Sigmar Polke: Paintings, Photographs and Films

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Overview

Imaginitive, subtle, bold, playful, pointed, witty, explosive, narrative, open, hermetic, mysterious, expressive, wild, ironic, joyous, cynical, ambiguous, mythologizing, and fantastical. How else to characterize Sigmar Polke's astonishing, incredibly pleasurable, and stylistically all-embracing oeuvre? Starting from the profane material of everyday culture, Polke interprets images of reality rather than reality itself, satirizes tendencies in contemporary painting, quesitons the role of the artist as author, breaks down the trivial visual worlds of media photography, and always, but always, takes off on the most magnificent flights of imagination. This publication is the most complete monograph on the artist to date, and ...
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Overview

Imaginitive, subtle, bold, playful, pointed, witty, explosive, narrative, open, hermetic, mysterious, expressive, wild, ironic, joyous, cynical, ambiguous, mythologizing, and fantastical. How else to characterize Sigmar Polke's astonishing, incredibly pleasurable, and stylistically all-embracing oeuvre? Starting from the profane material of everyday culture, Polke interprets images of reality rather than reality itself, satirizes tendencies in contemporary painting, quesitons the role of the artist as author, breaks down the trivial visual worlds of media photography, and always, but always, takes off on the most magnificent flights of imagination. This publication is the most complete monograph on the artist to date, and includes a number of works never before published.

Product Details

  • ISBN-13: 9788434309890
  • Publisher: D.A.P./Distributed Art Publishers
  • Publication date: 3/28/2006
  • Pages: 320
  • Product dimensions: 8.50 (w) x 10.30 (h) x 1.20 (d)

Meet the Author

Sigmar Polke was born in Oels, Germany, in 1941, and studied at the State Academy of Art in D sseldorf. He first achieved recognition in 1963 when he began working in a witty and irreverent style he termed "Capitalist Realism"—often considered a more complex and political cousin to Anglo-American Pop Art. He has continued to create innovative and aesthetically impressive works through the present day. He has been the subject of solo exhibitions at such major museums as the Museum of Contemporary Art, Los Angeles; the San Francisco Museum of Modern Art; the MusEe de l'Art Moderne de la Ville de Paris; the Hirshhorn Museum and Sculpture Garden, Washington, D.C.; the Museum of Contemporary Art, Chicago; the Brooklyn Museum; the Stedelijk Museum, Amsterdam; the Walker Arts Center; and, in 1999, at The Museum of Modern Art, New York. He has been the recipient of the Venice Biennale's Golden Lion, the Erasmus award, and the Carnegie award. He lives and works in Cologne, Germany.

Table of Contents

Sigmar Polke : the old women or time
Apparitions and phantoms 19
The natural and the inducer of images 63
Between the meaning and the form 121
Visionary transmutations 177
Mimetic landscapes 218
The skin of time 255
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