Sight Unseen

Sight Unseen

3.5 2
by Robert Goddard

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Another classic mystery from the “master of the clever twist.”

On a summer’s day in 1981, a two-year-old girl, Tamsin Hall, was abducted during a picnic at the famous prehistoric site of Avebury in Wiltshire. Her seven-year-old sister Miranda was knocked down and killed by the abductor’s van. The girls were in the care of their nanny,


Another classic mystery from the “master of the clever twist.”

On a summer’s day in 1981, a two-year-old girl, Tamsin Hall, was abducted during a picnic at the famous prehistoric site of Avebury in Wiltshire. Her seven-year-old sister Miranda was knocked down and killed by the abductor’s van. The girls were in the care of their nanny, Sally Wilkinson.

One of the witnesses to this tragic event was David Umber, a Ph.D student who was waiting at the village pub to keep an appointment with a man called Griffith who claimed he could help Umber with his researches into the letters of “Junius,” the pseudonymous eighteenth century polemicist who was his Ph.D subject. But Griffin failed to show up, and Umber never heard from him again. The two-year-old, Tamsin Hall, was never seen again either. The Hall family fell apart under the strain. Sally Wilkinson, the nanny, wound up living with Umber, whom she had met at the inquiry. But she never recovered from the incident, suffered increasingly from depression, and eventually committed suicide.

In the spring of 2004, retired Chief Inspector George Sharp receives a letter signed “Junius” reproaching him for botching the 1981 investigation. Sharp confronts Umber, whose explanation for being at the scene of the tragedy has always seemed dubious. Obliged to accept Umber’s denial of authorship of the letter, he nonetheless forces him to join in a search for the real culprit — and hence the long-concealed truth about what happened 23 years previously. It is a quest that both will later regret having embarked upon. Too late they come to understand that some mysteries are better left unsolved.

Editorial Reviews

Publishers Weekly
This compelling stand-alone thriller from British author Goddard (Play to the End) opens in 1981 with the kidnapping of two-year-old Tamsin Hall and the hit-and-run death of Tamsin's seven-year-old sister, Miranda, in the ancient town of Avebury, at the foot of two massive, mysterious monoliths, part of a Neolithic stone circle. Fast forward to the present, where historian David Umber, who witnessed the double crime and later married the children's nanny, hears from now retired Chief Inspector Sharp of the Wiltshire constabulary, who has received an anonymous letter with clues to what happened that center on the identity of an 18th-century political gadfly known by the pseudonym Junius, the subject of Umber's Ph.D. research. Umber's realization that his wife's suicide years before may actually have been murder spurs him to join Sharp in pursuing this new evidence. The solution to both the identity of Junius and the perpetrator of the crimes against the children is satisfying, intelligent and refreshingly straightforward. (Jan.) Copyright 2006 Reed Business Information.
Kirkus Reviews
Twenty three years after an unsolved kidnapping, an anonymous letter reopens a case involving the latest in Goddard's long line of innocent, compromised bystanders. July 27, 1981. David Umber, a graduate student at Cambridge whose project is identifying the 18th-century whistle-blower known only as Junius, has gone to the town of Avebury to meet a man named Griffin, who's promised him a peek at an old edition of Junius's correspondence with a remarkable inscription. Griffin never shows up, so Umber is sitting alone watching in stupefaction when someone snatches two-year-old Tamsin Hall from Sally Wilkinson, her nanny, and runs over Tamsin's sister Miranda, seven, when she gives chase. Drawn together by their shocked inability to prevent the tragedy, Umber and Sally become lovers, then spouses, then exes, before Sally's death in 1999. All's well that ends ill until George Sharp, the retired Chief Inspector once in charge of the case, turns up in Prague to pluck Umber from his lecturing stint and cart him back to Avebury. Sharp's received a letter urging him to revisit the case-a letter signed "Junius" that consists entirely of cut-and-paste excerpts from Junius's letters. The hook is irresistible, and so is the delicious thrill of watching Umber, like many other Goddard heroes (Play to the End, 2006, etc.), get led by the nose by every witness he interviews-the surviving Halls, Sally's therapist and best friend, a private eye who's been working the case for over 20 years-till he's cut loose from Sharp and dropped through a series of trap doors. The sense of urbane paranoia is skillfully maintained through one mind-boggling surprise after another. Only the final revelation is a letdown. Asuavely sturdy suspenser, first published in the UK in 2005, that manages better than most Goddards to lead its well-meaning hero through ever more insidious snares without making him look like a complete fool.
From the Publisher
“Compelling…. Satisfying, intelligent.”—Publishers Weekly

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Chapter One

It had been a fickle winter in Prague. Yet another mild spell had been cut short by a plunge back into snow and ice. When David Umber had agreed to stand in as a Jolly Brolly tour guide for the following Friday, he had not reckoned on wind chill of well below zero, slippery pavements and slush-filled gutters. But those were the conditions. And Jolly Brolly never cancelled.

