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The Short Sweet Dream of Eduardo Gutierrez

The Short Sweet Dream of Eduardo Gutierrez

5.0 4
by Jimmy Breslin

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The Short Sweet Dream of Eduardo Gutiérrez is a towering achievement by one of America’s most respected journalists. A work of conscience that travels from San Matías Cuatchatyotla, a small, dusty town in central Mexico, to the cold and wet streets of Williamsburg, Brooklyn, this searing exposé chronicles the life and tragic death of an


The Short Sweet Dream of Eduardo Gutiérrez is a towering achievement by one of America’s most respected journalists. A work of conscience that travels from San Matías Cuatchatyotla, a small, dusty town in central Mexico, to the cold and wet streets of Williamsburg, Brooklyn, this searing exposé chronicles the life and tragic death of an undocumented worker, along with broader issues of municipal corruption and America’s deadly and controversial border policy.

From the Trade Paperback edition.

Editorial Reviews

The Barnes & Noble Review
Lyrically written, beautifully told, this haunting book documents the tragedy in the brief life of an illegal alien in New York City. The Short Sweet Dream of Eduardo Gutierrez is a major new work from one of America's best-known journalists. Jimmy Breslin gives us a tour de force combination: a back-story of what life is like for those who risk all to cross from Mexico illegally, and a classic investigative report on a shady building operation in Brooklyn that ends a dream and a life in an instant. Scandal followed for many connected to the corrupt construction project. But for Eduardo Gutierrez, the illegal alien from San Matias, Mexico, the worksite cave-in not only took his life but virtually erased his identity; he was virtually unnoted in the media blitz that followed.

Breslin does for Eduardo's story what he does best: skillfully restoring the human dimension, reminding us it is not just another tale of corruption with an unhappy ending. He reveals the larger tragedy within: the plight of those beyond our borders who also want and need a better life, who also have dreams. This story goes far beyond mere facts and legalisms. This time it has a name: Eduardo Gutierrez.

Breslin's narrative gives dignity to the man, thus personalizing what is usually spoken of as an abstract problem. Sweet Dream is stunningly written, almost poetic in style, filled with powerful images that are hard to forget. It is a wonderful achievement, both in investigative journalism and in the lyrical narrative tradition. (Elena Simon)

Elena Simon lives in New York City.

