Shoulder the Sky (World War One Series #2) [NOOK Book]

Overview

In the firmament of great historical novelists, Anne Perry is a star of the greatest magnitude. First there were her acclaimed Victorian mysteries, sparkling with passion and suspense. Now readers have embraced this bestselling new series of World War I novels–which juxtapose the tranquil life of the English countryside with the horrors of war.

By April of 1915, as chaplain Joseph Reavley tends to the soldiers in his care, the nightmare of ...
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Shoulder the Sky (World War One Series #2)

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Overview

In the firmament of great historical novelists, Anne Perry is a star of the greatest magnitude. First there were her acclaimed Victorian mysteries, sparkling with passion and suspense. Now readers have embraced this bestselling new series of World War I novels–which juxtapose the tranquil life of the English countryside with the horrors of war.

By April of 1915, as chaplain Joseph Reavley tends to the soldiers in his care, the nightmare of trench warfare is impartially cutting down England’s youth. On one of his rescue forays into no-man’s-land, Joseph finds the body of an arrogant war correspondent, Eldon Prentice. A nephew of the respected General Owen Cullingford, Prentice was despised for his prying attempts to elicit facts that would turn public opinion against the war. Most troublesome to Joseph, Prentice has been killed not by German fire but, apparently, by one of his own compatriots. What Englishman hated Prentice enough to kill him? Joseph is afraid he may know, and his sister, Judith, who is General Cullingford’s driver and translator, harbors her own fearful suspicions.

Meanwhile, Joseph and Judith’s brother, Matthew, an intelligence officer in London, continues his quiet search for the sinister figure they call the Peacemaker, who, like Eldon Prentice, is trying to undermine the public support for the struggle–and, as the Reavley family has good reason to believe, is in fact at the heart of a fantastic plot to reshape the entire world. An intimate of kings, the Peacemaker kills with impunity, and his dark shadow stretches from the peaceful country lanes of Cambridgeshire to the twin hells of Ypres and Gallipoli.

In this mesmerizing series, Anne Perry has found a subject worthy of her gifts. Illuminating the murderous conflict whose violence still resounds in our consciousness–as well as the souls of men and women who lived it–Shoulder the Sky is a taut, inspiring masterpiece.


From the Hardcover edition.
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Editorial Reviews

