Signing Off

Signing Off

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by UB40
     
 

So ubiquitous was UB40's grip on the pop-reggae market that it may have been difficult for younger fans to comprehend just how their arrival shook up the British musical scene. They appeared just as 2 Tone had peaked and was beginning its slide towards oblivion. Not that it mattered, as few would try to shoehorn the band into that suit. However,See more details below

Overview

So ubiquitous was UB40's grip on the pop-reggae market that it may have been difficult for younger fans to comprehend just how their arrival shook up the British musical scene. They appeared just as 2 Tone had peaked and was beginning its slide towards oblivion. Not that it mattered, as few would try to shoehorn the band into that suit. However, the group was no more comfortable within the U.K. reggae axis of Steel Pulse, Aswad, and Matumbi. Their rhythms may have been reggae-based, their music Jamaican-inspired, but UB40 had such an original take on the genre that all comparisons were moot. Even their attack on the singles chart was unusual, as they smacked three double-A-sided singles into the Top Ten in swift succession. By rights, the second 45 should have acted as a taster for their album (it didn't, coming several months too soon), while the third should have been a spinoff (it wasn't, boasting two new songs entirely). Regardless, both sides of their debut single -- the roots-rocking indictment of politicians' refusal to relieve famine on "Food for Thought" and the dreamy tribute to Martin Luther "King" -- were included, as well as their phenomenal cover of Randy Newman's "I Think It's Going to Rain Today" off their second single. The new material was equally strong. The moody roots-fired "Tyler," which kicks off the set, is a potent condemnation of the U.S. judicial system, while its stellar dub, "25%," appears later in the set. The smoky Far Eastern-flavored "Burden" explores the dual tugs of national pride and shame over Britain's oppressive past (and present). If that was a thoughtful number, "Little by Little" was a blatant call for class warfare. Of course, Ali Campbell never raised his voice -- he didn't need to. His words were his sword, and the creamier and sweeter his delivery, the deeper they cut. Their music was just as revolutionary, their sound unlike anything else on either island, from deep dubs shot through with jazzy sax to the bright and breezy instrumental "12 Bar," with its splendid loose groove transmuted later in the set to the jazzier and smokier "Adella." Meanwhile, "Food" slams into the dance clubs, and "King" floats to the heavens. It's hard to believe this is the same UB40 that later topped the U.K. charts with the likes of "Red Red Wine" and "I've Got You Babe." Their fire was dampened quickly, but on Signing Off it blazed high, still accessible to the pop market, but so edgy that even those who are sure there's nothing about the group to admire will change their tune instantly.

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Product Details

Release Date:
02/08/1994
Label:
Virgin Records Us
UPC:
0077778826125
catalogNumber:
88261
Rank:
85025

Tracks

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Album Credits

Performance Credits

UB40   Primary Artist
Astro   Voices
Jim Brown   Drums,Group Member
Robin Campbell   Guitar,Vocals
Earl Falconer   Bass
Norman Hassan   Percussion,Conga,Vocals
Brian Travers   Saxophone,Tenor Saxophone
Michael Virtue   Organ,Strings,Keyboards
Ali Campbell   Guitar,Rhythm Guitar,Vocals

Technical Credits

UB40   Producer
Jim Brown   Composer
Robin Campbell   Composer
Earl Falconer   Composer
Ray Falconer   Producer
Norman Hassan   Composer
Bob Lamb   Producer
Brian Travers   Composer
Michael Virtue   Composer
Rafe McKenna   Engineer
Ali Campbell   Composer

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