own episcopal leisure — "The Wail of Jonah" (twenty cantos in blank verse), and "Through a Glass Brightly"; or, "How to Raise Funds for a Memorial Window" — inexplicably languished on the back shelves of a publisher noted for his dexterity in pushing "devotional goods." Even this indiscretion the Bishop might, however, have condoned, had his niece thought fit to turn to him for support and advice at the painful juncture of her history when, in her own words, it became necessary for her to invite Mr. Clinch to look out for another situation. Mr. Clinch's misconduct was of the kind especially designed by Providence to test the fortitude of a Christian wife and mother, and the Bishop was absolutely distended with seasonable advice and edification; so that when Bella met his tentative exhortations with the curt remark that she preferred to do her own house cleaning unassisted, her uncle's grief at her ingratitude was not untempered with sympathy for Mr. Clinch.

It is not surprising, therefore, that the Bishop's warmest greetings were always reserved for Mrs. Fetherel; and on this occasion Mrs. Clinch thought she detected, in the salutation which fell to her share, a pronounced suggestion that her own presence was superfluous — a hint which she took with her usual imperturbable good humor.


II

Left alone with the bishop, Mrs. Fetherel sought the nearest refuge from conversation by offering him a cup of tea. The Bishop accepted with the preoccupied air of a man to whom, for the moment, tea is but a subordinate incident. Mrs. Fetherel's nervousness increased; and knowing that the surest way of distracting attention from one's own affairs is to affect an interest in those of one's companion, she hastily asked if her uncle had come to town on business.

"On business — yes — " said the Bishop in an impressive tone. "I had to see my publisher, who has been behaving rather unsatisfactorily in regard to my last book."

"Ah — your last book?" faltered Mrs. Fetherel, with a sickening sense of her inability to recall the name or nature of the work in question, and a mental vow never again to be caught in such ignorance of a colleague's productions.

"'Through a Glass Brightly,'" the Bishop explained, with an emphasis which revealed his detection of her predicament. "You may remember that I sent you a copy last Christmas?"

"Of course I do!" Mrs. Fetherel brightened. "It was that delightful story of the poor consumptive girl who had no money, and two little brothers to support —"

"Sisters — idiot sisters —" the Bishop gloomily corrected.

"I mean sisters; and who managed to collect money enough to put up a beautiful memorial window to her — her grandfather, whom she had never seen —"

"But whose sermons had been her chief consolation and support during her long struggle with poverty and disease." The Bishop gave the satisfied sigh of the workman who reviews his completed task. "A touching subject, surely; and I believe I did it justice; at least so my friends assured me."

"Why, yes — I remember there was a splendid review of it in the Reredos!" cried Mrs. Fetherel, moved by the incipient instinct of reciprocity.

"Yes — by my dear friend Mrs. Gollinger, whose husband, the late Dean Gollinger, was under very particular obligations to me. Mrs. Gollinger is a woman of rare literary acumen, and her praise of my book was unqualified; but the public wants more highly seasoned fare, and the approval of a thoughtful churchwoman carries less weight than the sensational comments of an illiterate journalist." The Bishop bent a meditative eye on his spotless gaiters. "At the risk of horrifying you, my dear," he added, with a slight laugh, "I will confide to you that my best chance of a popular success would be to have my book denounced by the press."

"Denounced?" gasped Mrs. Fetherel. "On what ground?"

"On the ground of immorality." The Bishop evaded her startled gaze, "Such a thing is inconceivable to you, of course; but I am only repeating what my publisher tells me. If, for instance, a critic could be induced — I mean, if a critic were to be found, who called in question the morality of my heroine in sacrificing her own health and that of her idiot sisters in order to put up a memorial window to her grandfather, it would probably raise a general controversy in the newspapers, and I might count on a sale of ten or fifteen thousand within the next year. If he described her as morbid or decadent, it might even run to twenty thousand; but that is more than I permit myself to hope. In fact I should be satisfied with any general charge of immorality." The Bishop sighed again, "I need hardly tell you that I am actuated by no mere literary ambition. Those whose opinion I most value have assured me that the book is not without merit; but, though it does not become me to dispute their verdict, I can truly say that my vanity as an author is not at stake. I have, however, a special reason for wishing to increase the circulation of 'Through a Glass Brightly'; it was written for a purpose — a purpose I have greatly at heart —"

"I know," cried his niece sympathetically. "The chantry window —?"

"Is still empty, alas! and I had great hopes that, under Providence, my little book might be the means of filling it. All our wealthy parishioners have given lavishly to the cathedral, and it was for this reason that, in writing 'Through a Glass,' I addressed my appeal more especially to the less well-endowed, hoping by the example of my heroine to stimulate the collection of small sums throughout the entire diocese, and perhaps beyond it. I am sure," the Bishop feelingly concluded, "the book would have a widespread influence if people could only be induced to read it!"

His conclusion touched a fresh threat of association in Mrs. Fetherel's vibrating nerve centers. "I never thought of that!" she cried.

The Bishop looked at her inquiringly.

"That one's books may not be read at all! How dreadful!" she exclaimed.

He smiled faintly. "I had not forgotten that I was addressing an authoress," he said. "Indeed, I should not have dared to inflict my troubles on anyone not of the craft."

Mrs. Fetherel was quivering with the consciousness of her involuntary self-betrayal. "Oh, Uncle!" she murmured.

"In fact," the Bishop continued, with a gesture which seemed to brush away her scruples, "I came here partly to speak to you about your novel. 'Fast and Loose,' I think you call it?"

Mrs. Fetherel blushed assentingly.

"And is it out yet?" the Bishop continued.

"It came out about a week ago. But you haven't touched your tea and it must be quite cold. Let me give you another cup."

"My reason for asking," the Bishop went on, with the bland inexorableness with which, in his younger days, he had been known to continue a sermon after the senior warden had looked four times at his watch, "— my reason for asking is, that I hoped I might not be too late to induce you to change the title."


(Continues...)

Excerpted from Short Stories by EDITH WHARTON. Copyright © 1994 Dover Publications, Inc.. Excerpted by permission of Dover Publications, Inc..
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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Table of Contents



Expiation
The Dilettante
The Muse's Tragedy
The Pelican
Souls Belated
Xingu
The Other Two
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