Publishers Weekly
In this excellent sequel to 2003's No Graves As Yet, bestseller Perry continues the exploits of the Reavley children, who lost their parents in a devastating car crash that proved to be no accident on the eve of WWI. The implications of that double homicide continue to dog Joseph, a military chaplain in the thick of trench warfare at Ypres; his sister, Judith, a volunteer driver/translator for the general in command of that front; and their brother, Matthew, an intelligence officer. While justice of a sort was meted out to the man directly responsible for the murder of their parents, the Reavleys believe a master manipulator and traitor they have dubbed the "Peacemaker," who seeks a radical alliance between king and kaiser to end the bloodshed, was the prime mover. When Joseph finds the corpse of an arrogant, bullying journalist in no-man's land, he soon realizes that a British hand was responsible, and that even in the midst of war's savagery, his conscience demands that he seek out the truth. This classic puzzle is nicely paralleled by Matthew's dogged search for the Peacemaker's identity. Perry cleverly resolves some plot lines while reserving the solution of others for future mysteries. Though her depiction of the ravages of war is not at the level of a Charles Todd, she does a superb job of bringing the grimness and waste to life, in a nice shift of gears from her two 19th-century historical series. Agent, Donald Maass. (Sept. 28) Copyright 2004 Reed Business Information.
Library Journal
This compelling sequel to No Graves As Yet follows the wartime careers of the Reavley siblings. Joseph, serving as a chaplain at the Western Front, strives to build morale among the troops amidst the harsh realities of World War I. He is also determined to find out who murdered Eldon Prentice, an abrasive, arrogant journalist, even though no one else cares. Judith finds meaning in her life by driving ambulances near Ypres and falling in love with the married general she chauffeurs. Back in London, Matthew secretly investigates the identity of the "Peacemaker," who would manipulate the British into surrendering. Matthew has a personal stake in stopping him, because the "Peacemaker" orchestrated the deaths of the Reavley parents. Perry deftly brings together different threads in this new series, all the while suffusing the story with her trademark passion against injustice and evil. Essential for most mystery collections. Perry lives in Scotland. [See Prepub Alert, LJ 6/1/04.] Laurel Bliss, Princeton Univ. Lib. Copyright 2004 Reed Business Information.
School Library Journal
Adult/High School-In the trenches of Flanders, the Reverend Joseph Reavley goes about the task of trying to keep up the morale of the British soldiers, extending his duties to assisting in bringing men back from the barbed-wired and mud-mired "no man's land." When he retrieves the body of an egotistical correspondent, Eldon Prentice, every person who knew him confesses to being glad he was killed. However, it wasn't the Germans who murdered him, but one of their own, and Reavley decides to investigate. Perry's eye for historical detail masterfully places the main characters in settings exactingly correct for the era, whether London, the trenches, or the English countryside. The characters' emotions and thoughts capture the confusion, frustration, and determination of those fighting the war. Without describing too graphically the horrors of the front, the author presents memorable tableaux of a soldier, an ambulance driver, a doctor, a field nurse, and those in positions of leadership and trust. The murder investigation and espionage greatly enhance the action and interest in the complex plot.-Pam Johnson, Fairfax County Public Library, VA Copyright 2005 Reed Business Information.
Kirkus Reviews
Perry trades the stately homes of Selbourne St. Giles for the rat-infested trenches of Flanders in this foursquare sequel to No Graves as Yet (2003). The Reavley family, still devastated by the assassination of their parents, are now scattered as well. Judith and Joseph are in Belgium, Judith driving General Owen Cullingford's car and falling hopelessly in love with him, Joseph serving as a chaplain who manfully dispenses comfort to the remnants of the British Expeditionary Force. Back in England, Hannah and her tykes are anxiously keeping the home fires burning for her absent husband Archie, and Matthew, working with the Secret Intelligence Service, is trying to uncover the identity of the Peacemaker, the peace-at-any-price activist on whose orders the senior Reavleys were murdered. Matthew's assignment may sound the most deadly, but it's Joseph who sees the most action and has to deal with the most piercing moral problems. Joseph's troubles, already considerable because of the difficulties of persuading his wounded and shell-shocked fellow-Cambridgeshire villagers that God loves them despite everything they've seen and felt, are multiplied when he finds the body of Eldon Prentice, a correspondent whose pushy tactlessness had made him universally disliked-even by Gen. Cullingford, the uncle he blackmailed into giving him preferential treatment. Prentice has clearly been murdered by someone he trusted, and Joseph vows against stiff resistance to find out who. But how can he pick out the killer from a landscape that includes so many killers? And will Matthew ever identify the Peacemaker?An absorbing tale, ranging from Flanders fields to Gallipoli, in which the visceral horrors of warprovide a better balance for the plummy periods of Perry's high-flown dialogue than Victorian England ever did (Seven Dials, 2003, etc.). Be warned, though: She's evidently saving the Peacemaker's identity for the third, or the thirteenth, entry in this new series. Agent: Donald Maass/Donald Maass Literary Agency
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Product Details

  • ISBN-13: 9780345480521
  • Publisher: Random House Publishing Group
  • Publication date: 9/28/2004
  • Series: World War I , #2
  • Sold by: Random House
  • Format: eBook
  • Sales rank: 129,503
  • File size: 367 KB

Meet the Author

Anne Perry
ANNE PERRY is the bestselling author of the World War I novels No Graves as Yet, Shoulder the Sky, Angels in the Gloom, At Some Disputed Barricade, and We Shall Not Sleep; as well as five holiday novels: A Christmas Journey, A Christmas Visitor, A Christmas Guest, A Christmas Secret, and A Christmas Beginning. She is also the creator of two acclaimed series set in Victorian England. Her William Monk novels include Dark Assassin, The Shifting Tide, and Death of a Stranger. The popular novels featuring Thomas and Charlotte Pitt include Long Spoon Lane, Seven Dials, and Southampton Row. Her short story "Heroes" won an Edgar Award. Anne Perry lives in Scotland. Visit her website at anneperry.net.