Umber's exit from the apartment block on Sokolovska that morning was accordingly far from eager. A lean, melancholy man in his late forties, his dark hair shot with grey, his eyes downcast, his brow furrowed with unconsoling thoughts, he turned up the collar of his coat and headed for the tram stop, glancing along the street to see if he needed to hurry.

He did not. There was no tram in sight, giving him a chance to examine the letter he had found in his mailbox on the way out. Deducing from the typeface visible through the envelope window that it was in fact a bank statement, he thrust it back into his pocket unopened and pressed on to the tram stop.

God, it was cold. Not for the first time when such weather prevailed, he silently asked himself, "What am I doing here?"

The answer, he knew, was best not dwelt upon. He had stayed on after the end of his teaching contract last summer because of Milena. But Milena had gone. And so had the temporary post he had found for the autumn term. He had a small circle of friends and acquaintances in Prague, happily including Ivana, Jolly Brolly coordinator and entrepreneuse manquee. But he also had plenty of evidence to strengthen his sense of drift and purposelessness.

He stood at the stop, shifting from foot to foot in an effort to keep warm, or at least to avoid getting any colder. The heating in his apartment block was in dire need of an overhaul. That could in fact be said of pretty much everything in the block. He had moved there as a stopgap measure when his much more salubrious and ironically cheaper flat near Grand Priory Square had vanished under the waters of the Vltava during the cataclysmic flood of August 2002. He had been in England at the time, but virtually all his possessions had been in the flat. The flood had claimed those tangible reminders of his past, leaving a void in his sense of himself that the sixteen months since had failed to fill.

The red and white nose of a tram appeared through the murk. Those waiting at the stop shuffled forward, some of them taking last drags on their cigarettes before flicking the butts into the slush. Umber squinted towards the tram, struggling to read its route number. It was a 24. Well, that was something. If it had been an 8, he would have had to stand there for another bone-chilling few minutes.

The number 24 pulled up and the passengers piled aboard, Umber hopping onto the second car, where there were more vacant seats. He slumped down in one and closed his eyes for a restful few moments as the tram started away. As a result, he did not notice the short, barrel-chested man muffled up in parka, gloves, scarf and woolly hat who jumped on just as the doors were closing. He had no cause to be on his guard, after all. A Prague tram at the back end of winter was hardly where he would have expected the past to creep up on him. He was not thinking about any of that.

But then he did not need to. David Umber's past was of an order that did not allow for genuine forgetting. It was not necessary to apply his mind to it consciously. It was simply there, always, pulling him back, dragging him down. It would never leave him. All he could do was refine his tactics of evasion. And this, he knew but did not care to admit, was why he had stayed on in Prague. It was a refuge, a hiding-place. It was far from anywhere tainted by all that he did not wish to recall. But it was not, he was to discover before the day was out, far enough.

The tram trundled on through the streets, picking up more passengers than it shed, so that by the time it reached Wenceslas Square it was crammed. Umber got off with a mob of others and headed for the Wenceslas Monument in front of the National Museum. That was the appointed meeting-place for those hapless tourists who had decided to spend a thousand koruna on a six-hour walking tour of the city's principal attractions, with lunch thrown in, in the care of an old Prague hand replete with local lore. (Jolly Brolly never knowingly undersold itself.)

About a dozen tourists were waiting by the statue of Bohemia's patron saint. The cold weather had taken its toll on numbers, for which Umber was grateful. He would not have to shout to make himself heard by such a small group. They were the usual mix of ages and nationalities, clutching their polyglot of guidebooks. Ivana was in the process of unburdening them of their cash. She acknowledged Umber's arrival with a relieved smile.

"You're late," she whispered as she handed him his staff of office–a rainbow-patterned umbrella.

"Je mi líto," he replied, apologizing being one of the few aspects of Czech he had mastered. "I overslept."

Ivana's smile stiffened only slightly as she set about introducing him to his charges. A doctor of history, she called him, in order to forestall any complaints about his clearly not having been born and bred in Prague. It was not a technically valid description. Umber had never finished his doctorate. But, in another sense, which afforded him some wry amusement, it was true. There would be a little doctoring of history before the tour was over. He could guarantee that.