In this riveting book based on a true story, veteran columnist Breslin investigates the death of Eduardo Gutierrez, a twenty-one- year-old illegal Mexican immigrant who was killed while working at a construction site in Brooklyn, when a floor collapsed, plunging him into a vat of concrete. The first-born son of a fifteen-year-old mother, Gutierrez was the archetypal "wetback," one of thousands of illegal immigrants who pay body-smugglers, called "coyotes," exorbitant sums to cross the border from Mexico. A masterful muckraker, Breslin exposes the venal builders and employers, as well as bureaucrats from New York City Mayor Rudy Giuliani to petty, bribed clerks, whose actions contributed to Gutierrez's death. In the tradition of Theodore Dreiser and Upton Sinclair, the author lays bare a political tragedy—here, the heedless U.S. immigration policy and its human cost. Breslin grieves for all immigrants who live their lives "with pictures of American money in their heads" only to be crushed in their desperate attempts to realize that vision.
—Paul Evans
Library Journal
When a building under construction in Brooklyn collapsed on November 23, 1999, Eduardo Gutierrez, a 21-year-old Mexican day laborer working on the third floor, fell face-first into liquid concrete below. Trapped, he suffocated to death. Here, longtime New York newspaper columnist and prolific author Breslin (I Want To Thank My Brain for Remembering Me) gives voice and respect to the powerless like Gutierrez. He compassionately portrays the drudgery and loneliness consuming the lives of hardworking but undocumented immigrants while fearlessly revealing the questionable procedures and corruption that enabled the builders to develop their shoddy structures. At times, however, Breslin's snipes at public figures such as Hillary Clinton and Rudolph Giuliani are only tangentially relevant to the story. And in describing the victim's early life in Mexico, the author quotes dialog despite the improbability of having overheard these conversations. By including this kind of speculation in a journalistic work, Breslin risks compromising the veracity of a story that needed to be told. All the same, Breslin skillfully engages the reader with transitions in time, cleverly turned phrases, and segues into fascinating topics such as Russian immigrants, Hassidic Jews, the Williamsburg Bridge, and the dangers encountered at the Mexico-U.S. border. Recommended for all public libraries. [Previewed in Prepub Alert, LJ 10/15/00.] Elaine Machleder, Bronx, NY Copyright 2001 Cahners Business Information.
New Yorker
In 1999, at the age of twenty-one, Eduardo Gutiérrez, an illegal immigrant, drowned in concrete at a Brooklyn building site. In this melancholy and sometimes angry book, Breslin traces Gutiérrez's life, from his birth to a brickmaker and his wife in a small, dusty Mexican town to his final days as "cheap labor" for Eugene Ostreicher, a Williamsburg builder notorious for his shoddy standards. Breslin directs his anger at many targets, including United States immigration policy and the bureaucratic inertia of the city's Buildings Department, but he saves his most venomous attacks for the developers, "crooks with blueprints," and the Giuliani administration, which valued their support too highly. The real strength of this book, however, lies in its quietest passages, with Breslin's depiction of Gutiérrez and his fellow-workers, the "commune of the lonely," and the reclamation of the details of Gutiérrez's short life.
Kirkus Reviews
Legendary newspaper columnist and novelist (I Don't Want to Go to Jail, p. 347, etc.) Breslin's revealing and tragic saga of an illegal Mexican worker who perished in a 1999 New York City construction accident. Eduardo Gutierrez was born in 1978 into a family of bricklayers in the tiny town of San Matias, three hours from Mexico City. Sun-beaten and dirt-poor, San Matias was a place where one would be lucky to earn $20 a week, so its young men and women dreamed of emigration north to the US, a magical land whose $4 and $5/hour jobs cleaning, cooking, or hauling promised a bountiful future. In 1998, Eduardo made the arduous pilgrimage, paying $1,500 to an immigrant smuggler, known as a coyote, to spirit him across the border. Breslin examines the border-crossing system in detail, describing how the coyotes stash their clients in Mexican border-town hotel rooms until the moment appears right; they then smuggle their charges onto airplanes, force them to wade across rivers with perilous currents, or guide them through deserts where daytime temperatures soar to 120. In New York City, Eduardo lived in a cramped apartment with several other illegals, rarely venturing outside except to go to work, for fear of encountering police or immigration officers. Breslin depicts the illegal's life as a lonely one, separated from loved ones, barely comprehending American life, with few opportunities for socializing. The author is scathing in his portrait of the Hassidic real-estate developers in Williamsburg, Brooklyn who-rather than employ qualified construction workers at $23/hour-hire men like Eduardo for just $7/hour. Shoddy building standards, backlogged city inspection agencies, and politiciansafraid to antagonize the politically powerful Hasids, set the stage for the November 1999 building collapse that took Eduardo's life. He and his fellow Mexicans knew that the structure on which they worked each day was dangerously unstable; and, predictably, those guilty escaped with minimal punishment. Breslin's at his best offering crisp reportage about the rough-and-tumble politics of New York City; his writing gets a bit clunky in the sections set in Mexico, which tend to the novelistic. But Eduardo's story itself is compelling enough to pull the story along. A straightforward account of an illegal that comments eloquently on the human cost of globalization.

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Read an Excerpt

Chapter One
Tomás Eduardo Daniel Gutiérrez was the firstborn of a fifteen-year-old mother in the town of San Matías Cuatchatyotla in central Mexico, about three hours by car from Mexico City. Daniel is his father’s last name and Gutiérrez is the mother’s. The baby was familiarly called Eduardo Daniel, but the official records used the formal name, Tomás Eduardo Daniel Gutiérrez. A midwife assisted. He was born on a Sunday morning, which allowed his father to be present. The father was away on the other six days, traveling by truck to sell loads of bricks. Sometimes he was given the wrong address for the customer, and he wound up driving for an entire day around Mexico City, selling the undelivered bricks door to door.

San Matías Cuatchatyotla starts as an alley running from the two-lane highway going to Puebla in central Mexico, forty-five minutes away. The alley is a Third World dirt path that runs straight through the dust with children leaning against walls and young mothers standing aimlessly on street corners holding staring babies, and dogs coated with flies sleeping in the alleys or walking in circles in front of entranceways to shacks. Old women walk bent in the heat and the flies. Their legs are thick and the grandchildren’s thin, but this does not matter. All in San Matías, body bowed or lithe, have legs that can walk a thousand miles.

The alley runs into a network of other dusty alleys. They are lined with one-story sheds and lots filled with bricks. At first, the brick piles seem to be unfinished buildings, but then a kiln shows its hot sides to display the town’s business, baking bricks.

