Siesta

Editorial Reviews

All Music Guide - James Manheim
This recording, a new manifestation of the increasingly common trend that has seen virtuoso performers issuing new material on their own labels, looks as though it should be almost impossible to pull off, and recorder player Michala Petri and guitarist Lars Hannibal execute it so smoothly that you forget they're doing anything unusual. The program consists mostly of music originally written for flute and guitar, with a few other transcriptions including two from vocalises Ravel's "Pièce en forme de Habanera" and "Cantilena" from the Villa-Lobos "Bachianas Brasileiras No. 5". Many are full of quick runs that are much more difficult on the recorder than on the flute, yet ...
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Editorial Reviews

All Music Guide - James Manheim
This recording, a new manifestation of the increasingly common trend that has seen virtuoso performers issuing new material on their own labels, looks as though it should be almost impossible to pull off, and recorder player Michala Petri and guitarist Lars Hannibal execute it so smoothly that you forget they're doing anything unusual. The program consists mostly of music originally written for flute and guitar, with a few other transcriptions including two from vocalises Ravel's "Pièce en forme de Habanera" and "Cantilena" from the Villa-Lobos "Bachianas Brasileiras No. 5". Many are full of quick runs that are much more difficult on the recorder than on the flute, yet they are smoothness itself in Petri's hands. As the Siesta title suggests, the music has a Latin tinge and a consistent relaxed mood. All of it is from the twentieth century, and it contains one unfamiliar but worthwhile find -- the "Tango Catalá" or "Catalan Tango" of Joan Albert Amargós. Petri accomplishes some of her technical wizardry by switching from recorder to recorder according to the music's range, even among movements of the four movements of the Astor Piazzolla "Histoire du tango." The Castelnuovo-Tedesco "Sonatina, Op. 205," is all played on a single alto recorder. The result is not a jarring diversity of tone but rather greater homogeneity as Petri uses the instruments' differences to bring the music more comfortably under her fingers. This album might even fulfill the relaxation function the title suggests, and for recorder players it's a more or less mandatory look at what the instrument can accomplish. For any listener it's a superb example of light music, which at its best always carries an element of surprise.
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Product Details

  • Release Date: 1/30/2007
  • Label: Dacapo
  • UPC: 636943690024
  • Catalog Number: 8226900
  • Sales rank: 223,243

Tracks

Disc 1
  1. 1–4 L'histoire du tango, tango cycle for flute & guitar - Astor Piazzolla & Michala Petri (20:58)
  2. 2 Tango Catala - Juan Albert Amargos & Michala Petri (4:22)
  3. 6–8 Sonatina for flute & guitar, Op. 205 - Mario Castelnuovo-Tedesco & Michala Petri (13:13)
  4. 7 Pièce en forme de Habanera, arrangement(s) for solo instrument & keyboard - Maurice Ravel & Michala Petri (3:01)
  5. 8 Entr'acte, for flute (or violin) & harp (or guitar) (from "Le médecin de son honneur") - Jacques Ibert & Michala Petri (2:42)
  6. 9 Modinha, song for voice & piano (Serestas No. 5), A. 534 - Heitor Villa-Lobos & Michala Petri (1:50)
  7. 10 Distribuiçao de flôres (Distribution of Flowers), for flute & guitar, A. 381 - Heitor Villa-Lobos & Michala Petri (3:21)
  8. 11 Bachianas Brasileiras No. 5, for voice & 8 cellos, A. 389: Cantilena - Heitor Villa-Lobos & Michala Petri (4:47)
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Album Credits

Performance Credits
Michala Petri Primary Artist
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