There was one latecomer who settled up with Ivana after she had said her preliminary piece. Having failed to register the man's presence on the tram, Umber naturally made nothing of his last-minute arrival. Ivana wished them a good day and bustled off to the bank with the takings. She would soon be back in the warmth and relative comfort of the Jolly Brolly office. A phone call to Janoušek, proprietor of U Modré Merunky, where they were scheduled to stop for a "typical delicious Czech lunch," and her duties would be concluded.

Lucky her, thought Umber, as he took a deep breath of cold Czech air and launched his commentary with some loosely framed thoughts on the Prague Spring of 1968 and the Velvet Revolution of 1989. It was a well-worn theme. He was a historian, after all, albeit not as well qualified as Ivana had implied. He was on autopilot before they had even reached the Monument to the Victims of Communism.

And on autopilot he remained as the tour proceeded. They reached Old Town Square in good time to see the Astronomical Clock's march-past of apostles when it struck the hour, crossed Charles Bridge, popped into and out of the Church of St Nicholas, then took the funicular railway (fare included in the price) up to Petrín Park. The snow was ankle-deep in the park, which slowed their progress, those inadequately clad and shod only now realizing what they had signed up for. Umber had allowed for this, however. Some deft abridgements during their visits to the Strahov Monastery and the Loreto had them at U Modré Merunky, halfway back down the hill to Prague Castle, more or less when Janoušek was expecting them.

The exact nature of the deal between Ivana and this less than glorious example of Czech innkeeping had never been disclosed to Umber. It was certainly not predicated on the quality of the food. The roast pork was gristly, the red cabbage vinegary and the dumplings unyielding. But no-one complained. Those at Umber's table even praised the food. Perhaps they did not wish to hurt their host's feelings. Umber could have told them, but did not, that Janoušek did not actually have any feelings on the subject that could be hurt.

The latecomer to the tour, Umber's fellow-passenger from the number 24 tram, sat at a different table and said little to his companions. Removal of his woolly-hat revealed a bald head with a dusting of shaven white hair above his deeply lined brow, piercing blue eyes and hollow cheeks. He was a short, broad, bony man of sixty or seventy, whom nobody seemed eager to engage in small talk and who looked as if that suited him fine: he was nobody's fool, his bearing proclaimed, and nobody's favourite uncle either. His gaze appeared to be fixed throughout the meal on the back of David Umber's head. But of that David Umber was unaware.

Lunch over, but already repeating on some of them, the group slithered down to the Castle in time for the two o'clock Changing of the Guard. This was followed by a circuit of St Vitus's Cathedral before they made their way to the Royal Palace for Umber's account of the famous Defenestration of 1618 that sparked off the Thirty Years' War. He was mildly worried at this stage by the chance that someone might ask him to explain the whys and wherefores of that long-ago conflict. But the moment passed with questionless ease. They made a gingerly descent of Old Castle Steps, crossed back over the river and entered the Jewish Quarter.

Three synagogues and one cemetery later, they returned to Old Town Square, where the tour ended at the birthplace of Franz Kafka. Umber cracked his customary joke about hoping nobody had found the day too much of a trial. There were more smiles than laughs and a few expressions of thanks, extending in one case to a (very) modest tip. Then the group dispersed.

It was late afternoon now and growing colder. Umber hurried round to the Jolly Brolly nerve centre, two second-floor rooms about halfway between Old Town Square and the Prague branch of Tesco, where he planned to buy his dinner.

There was no sign of Ivana in the office. She had left it in the languid care of Marek, her youthful and, in Umber's view, useless assistant. Marek was sitting with his feet on the desk, smoking a Camel cigarette and texting a friend when Umber walked in. Marek nodded a greeting and slid a small, square manilla envelope across the desk. Umber pocketed the envelope, returned his umbrella to the stack in the corner and made to leave.

At which point he noticed that morning's edition of Annonce–the classifieds paper with the most comprehensive accommodation listings in Prague–lying discarded in the waste bin. He fished it out and glanced enquiringly at Marek.

"Prosím," said Marek, with a sarcastic smirk.

Umber exited, checking the contents of the envelope as he descended the rickety stairs. All the money was there. But all, in this case, was not a lot.

Back on the street, solvent if scarcely flush, Umber decided that Tesco could wait. Jolly Brolly HQ's proximity to U Zlatého Tygra, the Old Town's most famous drinking establishment, verged on the unreasonable. At this hour he could be sure of a seat, which, after foot-slogging round the city all day, he needed almost as much as a beer.