Papers by archaeologists say that fired bricks used in the construction of a temple in the area disputes the conventional belief that only the Mayans built structures in this region. Fired bricks were not Mayan; they were from the Roman Empire. All these centuries later, archaeologists say the bricks of San Matías are relics not of the Mayans but of people from Europe–you figure out how they reached here. The physical evidence says they did.

The official address of Eduardo’s birth was number 8 Calle Libre, that figure scratched on the wall at the start of the alley that runs to a green tin fence with a door in it. A loud knock, and the door is opened by a child with a dog leaning against its legs. The hour of day, day of week, or time of year doesn’t matter, for there is always a child with a dog at the door. The doorway opens to a crowded yard that has a large evergreen tree and is lined with concrete huts of single-room size that have flat roofs and curtains over the doorways. The thirty members of the Gutiérrez family (the next baby makes thirty-one)–uncles, cousins, nephews, nieces, dogs–brush through the curtains. There are no toilets or showers. Water is pulled up from the deep old stone well in a heavy wooden bucket with great effort by women whose mouths contort and whose bare arms throb as their large hands go one over the other in pulling up the bucket. On a long table there is a row of seven plastic buckets for washing dishes and pots and scrubbing clothes. Dogs lap up soapy water in spill buckets on the ground. The women hang wash on lines tied to the evergreen tree. The clothes flap just above rabbits in wood cages. There are chickens in a wire pen, and dogs covered with flies spread out on the ground, peaceful now but not always.

On the day Eduardo was born, the father, Daniel, waited in the courtyard while the women washed dishes and clothes.

“Somebody always washes,” he recalls. “When somebody dies, they wash. When somebody is born, they wash.”

Eduardo’s mother, Teresa, was shy to the point of agony. She spoke to nobody but her family. She left the house only when she heard the church bells up the street ring three times for the start of mass, or to buy something she needed. Each time, she draped a blue scarf over her face, Middle Eastern style. Everybody knew the scarf, but no one knew her, although San Matías is a small place. Eduardo was born with the deep shyness of his mother, but what directed body and life was neither home nor nationality. Mexico is just the name of a country, which comes from Mexica, another name for the Aztecs.

Eduardo’s life came from the lines circling a globe.

Latitude rules.

Chapter Two

Eduardo was born in a room off this courtyard with the sky above determining from the instant of his birth who he was and would be and how he would live the rest of his life. He cried into the world on June 15, 1978, at 19 degrees, 3 minutes north of the equator, and 4 degrees below the tropic of Cancer, in a place where the sun strikes the earth and those on it nearly directly. The path of the sun in the sky over San Matías is virtually the same each day of each year. Months are words. Seasonal changes carry the weight of a falling leaf. Each morning the sun rises straight up in the sky, to 80 degrees. For six hours each day in San Matías, for all the days, the burning eye of the sun stares unblinking and straight down. There are no shadows in its remorseless glare. The people at this latitude all have brown skin, often running to black. They must have it or they die in the sun.

All over the earth, the sun strikes from different angles. In Norway the sun gets half as high as over Mexico, 40 degrees, and comes at the earth on the oblique. People can’t cast a shadow to equal their height. The sun must be 45 degrees before that can be done. In New York, except for June 21 and the days around it, the sun makes high sweeps across the sky, and the direct burning it does lessens by the day until December.

In the latitudes between 23 1?2 degrees north, the tropic of Cancer, and 23 1?2 degrees south, the tropic of Capricorn, the earth steams eternally, and most inside those lines are born with hues that often cause the whites above the tropic latitudes in the north to be somewhat apprehensive. Mexicans don’t cause white foot races so often as the blacks; many Mexicans have slightly lighter skin, which makes them a little less frightening. Therefore businessmen and housewives see the Mexicans as the most worthy of all workers: The Mexicans are cheap labor.

Their heritage is Mexican by map and tongue, but latitude rules their bodies. The largest organ of the body is the skin, 6 percent of the body weight, whose hue originated so many millions of years ago. Color is spread through the skin by pigment that comes in drops so small that they fall beneath our ability to weigh them. Yet you put them together, the skin and the weightless pigment, and they can move the earth more than an earthquake.

In skin of any hue, the major cell population is the basal keratinocytes. There is a lesser group known as the melanocytes, whose effect is eternal. The number of melanocytes is the same in all skin: one melanocyte for every four to ten keratinocytes. Melanocytes contain granules called melanosomes, which carry melanin, the pigment that colors the skin. They bring pheomelanin, a light yellow or auburn, or eumelanin, which is dark brown.

