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Showing My Color: Impolite Essays on Race and Identity
     

Showing My Color: Impolite Essays on Race and Identity

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by Clarence Page
 

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Reflecting on changes in the racial landscape since the 1960s and drawing on a depth of personal and private experiences, a Pulitzer Prize-winning columnist for the Chicago Tribune reconnects the increasingly abstract political debates about black conservatives, affirmative action, and the "race card" to the people for whom these words mean something more than just

Overview

Reflecting on changes in the racial landscape since the 1960s and drawing on a depth of personal and private experiences, a Pulitzer Prize-winning columnist for the Chicago Tribune reconnects the increasingly abstract political debates about black conservatives, affirmative action, and the "race card" to the people for whom these words mean something more than just votes.

Product Details

ISBN-13:
9780060928018
Publisher:
HarperCollins Publishers
Publication date:
02/19/1997
Pages:
302
Product dimensions:
5.31(w) x 8.00(h) x 0.79(d)

Read an Excerpt

Chapter One

The Rudeness of Race

An Introduction

The Negro leader of today is not free. He must look to white men for his very existence, and in consequence he has to waste a lot of his energy trying to think white. What the Negroes need is leaders who can and will think black.

--H.L. Mencken


Race has long had a rude presence in my life. While visiting relatives in Alabama as a child in the 1950s, I first saw water fountains marked "white" and "colored." I vaguely recall being excited. I rushed over to the one marked "colored" and turned it on, only to find, to my deep disappointment, that the water came out clear, just like the water back home in Ohio.

"Segregation," my dad said. I'd never heard the word before. My southern-born parents explained that it was something the white folks "down home" practiced. Some "home." Yet unpleasant experiences in the North already had taught me a more genteel, yet no less limiting version.

"There are places white people don't want colored to go," my elders told me in their soft southern accents, "and white people make the rules."

We had plenty of segregation like that in the North. We just didn't have the signs, which made it cheaper and easier to deny We could look out of my schoolhouse window to see a public swimming pool closed to nonwhites. We had to go across town to the separate-but-equal "pool for colored." The steel mill that was our town's biggest employer held separate picnics for colored and white employees, which seemed to be just fine with the employees. Everyone had a good time, separately andunequally. I think the colored folks, who today would be called the "black community," were just happy to have something to call their own.

When I was about six years old, I saw a television commercial for an amusement park near the southern Ohio factory town where I grew up.

I chose to go. I told my parents. They looked at each other sadly and informed me that "little colored kids can't go there." I was crushed.

"I wish I was white," I told my parents.

"No, you don't!" Mom snapped. She gave me a look terrible enough to persuade me instantly that no, I didn't.

"Well, maybe for a few minutes, anyway?" I asked. "Just long enough for me to get past the front gate?" Then I could show them, I thought. I remember I wanted to show them what a terrific kid I was. I felt sorry for the little white children who would be deprived of getting to know me.

Throughout our childhood years my friendships with white schoolchildren (and with Pancho from the only Latino family in the neighborhood) proceeded without interruption. Except for the occasional tiff over some injudicious use of the N-word or some other slur we had picked up from our elders, we played in each other's backyards as congenially as Spanky, Buckwheat, and the rest of the gang on the old Hal Roach Our Gang comedies we used to watch on television.

Yet it quickly became apparent to me that my white friends were growing up in a different reality from the one to which I was accustomed. I could tell from the way one white friend happily discussed his weekend at LeSourdesville Lake that he did not have a clue of my reality.

"Have you been?" he asked.

"Colored can't go there," I said, somewhat astonished that he had not noticed.

"Oh, that can't be," he said.

For a moment, I perked up, wondering if the park's policy had changed. "Have you seen any colored people there?" I asked.

My white friend thought for a moment, then realized that he had not. He expressed surprise. I was surprised that he was surprised.

By the time I reached high school in the early 1960s, LeSourdesville Lake would relax its racial prohibitions. But the lessons of it stuck with me. It taught me how easily white people could ignore the segregation problem because from their vantage point it was not necessarily a problem. It was not necessarily an advantage to them, either, although some undoubtedly thought so. White people of low income, high insecurity, or fragile ego could always say that, no matter how badly off they felt, at least they were not black. Segregation helped them uphold and maintain this illusion of superiority. Even those white people who considered themselves to have a well-developed sense of social conscience could easily rationalize segregation as something that was good for both races. We played unwittingly into this illusion, I thought, when my friends and I began junior high school and, suddenly thrust into the edgy, high hormonal world of adolescence, quickly gravitated into social cliques according to tastes and race.

It became even more apparent to me that my white friends and I were growing up in parallel realities, not unlike the parallel universes described in the science fiction novels and comic books I adored--or the "parallel realities" experienced by Serbs, Bosnians, and Croatians as described years later by feminist writer Slavenka Drakulic in The Balkan Express. Even as the evil walls of legal segregation were tumbling down, thanks to the hard-fought struggles of the civil rights movement, it occurred to me that my reality might never be quite the same as that experienced by my white friends. We were doomed, I felt, to dwell in our parallel realities. Separated by thick walls of prejudice, we would view each other through windows of stained-glass perceptions, colored by our personal experiences. My parents had taught me well.

"Don't be showin' yo' color," my parents would admonish me in my youth, before we would go out in public, especially among white folks. The phrase had special meaning in Negro conversations. Imbued with many subtle meanings and nuances, the showing of one's "color" could be an expression of chastisement or warning, admonishment or adulation, satire or self-hatred, anger or celebration.

Showing My Color. Copyright � by Clarence Page. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.

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