Biography

Born in London in October 1938, Anne Perry was plagued with health problems as a young child. So severe were her illnesses that at age eight she was sent to the Bahamas to live with family friends in the hopes that the warmer climate would improve her health. She returned to her family as a young teenager, but sickness and frequent moves had interrupted her formal education to the extent that she was finally forced to leave school altogether. With the encouragement of her supportive parents, she was able to "fill in the gaps" with voracious reading, and her lack of formal schooling has never held her back.

Although Perry held down many jobs—working at various times as a retail clerk, stewardess, limousine dispatcher, and insurance underwriter—the only thing she ever seriously wanted to do in life was to write. (In her '20s, she started putting together the first draft of Tathea, a fantasy that would not see print until 1999.) At the suggestion of her stepfather, she began writing mysteries set in Victorian London; and in 1979, one of her manuscripts was accepted for publication. The book was The Cater Street Hangman, an ingenious crime novel that introduced a clever, extremely untidy police inspector named Thomas Pitt. In this way an intriguing mystery series was born…along with a successful writing career.

In addition to the Thomas and Charlotte Pitt novels, Perry crafts darker, more layered Victorian mysteries around the character of London police detective William Monk, whose memory has been impaired by a coach accident. (Monk debuted in 1990's The Face of a Stranger.) She also writes historical novels set during the First World War (No Graves as Yet, Shoulder the Sky, etc.) and holiday-themed mysteries (A Christmas Journey, A Christmas Secret, etc), and her short stories have been included in several anthologies.

Good To Know

Some fun and fascinating outtakes from our interview with Anne Perry:

The first time I made any money telling a story I was four and a half years old—golden hair, blue eyes, a pink smocked dress, and neat little socks and shoes. I walked home from school (it was safe then) with my lunchtime sixpence unspent. A large boy, perhaps 12 or 13, stopped me. He was carrying a stick and threatened to hit me if I didn't give him my sixpence. I told him a long, sad story about how poor we were—no food at home, not even enough money for shoes! He gave me his half crown—five times sixpence! It's appalling! I didn't think of it as lying, just escaping with my sixpence. How on earth he could have believed me I have no idea. Perhaps that is the knack of a good story—let your imagination go wild, pile on the emotions—believe it yourself, evidence to the contrary be damned. I am not really proud of that particular example!

I used to live next door to people who had a tame dove. They had rescued it when it broke its wing. The wing healed, but it never learned to fly again. I used to walk a mile or so around the village with the dove. Its little legs were only an inch or two long, so it got tired, then it would ride on my head. Naturally I talked to it. It was a very nice bird. I got some funny looks. Strangers even asked me if I knew there was a bird on my head! Who the heck did they think I was talking to? Of course I knew there was a bird on my head. I'm not stupid—just a writer, and entitled to be a little different. I'm also English, so that gives me a second excuse!

On the other hand I'm not totally scatty. I like maths, and I used to love quadratic equations. One of the most exciting things that happened to me was when someone explained non-Euclidean geometry to me, and I suddenly saw the infinite possibilities in lateral thinking! How could I have been so blind before?

Here are some things I like—and one thing I don't:

  • I love wild places, beech trees, bluebell woods, light on water—whether the light is sunlight, moonlight, or lamplight; and whether the water is ocean, rain, snow, river, mist, or even a puddle.

  • I love the setting sun in autumn over the cornstooks.

  • I love to eat raspberries, pink grapefruit, crusty bread dipped in olive oil.

  • I love gardens where you seem to walk from "room to room," with rambling roses and vines climbing into the trees and sudden vistas when you turn corners.

  • I love white swans and the wild geese flying overhead.

  • I dislike rigidity, prejudice, ill-temper, and perhaps above all, self-righteousness.

  • I love laughter, mercy, courage, hope. I think that probably makes me pretty much like most people. But that isn't bad.
  • Read More Show Less
      1. Also Known As:
        Juliet Hulme
      2. Hometown:
        Portmahomack, Ross-shire, U.K
      1. Date of Birth:
        October 28, 1938
      2. Place of Birth:
        Blackheath, London England

    Read an Excerpt

    CHAPTER ONE

    It was shortly after three in the afternoon. Joseph Reavley was half asleep in the April sun, his back to the pale clay wall of the trench, when he heard the angry voices.