In those latitudes near the equator, the sun blazing straight down for all those millennia has caused the melanocytes to be very active, producing large amounts of eumelanin. As in people of any color, the melanin granules rise to cover the keratinocytes’ nuclei, protecting them from the effects of ultraviolet radiation. In so doing, the pigment colors the skin dark brown, or into shades of black. This skin color has nothing to do with intelligence, size, or athletic ability. It has to do with survival.

The dark pigment was first put into the body by nature–and beyond that the hand of God–to darken the skin and pass this hue down and thus protect all who follow against melanoma, a merciless killer. Melanoma starts with a genetic mutation of a cell caused by the ultraviolet rays of the sun. Ultraviolet rays bathe the white skin to death. It provides no defense. Black skin is a fortification. Melanoma, this abnormal growth of tissues, is uncontrolled, has no expected endpoint, and is furiously aggressive; it spreads like splashed acid. Then it kills from all the places of the body that it has touched.

People are born colors from tan to black in order to save them from being white.

Latino or Hispanic identity is as muddied as the waters of the Rio Grande. Color is of so many gradations that it confuses anybody with an official chart trying to count by race and hue. The combination of European and Indian heritage, with skin color thrown in, makes for a complex Hispanic concept of race.

The writer Richard Rodriguez noted, “I used to stare at the Indian in the mirror. The wide nostrils, the thick lips. Such a long face–such a long nose–sculpted by indifferent, blunt thumbs, and of such common clay. My face could not portray the ambition I brought to it. What could the United States say to me? I remember reading the ponderous conclusions of the Kerner Report in the sixties: two Americas, one white, one black, the prophecy of an eclipse too simple to account for the complexity of my face. Mestizo in Mexican Spanish means mixed, confused. Clotted with Indian, thinned by Spanish spume.”

At each election, when New York added up ethnic voting, the total of non—Puerto Rican Hispanics was minute and the Chinese were listed as “other.” There was only black and white.

Into New York they came, these people of every shade, from African black to Mexican and Indian brown and Chinese yellowish tan, people with dark eyes and straight black hair. They changed the city forever, including strong, proud white Queens, the place of cops and firemen, of the late Carroll O’Connor, who came from under the Jamaica Avenue el to become Archie Bunker. Suddenly the sidewalks were crowded with continents of children running through the gates of schools like P.S. 69 at the end of the day. Then one afternoon, a woman named Quinn who lived in Rosedale, outside Kennedy Airport, complained about the schools and as proof of her lack of prejudice said, “And I’ll have you know that my son goes to a school that is ninety-nine percent minority. That’s right. He goes with ninety-nine percent minorities.” This school has pupils from seventy countries who speak forty languages. On this afternoon, the day before St. Patrick’s Day, the kids had on green cardboard hats that they had made in class. Here came a little girl from India, with her Irish green hat tilted over dark hair.

“What’s the green for?” she was asked.

“St. Patrick.”

“What does he mean?”

“A parade.”

“What kind of parade?”

“White people.”

She had just identified the New Minority in New York.

As the 2000 census showed, there are now two types of people in the city. There are those of color. And there are those without color. Those of color are a large majority.

The old minority of the city is now the majority. The old majority is now the minority.

From the Hardcover edition.

Meet the Author

JIMMY BRESLIN has been writing a syndicated newspaper column for more than forty years. He is the author of The Gang That Couldn’t Shoot Straight and, most recently, the novel I Don’t Want to Go to Jail. He lives in New York City.

From the Hardcover edition.

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Short Sweet Dream of Eduardo Gutierrez 5 out of 5 based on 0 ratings. 4 reviews.
Guest More than 1 year ago
Personally I have politically been of the persuasion that illegal immigrants should be sent back. However, this book certainly tempered my thoughts it is an extraordinary book and I sent a copy to my son at school in Arizona.
Guest More than 1 year ago
This book was assigned reading for a Columbia Graduate school course. I picked it up to briefly take a look as I do each semester with new books and I did not put it down. The story of Eduardo Guitierrez - the story of so many immigrants to the U.S. - is one that everybody should know. While sharing the story of this immigrant's tragedy, Breslin reveals the details behind a headlining story of political corruption recently in the news. Of course I had heard of the thousands of Mexicans that risk their lives to enter this country, but before this book I had little understanding of the reasons they leave their home and what they are faced with when they arrive in the city. This book tells the story of the immigrants, the city they so desperately want to live and work in, the exploitation they suffer and the people responsible for the mistreatment of these and so many other working poor. It will make you sad and it will make you angry, and hopefully it will make you act!
Guest More than 1 year ago
What a nice book, what a wonderful author.A great author to recognize and respect the life of another soul.
Anonymous More than 1 year ago