SIGHTLINES: On Peace, Power & Prestige: Metal Arts in Africa

by Drew Thompson (Editor), Jessica Lynne (Contribution by), JJJJJerome Ellis (Contribution by), mary adeogun (Contribution by), Maaza Mengiste (Contribution by)

Overview

New modes of displaying and viewing African art and material culture.

At the heart of SIGHTLINES on Peace, Power & Prestige: Metal Arts in Africa is a design-focused question of how to present historical and contemporary works alongside one another. Through the use of a long wall designed by the architectural firm AD-WO for the 2023 exhibition, Bard Graduate Center invited visitors and interlocutors to engage with African art in a variety of ways.

As part of the exhibition, the department of public humanities and research at BGC worked with curator Drew Thompson to craft a vigorous and lively series of public programs, inviting guests to create their own sightlines. Participants mary adeogun, JJJJJerome Ellis, Jessica Lynne, Annissa Malvoisin, Maaza Mengiste, and Okwui Okpokwasili offered their vantage points, illuminating various aesthetic, functional, and symbolic uses of the metalworks on view, and highlighting the modes of historical analysis and storytelling behind the contemporary works.

This book gathers those sightlines with photographs of the exhibition installation and other illustrations selected by the authors. An introductory essay by curator Thompson grapples with current debates on the display of historical and contemporary art of Africa and the Black diaspora. Exhibition designers and curatorial advisers Emanuel Admassu and Jen Wood present a visual essay on the inspiration for and the ideas behind their long-wall display. The book also features an interview between Admassu, Thompson, and Wood.

SIGHTLINES marks a different approach to scholarship around exhibitions in two immediate ways. First, it showcases how visitors engaged with the exhibition through its design and display of objects. Second, it provides an opportunity to highlight the kinds of research and cultural insights that a collaborative and design-focused curatorial approach provides. The publication is the first Bard Graduate Center book to explore the visual and material culture of Africa and the Black diaspora, delving into the history of the metalworks as well as larger debates on collecting practices, museum display, gallery education, and provenance.

Product Details

ISBN-13:	9781941792421
Publisher:	Bard Graduate Center
Publication date:	07/25/2025
Series:	BGCX
Pages:	120
Product dimensions:	5.00(w) x 7.00(h) x 0.00(d)

About the Author

Drew Thompson writes on the subject areas of African, African-American, and Black diaspora visual and material culture, the history of photography, Black modernism, and museums as (de-)colonial spaces. Art curating is a critical component of his scholarship and teaching.


Jessica Lynne is a writer and critic. She is a founding editor of ARTS.BLACK, an online journal of art criticism from Black perspectives. Her writing has been featured in publications such as Artforum, the Believer, Frieze, the Los Angeles Times, the Nation, and Oxford American, where she is a contributing editor. She is the recipient of a 2020 research and development award from the Graham Foundation for Advanced Studies in the Fine Arts and a 2020 Arts Writer Grant from the Andy Warhol Foundation. She is the inaugural recipient of the Beverly Art Writers Travel Grant awarded in 2022 by the American Australian Association. Lynne is an associate editor at Momus and, alongside Rianna Jade Parker, coauthor of the forthcoming publication, Image and Belief: An Unfinished History of Black Artists.


JJJJJerome Ellis is an animal, artist, and proud stutterer. Through music, literature, performance, video, and photography he researches relationships among blackness, disabled speech, divinity, nature, sound, and time. Born in 1989 to Jamaican and Grenadian immigrants, he lives in Norfolk, Virginia with his wife, ecologist-poet Luísa Black Ellis.


mary adeogun studied textiles, garments, and dress culture at Bard Graduate Center, receiving her MA in 2022.


Maaza Mengiste is the author of The Shadow King, shortlisted for the 2020 Booker Prize and named a Best Book of 2019 by the New York Times, NPR, Time, Elle, and other publications. Beneath the Lion’s Gaze, her debut, was selected by the Guardian as one of the ten best contemporary African books. Mengiste is a recipient of the American Academy of Arts and Letters Award in Literature as well as fellowships from the Guggenheim Foundation, the National Endowment for the Arts, Creative Capital, DAAD Artists in Berlin program, the Cullman Center for Scholars and Writers, and the Fulbright Scholar program, among others.


Annissa Malvoisin’s research specializes in Egyptology, Nubian archaeology, and museum studies. Her doctoral thesis investigates the ceramic production and trade industry during Meroitic Nubia and its potential far-reaching networks linking the Nile Valley to Iron Age West African cultures. At the Brooklyn Museum, she has co-organized Sakimatwemtwe: A Century of Reflection on the Arts of Africa and Africa Fashion.


Okwui Okpokwasili is a Brooklyn-based performer, choreographer, and writer creating multidisciplinary performance pieces. Her highly experimental productions include Bessie Award-winning pent-up: a revenge dance, Bessie Award-winning Bronx Gothic, as well as poor people’s TV room, poor people’s TV room (SOLO), when I return who will receive me, Adaku’s revolt, and the participatory performance installation Sitting on a Man’s Head. In 2022, she was the inaugural artist for the Kravis Studio Residency program at MoMA. She is the recipient of numerous awards and fellowships, including a 2018 Princeton University Hodder Fellowship, a 2018 Herb Alpert Award in Dance, a 2018 Doris Duke Artist Award, and a 2018 MacArthur Fellowship.

Table of Contents

Table of Contents
Introduction to SIGHTLINES: A Meditation on the Historical and Contemporary in African Arts
By Drew Thompson

Visual Essay on the Long Wall
By Jen Wood and Emanuel Admassu

SIGHTLINES on Peace, Power & Prestige: Metal Arts in Africa
- Jessica Lynne on Domesticity
- JJJJJerome Ellis on Speculative Architecture
- mary adeogun on Extraction
- Maaza Mengiste on Protection
- Drew Thompson on Devotion
- Annissa Malvoisin on Devotion
- Okwui Okpokwasili on Protection

Interview on the Exhibition Design conducted with Jen Wood and Emanuel Admassu by Drew Thompson