    “They be moi boots, Tucky Nunn, an’ you know that well as Oi do! Yours be over there wi’ holes in ’em!” It was Plugger Arnold, a seasoned soldier of twenty, big-boned, a son of the village blacksmith. He had been in Flanders since the outbreak of war in August. Although he was angry, he kept his voice low. He knew it carried in the afternoon stillness when the men snatched the three or four hours of sleep they could.

    The German trenches were only seventy yards away across this stretch of the Ypres Salient. Anyone foolish enough to reach a hand up above the parapet would be likely to get it shot. The snipers seldom needed a second chance. Added to which, getting yourself injured on purpose was a court-martial offense.

    Tucky Nunn, nineteen and new this far forward, was standing on the duckboards that floored the trench. They were there to keep the men’s feet above the icy water that sloshed around, but they seldom worked. The water level was too high. Every time you thought it was drying out at last, it rained again.

    “Yeah?” Tucky said, his eyebrows raised. “Fit me perfect, they do. Didn’t see your name on ’em. Must ’ave wore off.” He grinned, making no move to bend and unlace the offending boots and hand them back.

    Plugger was sitting half sideways on the fire-step. A few yards away the sentry was standing with his back to them, staring through the periscope over the wire and mud of no-man’s-land. He could not afford to lose concentration even for a moment, regardless of what went on behind him.

    “They’s moi boots,” Plugger said between his teeth. “Take ’em off yer soddin’ feet an’ give ’em back to me, or Oi’ll take ’em off yer and give yer to the rats!”

    Tucky bounced on the balls of his feet, hunching his shoulders a little. “You want to try?” he invited.

    Doughy Ward crawled out of his dugout, fully dressed, as they all were: webbing and rifle with bayonet attached. His fair-skinned face was crumpled with annoyance at being robbed of any part of his few hours of sleep. He glared at Joseph. “ ‘Thou shalt not steal.’ Isn’t that right, Chaplain?”

    It was a demand that even here in the mud and the cold, amid boredom and sporadic violence, Joseph should do his job and stand for the values of justice that must remain, or all this would sink into a purposeless hell. Without right and wrong there was no sanity.

    “Oi didn’t steal them!” Tucky said angrily. “They were . . .” He did not finish the sentence because Plugger hit him, a rolling blow that caught the side of his jaw as he ducked and struck back.

    There was no point in shouting at them, and the sound would carry. Added to which Joseph did not want to let the whole trench know that there was a discipline problem. Both men could end up on a charge, and that was not the way for a chaplain to resolve anything. He moved forward, careful to avoid being struck himself, and grasped hold of Tucky, taking him off balance and knocking him against the uprights that held the trench wall.

    “The Germans are that way!” he said tartly, jerking his head back toward the parapet and no-man’s-land beyond.

    Plugger was up on his feet, slithering in the mud on the duckboards, his socks filthy and sodden. “Good oidea to send him over the top, Captain, where he belongs! But not in moi boots!” He was floundering toward them, arms flailing as if to carry on the fight.

    Joseph stepped between them, risking being caught by both, the worst part of which would be that then a charge would be unavoidable. “Stop it!” he ordered briskly. “Take the boots off, Nunn!”

    “Thank you, Chaplain,” Plugger responded with a smile of satisfaction.

    Tucky stood unmoving, his face set, ignoring the blood. “They ain’t his boots oither!” he said sullenly, his eyes meeting Joseph’s.

    A man appeared around the dogleg corner. No stretch of the trench was more than ten or twelve yards long, to prevent shellfire taking out a whole platoon of men—or a German raiding party making it through the wire. They were steep-sided, shored up against mud slides, and barely wide enough for two men to pass each other. The man coming was tall and lean with wide shoulders, and he walked with a certain elegance, even on the sloping duckboards. His face was dark, long-nosed, and there was a wry humor in it.

    “Early for tea, aren’t you?” he asked, his eyes going from one to another.

    Tucky and Plugger reluctantly stood to attention. “Yes, Major Wetherall,” they said almost in unison.

    Sam Wetherall glanced down at Plugger’s stockinged feet, his eyebrows raised. “Thinking of creeping up on the cook, are you? Or making a quick recce over the top first?”