U Zlateho Tygra–the Golden Tiger–was its normal soothing, smoky self. Umber settled himself at the table screened by the pub's trophy cabinet, next to the window on which the eponymous tiger frolicked in stained-glass abandon. Half a litre of cellar-cooled Pilsner was swiftly delivered to him and his tab initiated with a slash of the server's pen. Umber took a deep gulp of beer, then unfolded Annonce and commenced a less than hopeful search for attractive and affordable alternatives to his present abode.

But his search never even reached the APARTMENTS TO RENT page. A bulky figure rounded the trophy cabinet at that moment and assumed a looming stance above him. Umber looked up and, to his surprise, recognized the newcomer, or at any rate recognized his outfit of maroon parka and matching woolly-hat. He was one of the tour party.

"Hello," said Umber. "What brings you here?"

"You do." The man pulled off his hat and unwound his scarf, fixing Umber with a steely blue gaze.

It might have been the quality of the gaze that clinched it. Or it might have been the flat, faintly menacing tone of voice. Either way, recognition–true recognition–dawned now on Umber.

"I don't believe it," he murmured. Which was true. He did not believe it.

"You'll have to," the other man said. Which was also true. It was not a matter of choice. It never had been.

It had begun at Avebury. But it had not ended there.

From the Trade Paperback edition.

Meet the Author

Robert Goddard was born in Hampshire. He read History at Cambridge and worked as an educational administrator in Devon before becoming a full-time novelist. He is the author of many bestselling novels, including Into the Blue which won the first WH Smith Thumping Good Read Award and was dramatized for TV in 1997, starring John Thaw.

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Sight Unseen 3.5 out of 5 based on 0 ratings. 2 reviews.
Whymsy More than 1 year ago
Conflicted as the Main Character “It began at Avebury. But it did not end there” When retired policeman George Sharp goes to Prague and attempts to convince David Umber to come back to London with him and look into the crime that brought Umber and his wife, Sally, together 23 years earlier Umber is more than a little skeptical. Umber has tried to put that event and Sally, who died five years earlier in a supposed suicide, behind him. But with so many unanswered questions haunting him and the urgings of an anonymous letter signed by the long dead Junius – the subject of Umber’s abandoned thesis - Umber decides to give Sharp a chance. As they start back down the old familiar tracks, strange things occur and the investigation takes a turns neither of them could have expected. I found the lack luster writing style and uninspiring characters bothersome. The characters tended to be flat and not very dynamic, especially when it came to the dialogue. These two major factors niggled at me the whole way through the book. What kept me going was the actual plot. Some other reviews I read complained the plot was too complicated and hard to follow, frankly I don’t agree with them. The use of the Junius figure, an eighteenth-century polemicist known for his scathing letters on the British government, and the interest in finding out his real identity coupled with the twist and turns of the investigation was fascinating to me. Goddard slowly doles out information so you aren’t quite sure what will happen in the end in a way I liked and he did eventually answer the questions haunting Umber. I debated long and hard about my rating for this book and I just couldn’t bring myself to give it three stars. A good book should not only have a good plot, but also decent writing and strong characters; which is why I only gave Sight Unseen two stars. I do want to state, however, I haven’t completely written off Robert Goddard and plan on giving him another try at some later date when my some of my dissatisfaction has bled off.
harstan More than 1 year ago
In the summer of 1981 near the Avebury Neolithic henge circle, a woman walks with three children a nine or ten years old boy and a seven years old girl are slightly ahead of the adult and the third child is a toddler. Suddenly a man grabs the infant whose sister reacts instantly and gives chase while the nanny stares in revulsion. The kidnapper jumps into a van, runs over his seven years old pursuer, and flees with his catch. Historian David Umber witnessed the horror over twenty-five years ago in which Tamsin Hall was abducted and her older sister Miranda killed. David eventually married the stunned nanny but his wife never moved on from the shock that initially bound them until she finally committed suicide filled with guilt that she was negligent in her diligence. --- Retired Wiltshire Chief Inspector Sharp informs David he received an anonymous letter with clues to what happened on that fatal day in ¿81. The letter focuses on the true identity of an eighteenth century political meddler known as Junius, who happens to be the subject of Umber's Ph.D. research. David begins to reconsider his wife¿s suicide and wonders if someone murdered her to further bury the truth. The historian and the former cop team up to follow the new leads to hopefully uncover a murderous kidnapper. --- If not the best, Robert Goddard has to be one of the top five suspense writers today. With exhilarating works like BORROWED TIME, HAND IN GLOVE, and now SIGHT UNSEEN, Mr. Goddard consistently entertains with exciting tales that are plausible and gripping. His current thriller will hook the audience from the opening 1981 sequence and throughout until the final present day confrontation thus another great thriller from a genre grandmaster. --- Harriet Klausner