Signs, Symbols & Omens: An Illustrated Guide to Magical & Spiritual Symbolism

Signs, Symbols & Omens: An Illustrated Guide to Magical & Spiritual Symbolism

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by Raymond Buckland
     
 

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As human beings, we live in a world of symbols. From traffic signs to the very letters that comprise these words, symbols are woven into every aspect of daily life. Since prehistoric times humans have used symbolic representation to communicate with each other and with the divine.

In Signs, Symbols & Omens, leading occult authority Ray Buckland

Overview

As human beings, we live in a world of symbols. From traffic signs to the very letters that comprise these words, symbols are woven into every aspect of daily life. Since prehistoric times humans have used symbolic representation to communicate with each other and with the divine.

In Signs, Symbols & Omens, leading occult authority Ray Buckland describes the form and meaning of over 800 symbols from ancient and modern religions, magical traditions, and indigenous cultures around the world:

• Alchemy
• Ancient Egypt
• Astrology
• Australian Aborigines
• Aztec and Mayan
• Buddhist
• Celtic
• Ceremonial Magic
• Chinese
• Christian
• Freemasonry
• Gnostic
• Greek and Roman
• Hindu
• Islam
• Judaic
• Magical Alphabets
• Native American
• Norse
• Rosicrucian
• Runic
• Shinto
• Sikh
• Travelers
• Voudoun
• Witchcraft
• Omens

Understand the symbols used throughout human history and gain a deeper appreciation for the depth of the human experience and the vast uncharted realm of the collective unconscious.

Product Details

ISBN-13:
9780738716619
Publisher:
Llewellyn Worldwide, LTD.
Publication date:
05/08/2014
Sold by:
Barnes & Noble
Format:
NOOK Book
Pages:
264
Sales rank:
828,620
File size:
11 MB
Note:
This product may take a few minutes to download.

Read an Excerpt

Alchemy
Some scholars say the name alchemy comes from the Greek
cheo, meaning “I pour” or “I cast,” since much of alchemy has
to do with the working of metals. But many believe the word
comes from the Egyptian Khem, meaning “the black land” (land
with black earth), and see that as indicating Egypt as alchemy’s
place of origin. The Arabic article al was added to Khem to give
alchemy. Later, as the science (some call it a pseudoscience) progressed,
the article was again dropped, to become chemistry.
Alchemy certainly is the early history of chemistry.
There was an early Egyptian alchemist whose name was
Chemes. He wrote a book, called Chema, about his experiments
trying to turn base metal into gold. Some few believe
that the word alchemist comes from his name.
Whatever the origin of the word, it seems certain that the
practice of alchemy had its beginnings in the Hellenistic culture
of Alexandria, Egypt, which was the center of the world
of learning at that time. In fact alchemy is a blending of
Egyptian technology, Greek philosophy, and Middle Eastern
mysticism. The first alchemists were the metallurgical workers
who prepared precious metals for the nobles but also produced
cheap substitutes for the less affluent. These cheaper substitutes
were often disguised to look like the more precious metals. It
didn’t take long for the idea to develop that it might be possible
to actually produce the precious metals themselves. This idea, in
fact, was backed by Aristotle’s theory that there was a prime
matter that was the basis for all substances. Astrology added the
concept that the greater outer world of planets and stars reflected
the inner world of humankind: a macrocosm and a microcosm.
It was believed that under the proper astrological influences,
it should be possible to change one metal into another;
for example, lead into gold. In the same way that humankind
perfected, going through death and rebirth, so might metals perfect
and grow from one base form to another higher form.
The Philosopher’s Stone was the term given to a stone
that—if it could be developed—would serve as the catalyst to
transform metals and other raw material into gold. Although
referred to as a stone, it was not necessarily an actual stone for
it was believed that it might be a combination of fire and
water, or other unlikely mixtures.
So the original alchemy became an operation of passing
substances through a series of chemical processes. The actual
workings were noted, but in symbolic form to protect them
from the dabblers and the uninitiated, and also to protect the alchemists
themselves from charges by the Church that they
were involved in heresy. The metals were represented by the astrological
sign of the controlling body, and frequently the components
and the actions were assimilated with Greek and
Roman myths and mythological beings. The more the individual
alchemists tried to hide and protect the results of their experiments,
the more obtuse and confusing became much of
what they did and said. In describing necessary actions, they
used language such as: “When we marry the crowned king
with the red daughter, she will conceive a son in the gentle fire
. . . the dragon shuns the light of the sun, and our dead son
shall live. The king comes forth from the fire and rejoices in the
marriage.”1
Hermes Trismegistus, also known as “Thrice Great Hermes”
(it is from his name that the term the hermetic art was
given to alchemy), has been variously described as an earthly
incarnation of the Egyptian god Thoth and as an Egyptian
priest, or a pharaoh, who taught the Egyptians all their magic.
He is credited with having written several thousand books, including
the Emerald Tablet, or Tabula Smaragdina, which contained
all the hermetic teachings—the thirteen precepts—including
the fundamental principles for the Grand Arcanum, or
“great secret.” There are many references to the Emerald
Tablet in alchemical writings.

Meet the Author

Raymond Buckland has been actively involved in metaphysics and the occult for fifty years and has writing about it for nearly thirty.

He is the author of more than sixty books, including such best-selling titles as Buckland's Complete Book of Witchcraft, Gypsy Dream Dictionary, Practical Candleburning Rituals, and Witchcraft from the Inside. Ray has lectured and presented workshops across the United States, and has appeared on major television and radio shows nationally and internationally. He has also written screen plays, been a technical advisor for films, and appeared in films and videos.

Ray comes from an English Romany (Gypsy) family and presently resides, with his wife Tara, on a small farm in central Ohio. Beyond writing, Ray's other passion is homebuilt airplanes.

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Signs, Symbols & Omens: An Illustrated Guide to Magical & Spiritual Symbolism 3.5 out of 5 based on 0 ratings. 6 reviews.
Anonymous More than 1 year ago
I don't know if it was just me or what, but I was expecting this book to be about seeing signs, symbols and omens in and around you. Not actual regular signs. Like the street signs of the pagan world. Obviously I jumped the gun with this one by simply going by the title. Its a very quick once over of the dull content it has.
Guest More than 1 year ago
'Signs, Symbols, and Omens: An Illustrated Guide to Magical and Spiritual Symbolism' is an excellent source for those who are in the occult and need to make a quick referance check. Unfortunately, though, this book lacks the depths of a well written occult piece due to the fact that its symbols are widely varied. Instead of giving a look of each culture and its history, it simply details the symbol as main stream or pre-mainstream occultists have viewed it. This book is a good quick and clean referance manual and nothing more.
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