    “Soon as Oi get moi boots back from that thievin’ sod, Oi’ll put ’em on again,” Plugger replied, gesturing toward Tucky.

    “I’d wash them first if I were you,” Sam advised with a smile.

    “Oi will,” Plugger agreed. “Oi don’t want to catch nothin’!”

    “I meant your feet,” Sam corrected him.

    Tucky Nunn roared with laughter, in spite of the bruise darkening on his jaw where Plugger had caught him.

    “Whose boots are they?” Joseph asked, smiling as well.

    “Moine!” both men said together.

    “Whose boots are they?” Joseph repeated.

    There was a moment’s silence.

    “Oi saw ’em first,” Plugger answered.

    “You didn’t take them,” Tucky pointed out. “If you ’ad, you’d ’ave them now, wouldn’t you!”

    “Come on, Solomon.” Sam looked at Joseph, his mouth pulled into an ironic twist.

    “Right,” Joseph said decisively. “Left boot, Nunn. Right boot, Arnold.”

    There was considerable grumbling, but Tucky took off the right boot and passed it over, reaching for one of the worn boots where Plugger had been sitting.

    “Shouldn’t have had them off now anyway,” Sam said disapprovingly. “You know better than that. What if Fritz’d made a sudden attack?”

    Plugger’s eyebrows shot up, his blue eyes wide open. “At half past three in the afternoon? It’s teatoime in a minute. They may be soddin’ Germans, but they’re not uncivilized. They still got to eat an’ sleep, same as us.”

    “You stick your head up above the parapet, and you’ll find he’s nowhere near asleep, I promise you,” Sam warned.

    Tucky was about to reply when there was a shouting about twenty yards along the line, and a moment later a young soldier lurched around the corner, his face white. He stared at Sam.

    “One of your sappers has taken half his hand off!” he said, his voice high-pitched and jerky.

    “Where is he, Charlie?” Joseph said quickly. “We’ll get him to the first-aid post.”

    Sam was rigid. “Who is it?” He started forward, pushing ahead of both of them, ignoring the rats scattering in both directions.

    Charlie Gee swiveled and went on his heels. Joseph stopped to duck into the connecting trench leading back to the second line, and pick out a first-aid pack in case they needed more than the field dressing the wounded man should be carrying himself.

    When he caught up with them Sam was bent over, one arm around a man sitting on the duckboards. The sapper was rocking back and forth, clutching the stump of his hand to his chest, scarlet blood streaming from it.

    Joseph had lost count of how many wounded and dead he had seen, but each man’s horror was new, and real, and it looked as if in this case the man might have lost a good deal of his right hand.

    Sam was ashen, his jaw clenched so tight the muscles stood out like cords. “We have to see it, Corliss!” His voice shook in spite of everything he could do to steady it. “We have to stop the bleeding!” He looked at Joseph, his eyes desperate.

    Joseph tore open the dressing and, speaking gently to the injured man, took his hand and without examining it, pressed the bandage and the lint over the streaming wound, then bound it as well as he could. He had very little idea how many fingers were left.

    “Come on, ol’ feller,” Charlie said, trying to help Corliss to his feet. “Oi’ll get you back to the doc’s and they’ll do it for you proper.”

    Sam climbed to his feet and pulled Joseph aside as Charlie and Corliss stumbled past.

    “Joe, can you go with them?” Sam said urgently. He swallowed, gulping. “Corliss is in a hell of a state. He’s been on the edge of funking it for days. I’ve got to find out what happened, put in a report, but the medics’ll ask him what caused it. . . . Answer for him, will you?” He stopped, but it was painfully apparent he wanted to say more.

    Suddenly Joseph understood. Sam was terrified the man had injured himself deliberately. Some men panicked, worn down by fear, cold, and horror, and put their hands up above the parapet precisely so a sniper would get them. A hand maimed was “a Blighty one,” and they got sent home. But if it was self-inflicted, it was considered cowardice in the face of the enemy. It warranted a court-martial, and possibly even the death sentence. Corliss’s nerves may have snapped. It happened to men sometimes. Anything could trigger a reaction: the incessant noise of bombardment, the dirt, body lice. For some it was waking in the night with rats crawling over your body—or worse, your face. The horror of talking one moment to a man you had grown up with, the next seeing him blown to bits, perhaps armless and legless but still alive, taking minutes of screaming in agony to die. It was more than some could take. For others it was the guilt of knowing that your bullet, or your bayonet, was doing the same to a German you had never met, but who was your own age, and essentially just like you. Sometimes they crept over no-man’s-land at night and swapped food. Occasionally you could even hear them singing. Different things broke different men. Corliss was a sapper. It could have been the claustrophobia of crawling inside the tunnels under the earth, the terror of being buried alive.

    “Help him,” Sam begged. “I can’t go . . . and they won’t believe me anyway.”

    “Of course.” Joseph did not hesitate. He grasped Sam’s arm for an instant, then turned and made his way back over the duckboards to the opening of the communication trench. Charlie Gee and Corliss were far enough ahead of him to be out of sight around one of the numerous dogleg bends. He hurried, his feet slithering on the wet boards. In some places chicken wire had been tacked over them to give a grip, but no one had bothered here. He must catch up with them before they reached the supply trench and someone else started asking questions.

    From the Hardcover edition.

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    Table of Contents

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    Customer Reviews

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    Sort by: Showing all of 10 Customer Reviews
    • Anonymous

      Posted March 23, 2008

      Joseph Reavly series

      Wonderful writing. I have listened to all three books on audiotape and the reader brings WW1 alive. Coming from one of the colonies 'NZ' I always thought 'our boys' died for the King and motherland. As much as that has not changed I came to realise what the reality of wartime was like for soldiers and people at home waiting. Excellent books

      1 out of 1 people found this review helpful.

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    • Anonymous

      Posted July 18, 2007

      Anne Perry's best work. 3rd in a series.

      This series about WWI is wonderful. It truly helps you understand the Brits obsession with WWI, and entertains mystery fans at the same time.

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    • Anonymous

      Posted June 21, 2005

      Oh, the Passion!

      I read this to the end -- had trouble putting it down -- but I wish I had a nickel for every time Anne Perry uses the word 'passion'! It becomes a bit of a cliche, and the whole book is on the 'wordy' side. Still -- would recommend it, especially to those who, like me, like the WWI and WWII eras.

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    • Anonymous

      Posted December 10, 2004

      It Just Stops

      AAargh! I really enjoyed this book. The writing and the story were very engaging and I stayed up late to finish the book. Surprise! One sub-theme gets resolved but the larger plot line just drops as if someone had ripped out the last 50 pages of the book. Some authors signal that you'll have to buy their next book to see what happens, but no such signal here. I feel very cheated and won't read any more of her work for a long time. That's too bad because, as I said, I really liked the book until the end.

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    • Posted December 9, 2008

      more from this reviewer

      terrific historical military thriller

      In 1915, though they remain in mourning over the vehicular murder of their parents, the Reavley siblings continue to their efforts to help England at war with the Kaiser. Joseph serves as a chaplain in the trench warfare in Belgium and France. Judith works as a driver and translator for General Cullingsford, who leads the English Expeditionary Force fighting in these trenches. Matthew is in London working Intel while trying to uncover information on the mythical power broker Peacemaker, who he believes is the killer of his parents and the broker of a Kaiser King alliance.--- Joseph finds the corpse of detested journalist Eldon Prince, Cullingsford¿s nephew, who apparently died at the hands of ¿friendly¿ fire. Though he would prefer to ignore this homicide, Joseph investigates, which makes his preaching on God¿s love more difficult to his already disbelieving flock, who are pleased with Eldon¿s death. His sister wonders if her employer whom she is in love with could have arranged the murder of his odious relative.--- SHOULDER THE SKY, the second book in Anne Perry¿s World War I opus, is a terrific exciting thriller that contains two exciting fronts. Judith and Joseph working a murder investigation with the backdrop of the horrors of war, especially trench warfare, are painting a panorama of horror because conditions are that terrible. In England, Matthew continues his inquiries into the Peacemaker that he previously started in NO GRAVES AS YET. Other family members serve as comparisons between the war efforts and the home. All is not quiet on the western front as Ms. Perry furbishes a terrific historical military thriller with amateur sleuth and espionage elements enhancing the dark sky of war.--- Harriet Klausner

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      Posted July 18, 2011

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